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Becoming America - Jonathan Fielding - Bog - Yale University Press - Plusbog.dk

Becoming America - Jonathan Fielding - Bog - Yale University Press - Plusbog.dk

Celebrating two collectors’ passion for Americana and the window it provides into the everyday beauty of the pastBecoming America offers a multifaceted view of one of the foremost collections of 18th- and 19th-century American folk and decorative art from the rural Northeast. Essays by leading specialists discuss the culture of furniture workshops, exuberant painted decoration, techniques of sewing and quilting, and poignant stories about the families depicted in the portraits. The collection itself includes Shaker boxes, a beaded Iroquois hat, embroidered samplers, metalwork, scrimshaw, handwoven rugs, ceramics, and a weather vane. The majority of these works have never before been published. With lively essays and profuse illustrations, this handsome volume brings to life the aesthetic of early Americans living in the countryside and is an essential exploration of the period’s taste and style. Distributed for The Huntington Library, Art Collections, and Botanical GardensExhibition Schedule:The Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA (October 22, 2016–ongoing)

DKK 429.00
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Matisse and Decoration - John Klein - Bog - Yale University Press - Plusbog.dk

Matisse and Decoration - John Klein - Bog - Yale University Press - Plusbog.dk

A brand new look at the extremely beautiful, if underappreciated, later works of one of the most inventive artists of the 20th century Between 1935 and his death at midcentury, Henri Matisse (1869–1954) undertook many decorative projects and commissions. These include mural paintings, stained glass, ceramic tiles, lead crystal pieces, carpets, tapestries, fashion fabrics, and accessories—work that has received no significant treatment until now. By presenting a wealth of new insights and unpublished material, including from the artist’s own correspondence, John Klein, an internationally acclaimed specialist in the art of Matisse, offers a richer and more balanced view of Matisse’s ambitions and achievements in the often-neglected later phases of his career. Matisse designed many of these decorations in the innovative—and widely admired—medium of the paper cut-out, whose function and significance Klein reevaluates. Matisse and Decoration also opens a window onto the revival and promotion, following World War II, of traditional French decorative arts as part of France’s renewed sense of cultural preeminence. For the first time, the idea of the decorative in Matisse’s work and the actual decorations he designed for specific settings are integrated in one account, amounting to an understanding of this modern master’s work that is simultaneously more nuanced and more comprehensive.

DKK 429.00
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Ornamental Blackness - Adrienne L. Childs - Bog - Yale University Press - Plusbog.dk

Ornamental Blackness - Adrienne L. Childs - Bog - Yale University Press - Plusbog.dk

Exploring the role the decorative arts played in the representation of Black people in European visual and material culture This revelatory look at European decorative arts addresses the long-ignored implications of the depiction of Black bodies on luxury objects from the Baroque period through the nineteenth century. Adrienne L. Childs traces the complex history of the vogue for representing the Black body as an ornamental motif throughout spaces of wealth and refinement. Objects such as furniture, porcelain, clocks, silver, light fixtures, and more conveyed the taste for exoticism and portrayed the laboring Black body in the guise of décor. These objects also express larger ideas about the concept of race, romantic notions of distant lands, the harsh realities of slave labor in the colonies, the presence of Black servants in wealthy European households, and the culture of luxury consumption. Ornamental Blackness demonstrates how seemingly benign decorative objects can embody the complexities of race, slavery, and representation. Childs examines the tensions inherent in the system of codes in which the Black body can be enslaved, reviled, feared, subjugated, and assaulted on one hand and a symbol of opulence on the other. In this important volume she establishes a framework for understanding the racialized aesthetics of luxury.

DKK 594.00
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Shinto - Sinead Vilbar - Bog - Yale University Press - Plusbog.dk

Shinto - Sinead Vilbar - Bog - Yale University Press - Plusbog.dk

Bringing the rich Japanese Shinto artistic tradition to life, this handsome volume explores the significance of calligraphy, painting, sculpture, and the decorative arts within traditional kami veneration ceremonies A central feature of Japanese culture for many centuries, the veneration of kami deities—a practice often referred to as Shinto—has been a driving force behind a broad swath of visual art. Focusing on the Heian period (795–1185) through the Edo period (1615–1868), this generously illustrated volume brings the rich Shinto artistic tradition to life through works of calligraphy, painting, sculpture, and the decorative arts. Thematic essays authored by both American and Japanese scholars explore different dimensions of kami veneration and examine the significance of these objects—many of which have never been seen outside of Japan—in Shinto ceremonies. Distributed for the Cleveland Museum of ArtExhibition Schedule:Cleveland Museum of Art (04/09/19–06/30/19)

DKK 560.00
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With Pleasure - - Bog - Yale University Press - Plusbog.dk

