Pricemate

GOLDEN - SoFlat Matte Acrylic Colour (473ml) Titanium White 6755 (S1)

Size: 473ml Colours: 2 sold individually Professional-grade acrylic colours Available in Black or Titanium White Durable & quick drying to a uniform matte finish Unique formula for greater opacity & coverage Natural levelling reduces appearance of brushstrokes Made using 100% acrylic polymers & the finest pigments Create immersive fields of colour without the distraction of texture & glare with the SoFlat range from Golden Acrylics. Although gouache has always been recognisable for it's opacity & matte finish, some artists find it restrictive thanks to it's sensitive paint film. SoFlat moves beyond this, providing the same results with a more durable, quick-drying & water-resistant surface. Each of the 40 colours available has been made with 100% acrylic polymers & the highest-quality pigments, uniquely formulated for greater opacity than other paints of a similar quality. This, combined with their flowing consistency, ensures a silky-smooth application & exceptional coverage for largescale work. Quick drying to a matte, water-resistant finish, the natural levelling quality of this range helps to reduce brushstrokes during the drying process for a truly uniform surface.

GBP 39.99

1

GOLDEN - Heavy Body Acrylic Titanium White (3.78L)

Size: 3.78 Litres Colour: Titanium White Artists' heavy body acrylic Exceptionally smooth, buttery consistency Excellent permanency and lightfastness Golden acrylics are noted for their thickness Great flexibility when dry Ideal for priming surfaces Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colors, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. They offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the HB line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 174.99

1

GOLDEN - Heavy Body Acrylic Colour (148ml) Titanium White (S1)

Size: 148ml Colours: 2* sold individually Artists' heavy body acrylics Exceptionally smooth, buttery consistency Excellent permanency and lightfastness Golden acrylics are noted for their thickness Great flexibility when dry Ideal for priming surfaces Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colors, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. They offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the HB line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 18.95

1

GOLDEN - Heavy Body Acrylic Colour (59ml) Titanium White (S1)

Size: 59ml Colours: 136* sold individually Artists' heavy body acrylics Exceptionally smooth, buttery consistency Excellent permanency and lightfastness Golden acrylics are noted for their thickness Great flexibility when dry Ideal for priming surfaces Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and

GBP 8.95

1

GOLDEN - Heavy Body Acrylic Colour (946ml) Titanium White (S1)

Size: 946ml Colours: 2* sold individually Artists' heavy body acrylics Exceptionally smooth, buttery consistency Excellent permanency and lightfastness Golden acrylics are noted for their thickness Great flexibility when dry Ideal for priming surfaces Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colors, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. They offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the HB line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 66.99

1

GOLDEN - Heavy Body Acrylic Colour (237ml) Titanium White (S1)

Size: 237ml Colours: 2* sold individually Artists' heavy body acrylics Exceptionally smooth, buttery consistency Excellent permanency and lightfastness Golden acrylics are noted for their thickness Great flexibility when dry Ideal for priming surfaces Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colors, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. They offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the HB line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 24.99

1

GOLDEN - Heavy Body Acrylic Colour (473ml) Titanium White (S1)

Size: 473ml Colours: 2* sold individually Artists' heavy body acrylics Exceptionally smooth, buttery consistency Excellent permanency and lightfastness Golden acrylics are noted for their thickness Great flexibility when dry Ideal for priming surfaces Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colors, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. They offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the HB line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 39.99

1

GOLDEN - Fluid Acrylic Colour (30ml) Titanium White (S1)

Size: 30ml Colours: 76* sold individually Artists' fluid acrylics Superior pigment quality - no dyes Offers the same intensity as Heavy Body acrylics Great for a variety of applications Can be used with other acrylics Golden Fluid Acrylics equal the intensity of Golden Heavy Body Acrylics but have an even, flowing characteristic that's useful for dry brush applications, fine details, pouring, spraying, staining techniques and more. These are highly intense, permanent acrylic colours with a consistency that's similar to heavy cream. Produced with only lightfast pigments and no dyes, they offer very strong colours with a silky consistency. Fluid Acrylics are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colours. No fillers or extenders are added and the pigment load is comparable to Golden Heavy Body Acrylics. Fluids allow for smooth flowing applications while retaining colour intensity, tinting strength, film integrity, and adhesion. These paints blend easily with all acrylic colours, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles.

