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To Dance with Storm Clouds

To Dance with Storm Clouds

Commissioned by The American School of the Hague (near Amsterdam), To Dance With Storm Clouds is a dynamic and evocative work that affords directors the opportunity to teach 3/4 time at a brisk and exciting tempo! The brief lyrical middle section showcases a baritone or tenor sax soloist, and allows players to focus on a warm and blended tone. The fast section returns for a powerful ending, closing out an exhilarating emotional ride! Dur: 3:15 Commissioned by The American School of the Hague (near Amsterdam), To Dance With Storm Clouds is a dynamic and evocative work that affords directors the opportunity to teach 3/4 time at a brisk and exciting tempo! The brief lyrical middle section showcases a baritone or tenor sax soloist, and allows players to focus on a warm and blended tone. The fast section returns for a powerful ending, closing out an exhilarating emotional ride! Dur: 3:15

DKK 627.00
1

Nico Muhly: Hymns For Private (Score And Parts)

Nico Muhly: Hymns For Private (Score And Parts)

Hymns For Private has been beautifully composed by Nico Muhly. This score and parts is the perfect addition to any wind ensembles collection that may be looking for something a little different.Hymns For Private was commissioned by Het Concertgebouw Amsterdam and Wigmore Hall, London, with the support of André Hoffmann, President of the Fondation Hoffmann,a Swiss grant-making foundation, for the world premiere performances on April 13, 14, 18, and 19, 2012.

DKK 408.00
1

Italian Violin Music Of The Baroque Era Volume 1

Italian Violin Music Of The Baroque Era Volume 1

Instrumental virtuosity and the new impulses of baroque thought are to be found in the solo sonatas that came into being in Italy from the early decades of the 17th century. Both aspects have been taken into account when selecting pieces for this interesting collected edition of Italian violin music of the baroque era. The first volume concentrates on two groups: on the one hand on Corelli in Rome, Torelli in Bologna and Veracini in Florence, and on the other, on the three famous representatives of the last generation of Italian baroque composers Geminiani, Tartini and Locatelli whose sphere of influence extended from Padua via Amsterdam to England. All the works have beenedited on the basis of the original sources, and therefore provide, in the tried and tested Urtext manner, a clear view of these baroque treasures. The preface gives explanatory notes on performance practice and basso continuo realization, and a list of variant readings rounds off this well-researched Urtext edition.

DKK 430.00
1

Manon (version chant-piano)

Manon (version chant-piano)

Auber (1856), Massenet (1884), Puccini (1893) – parmi les trois adaptations lyriques du chef d’œuvre de l’abbé Prévost, L’Histoire du chevalier des Grieux et de Manon Lescaut, le version de Jules Massenet (1842-1912), composé sur un livret d’Henri Meilhac et de Philippe Gille, s’avère la plus fidèle à l’original : elle préserve l’ambivalence du personnage de Manon, tiraillée entre son passé de futile courtisane et son destin d’héroïne tragique, tout en soulignant l’innocence de son amant, confronté aux affres d’une éducation sentimentale inexorable. Le compositeur parvient à entrelacer le pastiche néo-classique et l’exaltation des sentiments, si caractéristique du post-romantisme, sans affaiblir pour autant la cohésion de l’œuvre. La fin de l’Acte V nous montre la jeune femme enchaînée, prête à mourir, mais transfigurée par l’élan tendre et désinteressé que lui inspire la présence du chevalier et confortée une dernière fois par le doux souvenir de leur idylle. La présente édition comprend la réduction complète de l’opéra Manon pour chant et piano, l’intégralité du livret ainsi qu’une notice historique, des extraits d’articles et une iconographie retraçant l’éclatant triomphe de sa création à l’Opéra-Comique, le 19 janvier 1884, que confirmèrent dans la foulée plusieurs reprises à Bruxelles, Amsterdam, Londres, Prague et New York.

DKK 388.00
1