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What Do Unions Do? A Twenty-year Perspective

What Do Unions Do? A Twenty-year Perspective

One of the best-known and most-quoted books ever written on labor unions is What Do Unions Do? by Richard Freeman and James Medoff. Published in 1984 the book proved to be a landmark because it provided the most comprehensive and statistically sophisticated empirical portrait of the economic and socio-political effects of unions and a provocative conclusion that unions are on balance beneficial for the economy and society. The present volume represents a twentieth-anniversary retrospective and evaluation of What Do Unions Do? The objectives are threefold: to evaluate and critique the theory evidence and conclusions of Freeman and Medoff; to provide a comprehensive update of the theoretical and empirical literature on unions since the publication of their book; and to offer a balanced assessment and critique of the effects of unions on the economy and society. Toward this end internationally recognized representatives of labor and management cover the gamut of subjects related to unions. Topics covered include the economic theory of unions; the history of economic thought on unions; the effect of unions on wages benefits capital investment productivity income inequality dispute resolution and job satisfaction; the performance of unions in an international perspective; the reasons for the decline of unions; and the future of unions. The volume concludes with a chapter by Richard Freeman in which he assesses the arguments and evidence presented in the other chapters and presents his evaluation of how What Do Unions Do? stands up in the light of twenty years of additional experience and research. This highly readable volume is a state-of-the-art survey by internationally recognized experts on the effects and future of labor unions. It will be the benchmark for years to come. | What Do Unions Do? A Twenty-year Perspective

GBP 130.00
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53 Interesting Things to do in your Lectures Tips and strategies for really effective lectures and presentations

Behavior Modification What It Is and How To Do It

Behavior Modification What It Is and How To Do It

Behavior Modification: What It Is and How to Do It is a comprehensive practical presentation of the principles of behavior modification and guidelines for their application. Appropriate for university students and for the general reader it teaches forms of behavior modification ranging from helping children learn necessary life skills to training pets to solving personal behavior problems. It teaches practical how-to skills including: discerning long-term effects; designing implementing and evaluating behavioral programs; interpreting behavioral episodes; observing and recording behaviors; and recognizing instances of reinforcement extinction and punishment. Behavior Modification is ideal for courses in Behavior Modification Applied Behavior Analysis Behavior Therapy the Psychology of Learning and related areas; and for students and practitioners of various helping professions (such as clinical psychology counselling education medicine nursing occupational therapy physiotherapy psychiatric nursing psychiatry social work speech therapy and sport psychology) who are concerned directly with enhancing various forms of behavior development. The material is presented in an interesting readable format that assumes no prior knowledge of behavior modification or psychology. Specific cases and examples clarify issues and make the principles real. Guidelines throughout provide a ready source to use as a reference in applying the principles. Online resources including an instructor’s manual are available at www. routledge. com/9780815366546. | Behavior Modification What It Is and How To Do It

GBP 130.00
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Place Policy and Politics Do Localities Matter?

Addictions From an Attachment Perspective Do Broken Bonds and Early Trauma Lead to Addictive Behaviours?

From Playtext to Performance on the Early Modern Stage How Did They Do It?

From Playtext to Performance on the Early Modern Stage How Did They Do It?

This book reconsiders the evidence for what we know (or think we know) about early modern performance conditions. This study encourages a new recognition and treatment of certain aspects of the plays as evidence – and demonstrates the significance of the implications of that new information. This book is also an assessment of the competing narratives about the processes involved in early modern performance: about the status of manuscript playbooks about the parts that players memorized about the functions of the bookkeeper about casting about prompting and about rehearsal practices. Leslie Thomson investigates the bases for the interdependent beliefs that an early modern player relied only on his part to prepare for a performance that rehearsal was minimal and that a bookkeeper compensated for these circumstances by prompting any player who was out of his part. By focusing on often ignored (or downplayed) requirements and challenges of early modern play texts Thomson provides evidence for answers that will foster a more nuanced and thorough understanding of original performance practices. That will in turn influence how we read study and edit the plays. This exploration will be of great interest to theatre and performance researchers graduate students teachers of early modern drama at the undergraduate and graduate levels performers directors editors. | From Playtext to Performance on the Early Modern Stage How Did They Do It?

GBP 130.00
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How Do We Tell The Workers? The Socioeconomic Foundations Of Work And Vocational Education

Studying Law at University Everything you need to know

Bahlabelelelani – Why Do They Sing? Gender and Power in Contemporary Women’s Songs

The Manager's Guide to Discipline

The Experimental Approach to Free Will Freedom in the Laboratory

The Experimental Approach to Free Will Freedom in the Laboratory

Recently psychologists and neurobiologists have conducted experiments taken to show that human beings do not have free will. Many including a number of philosophers assume that even if science has not decided the free will question yet it is just a matter of time. In The Experimental Approach to Free Will Katherin A. Rogers accomplishes several tasks. First canvasing the literature critical of these recent experiments (or of conclusions drawn from them) and adding new criticisms of her own she shows why these experiments should not undermine belief in human freedom – even robust libertarian freedom. Indeed many of the experiments do not even connect with any philosophical understanding of free will. Through this discussion she generates a long list of problems – ethical as well as practical – facing the attempt to study free will experimentally. With these problems highlighted she shows that even in the distant future supposing the brain sciences to have advanced far beyond where they are today it will likely be impossible to settle the question of free will experimentally. She concludes that since philosophy has not and science cannot settle the question of free will it is more reasonable to suppose that humans do indeed have freedom. Brings together and adds to criticisms of recent experiments (or conclusions drawn from them) which supposedly show that human beings do not have free will Analyzes recent experiments supposedly related to human freedom through the lens of a philosophically informed portrait of a robust libertarian free choice Develops a long list of problems – both practical and ethical – facing the experimental study of human freedom Proposes a thought experiment set in a distant future of advanced brain science to show that it is likely impossible for science ever to settle the question of free will. | The Experimental Approach to Free Will Freedom in the Laboratory

