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As Essential as Dreams - Michelle White - Bog - Yale University Press - Plusbog.dk

As Essential as Dreams - Michelle White - Bog - Yale University Press - Plusbog.dk

This stunning book examines the collection of works by self-taught artists assembled by Stephanie and John Smither over the last thirty-odd years. A team of prominent curators, writers, critics, and art historians focuses on key works by twelve artists, including the boisterous assemblages of Thornton Dial; brightly colored visual interpretations of the Bible by Sister Gertrude Morgan; Oscar Hadwiger’s detailed wood models of fantastical architecture; and Carlo Zinelli’s narrative tableaus of stylized figures and animals. Also featured are works by the ceramicist Georgia Blizzard; drawings by Hiroyuki Doi, Solange Knopf, Martín Ramírez, and Dominico Zindato; paintings by Jon Serl and Johnnie Swearingen; and carved wood sculptures by Charlie Willeto. Distributed for The Menil CollectionExhibition Schedule:The Menil Collection (06/10/16­–10/16/16)

DKK 335.00
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New African Masquerades - - Bog - Yale University Press - Plusbog.dk

New African Masquerades - - Bog - Yale University Press - Plusbog.dk

An exploration of contemporary African masquerade that reveals its cultural contexts, artistic innovations, and intersection with museum collection practices By placing masquerade at the forefront of contemporary African art, this volume shows how masquerade is a dynamic and urban phenomenon shaped by shifting global concerns. Essays examine the lack of institutional recognition offered to present-day masquerade artists and the methods used to curate masquerade art at the museum level. An international group of scholars and artists explore the motivations and creative decisions of masquerade artists, highlighting their stories and providing a nuanced understanding of masquerade as a contemporary expression of human experience. This lavishly illustrated study includes more than 150 images, artist’s biographies, in-depth analyses of masquerade ensembles in relation to themes of collaboration, economics, and meaning, and a discussion of the methodologies for ethically commissioning and acquiring masquerade art. Distributed for the New Orleans Museum of Art Exhibition Schedule: New Orleans Museum of Art (April 4–August 10, 2025) Frist Museum, Nashville, TN (October 10, 2025–January 4, 2026)San Antonio Museum of Art (February 27–July 5, 2026 Museum of Fine Arts, St. Petersburg, FL (September 2026–January 2027)National Museum of African Art, Smithsonian, Washington, DC (February 19–September 26, 2027) Concurrently with: Museum of Black Civilization, Dakar, Senegal (TBD) Sierra Leone National Museum, Freetown (TBD) National Museum of Calabar, Nigeria (TBD)

DKK 524.00
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The Book of Esther in the Age of Rembrandt - Abigail Rapoport - Bog - Yale University Press - Plusbog.dk

The Book of Esther in the Age of Rembrandt - Abigail Rapoport - Bog - Yale University Press - Plusbog.dk

An exploration of how the biblical heroine Queen Esther, a symbol of resilience and a figure of immense popularity, was portrayed in seventeenth-century Dutch art In the age of Rembrandt van Rijn, the biblical Book of Esther was a popular source of inspiration for diverse communities in the Netherlands, both Jewish and Christian. Traditionally, the Esther story is read annually on the Jewish holiday of Purim. For immigrant Jewish communities living with new freedom in more tolerant Amsterdam, celebrating Purim—notably through finely produced Esther scrolls and theater productions—became a meaningful expression of Jewish culture. For the Dutch, Queen Esther’s heroism came to represent their emerging nation’s identity. Rembrandt and his contemporaries depicted essential scenes of Esther’s story in paintings, prints, drawings, and decorative arts. Examining how Esther was represented in art and popular culture in Rembrandt’s time, this beautifully illustrated volume includes essays that discuss the visual culture and ceremonial art of Purim and examine the queen’s status as a heroine in seventeenth-century Netherlands. A postscript reveals Esther’s continued appeal through a close look at work by contemporary American artist Fred Wilson, who reimagines the biblical heroine as the abolitionist Harriet Tubman. Published in association with the Jewish Museum, New York, and the North Carolina Museum of Art, Raleigh Exhibition Schedule: Jewish Museum, New York (March 7–August 10, 2025) North Carolina Museum of Art, Raleigh (September 20, 2025–March 8, 2026) Isabella Stewart Gardner Museum, Boston (July 28, 2026–January 10, 2027)

