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Kayama : From Symphonic Adiemus

Kayama : From Symphonic Adiemus

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994, Adiemus has captured the imagination of music loversworldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary, Cantata Mundi andDances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

DKK 69.00
1

Chorale: Za Ma Ba : From Symphonic Adiemus

Chorale: Za Ma Ba : From Symphonic Adiemus

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994, Adiemus has captured the imagination of music loversworldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary, Cantata Mundi andDances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

DKK 60.00
1

Chorale: Hymn : From Symphonic Adiemus

Chorale: Hymn : From Symphonic Adiemus

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994, Adiemus has captured the imagination of music loversworldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary, Cantata Mundi andDances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

DKK 60.00
1

Adiemus : From Symphonic Adiemus

Adiemus : From Symphonic Adiemus

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994, Adiemus has captured the imagination of music loversworldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary, Cantata Mundi andDances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

DKK 69.00
1

Chorale: Elegia : From Symphonic Adiemus

Chorale: Elegia : From Symphonic Adiemus

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994, Adiemus has captured the imagination of music loversworldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary, Cantata Mundi andDances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

DKK 60.00
1

Tintinnabulum : From Symphonic Adiemus

Tintinnabulum : From Symphonic Adiemus

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994, Adiemus has captured the imagination of music loversworldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary, Cantata Mundi andDances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

DKK 69.00
1

Chorale: Cantilena : From Symphonic Adiemus

Chorale: Cantilena : From Symphonic Adiemus

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994, Adiemus has captured the imagination of music loversworldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary, Cantata Mundi andDances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

DKK 60.00
1

Zarabanda : From Symphonic Adiemus

Zarabanda : From Symphonic Adiemus

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994, Adiemus has captured the imagination of music loversworldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary, Cantata Mundi andDances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

DKK 69.00
1

Song Of The Spirit : From Symphonic Adiemus

Song Of The Spirit : From Symphonic Adiemus

Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994, Adiemus has captured the imagination of music loversworldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary, Cantata Mundi andDances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

DKK 69.00
1

Arr. Sarah Dacey: Cruel Mother

Arr. Sarah Dacey: Cruel Mother

Cruel Mother for three voices (SSA), a traditional ballad arranged by Sarah Dacey . Duration: 4 minutes Composed: 2008 Also published as part of UYMP's Songspin Songbook, ISMN M 57036 603 3. This is a very old cautionary ballad that, like many folk tales, has no definite origin, there being many different versions from around Europe. I shifted the tonality of the melody from the Cecil Sharp arrangement to something slightly less cheery. First performed by Juice Vocal Ensemble in December 2008 at St. James Piccadilly, London.

DKK 56.00
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Song of Courage

Song of Courage

Inspiring scriptures full of hope speak clearly in this anthem of promise and comfort. Beginning with a lyrical theme that falls from the heart of a beloved passage from Isaiah, the music moves forward uncluttered and rich withmusical nuance. The harmonic treatment offers layers of sound that perfectly align with moments of deep emotion in the text. This approach gives thoughtful choirs the necessary tools for both artistry and ministry. Well-craftedwriting for churches of any size!

DKK 52.00
1

Remember the Ladies

Remember the Ladies

While John Adams was in attendance at the Second Continental Congress in Philadelphia, his wife Abigail was at home in Braintree, Massachusetts, running the farm, raising four children, and maintaining a lively correspondence with her husband on a wide range of topics. The sprightly text is adapted from Abigail's letter dated 31 March 1776, and strongly suggests the role women should play in the newly formed government. Set for treble chorus and piano in a style partially influenced by the music heard in Europe during the late 1700s.

DKK 56.00
1

Henri Lazarof: Cadence I For Solo Cello (From Concerto For Cello And Orchestra)

Henri Lazarof: Cadence I For Solo Cello (From Concerto For Cello And Orchestra)

Cadence I (1970) is a composition for solo Cello by the American-Bulgarian composer Henri Lazarof . It is taken from his 1968 work, Concerto for Cello and Orchestra , and dedicated to Laurence Lesser. Henri Lazarof (1932-2013) was born in Sofia, Bulgaria, and studied in Israel, Europe, and America, where he settled in 1957. Fluent in 8 languages, he initially taught French language and literature at UCLA, before dedicating himself to composition. Fiercely independent of the usual composer’s associations, he was revered as a demanding but inspiring teacher who sought the limits of both the performer and the composer.

