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HAY - - Bog - Phaidon Press Ltd - Plusbog.dk

HAY - - Bog - Phaidon Press Ltd - Plusbog.dk

Welcome to HAY''s universe of irresistible, affordable, everyday design. ''HAY is destined to be an important part of the modern design canon - not as the result of design theory or design thinking, but as a result of design doing.'' - John Hoke III, Chief Design Officer, Nike In 2002, husband and wife Rolf and Mette Hay founded their namesake company and forever changed how the world perceives Scandinavian design. Born from the duo''s desire to make outstanding design available to all, HAY reimagines functional objects, turning couches, cutting boards, towels, and toothbrushes into vibrant items that bring joy to one''s daily life. Simple, stylish, and affordable, HAY''s furniture and accessories are a seamless blend of quality and economy. The brand''s deep connections within the art, food, fashion, and broader cultural communities, as well as its exuberant use of colour - icy pastels, Memphis primary colours, rich jewel tones, and vivid near-neons - ensure HAY''s best-selling products including the Mags Sofa, Matin Lamp, About A Chair, Palissade Collection, and Sowden Accessories Collection remain one step ahead of the zeitgeist. Published to coincide with the brand''s 20th anniversary, this inspiring visual monograph explores HAY''s origins and astronomical trajectory, including its close partnership with Herman Miller; its collaborations with an ever-growing stable of brilliant designers, along with design companies such as COS, IKEA, and SONOS; and the aesthetic alchemy that makes HAY''s products and retail environments so distinct. The book features exclusive interviews with five pairs of designers: Ronan and Erwan Bouroullec; Nipa Doshi and Jonathan Levien; Shane Schneck and Clara von Zweigbergk (who also designed the book); Fien Muller and Hannes Van Severen; and Stine Gam and Enrico Fratesi. Beautifully illustrated with 600 colour images, HAY also includes an introduction by Kelsey Keith, the editorial director at Herman Miller, and contributions from Lucy Bourton, Duncan Riches, Emily Nathan and Tom Morris.

DKK 499.00
1

Table Stories - Carolina Amell - Bog - Lannoo Publishers - Plusbog.dk

Causes and Consequences of Word Structure - Jennifer Hay - Bog - Taylor & Francis Ltd - Plusbog.dk

Educators at the Bargaining Table - Todd A. Demitchell - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Whiteness at the Table - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Whiteness at the Table - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Antiracist work in education has proceeded as if the only social relation at issue is the one between white people and people of color. But what if our antiracist efforts are being undermined by unexamined difficulties and struggles among white people?Whiteness at the Table examines whiteness in the lived experiences of young children, family members, students, teachers, and school administrators. It focuses on racism and antiracism within the context of relationships. Its authors argue that we cannot read or understand whiteness as a phenomenon without attending to the everyday complexities and conflicts of white people’s lives.This edited volume is entitled Whiteness at the Table, then, for at least three reasons. First, the title evokes the origins of this book in the ongoing storytelling and theorizing of the Midwest Critical Whiteness Collective—a small collective of antiracist educators, scholars, and activists who have been gathering at its founders’ dining room table for almost a decade.Second, the book’s authors are theorizing whiteness not just in terms of structural aspects of white power, but in terms of how whiteness is reproduced and challenged in the day-to-day interactions and relationships of white people. In this sense, whiteness is always already at the table, and this book seeks to illuminate how and why this is so.Finally, one of the primary aims of Whiteness at the Table is to persuade white people of their moral and political responsibility to bring whiteness—as an explicit topic, as perhaps the most important problem to be solved at this historical moment—to the table. This responsibility to theorize and combat whiteness cannot and should not fall only to people of color.

DKK 395.00
1

Constructive Side-Channel Analysis and Secure Design - - Bog - Springer International Publishing AG - Plusbog.dk

Ethical Silence - Sergia Hay - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Lamb at the Altar - Deborah Hay - Bog - Duke University Press - Plusbog.dk

Lamb at the Altar - Deborah Hay - Bog - Duke University Press - Plusbog.dk

"The intention of my work is to dislodge assumptions about the fixity of the three-dimensional body."—Deborah HayHer movements are uncharacteristic, her words subversive, her dances unlike anything done before—and this is the story of how it all works. A founding member of the famed Judson Dance Theater and a past performer in the Merce Cunningham Dance Company, Deborah Hay is well known for choreographing works using large groups of trained and untrained dancers whose surprising combinations test the limits of the art. Lamb at the Altar is Hay’s account of a four-month seminar on movement and performance held in Austin, Texas, in 1991. There, forty-four trained and untrained dancers became the human laboratory for Hay’s creation of the dance Lamb, lamb, lamb . . . , a work that she later distilled into an evening-length solo piece, Lamb at the Altar. In her book, in part a reflection on her life as a dancer and choreographer, Hay tells how this dance came to be. She includes a movement libretto (a prose dance score) and numerous photographs by Phyllis Liedeker documenting the dance’s four-month emergence. In an original style that has marked her teaching and writing, Hay describes her thoughts as the dance progresses, commenting on the process and on the work itself, and ultimately creating a remarkable document on the movements—precise and mysterious, mental and physical—that go into the making of a dance. Having replaced traditional movement technique with a form she calls a performance meditation practice, Hay describes how dance is enlivened, as is each living moment, by the perception of dying and then involves a freeing of this perception from emotional, psychological, clinical, and cultural attitudes into movement. Lamb at the Altar tells the story of this process as specifically practiced in the creation of a single piece.

DKK 674.00
1

Constructive Side-Channel Analysis and Secure Design - - Bog - Springer International Publishing AG - Plusbog.dk