DKK 475.00
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Jorn + Munch - - Bog - Yale University Press - Plusbog.dk

Jorn + Munch - - Bog - Yale University Press - Plusbog.dk

Jorn + Munch is the first publication to examine the enduring impact Edvard Munch (1863–1944) had on Asger Jorn (1914–1973). In Munch’s later works, Danish artist Jorn discovered an artist with a direct, spontaneous, and raw form of expression. Already influenced by surrealism's unprompted painting style, Jorn was naturally drawn to Munch’s similarly unbridled compositions. In particular, Jorn was interested in Munch's use of intense colors and his gestural application of paint in the later works. From the middle of the 1940s, and for many years after that, Munch is shown to be a challenging and important reference point for Jorn's own body of work. Distributed for MercatorfondsExhibition Schedule:Munch Museum, Oslo (10/15/16–01/15/17)Jorn Museum, Silkeborg, Denmark (02/11/17–05/28/17)

DKK 422.00
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Truth - - Bog - Yale University Press - Plusbog.dk

Truth - - Bog - Yale University Press - Plusbog.dk

Offering historical, social, and artistic context for some of the most influential artists and filmmakers from the 1960s to the present day, this timely book looks at three filmic techniques—appropriation, documentary film, and montage—and how they confront the viewer with pieces of reality within a particular “frame.” Including previously unpublished material, Truth features a selection of interviews with and essays about twenty-four artists and filmmakers, among them Bruce Conner, Chick Strand, Jean-Marie Straub and Danièle Huillet, Pratibha Parmar, and Dara Birnbaum, whose work incorporates one or more of these techniques. Rather than proposing similarities among these artists’ practices, the book explores the varied ways that their work examines truth, meaning, and form as a way of coming to terms with reality. Distributed for the Dallas Museum of ArtExhibition Schedule:Dallas Museum of Art (10/22/17–01/28/18)

DKK 241.00
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William Kentridge - Margaret K. Koerner - Bog - Yale University Press - Plusbog.dk

William Kentridge - Margaret K. Koerner - Bog - Yale University Press - Plusbog.dk

South African artist William Kentridge (b. 1955) has become famous for his time-lapse animation movies and installations, as well as his activities as an opera and theater director. This book offers a unique selection of Kentridge’s work curated for Sint-Janshospitaal in Bruges—at 800 years one of Europe’s oldest surviving hospital buildings – organized around the themes of trauma, healing, and compassion. The book features an introduction by Margaret K. Koerner, and also includes essays by diverse distinguished contributors: Benjamin H. D. Buchloh considers Kentridge’s alternate reception of the historical avant-garde from a perspective of exile; Joseph Leo Koerner explores the artist’s work as a self-styled process of "working through" in which the past simultaneously disfigures and redeems; and Harmon Siegel examines Kentridge’s approach to film history. Distributed for MercatorfondsExhibition Schedule:Groeningemuseum, Bruges (10/21/17-02/25/18)

DKK 422.00
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Real Life Rock - Greil Marcus - Bog - Yale University Press - Plusbog.dk

Real Life Rock - Greil Marcus - Bog - Yale University Press - Plusbog.dk

From the author of The History of Rock ’n’ Roll in Ten Songs comes his “Basement Tapes”: the complete “Real Life Rock Top 10” columns For nearly thirty years, Greil Marcus has written a remarkable column called “Real Life Rock Top Ten.” It has been a laboratory where he has fearlessly explored and wittily dissected an enormous variety of cultural artifacts, from songs to books to movies to advertisements. Taken together, his musings, reflections, and sallies amount to a subtle and implicit theory of how cultural objects fall through time and circumstance and often deliver unintended consequences, both in the present and in the future. Real Life Rock reveals the critic in full: direct, erudite, funny, fierce, vivid, uninhibited, and possessing an unerring instinct for art and fraud. The result is an indispensable volume packed with startling arguments and casual brilliance.