GBP 7.44

1

GOLDEN - Fluid Acrylic Colour (237ml) Titanium White (S1)

Size: 237ml Colours: 3* sold individually Artists' fluid acrylics Superior pigment quality - no dyes Offers the same intensity as Heavy Body acrylics Great for a variety of applications Can be used with other acrylics Golden Fluid Acrylics equal the intensity of Golden Heavy Body Acrylics but have an even, flowing characteristic that's useful for dry brush applications, fine details, pouring, spraying, staining techniques and more. These are highly intense, permanent acrylic colours with a consistency that's similar to heavy cream. Produced with only lightfast pigments and no dyes, they offer very strong colours with a silky consistency. Fluid Acrylics are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colours. No fillers or extenders are added and the pigment load is comparable to Golden Heavy Body Acrylics. Fluids allow for smooth flowing applications while retaining colour intensity, tinting strength, film integrity, and adhesion. These paints blend easily with all acrylic colours, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles.

GBP 24.99

1

GOLDEN - Fluid Acrylic Colour (118ml) Titanium White (S1)

Size: 118ml Colours: 3* sold individually Artists' fluid acrylics Superior pigment quality - no dyes Offers the same intensity as Heavy Body acrylics Great for a variety of applications Can be used with other acrylics Golden Fluid Acrylics equal the intensity of Golden Heavy Body Acrylics but have an even, flowing characteristic that's useful for dry brush applications, fine details, pouring, spraying, staining techniques and more. These are highly intense, permanent acrylic colours with a consistency that's similar to heavy cream. Produced with only lightfast pigments and no dyes, they offer very strong colours with a silky consistency. Fluid Acrylics are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colours. No fillers or extenders are added and the pigment load is comparable to Golden Heavy Body Acrylics. Fluids allow for smooth flowing applications while retaining colour intensity, tinting strength, film integrity, and adhesion. These paints blend easily with all acrylic colours, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles.

GBP 15.99

1

GOLDEN - Fluid Acrylic Colour (473ml) Titanium White (S1)

Size: 473ml Colours: 3* sold individually Artists' fluid acrylics Superior pigment quality - no dyes Offers the same intensity as Heavy Body acrylics Great for a variety of applications Can be used with other acrylics Golden Fluid Acrylics equal the intensity of Golden Heavy Body Acrylics but have an even, flowing characteristic that's useful for dry brush applications, fine details, pouring, spraying, staining techniques and more. These are highly intense, permanent acrylic colours with a consistency that's similar to heavy cream. Produced with only lightfast pigments and no dyes, they offer very strong colours with a silky consistency. Fluid Acrylics are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colours. No fillers or extenders are added and the pigment load is comparable to Golden Heavy Body Acrylics. Fluids allow for smooth flowing applications while retaining colour intensity, tinting strength, film integrity, and adhesion. These paints blend easily with all acrylic colours, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles.

GBP 39.99

1

GOLDEN - SoFlat Matte Acrylic Colour (118ml) Titanium White 6755 (S1)

Professional-grade acrylic colours Full 40 colour range available Durable & quick drying to a uniform matte finish Unique formula for greater opacity & coverage Natural levelling reduces appearance of brushstrokes Made using 100% acrylic polymers & the finest pigments Create immersive fields of colour without the distraction of texture & glare with the SoFlat range from Golden Acrylics. Although gouache has always been recognisable for it's opacity & matte finish, some artists find it restrictive thanks to it's sensitive paint film. SoFlat moves beyond this, providing the same results with a more durable, quick-drying & water-resistant surface. Each of the 40 colours available has been made with 100% acrylic polymers & the highest-quality pigments, uniquely formulated for greater opacity than other paints of a similar quality. This, combined with their flowing consistency, ensures a silky-smooth application & exceptional coverage for largescale work. Quick drying to a matte, water-resistant finish, the natural levelling quality of this range helps to reduce brushstrokes during the drying process for a truly uniform surface.