GBP 130.00
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The Relation of Wealth to Welfare

Positive Alternatives to Exclusion

American Artists On Art From 1940 To 1980

American Artists On Art From 1940 To 1980

From the Preface:The fact that so much of modern art has devoted itself to the exploration and assertion of its own identity is reflected in but does not explain the increasing amount of writing and talking on the part of contemporary artists. Rather the whole history of the changing role of art and artists in a democratic industrial and technological society stands behind the spate of artists' words and the public's hunger for them?even some of the general public out there beyond art's little circle. Statements by artists appeal somewhat the way drawings do: they bring us or at least they hold the promise of bringing us closer to the artist's thoughts and feelings and to an understanding of his or her modus operandi; they hold the keys to a mysterious realm. And sometimes they offer us the sheer pleasure of good reading. Such is the primary raison d'�e of this book. Its other motivation is educational and stems from the frustrating lack in teaching contemporary art of any single compilation of statements by American artists from 1940 to the present. ? This anthology differs in several respects from those others that do include documents of American art since 1940. ? The selection I have made is devoted exclusively to statements of artists; it is limited to the last four decades; it presents in a single volume a representative and fairly comprehensive coverage of major developments in American art beginning with Abstract Expressionism; and whenever possible it cities the first or among the very earliest documents signalizing a shift in the definition intent or direction of art. ? | American Artists On Art From 1940 To 1980

GBP 130.00
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Introduction to the Pan-Caribbean

Women Stigma and Desistance from Crime Precarious Identities in the Transition to Adulthood

Women Stigma and Desistance from Crime Precarious Identities in the Transition to Adulthood

How do young women negotiate their identity in the shadow of a criminal past? What expectations can these women have and what constraints do they face in embracing change and reform? In this new book Gilly Sharpe returns to the group of women interviewed in her bestselling book Offending Girls to ask these questions and more. Building on wide-ranging interviews with young adult women who have experienced a highly punitive climate in both youth justice and welfare policy this book analyses their vivid personal accounts of stigmatisation and devaluation as former lawbreakers welfare claimants and mothers and examines their gendered transitions from youth criminalisation into adulthood. Women Stigma and Desistance from Crime exposes how stigma which is rooted in structural inequality and thrives in societies with deep economic and social divisions devalues working-class and marginalised women and diminishes their lives. It offers a unique analysis of how criminal stigma is shaped by class-based condescension welfare inaction and school-based disciplinary punishment and reveals how stigma is reproduced over time across education welfare and penal institutions. Meticulously researched and the first study to examine how the lives of young women previously enmeshed in the youth justice system unfold as they transition to adulthood this book will be of interest to scholars and students of criminology and criminal justice sociology social work social policy gender and youth studies and to practitioners and policy-makers in these fields. | Women Stigma and Desistance from Crime Precarious Identities in the Transition to Adulthood

GBP 130.00
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Everyday Life and the Unconscious Mind An Introduction to Psychoanalytic Concepts

Narcissus in Treatment The Journey from Fate to Psychological Freedom

Style Bible What to Wear to Work

Autism The Way Forward A Self-Help Guide to Teaching Children on the Autistic Spectrum

Materials for Learning How to Teach Adults at a Distance

Writing and Learning in Cross-national Perspective Transitions From Secondary To Higher Education

Writing and Learning in Cross-national Perspective Transitions From Secondary To Higher Education

Despite the increasingly global implications of conversations about writing and learning U. S. composition studies has devoted little attention to cross-national perspectives on student writing and its roles in wider cultural contexts. Caught up in our own concerns about how U. S. students make the transition as writers from secondary school to postsecondary education we often overlook the fact that students around the world are undergoing the same evolution. How do the students in China England France Germany Kenya or South Africa-the educational systems represented in this collection-write their way into the communities of their chosen disciplines? How for instance do students whose mother tongue is not the language of instruction cope with the demands of academic and discipline-specific writing? And in what ways is U. S. students' development as academic writers similar to or different from that of students in other countries? With this collection editors David Foster and David R. Russell broaden the discussion about the role of writing in various educational systems and cultures. Students' development as academic writers raises issues of student authorship and agency as well as larger issues of educational access institutional power relations system goals and students' roles in society. The contributors to this collection discuss selected writing purposes and forms characteristic of a specific national education system describe students' agency as writers and identify contextual factors-social economic linguistic cultural-that shape institutional responses to writing development. In discussions that bookend these studies of different educational structures the editors compare U. S. postsecondary writing practices and pedagogies with those in other national systems and suggest new perspectives for cross-national study of learning/writing issues important to all educational systems. Given the worldwide increase in students en | Writing and Learning in Cross-national Perspective Transitions From Secondary To Higher Education

GBP 115.00
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