DKK 209.00
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Jennifer Steinkamp - Clark Art Institute - Bog - Yale University Press - Plusbog.dk

Jennifer Steinkamp - Clark Art Institute - Bog - Yale University Press - Plusbog.dk

Best known for immersive video projections that use digitally animated natural and abstract forms to investigate themes such as the passage of time and organic movement, Jennifer Steinkamp (b. 1958) is one of today’s most innovative artists. Featuring extensive installation photography, this catalogue includes works from across the artist’s celebrated career and a new site-specific work created for the Clark’s presentation. Moreover, it provides a unique opportunity to see how Steinkamp’s meditative interpretations of nature interact with galleries designed by Tadao Ando specifically to engage the surrounding woodland setting. With an essay by Lisa Saltzman that isolates structuring concerns in Steinkamp’s groundbreaking work, this book sheds new light on one of the most important pioneers in the field of video and new media. Distributed for the Clark Art InstituteDistributed for the Clark Art InstituteExhibition Schedule:Clark Art Institute (6/30/18–10/08/18)

DKK 231.00
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The Glory of Saint George - - Bog - Yale University Press - Plusbog.dk

The Glory of Saint George - - Bog - Yale University Press - Plusbog.dk

This book offers the first-ever survey of artistic depictions of the legend of Saint George defeating the dragon. The earliest existing references to this episode in the hagiography of Saint George date from the 11th century, and the mythical conflict has entertained the imaginations of artists ever since. Copiously illustrated, this book includes varied representations in painting, sculpture, engraving, and more by artists from Raphael and Peter Paul Rubens to Odilon Redon and Andy Warhol. In addition, the artists David Claerbout, Giuseppe Penone, Luc Tuymans, and Angel Vergara Santiago have been invited to contribute their own interpretations of the story, and these new works are also featured. The contemporary perspective is further explored in the book through essays that trace the shifting resonance of the allegory, positing that it has evolved to become symbolic of man’s internal struggle as he attempts to fulfill his destiny. Distributed for MercatorfondsExhibition Schedule:Musée des Arts Contemporains au Grand-Hornu (10/18/15–01/17/16)

DKK 382.00
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A New American Sculpture, 1914–1945 - Andrew Eschelbacher - Bog - Yale University Press - Plusbog.dk

A New American Sculpture, 1914–1945 - Andrew Eschelbacher - Bog - Yale University Press - Plusbog.dk

A New American Sculpture, 1914–1945 is the first publication to situate the individual contributions of Gaston Lachaise, Robert Laurent, Elie Nadelman, and William Zorach into a compelling constellation of artists with shared aesthetic and social concerns. Although each European-born, American artist cultivated his own distinct style, their creative priorities were all deeply rooted in quiet composition, synthetic approaches to anatomy, and architectural unity of curves and volume. At a time when abstract forms were popular, Lachaise, Laurent, Nadelman, and Zorach were all ultimately in favor of maintaining the integrity of the human body to explore modernist styles. This handsome book underscores their unrelenting search for a novel American visual tradition at the intersection of modernism, historic visual culture, and contemporary popular imagery. Distributed for the Portland Museum of ArtExhibition Schedule:Portland Museum of Art (05/26/17–09/08/17)Memphis Brooks Museum of Art, Memphis, Tennessee (10/14/17–01/07/18)Amon Carter Museum of American Art (02/17/18–05/13/18)

