Zusammen sind wir stark

Miguel Yuste: Solo De Concurso

Solo De Concurso para Clarinete y piano. 2nd Edicion revisada. Homenaje de admiracion al eminente compositor y maestro de clarinete Herrn Robert Stark.

Fair ist stark : Aufgeweckte Songs für hellwache Kinder

Racconto Op.45

Racconto No. 4 Op. 45, was composed in 1944 for the ensemble violin, cor anglais and piano. Stark dissonances run through the work, which with its kaleidoscopic character seems almost improvised.

Carol of the Russian Children

This folk carol captures the stark beauty of the Russian landscape in winter. Rich vocal lines and an instrumental obbligato (oboe preferred) float above the full harmonies.Available separately: SATB, SAB and 2-Part. Performance Time: Approx. 2:40

Carol of the Russian Children

This folk carol captures the stark beauty of the Russian landscape in winter. Rich vocal lines and an instrumental obbligato (oboe preferred) float above the full harmonies.Available separately: SATB, SAB and 2-Part. Performance Time: Approx. 2:40

Carol of the Russian Children

This folk carol captures the stark beauty of the Russian landscape in winter. Rich vocal lines and an instrumental obbligato (oboe preferred) float above the full harmonies. Available separately: SATB, SAB and 2-Part. Performance Time: Approx. 2:40

February Twilight

February Twilight is a stark setting of poetry by Sara Teasdale. The controlled restraint used in the vocal lines creates the image of a cold, clear winter's night. You'll practically see the night sky before you, and feel the chill of the air.

Carl Vine: Piano Sonata No.2

A complex and challenging Sonata brimming with the stark contrasts and conmtemporary harmonies that characterise the work of the Australian composer. Suitable for the accomplished Piano soloist. Written in 1997 for, and dedicated to the pianist Michael Kieran Harvey who premiered the work.

Dormi, Lesu!

This piece is a reticent carol and weaves a complex web of counterpoint within both the Vocal lines and Organ part, distilling into a stark Treble solo as the text turns to English. An ideal work to highlight a more reflective side of the festive season.

Marques L.A. Garrett: Sit Down, Servant

Marques L.A. Garrett 's Sit Down, Servant for SATB choir unaccompanied. This contemporary setting combines a familiar spiritual with a Biblical text from the book of Matthew. Featuring a first and last section with marked rhythms and heavy accents, the middle section is rubato and expressive. The contrast should be stark.

Sky Dance

Using a recurring four-note motif and a variety of textural punctuations, here is a stunning and fresh-sounding overture from Richard Saucedo. A slow and lyric middle section featuring woodwind colors and rich emotional contours provides a stark contrast to the rhythmic intensity of the opening and closing sections. Dramatic and powerful!

80 Graded Studies For Saxophone Book Two

80 Graded Studies For Saxophone brings together in two books a broad selection of 18th and 19th century repertory, with studies by Arban, Baermann, Blatt, Brod, Demnitz, Ferling, Fetzen, Garnier, Hinke, Klose, Luft, Prelleur, Stark, Vithum and Weidemann. The studies are arranged in order of increasing difficultly, according to a carefully planned technical progression.

Sky Dance

Using a recurring four-note motif and a variety of textural punctuations, here is a stunning and fresh-sounding overture from Richard Saucedo. A slow and lyric middle section featuring woodwind colors and rich emotional contoursprovides a stark contrast to the rhythmic intensity of the opening and closing sections. Dramatic and powerful! Dur: 4:15

David Lanz: Living Temples

Blending the classic sounds of piano, cello and upright bass with exotic native & world flutes, hand percussion and Taos drums, the music in the Living Temples DVD reflects the spacious beauty of the American Southwest: stark, rich, and surprisingly lush. This original soundtrack score features David Lanz's piano transcriptions and flute parts from Gary Stroutsos for nine songs.

Craig Hella Johnson: Soon Ah Will Be Done/I Wanna Die Easy

The choral ensemble creates a spare and stark vocal atmosphere with steady, pulsating vocal effects as the solo lines emerge from the texture. First Soon ah will be done and then I wanna die easy are combined in a powerful collage of sonority that expresses the drama and emotion of this powerful music. Duration: ca. 5:50.

Frozen Choral Suite (Emerson) Satb

The Frozen: Choral Suite features two haunting choral songs used in the Disney animated feature Frozen , which capture the stark beauty of the frozen North. Adapted from the actual choral settings used in the movie, these accompanied editions are wonderful selections that will expand your singers'’understanding of Scandinavian music. This suite includes Heimr Árnadalr, Vuelie and The Great Thaw (“Vuelie” Reprise) .