GBP 15.15

1

GOLDEN - SoFlat Matte Acrylic Colour (59ml) Titanium White 6755 (S1)

Size: 59ml Colours: 40 sold individually Professional-grade acrylic colours Durable & quick drying to a uniform matte finish Unique formula for greater opacity & coverage Natural levelling reduces appearance of brushstrokes Made using 100% acrylic polymers & the finest pigments Create immersive fields of colour without the distraction of texture & glare with the SoFlat range from Golden Acrylics. Although gouache has always been recognisable for it's opacity & matte finish, some artists find it restrictive thanks to it's sensitive paint film. SoFlat moves beyond this, providing the same results with a more durable, quick-drying & water-resistant surface. Each of the 40 colours available has been made with 100% acrylic polymers & the highest-quality pigments, uniquely formulated for greater opacity than other paints of a similar quality. This, combined with their flowing consistency, ensures a silky-smooth application & exceptional coverage for largescale work. Quick drying to a matte, water-resistant finish, the natural levelling quality of this range helps to reduce brushstrokes during the drying process for a truly uniform surface.

GBP 9.00

1

GOLDEN - SoFlat Matte Acrylic Colour (473ml) Black 6745 (S1)

Size: 473ml Colours: 2 sold individually Professional-grade acrylic colours Available in Black or Titanium White Durable & quick drying to a uniform matte finish Unique formula for greater opacity & coverage Natural levelling reduces appearance of brushstrokes Made using 100% acrylic polymers & the finest pigments Create immersive fields of colour without the distraction of texture & glare with the SoFlat range from Golden Acrylics. Although gouache has always been recognisable for it's opacity & matte finish, some artists find it restrictive thanks to it's sensitive paint film. SoFlat moves beyond this, providing the same results with a more durable, quick-drying & water-resistant surface. Each of the 40 colours available has been made with 100% acrylic polymers & the highest-quality pigments, uniquely formulated for greater opacity than other paints of a similar quality. This, combined with their flowing consistency, ensures a silky-smooth application & exceptional coverage for largescale work. Quick drying to a matte, water-resistant finish, the natural levelling quality of this range helps to reduce brushstrokes during the drying process for a truly uniform surface.

GBP 39.99

1

GOLDEN - Fibre Paste (237ml)

Acrylic painting medium Suitable for wet techniques Can be used as a texture or ground Provides a good surface for pastels or pencils Made in the USA Video: Golden Artist Colours - Exploring Fibre Paste With Melanie Matthews Golden Fibre Paste is a cream-coloured modelling paste suitable for wet techniques and is ideal for use with acrylic paints. It can be used as texture or as a ground on canvas or board. Fibre Paste is an opaque, viscous medium that dries to a surface similar to rough paper. You can give it a smoother finish either by skimming it with a wet palette knife before it dries or by applying it to a smooth plastic surface. Adding acrylic colours, watercolours or inks will give it a pastel tint. Once dry, Golden Fibre Paste provides a good surface for pastels or pencils. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99

1

GOLDEN - Clear Tar Gel (237ml)

Acrylic painting medium Creates fine detailed lines Extremely resinous Dries to a flexible, high-gloss finish Made in the USA Video: Golden Artist Colours - Clear Tar Gel Golden Clear Tar Gel is a 100% acrylic polymer dispersion colourless gel with an extremely resinous, syrupy , stringy, and tar-like consistency. It is a unique product with a long rheology; conceivably it could be poured from a three-story building as one long strand! Clear Tar Gel can be used to generate fine detailed lines by "dripping" it over painting surfaces. It can be blended with all Golden Acrylic paints, offering a full range of colours with which to work. It blends with acrylics to produce a flow of colour that can be manipulated with a palette knife to create a drizzle effect. Golden Clear Tar Gel dries to a flexible film with a high-gloss finish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.99