DKK 382.00
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Pastels in the Musee du Louvre - Xavier Salmon - Bog - Yale University Press - Plusbog.dk

Pastels in the Musee du Louvre - Xavier Salmon - Bog - Yale University Press - Plusbog.dk

The Musée du Louvre boasts an exceptional collection of 17th- and 18th-century European pastels. Due to their fragility, there have been scant opportunities to view and learn from these spectacular artworks. This in-depth examination of the collection, reproduced here for the first time in color, delves into their history and how they were created. Produced primarily during the reigns of Louis XV and Louis XVI, the works—whose beautiful delicacy has been likened to the powder covering the wings of a butterfly—offer insights into society during the period of the Enlightenment. Featured artists include Rosalba Carriera, Maurice Quentin de La Tour, Jean-Baptiste Perronneau, Jean Étienne Liotard, Jean-Marc Nattier, and Élisabeth Louise Vigee Le Brun, as well as lesser-known masters such as Marie-Suzanne Giroust, Adélaïde Labille-Guirard, Joseph Bose, and Joseph Ducreux. Distributed for Editions Hazan, ParisExhibition Schedule:Musée du Louvre, Paris (06/07/18–09/10/18)

DKK 571.00
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speechless - Sarah Schleuning - Bog - Yale University Press - Plusbog.dk

speechless - Sarah Schleuning - Bog - Yale University Press - Plusbog.dk

An experiment in interactive design and a bold reimaging of the museum exhibition This catalogue pioneers a new approach to the art museum exhibition, using the power of design to explore how we experience the world through our varied senses. Six international design teams have collaborated with experts in neuroscience and cognitive, motor, and sensory issues to create site-specific, immersive, and participatory environments—one of which is the publication itself. These revolutionary interpretations across various media will foster research intended to push our understanding of sensory perception and encourage new ways of conceiving, installing, and experiencing exhibitions. Designed by Laurie Haycock Makela, a leader in experimental graphic design, the book plays with the multiple meanings of the word “speechless,” exploring the evolution of the project, documenting the installations, and offering portraits of the creative individuals who defined this extraordinary undertaking. Topics range from personal connections to issues of inclusion, diversity, accessibility, and empathy. Distributed for the Dallas Museum of ArtExhibition Schedule:Dallas Museum of Art (November 10, 2019–March 22, 2020)

DKK 429.00
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The Photographs of Ralston Crawford - Keith F. Davis - Bog - Yale University Press - Plusbog.dk

The Photographs of Ralston Crawford - Keith F. Davis - Bog - Yale University Press - Plusbog.dk

Best known for his modernist paintings and prints, the multitalented artist Ralston Crawford (1906–1978) maintained a deep and intensive interest in photography throughout his career, using the camera as a tool of both documentary and artistic expression. This exquisitely produced publication provides a fresh, comprehensive look at Crawford’s photographs from 1938 through the mid-1970s, including both well-known works and previously unpublished images. Some of his photographic images served as the basis for paintings and prints, but many more were made for their own sake as photographs, capturing a wide variety of subjects, from pristine industrial forms to the vibrant street life and musical culture of New Orleans. This volume locates Crawford’s photographic production in the context of his overall artistic career and within the creative currents of his time, enhancing our understanding of Crawford as an artist and serving as the best and most up-to-date study of his photographs. Distributed for The Hall Family Foundation in association with The Nelson-Atkins Museum of ArtExhibition Schedule:The Nelson-Atkins Museum of Art, Kansas City (10/26/18–04/07/19)

DKK 476.00
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Tomma Abts - - Bog - Yale University Press - Plusbog.dk

