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Making Friday the 13th. The Legend of Camp Blood | David Grove usato Spettacolo Cinema

Making Friday the 13th. The Legend of Camp Blood | David Grove usato Spettacolo Cinema

For quarter of a century - from the shocking debut of 1980s Friday the 13th to the awesome commercial success of 2003's Freddy vs. Jason - the Friday the 13th series has endured as the most popular horror series in the world. Now, David Grove has written an exhaustive document detailing the making and impact of all of the films in the Friday the 13th series. Combining detailed production histories of each of the eleven film with rare anecdotes and interviews, Grove provides an entertaining and extensive document of this unique part of horror cinema history.

EUR 25.00
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No. 1 First Work by 362 Artists | Francesca Richer, Matthew Rosenzweig usato Arte Contemporanea

No. 1 First Work by 362 Artists | Francesca Richer, Matthew Rosenzweig usato Arte Contemporanea

This book was inspired by a lecture on the work of Gerhard Richter, in which the concept emerged of the 'first work' as the work in which the artist recognized himself for the first time. The curators found the idea of an artist looking at his or her method by way of the 'first work' intriguing, and wondered what other artists would choose as their number one. The submissions received for this book reveal the artists' ways of thinking from a new angle, and, together, form a remarkable document of the creative process.

EUR 25.00
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Freud's Moses: Judaisam Terminable and Interminable | Yosef Hayim Yerushalmi usato Scienze umane Psicologia

Freud's Moses: Judaisam Terminable and Interminable | Yosef Hayim Yerushalmi usato Scienze umane Psicologia

Moses and Monotheism, Freud's last major book and the only one specifically devoted to a Jewish theme, has proved to be one of the most controversial and enigmatic works in the Freudian canon. Among other things, Freud claims in the book that Moses was an Egyptian, that he derived the notion of monotheism from Egyptian concepts, and that after he introduced monotheism to the Jews he was killed by them. Since these historical and ethnographic assumptions have been generally rejected by biblical scholars, anthropologists, and historians of religion, the book has increasingly been approached psychoanalytically, as a psychological document of Freud's inner life--of his allegedly unresolved Oedipal complex and ambivalence over his Jewish identity. In Freud's Moses a distinguished historian of the Jews brings a new perspective to this puzzling work. Yosef Hayim Yerushalmi argues that while attempts to psychoanalyze Freud's text may be potentially fruitful, they must be preceded by a genuine effort to understand what Freud consciously wanted to convey to his readers. Using both historical and philological analysis, Yerushalmi offers new insights into Freud's intentions in writing Moses and Monotheism. He presents the work as Freud's psychoanalytic history of the Jews, Judaism, and the Jewish psyche--his attempt, under the shadow of Nazism, to discover what has made the Jews what they are. In the process Yerushalmi's eloquent and sensitive exploration of Freud's last work provides a reappraisal of Freud's feelings toward anti-Semitism and the gentile world, his ambivalence about psychoanalysis as a "Jewish" science, his relationship to his father, and above all a new appreciation of the depth and intensity of Freud's identity as a "godless Jew."

EUR 15.00
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L'étiquette du vin - Illustrè par la collection de Philippe Parès | Anthony Rowley usato Arte Grafica

L'étiquette du vin - Illustrè par la collection de Philippe Parès | Anthony Rowley usato Arte Grafica

Les plus beaux spécimens d'une collection unique... On connaît les collectionneurs de timbres, leur passion discrète, fervente et méthodique. Il existe aussi des collectionneurs d'étiquettes de vin. On les appelle oenographiles, parfois oenosémiophiles ou encore éthylabellophiles. Philippe Parès appartient à leur cercle fermé. Son métier de sommelier l'a conduit à s'intéresser à l'habillage des flacons et l'a aidé à rassembler une collection sans égale de 350000 étiquettes - deux siècles d'embouteillage, les styles et les thèmes les plus variés : les châteaux, bien sûr, mais aussi l'histoire et ses héros, la politique, les sciences, les techniques et leurs conquêtes, les femmes, les artistes, le sport, la faune, la flore... Une telle collection ne pouvait qu'aiguiser la curiosité de l'historien du goût qu'est Anthony Rowley, qui a sélectionné dans ce fonds foisonnant quelque 560 spécimens, parmi les plus anciens, les plus représentatifs et les plus esthétiques. Il a privilégié le Bordelais et la Champagne, avec des incursions dans d'autres vignobles. ... et le regard d'Anthony Rowley. L'auteur des Français à table relie l'histoire de ces morceaux de papier à l'histoire de l'art, des techniques, de la typographie et à l'histoire tout court, où l'on trouve le Vatican et sa bibliothèque, Napoléon et son empire, les imprimeurs typographes du XVIIIe siècle et leurs inventions. Au fil des pages, à travers des exemples significatifs, il s'arrête sur leurs discours, explicites ou occultes, sur les noms qu'ils mettent en valeur. Il décrit leurs thèmes, motifs et symboles de prédilection. Des séries exceptionnelles d'étiquettes de grands vins apportent des précisions nouvelles sur la vie de domaines ou maisons de négoce et, au-delà, sur l'histoire du vin, de son commerce et de sa consommation. Un éclairage inédit sur la lettre et l'esprit de l'étiquette, et une introduction à la sémiologie de ce document d'une richesse insoupçonnée, reflet de la société, de ses rêves et de ses mythes.

EUR 30.00
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The politicized muse - Music for Medici festivals, 1512 - 1537 | Anthony M. Cummings usato Musica Musica

The politicized muse - Music for Medici festivals, 1512 - 1537 | Anthony M. Cummings usato Musica Musica

During the years between the restoration of the Medici to Florence and the election of Cosimo I, the Medici family sponsored a series of splendid public festivals, reconstructed here by Anthony M. Cummings. Cummings has utilized unexpectedly rich sources of information about the musical life of the time in contemporary narrative accounts of these occasions--histories, diaries, and family memoirs. In this interdisciplinary work, he explains how the festivals combined music with art and literature to convey political meanings to Florentine observers. As analyzed by Cummings, the festivals document the political transformation of the city in the crucial era that witnessed the end of the Florentine republic and the beginnings of the Medici principate. This book will interest all students of the life and institutions of sixteenth-century Florence and of the Medici family. In addition, the author furnishes new evidence about the contexts for musical performances in early modern Europe. By describing such contexts, he ascertains much about how music was performed and how it sounded in this period of music history and shows that the modes of musical expression were more varied than is suggested by the relatively few surviving examples of actual pieces of music. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

EUR 15.00
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