1

GOLDEN - Silverpoint Drawing Ground (237ml)

Acrylic painting medium Achieve fine detailed lines on flexible ground Ideal for use with metal styli and other drawing tools Low viscosity Made in the USA Video: Golden Artist Colours - Silverpoint Drawing Ground Golden Silverpoint Drawing Ground is a liquid acrylic used for the preparation of supports for drawing media. The ground is designed for the achievement of fine detailed lines on a permanent, lightfast, flexible ground. Silverpoint Drawing Ground is ideal for use with metal styli or other drawing tools. It is formulated with 100% acrylic polymer emulsion, a low viscosity fluid that contains high levels of titanium dioxide and prepares surfaces to readily accept marks from a metal stylus. Silverpoint Drawing Ground is designed for thin applications only. When applied too thickly the film may crack upon curing. A single thin coat is typically sufficient. It can be applied via brush or spray onto paper, primed canvas, wood or any surface that will accept a water-based coating. The most common substrate for metal point drawing is heavyweight hot pressed watercolour paper. Please note: Because lower weight papers are susceptible to buckling from the moisture in the Silverpoint Drawing Ground, some artists may find that taping the edges down helps to prevent extensive warping. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 21.50

1

GOLDEN - Pastel Ground (237ml)

Acrylic painting medium Prepares surfaces for pastels and charcoals Very thick consistency Can be applied to any primed surface Made in the USA Video: Golden Artist Colours - Gessoes & Grounds Golden Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. To use, thin 20-40% with water to achieve your desired consistency. Apply with a brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day's work as the solids will settle rapidly and be extremely difficult to mix back into suspension. For best surface adhesion, apply Golden Pastel Ground over Golden Gesso. It may also be applied over other acrylic mediums, gels, and paints for multi-media work. When used in conjunction with oil-based media, prepare your support (canvas, linen, masonite, etc.) with GAC 100 to block the oil from penetrating into the support, which can weaken or rot natural fibres. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.99

1

GOLDEN - Silkscreen Medium (237ml)

Acrylic painting medium For silk-screen applications Increases working time Prevents paint from drying too quickly Made in the USA Video: Golden Artist Colours - Spraying With Heavy Body Acrylics Golden Silkscreen Medium is a water-borne system designed to blend with acrylic paints for silk-screen application onto paper, wood and other suitable fine art materials. This product is designed to increase working time and prevent paint from drying in the screen too quickly. It is not intended for use on fabrics to be laundered. Although any addition of Golden Silkscreen Medium will increase the open time of a paint, a good starting point is to blend even parts of paint and medium. Higher levels of the medium will increasingly affect the transparency, but also will increase the open time. Lower levels of Silkscreen Medium produce mixes with the greatest opacity, but these are more likely to clog in the screen. Silkscreen Medium can be blended with any of the Golden Acrylic paint lines, Gels and Mediums to lengthen the working (open) time for silk-screening. It is a pourable blend of acrylic, retarder & water that, unlike retarder alone, will form a film, thereby increasing durability and thinning the paint while retarding the drying time. Silkscreen Medium is not designed to impart opacity. The opacity of the mixture will be determined by the nature of the colour being used and the ratio of paint to medium used. Higher levels of the Silkscreen Medium will be increasingly more transparent. Adding Titanium White to a mixture will increase opacity. Any addition of white will lower a colour's chroma and value. Additionally, transparent colours, including Iridescent and Interference Colours, can be made to appear more opaque when a "base coat" is screened first. For example, Golden Iridescent Gold will appear to have greater opacity over a buff-coloured base coat. Refer to screen-printer's books and other reference material for further suggestions. General Product Information Do not mix with oils. Paint on any non-oily surface. Abrade non-absorbent surfaces for increased adhesion. Minimum film formation temperature is 49oF/9oC. Avoid freezing. Clean screens/tools with soap and water. Safe to use with minimal odour. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 13.50

1

GOLDEN - Sandable Hard Gesso (237ml)