Tomma Abts - - Bog - Yale University Press - Plusbog.dk

Examines both the art-historical framework of Tomma Abts’s painting as well as its deep philosophical and psychological dimensions With a rigorous approach and self-imposed limitations to both scale and composition, Tomma Abts (b. 1967) has reinvigorated painterly abstraction and its relevance within contemporary art. Using a fixed canvas size and a vertical format, Abts deploys basic formal elements such as arcs, circles, planes, and stripes to create powerful works that are at once subtle and eccentric. This extraordinary book, designed in collaboration with the artist herself, is a substantial and deeply insightful treatment of her career to date and features sixty works made over the past decade. Essays not only contextualize Abts’s work within an art-historical framework of methods, process, and style, but also examine her paintings’ philosophical and psychological dimensions and their embodiment of a creative process that transcends the specifics of any particular work. Distributed for the Art Institute of ChicagoExhibition Schedule:Serpentine Galleries, London (06/06/18–09/09/18) Art Institute of Chicago (10/18/18–02/17/19)

DKK 329.00
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Hans Hofmann - Diana Greenwold - Bog - Yale University Press - Plusbog.dk

Hans Hofmann - Diana Greenwold - Bog - Yale University Press - Plusbog.dk

Hans Hofmann (1880–1966) was an acclaimed Abstract Expressionist and one of the most influential art teachers of the 20th century. While his paintings have been the subject of many exhibitions and publications, his works on paper are comparatively little known, despite how central they were to his artistic practice and to the evolution of his style and technique. This is the first full-length book devoted to Hofmann’s works on paper, presenting a valuable new perspective from which to appreciate the achievements of this giant of postwar art. More than fifty examples from across his long career and from many genres—including self-portraits, figural studies, interiors, landscapes, and abstractions—are all attractively illustrated in color. In addition, works in different stages of finish, from rough sketches to polished pieces, offer an intimate glimpse into Hofmann’s methods and creative process. Distributed for MOCA JacksonvilleExhibition Schedule:Museum of Contemporary Art, Jacksonville, FL (01/28/17–05/14/17)Portland Museum of Art, Portland, ME (06/16/17–09/10/17)

DKK 335.00
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Japanomania in the Nordic Countries, 1875-1918 - - Bog - Yale University Press - Plusbog.dk

Japanomania in the Nordic Countries, 1875-1918 - - Bog - Yale University Press - Plusbog.dk

This extensive publication, complete with hundreds of illustrations by such renowned artists as Carl Larsson, Edvard Munch, Vilhelm Hammershøi, Helene Schjerfbeck, Pekka Halonen, Akseli Gallen-Kallela, Gerhard Munthe, Pietro Krohn, and Frida Hansen, among others, offers an unprecedented study of Japanese influence on the visual arts in the Nordic countries. This unlikely diffusion of Japanese culture, known collectively as Japonisme, became increasingly apparent in England, France, and elsewhere in Europe during the 19th century, although nowhere was the influence seemingly as pervasive as it was throughout the Nordic countries. The book reveals how the widespread interest in Japanese aesthetics helped to establish notions of a fundamental unity between the arts and transformed the region’s visual vocabulary. The adoption of Japanese motifs and styles in Finland, Norway, Sweden, and Denmark gave a necessary cohesion to their existing artistic language, creating a vital balance within and among all of the decorative arts. Distributed for MercatorfondsExhibition Schedule:Ateneum Art Museum, Finnish National Gallery, Helsinki (02/18/16–05/15/16)National Museum of Art, Architecture and Design, Oslo (06/16/16–10/16/16)Statens Museum for Kunst, Copenhagen (01/19/17–04/23/17)

DKK 500.00
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Humans Need Not Apply - Jerry Kaplan - Bog - Yale University Press - Plusbog.dk

