Whistle While You Work : from Snow White and the Seven Dwarfs

The 1937 Walt Disney-film Snow White and the Seven Dwarfs has fascinated and touched many generations with its unforgettable fairy tale figures. The timeless music is also captivating with the catchy song Whistle While You Work being a song know by young and old alike throughout the world. This version for concert band will ensure your audience leave the concert hall with a spring in their step!

Orchestra work III

Consolations, Grand solo de concert and Other Work : Suppl. 10

Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor.

Orchestra work 1932-34

Philosophers on Music : Experience, Meaning, and Work

Unworking Choreography : The Notion of the Work in Dance

Work Song-At the End of the Day : (from Les Misérables)

From the dramatic opening strains, followed by an exciting 6/8 segment, to the thrilling conclusion, these two songs from the Broadway favorite Les Misérables, now a blockbuster movie, will have your audience on their feet!

Equus - Opt. Choral Part for Band Work : Set of 40 Choral Scores

A wild ride from the composer of October and Ghost Train! Equus is the Latin word for horse, and this moto perpetuo perfectly captures the fury and majesty of this magnificent animial. Commissioned by Gary Green and the University of Miami, Equus is not for the faint of heart! (Grade 5) Dur: 10:00

Glenn Gould: The Performer in the Work : A Study in Performance Practice

Symphonic Variations on Amazing Grace

In his signature style, Claude T. Smith has created another significant work by setting this famous folk hymn. This work is truly an excellent concert or contest choice.

Poul Ruders: Abysm (Score)

Work for Ensemble dating from 2000.

Witold Lutoslawski: Symphony No. 1 Full Score

Lutoslawski's 1947 work for full orchestra.

Bent Sørensen: Lacrymae (Score)

Work for Orchestra dating from 1984.

Fantasia Di Pasqua : Easter Fantasy

Based on traditional Easter chants Fantasia di Pasqua is a tremendous work to feature four of your players in a religiously inspired work. Often this work is performed in church concerts or religious situations and, as such, the composer suggests that the quartet may be utilised performing from two ‘galleries’. This creates a wonderful double-choir effect that befits the Renaissance-like style of such great composers as Gabrieli. A truly inspired work to bring a touch of Renaissance class to your concerts.

Fantasia Di Pasqua : Easter Fantasy

Based on traditional Easter chants Fantasia di Pasqua is a tremendous work to feature four of your players in a religiously inspired work. Often this work is performed in church concerts or religious situations and, as such, the composer suggests that the quartet may be utilised performing from two ‘galleries’. This creates a wonderful double-choir effect that befits the Renaissance-like style of such great composers as Gabrieli. A truly inspired work to bring a touch of Renaissance class to your concerts.

Fantasia Di Pasqua : Easter Fantasy

Based on traditional Easter chants Fantasia di Pasqua is a tremendous work to feature four of your players in a religiously inspired work. Often this work is performed in church concerts or religious situations and, as such, the composer suggests that the quartet may be utilised performing from two ‘galleries’. This creates a wonderful double-choir effect that befits the Renaissance-like style of such great composers as Gabrieli. A truly inspired work to bring a touch of Renaissance class to your concerts.

Anders Nordentoft: Entgegen (Score)

Work for Chamber Orchestra composed in 1985.

Iain Bell: A Christmas Carol (Full Score)

A Christmas Carol is a work by composer Iain Bell , a Chamber Opera in five staves for Dramatic Tenor and Chamber Ensemble. Featuring a libretto by Simon Callow, the work is an adaptation of Charles Dickens' 1843 novella. Commissioned by Houston Grand Opera and first performed in their Cullen Theater, the work lasts around 1 hour 40 minutes. This is the Full Score .

Godzilla Eats Las Vegas! : 40-Pack

Eric Whitacre's famous work for concert band, now with optional vocal parts! An original work best described in the composer's own words as being really out there. The writing reflects a keen interest in theater, film and television, with the structure of the piece being very film-like in its very rapid changes of style. A totally unique and very memorable work.

Pelle Gudmundsen-Holmgreen: Passacaglia (Score)

Work for Violin, Cello, Clarinet, Piano and Tabla.

Bent Sørensen: Clairobscur (Score)

Work for Ten Instruments (Wind Quintet and Strings).

Minnelieder, Kopi

Bent Sørensen MINNELIEDER - ZWEITES MINNEWATER (1988, revised 1994)This work is a new version of the work MINNEWATER from 1988. The form and harmony have been more or less retained, but in the new orchestration new melodies have been elicited from the mumbling surf and bustling cascades.MINNELIEDER -ZWEITES MINNEWATER is a commission work from the Caput Ensemble, composed with support from 'Nomus'.Bent Sørensen

Michael Story: A Cartoon Christmas

Seasonal work for Wind Band, in full score and parts.

Magnus Lindberg: Piano Concerto No.1 (Score)

Work for Piano and Orchestra, commissioned by the Helsinki Festival.

Fanatic Winds : Overture for Band

Fanatic Winds is a lively concert work with a youthful character. With it’s freshness and fast tempo this piece is an ideal work to open any concert. The title reflects the healthy fanaticism that musicians must have to go to rehearsals every week after work or school dedicating many hours to their band. Following much hard work this fanaticism is always rewarded by the joy of performing and the audience’s applause during a concert. Along with a passion for playing, the positive reactions of the audience provide the necessary encouragement to keep the players coming back for rehearsals time and time again.