Acrylic painting medium Produces surfaces that are smoother and more even For use on inflexible substrates Apply in multiple thin layers Made in the USA Video: Golden Artist Colours - Gessoes & Grounds Golden Sandable Hard Gesso is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. It contains high levels of titanium dioxide, calcium carbonate, and other inert solids to produce an easily sanded surface. Only use on inflexible substrates such as hardboard, wood or metal panels. Potential for cracking may occur if used on highly absorbent surfaces, like canvas, even when adhered to a rigid surface beforehand. Apply in multiple thin layers, gradually building up to the desired thickness. Single thick layers could crack upon drying. When sanding, follow these general guidelines: Allow Sandable Hard Gesso to dry completely before sanding. Cured acrylic films are easier to sand. Start with coarser grit sandpapers, followed by subsequently finer grits until desired smoothness is achieved. Both wet and dry sandpapers may be used. Wet sanding generates less airborne dust and tends to produce a smoother surface than dry sanding. Sanding to a glossy (polished) surface can reduce mechanical adhesion of paint films. As always, test for your application. Upon completion of sanding, use a damp, soft cloth to remove sanding dust particles from the surface. Failure to do so can cause poor adhesion. Brushing: This product may be diluted with up to 20% water for ease of brush application. Spraying: Dilute Sandable Hard Gesso with Golden Airbrush Medium. Begin at a 2:1 ratio (Gesso:Medium) and test spray quality, as various spray equipment may require additional thinning. Further reduce viscosity by adding up to 20% water. Acrylic Painting: To reduce yellowing caused by Support Induced Discoloration (S.I.D.) when painting on supports that contain water soluble impurities, such as canvas and wood panels, first apply two coats of Gloss Medium and allow to dry thoroughly. Then apply the desired number of coats of Sandable Hard Gesso. Oil Painting: Apply oil paints to 2 or more coats of Sandable Hard Gesso.To protect natural substrates from linseed oil acids, apply 2-3 coats of GAC 100 or Gloss directly on the raw canvas first. Allow the acrylic products sufficient time to cure before applying oil paints in order to maximise mechanical adhesion Please note: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.99

1

GOLDEN - Crackle Paste (237ml)

Acrylic painting medium Designed to develop deep fissure-like cracks Water-based Cleans up with soap and water Made in the USA Video: Golden Artist Colours - Exploring Crackle Paste Golden Crackle Paste is a thick, opaque cracking material, designed to develop deep fissure-like cracks as it cures. The size and extent of the crackle pattern is dependent on many factors, including the thickness of application, and the environmental conditions (temperature, relative humidity and air flow) during drying. This product utilises defects in the film formation process, and controlled failure is problematic. This results in the cracking performance being variable and to some extent unpredictable. Golden has provided the most current and comprehensive knowledge of what may be expected while using this product, but artist-conducted testing will ultimately assure more reproducible and sound applications. Crackle Paste is a water-based product formulated with styrene-acrylic copolymer emulsions, and may have a tendency to yellow. This product has white, low-density solids that replace traditional fillers. Its unique ratio of specific solids and binders allows for a "controlled failure" to occur and the result is its tendency to crack. It has a consistency similar to cake icing, easily manipulated by a palette knife. Peaks will maintain their height and appearance. It is a harder film than the GOLDEN Light Moulding Paste, yet still retains an absorbent surface. Films dry to an opaque, matte finish to which subsequent layers of acrylic paint and mediums can be applied. Crackle Paste can be easily tinted with Golden Heavy Body, Matte, High Load and Fluid Acrylic Paints. It is imperative to test all aspects when working with Golden Crackle Paste. This is a highly variable product, and it should NOT be assumed that it will perform exactly the same each time the product is used. Review this information carefully and conduct testing before using this product on artwork or decorative finishes. Drying times greatly depend upon film thickness. Very thin films will dry to the touch in several hours but may not develop much cracking. Increasing film thickness will increase the tendency to crack and also the size of the cracks and platelets. Cracks can take several days to fully develop. Do not force dry Crackle Paste, nor try to slow the drying by adding Retarder or other additives, as both conditions may interfere with the products ability to crack. Product should be allowed to cure between 65oF and 75oF, and under 75% Relative Humidity. Crackle Paste cleans up with soap and water. Do not let products dry on tools. Keep tools wet while in use. Soak tools in soapy water to remove dried films. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99