Edward Gregson: Clarinet Concerto (Clarinet/Piano)

Gregson's Clarinet Concerto was completed in 1994, by commission for the BBC, and was first performed by the BBC Philharmonic with Michael Collins in Manchester, April 1994 (later recorded on Chandos CHAN 10105). The writing is highly challenging, pushing the instrument and its performer to the limits with some formidable glissandi and stark contrasts. This edition features a piano reduction of Gregson's orchestral material.

John Luther Adams: Nunataks (Solitary Peaks)

John Luther Adams ' Nunataks (Solitary Peaks) for solo Piano. Commissioned by Music Northwest. Duration: 7 minutes. ' Nunataks are mountains that rise up out of icefields and glaciers. The jagged contours of nunataks contrast sharply with the smooth whiteness that surrounds them. As the ice melts and the sea rises, these solitary peaks stand as stark reminders of human isolation and vulnerability .' - John Luther Adams

Outcry (2019 Version with Two Pianos)

Outcry is a protest against the maltreatment of the animal kingdom by man, expressed through settings of poems by William Blake (1757-1827), Thomas Hardy (1840-1928) and John Clare (1797-1864). It was commissioned by the Coventry Philharmonic Society, with Arts Council funds, and first performed on May l0th, 1969, with Meriel Dickinson as soloist with the composer conducting. Outcry is a kind of ritual with stark, sometimes minimal gestures suited to performance in resonant buildings.Outcry is a protest against the maltreatment of the animal kingdom by man, expressed through settings of poems by William Blake (1757-1827), Thomas Hardy (1840-1928) and John Clare (1797-1864). It was commissioned by the Coventry Philharmonic Society, with Arts Council funds, and first performed on May l0th, 1969, with Meriel Dickinson as soloist with the composer conducting. Outcry is a kind of ritual with stark, sometimes minimal gestures suited to performance in resonant buildings.

Namasé Rhapsody

Namasé Rhapsody di_x001E_ffers in several respects from most other concert works by Jan Van der Roost, with its impressive twists and turns and musical allusions to the work of John Adams. A first, minimalist movement, is followed by a lyrical and expressive second movement for various soloists in different ranges. The third movement sees a stark change of mood with a rigid metrical _x001F_figure before a powerful and energetic close.

Ed. Roger Emerson: Frozen (Choral Suite)

The authentic music used in the film! Two haunting choral songs used in the Disney animated feature Frozen capture the stark beauty of the frozen north. Whether performed a cappella, as they were in the film, or with the optional Keyboard or CD accompaniment, these are wonderful selections that will expand your singers' understanding of Scandinavian music. The Frozen Choral Suite includes: Heimr Árnadalr, Vuelie and The Great Thaw (“Vuelie” Reprise) .

Namasé Rhapsody

Namasé Rhapsody differs in several respects from most other concert works by Jan Van der Roost, with its impressive twists and turns and musical allusions to the work of John Adams. A first, minimalist movement, is followed by a lyrical andexpressive second movement for various soloists in different ranges. The third movement sees a stark change of mood with a rigid metrical figure before a powerful and energetic close.

Christus Natus Est

African-American poet Countee Cullen is the text source Rosephanye has chosen to set to music and one understands why when the words are read. The title is used as a litany response, Christ is born today to other words that lift up the downtrodden in stark words without apology. Christ must and will come to his own is how it ends. Rosephanye's music captures a flavor that respects the difficulties of her ethnic heritage. It is a wonderful and powerful statement in so many ways.African-American poet Countee Cullen is the text source Rosephanye has chosen to set to music and one understands why when the words are read. The title is used as a litany response, Christ is born today to other words that lift up the downtrodden in stark words without apology. Christ must and will come to his own is how it ends. Rosephanye's music captures a flavor that respects the difficulties of her ethnic heritage. It is a wonderful and powerful statement in so many ways.African-American poet Countee Cullen is the text source Rosephanye has chosen to set to music and one understands why when the words are read. The title is used as a litany response, Christ is born todayto other words that lift up the downtrodden in stark words without apology. Christ must and will come to his own is how it ends. Rosephanye's music captures a flavor that respects the difficulties of her ethnic heritage. It is a wonderful and powerful statement in so many ways.

Joy : From I Will Sing To The Stars

Written for the Jacksonville Children's Chorus, this SSAA setting of a Sara Teasdale text opens with a sort of call and response between the voices. The music then transitions to a contrasting key and a stark contrast featuring the chorus alone. The beginning them is heard again to conclude the piece with the repeated text, "I love, I am loved." The first movement of the three-movement work, "I Will Sing to the Stars." Duration 2:50