With Pleasure - - Bog - Yale University Press - Plusbog.dk

A timely and expansive survey of a groundbreaking American art movement that overturned aesthetic hierarchies in a riot of color and ornamentation The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923–2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 artists from across the United States, examining the movement’s defiant adoption of art forms traditionally viewed as feminine, craft-based, or otherwise inferior to fine art. In addition to offering an overview of the Pattern and Decoration movement as it is commonly recognized, this volume considers artists of the period who are not typically associated with the movement. Rethinking the significance of patterns and the decorative in postwar American art, this panoramic view provides new insights into abstraction, feminism, and installation art. Essays explore the movement’s feminist methods and values, including Miriam Schapiro’s “femmage” practice; its impact on contemporary abstract painting; and its relationship to postmodern architecture and design. Artist biographies, an exhibition history, and reprints of historically significant writings further establish With Pleasure as the most expansive publication on the subject. Published in association with The Museum of Contemporary Art, Los AngelesExhibition Schedule:Museum of Contemporary Art, Los Angeles (October 27, 2019–May 11, 2020)Hessel Museum of Art, Bard College (June 26–November 28, 2021)

DKK 571.00
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Luluwa - Constantine Petridis - Bog - Yale University Press - Plusbog.dk

Luluwa - Constantine Petridis - Bog - Yale University Press - Plusbog.dk

Living in the region between the Lubudi and Kasai rivers in south central Democratic Republic of the Congo, the Luluwa people are known for their elaborately carved male and female figure sculptures, masks, and decorative arts. Constantine Petridis draws on first-hand accounts of numerous explorers, missionaries, colonial servants, anthropologists, and art historians who visited the region between the 1880s and the 1970s, to comprehensively situate the Luluwa’s ornate art in its original environment of production and use. Through a close study of published and unpublished sources as well as museum objects and archival photographs, this book sheds new light on the historical context of one of central Africa’s most spectacular artistic legacies, whose creation presumably dates back to the second half of the 19th century. Distributed for Mercatorfonds

DKK 759.00
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Francois Morellet - - Bog - Yale University Press - Plusbog.dk

Francois Morellet - - Bog - Yale University Press - Plusbog.dk

This in-depth exploration of celebrated French artist François Morellet (1926–2016) showcases his diverse oeuvre, famous for infusing systematic and rigorous experimentation with humor and playfulness. Morellet’s interest in kinetic and optical effects spurred work that engages viewers’ perception and participation, ensuring an element of chance within his predetermined systems and challenging the convention of the artistic genius. This book features new scholarship by an international group of renowned art historians and curators. Essays explore topics such as the conceptual stakes of Morellet’s practice, the influence of Brazilian geometric abstraction and the Islamic decorative tradition, and the role of humor in his work. Also included is an extensive selection of previously untranslated writings by the artist himself. With striking new photography of the artworks—such as Morellet’s geometric paintings, neon works, and architectural interventions—this is the definitive book on a fascinating, multifaceted artist. Distributed for the Dia Art Foundation

DKK 476.00
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Material Meanings - - Bog - Yale University Press - Plusbog.dk

Material Meanings - - Bog - Yale University Press - Plusbog.dk

A fascinating gathering of modern and contemporary art that considers artworks from different media as material objects This book features 31 objects from Constance R. Caplan’s noted collection of 20th- and 21st-century art, including works in a variety of media by artists such as Hans Arp, Lynda Benglis, Liz Deschenes, Claes Oldenburg, and Cy Twombly. Rather than specialize in one medium, artist, or movement, Caplan has instead assembled paintings, photographs, drawings, sculptures, and examples of decorative art that together capture the full scope of a transformative period in art history. Individual pieces are examined by a diverse group of scholars that includes voices from both the school and the museum of the Art Institute of Chicago, while Yve-Alain Bois provides a historical overview of the collection’s genesis, with a particular focus on the dialogue among works from different artistic disciplines. Distributed for the Art Institute of ChicagoExhibition Schedule:The Art Institute of Chicago (February 22–July 5, 2020)

DKK 335.00
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Raphael's Tapestries - Lorraine Karafel - Bog - Yale University Press - Plusbog.dk

Raphael's Tapestries - Lorraine Karafel - Bog - Yale University Press - Plusbog.dk

Around 1515, Raphael (1483-1520) designed a set of tapestries for Leo X, the first Medici pope. Each was sumptuously woven in gold, silver, and silk, and depicted scenes from classical mythology with inventive grotesques. Now lost, these spectacular, grand-scale textiles are reconstructed in Raphael’s Tapestries and set among a series of unprecedented decorative projects that Pope Leo commissioned from the artist. Likely produced by the Brussels weaver Pieter van Aelst, the tapestries pioneered a new all’antica style analogous with contemporary painted and sculpted interior programs. Tapestries played a central role at Leo’s court, as spectacle and as propaganda, and the Grotesques of Leo X would inform tapestry design for the next three centuries. Their beauty and complexity rivaled those of contemporary painting, and their luxurious materials made them highly prized. With this new study, the Grotesques take their rightful place as Renaissance masterworks and as documents of the fervent humanist culture of early 16th-century Rome.