1

GOLDEN - Heavy Body Acrylic Colour (59ml) Burnt Umber Light (S1)

Size: 59ml Colours: 136* sold individually Artists' heavy body acrylics Exceptionally smooth, buttery consistency Excellent permanency and lightfastness Golden acrylics are noted for their thickness Great flexibility when dry Ideal for priming surfaces Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and

GBP 8.95

1

GOLDEN - Heavy Body Acrylic Colour (59ml) Mars Black (S1)

Size: 59ml Colours: 136* sold individually Artists' heavy body acrylics Exceptionally smooth, buttery consistency Excellent permanency and lightfastness Golden acrylics are noted for their thickness Great flexibility when dry Ideal for priming surfaces Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and

GBP 8.95

1

GOLDEN - Heavy Body Acrylic Colour (59ml) Nickel Azo Yellow (S6)

Size: 59ml Colours: 136* sold individually Artists' heavy body acrylics Exceptionally smooth, buttery consistency Excellent permanency and lightfastness Golden acrylics are noted for their thickness Great flexibility when dry Ideal for priming surfaces Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and

GBP 16.50

1

GOLDEN - Heavy Body Acrylic Colour (59ml) CP Cad Yellow Dark (S7)

Size: 59ml Colours: 136* sold individually Artists' heavy body acrylics Exceptionally smooth, buttery consistency Excellent permanency and lightfastness Golden acrylics are noted for their thickness Great flexibility when dry Ideal for priming surfaces Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and

GBP 18.95

1

Brand

Merchant

Price (EUR)

GOLDEN - SoFlat Matte Acrylic Colour (473ml) Titanium White 6755 (S1)

GOLDEN - Heavy Body Acrylic Titanium White (3.78L)

GOLDEN - Heavy Body Acrylic Colour (148ml) Titanium White (S1)

GOLDEN - Heavy Body Acrylic Colour (59ml) Titanium White (S1)

GOLDEN - Heavy Body Acrylic Colour (946ml) Titanium White (S1)

GOLDEN - Heavy Body Acrylic Colour (237ml) Titanium White (S1)

GOLDEN - Heavy Body Acrylic Colour (473ml) Titanium White (S1)

GOLDEN - Fluid Acrylic Colour (30ml) Titanium White (S1)

GOLDEN - Fluid Acrylic Colour (237ml) Titanium White (S1)

GOLDEN - Fluid Acrylic Colour (118ml) Titanium White (S1)

GOLDEN - Fluid Acrylic Colour (473ml) Titanium White (S1)

GOLDEN - SoFlat Matte Acrylic Colour (118ml) Titanium White 6755 (S1)

GOLDEN - SoFlat Matte Acrylic Colour (59ml) Titanium White 6755 (S1)

GOLDEN - SoFlat Matte Acrylic Colour (473ml) Black 6745 (S1)

GOLDEN - Fibre Paste (237ml)

GOLDEN - Clear Tar Gel (237ml)

GOLDEN - Silverpoint Drawing Ground (237ml)

GOLDEN - Pastel Ground (237ml)

GOLDEN - Silkscreen Medium (237ml)

GOLDEN - Sandable Hard Gesso (237ml)

GOLDEN - Crackle Paste (237ml)

GOLDEN - Heavy Body Acrylic Colour (59ml) Burnt Umber Light (S1)

GOLDEN - Heavy Body Acrylic Colour (59ml) Mars Black (S1)

GOLDEN - Heavy Body Acrylic Colour (59ml) Nickel Azo Yellow (S6)

GOLDEN - Heavy Body Acrylic Colour (59ml) CP Cad Yellow Dark (S7)

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