Humans Need Not Apply - Jerry Kaplan - Bog - Yale University Press - Plusbog.dk

An insightful, engaging tour by a noted Silicon Valley insider of how accelerating developments in Artificial Intelligence will transform the way we live and workSelected as one of the 10 best science and technology books of 2015 by The Economist After billions of dollars and fifty years of effort, researchers are finally cracking the code on artificial intelligence. As society stands on the cusp of unprecedented change, Jerry Kaplan unpacks the latest advances in robotics, machine learning, and perception powering systems that rival or exceed human capabilities. Driverless cars, robotic helpers, and intelligent agents that promote our interests have the potential to usher in a new age of affluence and leisure — but as Kaplan warns, the transition may be protracted and brutal unless we address the two great scourges of the modern developed world: volatile labor markets and income inequality. He proposes innovative, free-market adjustments to our economic system and social policies to avoid an extended period of social turmoil. His timely and accessible analysis of the promise and perils of artificial intelligence is a must-read for business leaders and policy makers on both sides of the aisle.

DKK 191.00
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Napoleon - Sylvain Cordier - Bog - Yale University Press - Plusbog.dk

Napoleon - Sylvain Cordier - Bog - Yale University Press - Plusbog.dk

The dazzling splendors of the court of Napoleon I (1769–1821) reflected the grandeur and ambitions of the greatest empire of the day. This luxurious volume re-creates the ambiance and captures the spirit that prevailed in the French court during the Empire through the material manifestations of the Imperial Household. The Imperial Household, a key institution during Napoleon’s reign, was responsible for the daily lives of the Imperial family; it consisted of six departments, each headed by a high-ranking dignitary of the Empire: the grand chaplain, grand master of ceremonies, grand marshal of the Palace, grand master of the hunt, grand chamberlain, and grand equerry – each intimately involved with every moment of pageantry in the court. Featured here are more than 250 works of fine and decorative art, the visual magnificence of which was part of a calculated and deliberate effort to fashion a monarchic identity for the new emperor. Distributed for Editions Hazan, ParisExhibition Schedule:The Montreal Museum of Fine Arts (01/23/18–05/13/18)Virginia Museum of Fine Arts (06/06/18–09/03/18)The Nelson-Atkins Museum of Art (10/04/18–01/13/19)Musée national du Château de Fontainebleau (04/13/19–07/15/19)

DKK 461.00
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Mona Hatoum - Michelle White - Bog - Yale University Press - Plusbog.dk

Mona Hatoum - Michelle White - Bog - Yale University Press - Plusbog.dk

A fresh and engaging look at the groundbreaking work of contemporary artist Mona Hatoum The work of London-based artist Mona Hatoum (b. 1952) addresses the growing unease of an ever-expanding world that is as technologically networked as it is fractured by war and exile. Best known for sculptures that transform domestic objects such as kitchen utensils or cribs into things strange and threatening, Hatoum conducts multilayered investigations of the body, politics, and gender that express a powerful and pervasive sense of precariousness. Her works are never simple and often elicit conflicting emotions, such as fascination and fear, desire and revulsion. This copiously illustrated presentation of Hatoum’s oeuvre offers critical and art historical essays by Michelle White and Anna C. Chave and imaginative texts by Rebecca Solnit and Adania Shibli, which contextualize the artist’s work and its relationship to Surrealism, Minimalism, feminism, and politics. With extensive discussions on a selection of significant sculptures and installations, some of which are previously unpublished, Mona Hatoum: Terra Infirma provides an insightful look at one of the most exciting and influential artists working today. Distributed for The Menil CollectionExhibition Schedule:The Menil Collection, Houston (10/13/17–02/25/18)Pulitzer Arts Foundation, St. Louis (04/06/18–08/11/18)

DKK 422.00
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Leonardo: Discoveries from Verrocchio's Studio - Laurence Kanter - Bog - Yale University Press - Plusbog.dk

Leonardo: Discoveries from Verrocchio's Studio - Laurence Kanter - Bog - Yale University Press - Plusbog.dk

