Heart in Motion

Heart in Motion compares the development of an ensemble to a tree, which-with careful nurturing-grows branches, twigs, leaves and fruit. As a fertilizer, you need to add an extra helping of positive attitude, enthusiasm and passion to it.Inspired by these images and concepts, Satoshi Yagisawa has composed Heart in Motionwhich, with a magnificent fanfare followed by a warm-sounding chorale, certainly lives up to its name.

The Loco-motion

The Loco-motion was the hippest dance routine to hit the clubs in the 1960s. In contrast to many songwriters who write songs after a trend has taken off , singer/songwriter partners and couple Gerry Goffi n and Carole King wrote the song that kicked off the entire dancesong craze. Little Eva was the fi rst of several artists to reach the top of the US charts with this hit in 1962. Let your band rise to new heights with Hideaki Miura’s funky arrangement!

Titanic Full Orchestra (Arranged By John Moss)

Music by James Horner from the motion picture Titanic arranged by John Moss for full orchestra.

Skyfall : from the Motion Picture SKYFALL

Skyfall, the title song for the latest Bond film, with its echoes of the original Bond theme, is perhaps the most archetypal Bond song of all. This up-to-the-minute arrangement by Philip Sparke makes it super easy to recreate on stage the exciting atmosphere of the most famous secret agent in the history of film.

Aladdin's Theme : from the Motion Picture Soundtrack

Aladdin's Theme (A Whole New World) by Alan Menken/Tim Rice. Arranged by Roland Kernen for Fanfare. Score and parts.

Cinderella : Music from the Motion Picture Soundtrack

Who doesn’t know the famous Disney fairytale ‘Cinderella’? Not only are the fantastic visuals in the animation movie impressive, the beautiful songs are too. Eiji Suzuki made a medley of Bibbidi Bobbidi Boo, The First Branch, PumpkinPursuit, Who Is She, Lavender’s Blue and A Dream Is A Wish Your Heart Makes. A perfect choice for your audience!

Aladdin's Theme : from the Motion Picture Soundtrack

Aladdin's Theme (A Whole New World) by Alan Menken/Tim Rice. Arranged by Roland Kernen for Concert Band. Score and parts.

Karsten Fundal: Liquid Motion, Piano Concerto (Score)

Solo Instrument: PianoOrchestration: 4.3.4.ssx.3/2.3.2.0/2perc/2hp/cel/strParts are for hire: hire@ewh.dk

Star Trek Through the Years

Star Trek(R) The Motion PictureStar Trek - Deep Space Nine(R)Star Trek(R) GenerationsStar Trek - Voyager(R)Star Trek(R) - The Inner LightTheme From 'star Trek(R)'

Highlights From Ratatouille : Music from the Motion Picture Soundtrack

Here's the blockbuster animated movie from the geniuses at Disney and Pixar. With music by Michael Giacchino (The Incredibles), this entertaining and action-packed medley for brass band is sure to be an audience favorite!

Passages

The title Passages refers to music's ability to convey people through sonic worlds and interior spaces. Meditative and elusive, yet constantly in motion, this sophisticated selection creates a luminous sound-world from its ensemble of 16 winds and percussion.

Beauty and the Beast : Music from the Motion Picture Soundtrack

Great Movie Marches

Some of the greatest marches from the silver screen are included in this well-paced and powerfully scored medley. Audiences of all ages will enjoy these instantly recogizable themes. Includes: Colonel Hathi's March, Raiders March,The River Kwai March and Star Trek the Motion Picture.

Highlights From Enchanted

Disney's award-winning motion picture drew blockbuster numbers at the box office in addition to Grammy nominations for the music. This is a classic fairy tale with catchy and melodic tunes portraying the touching story. Includes:True Love's Kiss, Happy Working Song, That's How You Know and Ever Ever After.

Selections From Sweeney Todd

From the unforgettable Broadway musical and more recently the motion picture featuring Johnny Depp, here are the dramatic and intensely beautiful melodies in a stunning setting for the concert stage. Includes: The Ballad ofSweeney Todd, A Little Priest, My Friends, Pirelli's Miracle Elixir and Not While I'm Around.

Highlights From Les Misérables

Some of the most memorable songs ever written for the stage come from the musical sensation, Les Mis‚rables. Now in a blockbuster 2012 motion picture, Johnnie Vinson's beautiful medley includes: At the End of the Day, I Dreamed aDream, Master of the House, Do You Hear the People Sing?, and On My Own.

Swing, Swing, Swing : from 1941

From the motion picture 1941, this is John Williams' tongue-in-cheek tribute to the big band era. Jay has adapted his arrangement for the Cadets Drum and Bugle Corps into a stunning production for marching band that will leave the crowd breathless! Featuring the sax section, a trumpet solo, and hot ensemble punches, it's just like having a mega jazz band on the field!

