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Defending White Collar Crime - Kenneth Mann - Bog - Yale University Press - Plusbog.dk

The White Lady - Helen Fry - Bog - Yale University Press - Plusbog.dk

Mona Hatoum - Michelle White - Bog - Yale University Press - Plusbog.dk

The Beecher Sisters - Barbara A. White - Bog - Yale University Press - Plusbog.dk

Robert Rauschenberg - Michelle White - Bog - Yale University Press - Plusbog.dk

Robert Rauschenberg - Michelle White - Bog - Yale University Press - Plusbog.dk

A survey of Robert Rauschenberg’s innovative use of cloth in the 1970s and its significance in the artist’s oeuvre Centering on a period of Robert Rauschenberg’s career that has not received much attention, this book focuses on three series by the artist that feature fabric: the idiosyncratic Venetians, 1972–73; the gauzy Hoarfrosts, 1974–76; and the large, simple Jammers, 1975–76. Fascinated by the expressive potential of textiles, including silks, gauze, cheesecloth, and drop cloths, Rauschenberg experimented with the ability of woven materials to capture color and light, hold printed images, and move in the air. Essays contextualize Rauschenberg’s work with cloth in the history of 1970s late modernism and Postminimalism, as well as his career-long interest in the intersection of art and the body through his work in scenography and costumes for dance. Michelle White provides an in-depth overview of the three series and related works, while Branden Joseph explores how they connect with the era’s cultural and economic precarity. Nick Mauss examines how the artist used fabric to create a sense of intimacy and revisit past practices, relationships, and dynamics of collaboration. And Joseph N. Newland discusses Rauschenberg’s costumes and scenic designs for the dance companies of Merce Cunningham and Trisha Brown. Distributed for the Menil Collection Exhibition Schedule: The Menil Collection, Houston, TX (September 19, 2025–March 1, 2026)

DKK 594.00
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The Woman in White - Margaret F. Macdonald - Bog - Yale University Press - Plusbog.dk

The Woman in White - Margaret F. Macdonald - Bog - Yale University Press - Plusbog.dk

A fascinating look at the partnership of artist James McNeill Whistler and his chief model, Joanna Hiffernan, and the iconic works of art resulting from their life together“[A] lavish volume. . . . Illuminating. . . . MacDonald’s deep research has . . . unearthed important new facts.”—Gioia Diliberto, Wall Street Journal In 1860 James McNeill Whistler (1834–1903) and Joanna Hiffernan (1839–1886) met and began a significant professional and personal relationship. Hiffernan posed as a model for many of Whistler’s works, including his controversial Symphony in White paintings, a trilogy that fascinated and challenged viewers with its complex associations with sex and morality, class and fashion, academic and realist art, Victorian popular fiction, aestheticism and spiritualism. This luxuriously illustrated volume provides the first comprehensive account of Hiffernan’s partnership with Whistler throughout the 1860s and 1870s—a period when Whistler was forging a reputation as one of the most innovative and influential artists of his generation. A series of essays discusses how Hiffernan and Whistler overturned artistic conventions and sheds light on their interactions with contemporaries, including Gustave Courbet, for whom she also modeled. Packed with new insights into the creation, marketing, and cultural context of Whistler’s iconic works, this study also traces their resonance for his fellow artists, including Dante Gabriel Rossetti, Edgar Degas, John Singer Sargent, and Gustav Klimt. Published in association with the National Gallery of Art, WashingtonExhibition Schedule:Royal Academy of Arts, London (February 23–May 23, 2022)National Gallery of Art, Washington (July 3–October 10, 2022)

DKK 422.00
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Blacks in the White Establishment? - Richard L. Zweigenhaft - Bog - Yale University Press - Plusbog.dk

Blacks in the White Establishment? - Richard L. Zweigenhaft - Bog - Yale University Press - Plusbog.dk

“The next thing the girl said was, ‘I’ve never been near anyone black except for my maid.’ And I thought, I’m going to have problems here.”—Bobette Reed Kahn What were the feelings and experiences of the young blacks from economically impoverished backgrounds who in the 1960s were placed in white upper-class prep schools? What do their current attitudes and achievements reveal about the importance of race and class in America? In this sensitive and engrossing book, a social psychologist and a political sociologist report on the early graduates of A Better Chance, a program designed to recruit and prepare minority students for entry into exclusive boarding schools, elite colleges and universities, and ultimately positions of power and prestige. Zwegenhaft and Domhoff’s book is a vivid testimony to the costs and the rewards of this innovative attempt to transcend racial barriers. As Zweigenhaft and Domhoff relate, these young men and women faced difficulties in the dramatic transition from black ghettos to the most exclusive boarding schools in the United States. Yet most not only endured but flourished. We hear their stories about the orientation programs they attended, their experiences in prep schools and colleges, the overt and covert forms of discrimination they faced, and the problems they encountered when they went home again. They discuss the pressures they felt, the friendships they made, the marriage partners they selected, and the frustrations and gratifications in their occupational lives. The question of the relative importance of race and class in the United States is an ongoing controversy among policymakers, educators, and social scientists. Zweigenhaft and Domhoff’s study sheds light on this debate—it concludes that while the importance of class has increased in the past few decades, race is still the paramount factor in the personal and social identity of blacks.

DKK 195.00
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