DKK 67.00
1

Shaw A Blessing Satb

Shaw A Blessing Satb

This short benediction, set to familiar words from Corinthians, Thessalonians and the first book of Peter, is an enduring favourite. Informally known as the Navy blessing or the Scottish blessing, the words are sensitively enhanced by Shaw’s tune and harmonies, and can create an inspiring, meditative finale. Composer, conductor and producer Martin Shaw was of the Holst and Vaughan Williams generation of composers that was key in reviving public interest in the work of Purcell and was also a co-founder of the Royal School of Church Music. He once toured Europe as conductor to dancer Isadora Duncan and was briefly engaged to the daughter of theatrical star Ellen Terry. His works number more than three hundred published pieces. Arranged for SATB and organ, duration 2½ minutes.

DKK 58.00
1

Antonin Dvorak: Biblical Songs Op.99 (Low Voice)

Antonin Dvorak: Biblical Songs Op.99 (Low Voice)

Biblical Songs were composed in just 21 days in 1894. They were one of the few pieces of religious music that Dvorak composed, and are believed to have been stimulated by the recent death of a number of his close friends, including Tchaikovsky. The expressive text is partnered by a relatively simple musical setting: the beauty of the work is the way in which the composer articulates such a broad range of emotions while remaining quiet and contemplative in nature. The cycle of 10 songs is known for blatant and unexpected key changes, as well as their pentatonic influences. Antonin Dvorak (1841-1904) was best known for his New World Symphony, composed in the short time he spent in America – the rest of his career was spent in his native Bohemia and the rest of Europe.

DKK 63.00
1

Thomas Simaku: Silver

Thomas Simaku: Silver

Silver was expertly composed by Thomas Simaku. First published in 1995, Silver was commissioned by the New London Children's Choir, with funds provided by the Ralph Vaughan Williams Trust. The piece received its debut performance in Spring 1996, at John's Smith Square, performed by the New London Children's Choir and conducted by Ronald Corp.For over a decade, Albanian-born British composer, Thomas Simaku?s music has been reaching audiences all over Europe and the USA, winning a number of prestigious awards such as the Serocki International Prize, AHRC Fellowship, DAAD Award, as well as an Honourable Mention at the Musical Personalities International Competition. Many notable performances include, among others, those given by Kreutzer Quartet, English Northern Philharmonia, European Union Chamber Orchestra, the New London Orchestra, Amsterdam New Music Ensemble, Tokyo Phonosphere Musicale, Capricorn Ensemble, Norwegian Medieval Trio and the Austrian 'Ticom' Ensemble.Simaku?s style combines avant-gardism and modality in his own way, often with a deeply convincing inner strength, structural integrity and impressive character.

DKK 75.00
1

The Choral Warm-Up Accompanied Modal Canons : Singer's edition

The Choral Warm-Up Accompanied Modal Canons : Singer's edition

This addition to the successful Choral Warm-Up series provides one of the most important tools in teaching elements of choral intonation: canons. By singing canons, the ensemble can develop listening skills that revolve around “listening to everyone but themselves.” These modal canons by Roger Ames extend that listening skill even further by adding harmonically supportive and enriching accompaniments. The Conductor’s Edition provides teaching objectives and simple piano accompaniments for the eleven exercises. The introduction by James Jordan includes valuable information on how to use this material to begin musicianship training. The included companion CD contains the piano accompaniments only, providing great flexibility in using these exercises in both group rehearsal and individual study. Choir directors who want to improve the musicianship, vocal skills, and tuning of their singers will find these modal canons to be an outstanding addition to their library of warm-ups.