Hollywood Milestones

A blockbuster medley that includes some of the best musical icons from the last twenty-five years of film history. Includes: Theme from Jaws, Where Do I Begin (Love Story Theme), Star Trek – The Motion Picture, RaidersMarch, Chariots of Fire, Back to the Future, Theme from E.T., Beauty and the Beast, Theme from Jurassic Park, Forrest Gump – Main Title, and Main Title – Apollo 13.

Sparkling Samba

The flowing rhythm of the samba is often tempestuous and fast, but it always moves within a steady tempo. The samba, like running water, can murmur, swell, sparkle and develop into a fierce element. It is always in motion. Inspired by this principle, Gilbert Tinner composed the work Sparkling Samba. Supported by a lively rhythm section, all the sections of the band dance on the waves of the samba style!

Suite for Winds & Percussion : Remembering Daniel Pratt

Commissioned by Prattville (Alabama) High School, this work in three movements pays tribute to that city's founder, Daniel Pratt, who was one of the leading industrialists of the early 1800s. Including movements entitled“Fanfare for a New Era,” “Ode: The Southern Landscape,” and “Perpetual Motion: Machines,” composer Johnnie Vinson uses creative scoring and intriguing sounds to recreate this period of Americanhistory in an impressive work for band. Dur: 7:30 (Grade 4)

Butterfly Overture

Doesn?t everyone get butterflies in the stomach every now and then? Every person has known moments of being in love. Accordingly, in Butterfly Overture a charming love theme has been employed, which is introduced by the alto saxophone in the slow middle passage. Additionally, the butterfly is a cheerful flutterer that never moves in a straight line but always with an unexpected motion. In the Vivace the flute initially performs the fluttering theme, after which it has been instrumented in diverse variations throughout the entire band. A wonderful new addition to the Concert Band repertoire that will be a firm favourite for many years.

Butterfly Overture

Doesn?t everyone get butterflies in the stomach every now and then? Every person has known moments of being in love. Accordingly, in Butterfly Overture a charming love theme has been employed, which is introduced by the alto saxophone in the slow middle passage. Additionally, the butterfly is a cheerful flutterer that never moves in a straight line but always with an unexpected motion. In the Vivace the flute initially performs the fluttering theme, after which it has been instrumented in diverse variations throughout the entire band. A wonderful new addition to the Concert Band repertoire that will be a firm favourite for many years.

Bilbo the Hobbit : Pièce pour cor et orchestre d'harmonie

Originally written by the great English writer J.R.R. Tolkien (1892-1973), The Lord of the Rings has encountered new-found popularity recently with the release of three ?huge-hit? motion pictures. With Bilbo the Hobbit we enter the lands of Middle-earth during the Third Age, some decades before The Lord of the Rings trilogy. Fascinated by the works of the masters of film music, Maxime Aulio structured this work in their way. When the end credits roll, Maxime?s music displays all the basic characters and passages of the novel. From the landscapes of the Shire to Middle-earth, the Great Dragons to Gandalf the Wizard, Bilbo Baggins tells us his story through light and virtuosoarabesques in the solo part. Bilbo the Hobbit is a wonderful addition to the french horn repertoire and one to be a sure-fire hit with horn players everywhere.

Bilbo the Hobbit : Pièce pour cor et orchestre d'harmonie

Originally written by the great English writer J.R.R. Tolkien (1892-1973), The Lord of the Rings has encountered new-found popularity recently with the release of three ?huge-hit? motion pictures. With Bilbo the Hobbit we enter the lands of Middle-earth during the Third Age, some decades before The Lord of the Rings trilogy. Fascinated by the works of the masters of film music, Maxime Aulio structured this work in their way. When the end credits roll, Maxime?s music displays all the basic characters and passages of the novel. From the landscapes of the Shire to Middle-earth, the Great Dragons to Gandalf the Wizard, Bilbo Baggins tells us his story through light and virtuosoarabesques in the solo part. Bilbo the Hobbit is a wonderful addition to the french horn repertoire and one to be a sure-fire hit with horn players everywhere.

Metalla

Metalla was commissioned by the 'Kreisverband Altenkirchen' of Germany and dedicated to Ottomar Jung. The composer himself conducted the premiere of the piece, which was performed by the 'Jugendorchester Kreisverband Altenkirchen' on 25 March 1999.The region of Altenkirchen is known for its iron mines, which find musical expression in the dark mood of the introduction (andante misterioso). This effect is accomplished with overlapping seventh intervals, orchestral crescendos, a succession of broad chords and the presentation of most themes in the middle register of the band.The dynamic section (allegro energico) that follows the introduction is characterized by concise figures inthe brass and a second motif, a kind of rippling motion depicting the Sieg River, an important element in the landscape of the Altenkirchen region.The work closes with a final theme that returns a number of times, albeit in different guises. After a brief repeat of the seventh intervals from the beginning, a last radiant chord signals the end of the piece.