Reger Edition of Work, vol. I/7: Organ pieces III

The Max-Reger-Institut (MRI), located in Karlsruhe, Germany, has initiated the first ever scholarly-critical edition of works by Max Reger. The Reger-Werkausgabe (RWA) is sponsored by the Mainzer Akademie der Wissenschaften und der Literatur and with its design as a hybrid edition breaks new ground in the editorial techniques. The seventh and final volume in the series of organ works includes, in chronological order, the organ pieces Max Reger composed in 1904 and 1906 in Munich, in 1912 in Berchtesgaden, in 1913 in Kolberg, and in 1915 to 1916 in Jena.

Orchestra work 1917-30

The Wild Rumpus

Score and Parts. Grade 5 Winner of the prestigious 1999 Schirmer competition for young composers, this significant work with expanded instrumentation brings Stephen Beck to the forefront of contemporary literture for bands. The Wild Rumpus was inspired by the childrens book, Where The Wild Things Are, by Maurice Sendak. Near the middle of the story, the hero, a young boy named Max, discovers the world of the Wild Things, and is crowned king of the Wild Things. At that point, Max shouts Let the wild rumpus start! Composed in two movements - I. Howling, Swinging and II. Marching.

Gurrelieder : History of the work and documents

Reger-Werkausgabe, Bd. I/6: Orgelstücke II

The Max-Reger-Institut [MRI], located in Karlsruhe, Germany, has initiated the first ever scholarly-critical edition of works by Max Reger. The Reger-Werkausgabe [RWA] is sponsored by the Mainzer Akademie der Wissenschaften und der Literatur and with its design as a hybrid edition breaks new ground in the editorial techniques. The sixth volume in the series of organ works includes, in chronological order, the organ pieces Max Reger composed in between April 1902 and spring 1903 in Munich.

Interactive Composition Strategies : Using Ableton Live and Max for Live

Reger Edition Of Work Vol. II : Works For Mixed Voice Unaccompanied Choir I

A Century of Music

This work was commissioned by the Concordia wind band and the Écho male choir, based in Miège (Valais, Switzerland), to mark their respective centenaries. The piece is a sanguine sounding work entirely based upon variations in several keys of a main hymn. This creates a festive and ‘sprituoso’ atmosphere throughout this impressive, highly colourful and energetic work. This work was commissioned by the Concordia wind band and the Écho male choir, based in Miège (Valais, Switzerland), to mark their respective centenaries. The piece is a sanguine sounding work entirely based upon variations in several keys of a main hymn. This creates a festive and ‘sprituoso’ atmosphere throughout this impressive, highly colourful and energetic work. This work was commissioned by the Concordia wind band and the Écho male choir, based in Miège (Valais, Switzerland), to mark their respective centenaries. The piece is a sanguine sounding work entirely based upon variations in several keys of a main hymn. This creates a festive and ‘sprituoso’atmosphere throughout this impressive, highly colourful and energetic work.

Malcolm Arnold: Prelude, Sicillano And Rondo (Score/Parts)

Work for Wind Band.

Reger-Werkausgabe, Bd. I/3 : Phantasien und Fugen, Variationen, Sonaten, Suiten II für Orgel

The third volume of the section containing organ works includes in chronological order, the Fantasias and Fugues, Variations, Sonatas and Suites of Max Reger composed between November 1901 and July 1906 in Munich and Berchtesgaden and between April 1913 and May 1913 in Meiningen and Jena.

The Planetarium

The Planetarium was commissioned by CMV Advendo Franeker to celebrate their 100th Anniversary in 2022. The inspiration for the work is the world-famous Royal Eise Eisinga Planetarium in the orchestra’s home town of Franeker in the Netherlands. In this continuous seven-movement work, the composer pictures the sun as well as the planets Mercury, Venus, Earth, Mars, Jupiter and Saturn. Also featured throughout the work is a brief quotation from the chorale ‘Psalm 150’. A work that rises above the mundane!

Kraftwerk

The theme of this work is the history of the town of Grafenrheinfeld (Bavaria, Germany) in the twentieth century, a town that is now mainly associated with its nuclear plant. The German word for this is Kraftwerk, which can be divided into the words Kraft (power) and Werk (work). In this composition, it is a metaphor for the ?work? that can be realised through ?power? in a negative way (war) and in a positive way (reconstruction). Musically speaking, power also plays an important role in this work, as opposed to vulnerability, the sense of loss and the insecurity about the lost identity. Based on the text of Lied der Franke ?Kraftwerk? is a powerfully descriptive work thatwill add energy to any concert.

Kraftwerk

The theme of this work is the history of the town of Grafenrheinfeld (Bavaria, Germany) in the twentieth century, a town that is now mainly associated with its nuclear plant. The German word for this is Kraftwerk, which can be divided into the words Kraft (power) and Werk (work). In this composition, it is a metaphor for the ?work? that can be realised through ?power? in a negative way (war) and in a positive way (reconstruction). Musically speaking, power also plays an important role in this work, as opposed to vulnerability, the sense of loss and the insecurity about the lost identity. Based on the text of Lied der Franke ?Kraftwerk? is a powerfully descriptive work thatwill add energy to any concert.

