Sweet but Psycho : Recorded by Ava Max

With its impressive and somewhat scary video, this monster hit by Ava Max reached No. 1 in over 20 countries. Incredibly popular with youngsters, this flex-band arrangement will allow young and incomplete bands to perform this song. With its impressive and somewhat scary video, this monster hit by Ava Max reached No. 1 in over 20 countries. Incredibly popular with youngsters, this flex-band arrangement will allow young and incomplete bands to perform this song.

2020's Pop Divas on Stage : Ava Max - Billie Eilish - Dua Lipa

Ava Max, Billie Eilish and Dua Lipa: altogether, they possess a great deal of girl power. That was all Peter Kleine Schaars needed to arrange this exciting, great-sounding and playable pop medley. With hits like ‘Kings & Queens’,‘My Future’ and ‘Break My Heart’, these female artists from today’s pop scene certainly gave the year 2020 an entertaining boost!

Whistle While You Work : from Snow White and the Seven Dwarfs

The 1937 Walt Disney-film Snow White and the Seven Dwarfs has fascinated and touched many generations with its unforgettable fairy tale figures. The timeless music is also captivating with the catchy song Whistle While You Work being a song know by young and old alike throughout the world. This version for concert band will ensure your audience leave the concert hall with a spring in their step!

Orchestra work III

Sound Goes Round

Gilbert Tinner has written another sure fire winner with this catchy new work in a relaxed musical style.The sound of the piece, with it’s simple musical lines, dissonant harmonies and driving beat, is in a pop style but could equally have come straight from a west-end musical. Sound Goes Round will make a delightful light interlude for any concert.

Consolations, Grand solo de concert and Other Work : Suppl. 10

Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor.

Orchestra work 1932-34

Philosophers on Music : Experience, Meaning, and Work

Reger-Werkausgabe, Bd. I/1 : Choralphantasien für Orgel

Since January 2008, the first scholarly, critical edition of the works of Max Reger [RWA] is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a “hybrid” edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's ar­rangements of works by other composers. To begin the series, the first seven volumes to be published will contain the organ works, which have been eagerly awaited by many.

Unworking Choreography : The Notion of the Work in Dance

Africa : as performed by Toto

Rock band TOTO hadn’t even planned to release ‘Africa’ on their fourth LP TOTO IV – work on the album was meant to have finished by the time that they started writing the song, and they initially considered it to be an afterthought that didn’t fit on the record. Luckily, they changed their minds, and it went on to become a huge international hit and one of their best-known songs! Enjoy playing this great grade 3 arrangement by Wolfgang Wössner.

Work Song-At the End of the Day : (from Les Misérables)

From the dramatic opening strains, followed by an exciting 6/8 segment, to the thrilling conclusion, these two songs from the Broadway favorite Les Misérables, now a blockbuster movie, will have your audience on their feet!

Equus - Opt. Choral Part for Band Work : Set of 40 Choral Scores

A wild ride from the composer of October and Ghost Train! Equus is the Latin word for horse, and this moto perpetuo perfectly captures the fury and majesty of this magnificent animial. Commissioned by Gary Green and the University of Miami, Equus is not for the faint of heart! (Grade 5) Dur: 10:00

Glenn Gould: The Performer in the Work : A Study in Performance Practice

A Little Irish Suite

A Little Irish Suite is an original work composed specifically for the Compact Band Series. This series offers smaller ensembles the opportunity to perform original, high-quality works. A Little Irish Suite consists of three movements, all based on Irish folk tunes. Clear structure and crisp harmonies complemented by plain, comprehensible melodies, are characteristic of this piece. It offers conductors the opportunity to work on tone, balance, phrasing as well as on technique with their ensemble. As with all works in the Compact Band Series, A Little Irish Suite features optional parts for instruments that are played less frequently. Conductors can pickand choose the parts needed to best fit the music and the musicians available, to determine the best possible instrumentation for their own ensemble. The duration of six minutes and the large variety and contrast of material played in A Little Irish Suite also make it an ideal selection for competitions or festivals.

Symphonic Variations on Amazing Grace

In his signature style, Claude T. Smith has created another significant work by setting this famous folk hymn. This work is truly an excellent concert or contest choice.

Witold Lutoslawski: Symphony No. 1 Full Score

Lutoslawski's 1947 work for full orchestra.

Poul Ruders: Abysm (Score)

Work for Ensemble dating from 2000.

Bent Sørensen: Lacrymae (Score)

Work for Orchestra dating from 1984.

Fantasia Di Pasqua : Easter Fantasy

Based on traditional Easter chants Fantasia di Pasqua is a tremendous work to feature four of your players in a religiously inspired work. Often this work is performed in church concerts or religious situations and, as such, the composer suggests that the quartet may be utilised performing from two ‘galleries’. This creates a wonderful double-choir effect that befits the Renaissance-like style of such great composers as Gabrieli. A truly inspired work to bring a touch of Renaissance class to your concerts.

Fantasia Di Pasqua : Easter Fantasy

Based on traditional Easter chants Fantasia di Pasqua is a tremendous work to feature four of your players in a religiously inspired work. Often this work is performed in church concerts or religious situations and, as such, the composer suggests that the quartet may be utilised performing from two ‘galleries’. This creates a wonderful double-choir effect that befits the Renaissance-like style of such great composers as Gabrieli. A truly inspired work to bring a touch of Renaissance class to your concerts.

Fantasia Di Pasqua : Easter Fantasy

Based on traditional Easter chants Fantasia di Pasqua is a tremendous work to feature four of your players in a religiously inspired work. Often this work is performed in church concerts or religious situations and, as such, the composer suggests that the quartet may be utilised performing from two ‘galleries’. This creates a wonderful double-choir effect that befits the Renaissance-like style of such great composers as Gabrieli. A truly inspired work to bring a touch of Renaissance class to your concerts.

Anders Nordentoft: Entgegen (Score)

Work for Chamber Orchestra composed in 1985.

Godzilla Eats Las Vegas! : 40-Pack

Eric Whitacre's famous work for concert band, now with optional vocal parts! An original work best described in the composer's own words as being really out there. The writing reflects a keen interest in theater, film and television, with the structure of the piece being very film-like in its very rapid changes of style. A totally unique and very memorable work.

Iain Bell: A Christmas Carol (Full Score)

A Christmas Carol is a work by composer Iain Bell , a Chamber Opera in five staves for Dramatic Tenor and Chamber Ensemble. Featuring a libretto by Simon Callow, the work is an adaptation of Charles Dickens' 1843 novella. Commissioned by Houston Grand Opera and first performed in their Cullen Theater, the work lasts around 1 hour 40 minutes. This is the Full Score .