Presents exciting, original conclusions about Leonardo da Vinci’s early life as an artist and amplifies his role in Andrea del Verrocchio’s studio This groundbreaking reexamination of the beginnings of Leonardo da Vinci’s (1452–1519) life as an artist suggests new candidates for his earliest surviving work and revises our understanding of his role in the studio of his teacher, Andrea del Verrocchio (1435–1488). Anchoring this analysis are important yet often overlooked considerations about Verrocchio’s studio—specifically, the collaborative nature of most works that emerged from it and the probability that Leonardo must initially have learned to paint in tempera, as his teacher did. The book searches for the young artist’s hand among the tempera works from Verrocchio’s studio and proposes new criteria for judging Verrocchio’s own painting style. Several paintings are identified here as likely the work of Leonardo, and others long considered works by Verrocchio or his assistant Lorenzo di Credi (1457/59–1536) may now be seen as collaborations with Leonardo sometime before his departure from Florence in 1482/83. In addition to Laurence Kanter’s detailed arguments, the book features three essays presenting recent scientific analysis and imaging that support the new attributions of paintings, or parts of paintings, to Leonardo. Distributed for the Yale University Art GalleryExhibition Schedule:Yale University Art Gallery (06/29/18–10/07/18)

DKK 288.00
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Whistler in Watercolor - Emily Jacobson - Bog - Yale University Press - Plusbog.dk

Whistler in Watercolor - Emily Jacobson - Bog - Yale University Press - Plusbog.dk

A focused investigation of Whistler’s watercolors that introduces readers to a rarely seen aspect of the artist’s creative output In the 1880s, James McNeill Whistler (1834–1903) reinvented himself through the medium of watercolor. At the time, excellence in watercolor was most often associated with British artists, and most notably with the work of J. M. W. Turner (1775–1851). Whistler’s embrace of watercolor allowed the expatriate artist to present himself as an heir to the great Turner, while at the same time creating easily portable works that could supply an American market and, the artist hoped, help secure his art-historical legacy in his home country. Indeed, it was the American Gilded Age industrialist Charles Lang Freer who would amass the largest collection of Whistler’s watercolors, eventually bequeathing them to the Smithsonian in 1906. This publication is the first systematic study of Freer’s amazing treasure trove of more than 50 watercolors by Whistler and includes figures, landscapes, nocturnes, and interiors. Providing both an art-historical context that looks into the contemporary reception of the works, as well as rigorous scientific analysis of Whistler’s materials and techniques, this volume offers a groundbreaking look into an overlooked segment of the celebrated artist’s oeuvre. Distributed for Freer|Sackler, SmithsonianExhibition Schedule:Freer Gallery of Art, Washington, DC (05/18/19–10/06/19)

DKK 329.00
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Gauguin - - Bog - Yale University Press - Plusbog.dk

Gauguin - - Bog - Yale University Press - Plusbog.dk

The first in-depth investigation of Gauguin’s portraits, revealing how the artist expanded the possibilities of the genre in new and exciting ways Paul Gauguin (1848–1903) broke with accepted conventions and challenged audiences to expand their understanding of visual expression. Nowhere is this phenomenon more evident than in his portraits, a genre he remained engaged with throughout all phases of his career. Bringing together more than 60 of Gauguin’s portraits in a wide variety of media that includes painting, works on paper, and sculpture, this handsomely illustrated volume is the first focused investigation of the multifaceted ways the artist approached the subject. Essays by a group of international experts consider how the artist’s conception of portraiture evolved as he moved between Brittany and Polynesia. They also examine how Gauguin infused his work with symbolic meaning by taking on different roles like the Christ figure and the savage in his self-portraits and by placing his models in suggestive settings with alluring attributes. This welcome addition to the scholarship on one of the 19th century’s most innovative and controversial artists reveals fascinating insights into the crucial role that portraiture played in Gauguin’s overall artistic practice. Distributed for the National Gallery of CanadaExhibition Schedule:National Gallery of Canada, Ottawa (05/24/19–09/08/19)National Gallery, London (10/07/19–01/26/20)

DKK 335.00
1