Crystal Magic

The source of inspiration for this work is the magical world of gemstones. The special powers of four of these stones appealed to composer Bert Appermonts’ imagination. In this work, different distinguishing atmospheres are evoked. The work is composed as a suite containing four movements: Carnelian: The Stone of Perseverance, Opal: The Stone of Misfortune, Amethyst: The Stone of Wisdom and Amazonite: The Stone of Playfulness. This is a challenging and striking piece of music to inspire your audience in a concert or a jury during a contest.The source of inspiration for this work is the magical world of gemstones. The special powers of four of these stones appealed to composer Bert Appermonts’ imagination. In this work, different distinguishing atmospheres are evoked. The work is composed as a suite containing four movements: Carnelian: The Stone of Perseverance, Opal: The Stone of Misfortune, Amethyst: The Stone of Wisdom and Amazonite: The Stone of Playfulness. This is a challenging and striking piece of music to inspire your audience in a concert or a jury during a contest.

Villariacum

Villariacum is Roman for the town ‘Wilrijk’ (Belgium) and was composed for its 1250th Anniversary. This work is all about this celebration and is a kind of musical tour through the beautiful town. A splendid work suitable for either a concert or contest piece!

Reverie : for Solo Bb Euphonium (or Baritone ad lib.) and Concert Band

Reverie is a small piece of music for a euphonium player. A dear friend and colleague of mine commissioned the work, to whom Reverie is also dedicated. The work commences with a dream-like melody and then explores various emotions to showcase its virtuosic capabilities.

Hispaniola

This colourful work is based on the adventures of Christopher Columbus and his voyages to discover Africa and other new territories around the World. The theory that the earth was round urged Columbus to try and reach Asia by sailing west. A truly exotic work that grasps the drive and excitement of the world?s greatest explorer.

Hispaniola

This colourful work is based on the adventures of Christopher Columbus and his voyages to discover Africa and other new territories around the World. The theory that the earth was round urged Columbus to try and reach Asia by sailing west. A truly exotic work that grasps the drive and excitement of the world’s greatest explorer.

Tower of Babel

Based on the Old Testament biblical story of the building of the Tower ofBabel, a tower built to reach the heavens, composer Hayato Hirose hascreated this dramatic programmatic work in seven movements that areplayed without interruption. With skilful detail each movement portrays an aspect of the story of the tower and its ultimate destruction. A magnificent epic work!

Per Nørgård: Symphony No.3 (Score)

Composed between 1972-1975, Norgard's Symphony No.3 is an orchestral work in two movements. Score.Duration ca. 50 minutes.

Panoptikum : Scenes from Lake Constance

Armin Schaer commissioned this work in his search for a new piece for the tuba. More specifically, he wanted a work that showed off the versatility of this splendid instrument, written in a musical style that is both fresh and modern, while not banishing the orchestra to a simple supporting role. Taking all these specifications into account, Thomas Doss created a work that allows stylistic leaps and is fun, exciting, romantic, and virtuosic, but does not lose sight of the thread that connects the opening measures to the very last.Armin Schaer describes his Panoptikum as follows:Panoptikum is a show of appreciation for my beautiful home and community at LakeConstance, an eventful life, the people that have enriched this life, and a fascinating instrument: the tuba. This work musically embodies the many different moods found around theBodensee - cheerfulness and melancholy, departures and longing, calm and agitation. The roles of the soloist and the orchestra were consciously crafted in a way that does not follow the usual conventions of the genre. The work should spark emotions, address broad segments of listeners, and persuade them of the tuba’s ability to be a solo instrument as well as the richness symphonic wind ensembles have to offer. I hope this work enriches the lives of all the soloists and orchestras that cross its path, as well as everyone in the audience who gets to partake!

The Miracle : The Passion of Saint Margaret

This work was inspired by the 3rd/4th century legend of Margaret of Antioch. Margaret was very devout, and lived as a shepherdess in the countryside. When the city prefect Olybrius proposed to her, on the condition that she would give up her faith, she refused and was eventually put to death. To evoke the archaic early-medieval atmosphere, Bert Appermont has used two Gregorian Kyries. In addition, influences from old music (such as old modes and parallel fifths) and Carl Orff’s work are present. This four movement piece is an epic symphonic poem-like work with an incredible expressiveness and is ideal for a thematic concert or a contest.This work was inspired by the 3rd/4th century legend of Margaret of Antioch. Margaret was very devout, and lived as a shepherdess in the countryside. When the city prefect Olybrius proposed to her, on the condition that she would give up her faith, she refused and was eventually put to death. To evoke the archaic early-medieval atmosphere, Bert Appermont has used two Gregorian Kyries. In addition, influences from old music (such as old modes and parallel fifths) and Carl Orff’s work are present. This four movement piece is an epic symphonic poem-like work with an incredible expressiveness and is ideal for a thematic concert or a contest.

The Count of Monte Cristo

This fantastic new concert work by Otto M. Schwarz is based on the infamous tale of The Count of Monte Christo. Set in 1815 - a few days before Napoleon invaded France, the story is one of adventure on the high seas, spying, buried treasure and savage revenge. So many emotions in one fantastic concert work - this piece is sure to be a winner.

From Ancient Times

From Ancient Times is a major work for brass band, inspired largely by the music of the Franco-Flemish School of the Renaissance. Hints of Gregorian chant and middle age dances pay tribute to music from even earlier times. The foundation of this spectacular work rests on truly ‘ancient times’ while the tonal language is of a much more modern nature!

From Ancient Times

From Ancient Times is a major work for brass band, inspired largely by the music of the Franco-Flemish School of the Renaissance. Hints of Gregorian chant and middle age dances pay tribute to music from even earlier times. The foundation of this spectacular work rests on truly ‘ancient times’ while the tonal language is of a much more modern nature!