DKK 60.00
1

Alex Riel Special Quartet: Full House

Alex Riel Special Quartet: Full House

When Danish drummer Alex Riel had his 70th birthday in September 2010, the legendary Copenhagen jazz club, Jazzhus Montmartre, decided to celebrate the occasion since it was here that Riel began his career in the early 1960s. The celebration lasted for more than a week, where the man of the hour was presented in a number of constellations that included Palle Mikkelborg, Annisette, Marilyn Mazur, Santa Cruz and Hanne Boel, among others.To round out the festivities, Alex Riel chose three of his favourite musicians to form a band for the occasion. The quartet primarily played jazz standards, including well-known numbers by Dexter Gordon, Bill Evans and John Coltrane. The combination of these four jazz giants turned out to be "a match made in heaven" and luckily the result was documented in a recording. The audience went wild and was left wondering how there could still be so much pep in the birthday boy after ten days of concerts in a row! The concert was also reviewed by the Copenhagen daily, Berlingske Tidende, where it received a practically unheard-of six-out-of-six stars.Over the course of five decades, Alex Riel has played with the greatest names in jazz and made an international name for himself as one of the world?s most prominent drummers. Both at home and abroad he is considered a bit of a living legend. One thing many people notice when they hear Alex today is that, in spite of his age, he still performs with an unbelievable amount of playfulness, presence and talent for improvisation, and never falls into a routine. In addition, his drumming is characterized by being particularly melodic, whether it be a fiery drum solo or a subdued display of brushwork.Together, Jesper Lundgaard and Alex Riel comprise one of the best and most congruous bass/drums teams that Europe has to offer. Lundgaard?s big sound and distinctly rhythmical, melodic and creative bass playing make him a particularly deserving successor to Niels-Henning Ørsted Pedersen, and Riel has never concealed the fact that Jesper Lundgaard is among his absolutely favourite bassists.Today alto saxophonist George Robert is a resident of Switzerland where among other things he teaches at the music conservatory in Lausanne. Previous to that he lived in the US where he established a successful career that included collaborations with Chick Corea, Bobby McFerrin, George Benson, Diana Krall, Phil Woods, Ray Brown and Phil Collins. Anyone who hears Robert play can?t help being impressed by his obvious mastery of his instrument. He is a phenomenal musician who lives to play jazz and on a number of occasions has spoken of how much he enjoys playing with Alex Riel in particular. The two have also toured Europe with Robert?s quartet.Dado Moroni from Italy is an extremely prominent name in his homeland as well as the rest of Europe, and has also achieved much recognition in the United States as a terrific pianist. This has not least of all to do with his collaboration with legendary bass player Ray Brown, but also other stars like trumpet player Freddie Hubbard and fellow pianists Oscar Peterson and Ahmad Jamal. Dado Moroni plays with extreme intensity and is always capable of lighting a fire under his fellow musicians onstage. Several times during the concert at Jazzhus Montmartre he actually lifted the several-hundred-kilo grand piano with his one knee while playing ? just to give you an idea of the power behind his perform

DKK 76.00
1

Graham Ross: Lullay, My Liking (Novello New Choral Series)

Graham Ross: Lullay, My Liking (Novello New Choral Series)

Lullay, my liking is scored for accompanied two-part choir, allowing for various upper-/lower-voice combinations: two-part trebles or sopranos, upper voices only (S/A), or men only (T/B). If performed by a four-part choir, sopranos and tenors should read the upper line, and altos and basses read the lower. The keyboard part can be played on piano or organ, or harp.An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles.Graham Ross (b. 1985) is Director of Music and Fellow of Clare College, Cambridge, and Principal Conductor and co-founder of the Dmitri Ensemble. A composer and conductor of a wide range of repertoire, he has had works performed throughout Europe and beyond. He has recorded many rarely performed and newly composed works, including pieces by Ralph Vaughan Williams (Albion Records); James MacMillan, Judith Bingham and Giles Swayne (Naxos); and Imogen Holst (Harmonia Mundi). He guest-conducts throughout the UK and abroad, with recent engagements in Palestine, Australia, Nigeria, Denmark, Aldeburgh and Glyndebourne. As a composer, recent performances have been given by, among others, Aurora Orchestra, Australian Chamber Orchestra, comedian Barry Humphries, BBC Concert Orchestra, Choir of London, City of London Sinfonia, National Youth Choir of Great Britain, O Duo and the Solstice Quartet.

DKK 66.00
1

John Duggan: La Ballade De Jesus Christ (Novello New Choral Series)

John Duggan: La Ballade De Jesus Christ (Novello New Choral Series)

La Ballade de Jésus Christ is an arrangement of a French carol from the seventeeth century or earlier. The tune is well known as the hymn Let all mortal flesh keep silence from The English Hymnal, and this arrangement was commissioned in 2007 by the Oxford choir, Sospiri, for their CD of Christmas music, Videte Miraculum. The text ? a miniature morality tale ? has a simple, almost childlike quality to it and this is reflected in the shimmering harmonies and soft, fleeting dissonances, presenting the story as a bitter-sweet fairy tale.The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers, offering pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Born in 1963, John Duggan was a chorister at Westminster Cathedral and studied music at Oxford. Whilst still a boy he dreamed of writing in the choral tradition of Victoria, Tallis and Palestrina. His vocal music has delighted both singers and audiences across Europe and the USA. He has written for a number of choirs including Commotio, Westminster Cathedral Choir, the Hildegard Choir and Sospiri, and has received commissions from the Edington Music Festival, Crossover Intergenerational Dance Group, Oxford Youth Dance and The Oxford-Grenoble Association. He composers regularly for film and dance, and performs as a singerand choral director whilst working as a recording engineer and producer.

DKK 66.00
1