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The Blitz! Key Signature Table

The Blitz! Key Signature Table

The Blitz! Key Signature Table is the absolutely foolproof way to memorise key signatures. There are many different key signature tables out there but The Blitz! Key Signature Table prides itself on being both simple to write down and easy to understand. Alongside the table itself, this book is filled with exercises that have been specially developed to help you memorise the table. An introductory note and quick quiz are also included. The Blitz! Key Signature Table works in conjunction with the blitzbooks.com website, where you can download all sorts of free resources to help you with your study, including games, manuscript, test papers and materials to help with practical exam preparation. Written by renowned educator and author Samantha Coates, the BlitzBooks series has brought fun and laughter to the areas of music theory, instrumental technique and sight reading. Coates' engaging approach to theory and sight reading has already made BlitzBooks the most popular range of theory and sight reading books in Australia and they are now finally available in the UK.

DKK 86.00
1

The Welcome Table (with Sweet By and By)

The Welcome Table (with Sweet By and By)

This communion anthem goes way beyond celebrating the table of the Lord, providing the promise of sitting at the table of the Lord for eternity in our heavenly home. This is a powerful ballad that builds with intensity while incorporating the spiritual 'Sweet By and By.' This originally appeared in Joel Raney's Tenebrae service, 'Who Is Jesus?,' code no. 8491. This communion anthem goes way beyond celebrating the table of the Lord, providing the promise of sitting at the table of the Lord for eternity in our heavenly home. This is a powerful ballad that builds with intensity while incorporating the spiritual 'Sweet By and By.' This originally appeared in Joel Raney's Tenebrae service, 'Who Is Jesus?,' code no. 8491.

DKK 368.00
1

The Welcome Table (with Sweet By and By) : Performance/Accompaniment & Split-Track CD

The Welcome Table (with Sweet By and By) : Performance/Accompaniment & Split-Track CD

This communion anthem goes way beyond celebrating the table of the Lord, providing the promise of sitting at the table of the Lord for eternity in our heavenly home. This is a powerful ballad that builds with intensity while incorporating the spiritual 'Sweet By and By.' This originally appeared in Joel Raney's Tenebrae service, 'Who Is Jesus?,' code no. 8491. This communion anthem goes way beyond celebrating the table of the Lord, providing the promise of sitting at the table of the Lord for eternity in our heavenly home. This is a powerful ballad that builds with intensity while incorporating the spiritual 'Sweet By and By.' This originally appeared in Joel Raney's Tenebrae service, 'Who Is Jesus?,' code no. 8491.

DKK 316.00
1

The Welcome Table (with Sweet By and By) : Voice-Dominant SA/TB Rehearsal CD-Reproducible

The Welcome Table (with Sweet By and By) : Voice-Dominant SA/TB Rehearsal CD-Reproducible

This communion anthem goes way beyond celebrating the table of the Lord, providing the promise of sitting at the table of the Lord for eternity in our heavenly home. This is a powerful ballad that builds with intensity while incorporating the spiritual 'Sweet By and By.' This originally appeared in Joel Raney's Tenebrae service, 'Who Is Jesus?,' code no. 8491. This communion anthem goes way beyond celebrating the table of the Lord, providing the promise of sitting at the table of the Lord for eternity in our heavenly home. This is a powerful ballad that builds with intensity while incorporating the spiritual 'Sweet By and By.' This originally appeared in Joel Raney's Tenebrae service, 'Who Is Jesus?,' code no. 8491.

DKK 316.00
1

The Welcome Table (with Sweet By and By) : Organ Part (to be played w/piano accomp. In score)

The Welcome Table (with Sweet By and By) : Organ Part (to be played w/piano accomp. In score)

This communion anthem goes way beyond celebrating the table of the Lord, providing the promise of sitting at the table of the Lord for eternity in our heavenly home. This is a powerful ballad that builds with intensity while incorporating the spiritual 'Sweet By and By.' This originally appeared in Joel Raney's Tenebrae service, 'Who Is Jesus?,' code no. 8491. This communion anthem goes way beyond celebrating the table of the Lord, providing the promise of sitting at the table of the Lord for eternity in our heavenly home. This is a powerful ballad that builds with intensity while incorporating the spiritual 'Sweet By and By.' This originally appeared in Joel Raney's Tenebrae service, 'Who Is Jesus?,' code no. 8491.

DKK 110.00
1

Simon Holt: A Table Of Noises (Full Score)

Simon Holt: A Table Of Noises (Full Score)

Commissioned jointly for Colin Currie by the City of Birmingham Symphony Orchestra and the Borletti-Buitoni Trust. First performance on 14th May 2008, at Symphony Hall, Birmingham, by Colin Currie (percussion) and the City of Birmingham Symphony Orchestra conducted by Martyn Brabbins.NOTE FOR PERFORMANCEIn table top, the unpitched solo percussion part in the 9th movement, the scoring was initially left open. The present full score shows a suggested instrumentation  which was devised by Colin Currie in conjunction with the composer. Soloists  should attempt to match the timbres used, but should not feel constrained by the  exact choice of instruments.COMPOSER?S NOTEThe percussion instruments used in a table of noises in some ways represent the odd things that were on my great uncle Ash?s parlour table that fascinated me as a child. There is even a bottle; there was always a milk bottle with the silver top pushed in surrounded by other essentials for his life. From birth he was quite severely handicapped in one of his legs and couldn?t walk too far without his trusty crutch. He kept everything he needed within arm?s length. In the list of instruments for the solo part there?s everything from deep log drum sounds to very high metallic chime sounds. Wood, glass, metal and a whistle. Mostly small-scale things with a large gong behind, used sparingly. I think that we managed to keep below 30 instruments in all, which I was keen to do. I didn?t want scores of things that are only played once, they have to earn their keep. I didn?t want to use a marimba but thought that trying to make the xylophone sound in a more expressive way would be more of a challenge. The percussionist sits for much of the time on a Cajon, a flamenco instrument which is essentially a wooden box. The player hits the front of the box in various ways, rather as you play a conga. There are guitar strings inside and bells to add to the overall colour. I would like to thank Colin Currie for the extraordinary 3 hours or so that we spent in his percussion studio trying to find potential instruments for table top. I had fully notated the rhythms for the movement, which functions as a cadenza, and knew the kinds of sounds that I wanted, but as I don?t know all the instruments available we were able to collaborate in a very constructive way and make the cadenza what it is now. I see the chosen instruments as being the yardstick for all future performances.

DKK 603.00
1