DKK 500.00
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Marking Time - - Bog - Yale University Press - Plusbog.dk

Marking Time - - Bog - Yale University Press - Plusbog.dk

An engaging, encyclopedic account of the material world of early modern Britain as told through a unique collection of dated objects The period from 1500 to 1800 in England was one of extraordinary social transformations, many having to do with the way time itself was understood, measured, and recorded. Through a focused exploration of an extensive private collection of fine and decorative artworks, this beautifully designed volume explores that theme and the variety of ways that individual notions of time and mortality shifted. The feature uniting these more than 450 varied objects is that each one bears a specific date, which marks a significant moment—for reasons personal or professional, religious or secular, private or public. From paintings to porringers, teapots to tape measures, the objects—and the stories they tell—offer a vivid sense of the lived experience of time, while providing a sweeping survey of the material world of early modern Britain. Distributed for the Yale Center for British Art

DKK 524.00
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Japanomania in the Nordic Countries, 1875-1918 - - Bog - Yale University Press - Plusbog.dk

Japanomania in the Nordic Countries, 1875-1918 - - Bog - Yale University Press - Plusbog.dk

This extensive publication, complete with hundreds of illustrations by such renowned artists as Carl Larsson, Edvard Munch, Vilhelm Hammershøi, Helene Schjerfbeck, Pekka Halonen, Akseli Gallen-Kallela, Gerhard Munthe, Pietro Krohn, and Frida Hansen, among others, offers an unprecedented study of Japanese influence on the visual arts in the Nordic countries. This unlikely diffusion of Japanese culture, known collectively as Japonisme, became increasingly apparent in England, France, and elsewhere in Europe during the 19th century, although nowhere was the influence seemingly as pervasive as it was throughout the Nordic countries. The book reveals how the widespread interest in Japanese aesthetics helped to establish notions of a fundamental unity between the arts and transformed the region’s visual vocabulary. The adoption of Japanese motifs and styles in Finland, Norway, Sweden, and Denmark gave a necessary cohesion to their existing artistic language, creating a vital balance within and among all of the decorative arts. Distributed for MercatorfondsExhibition Schedule:Ateneum Art Museum, Finnish National Gallery, Helsinki (02/18/16–05/15/16)National Museum of Art, Architecture and Design, Oslo (06/16/16–10/16/16)Statens Museum for Kunst, Copenhagen (01/19/17–04/23/17)

DKK 500.00
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Marie Cuttoli - - Bog - Yale University Press - Plusbog.dk

Marie Cuttoli - - Bog - Yale University Press - Plusbog.dk

One woman’s influential contribution to modernism, achieved through a fascinating revival of tapestry Marie Cuttoli (1879–1973) lived in Algeria and Paris in the 1920s and collected the work of avant-garde artists such as Georges Braque, Joan Miró, and Pablo Picasso. In the ensuing decades, she went on to revive the French tapestry tradition and to popularize it as a modernist medium. This catalogue traces Cuttoli’s career, beginning with her work in fashion and interiors under her label Myrbor. She subsequently commissioned artists including Braque, Le Corbusier, Fernand Léger, Man Ray, Miró, and Picasso to design cartoons to be woven at Aubusson, a center of tapestry production since the 17th century. Today these cartoons—paintings and collages by canonical artists—are often understood as autonomous works of art, but this catalogue uncovers their original purpose as textile designs. Beautifully illustrated with rarely exhibited works by giants of European modernism, Marie Cuttoli reveals the significant contributions of a shrewd and visionary woman as well as the role of the decorative arts in the development of the movement. Distributed for the Barnes FoundationExhibition Schedule:The Barnes Foundation, Philadelphia (February 23–August 23, 2020)

DKK 375.00
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Bard Graduate Center at 25 - Bard Graduate Center - Bog - Yale University Press - Plusbog.dk

Bard Graduate Center at 25 - Bard Graduate Center - Bog - Yale University Press - Plusbog.dk

A visual history of the first quarter century of Bard Graduate Center This handsome publication celebrates the first 25 years of the institution founded by Dr. Susan Weber in 1993. Located on the Upper West Side of Manhattan, Bard Graduate Center (BGC) has become the leading research center in the United States dedicated to the study of decorative arts, design history, and material culture. Its fully integrated academic and exhibition programs have pioneered the study of objects as a means to better understand the cultural history of the material world. This book, richly illustrated with installation views, exhibition objects, and archival photography, is enlivened by interviews with Susan Weber, Luke Syson, Arnold Lehman, and Kevin Stayton, as well as essays by scholars, curators, and collaborators who highlight the character and evolution of BGC’s unique approach to the research and display of material culture over the past 25 years. Through an array of exhibitions, publications, research, and academic programs, BGC has united diverse fields to highlight the importance of subjects and materials that had been previously ignored, and this book commemorates its achievement. Distributed for Bard Graduate Center

DKK 382.00
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Napoleon - Sylvain Cordier - Bog - Yale University Press - Plusbog.dk

Napoleon - Sylvain Cordier - Bog - Yale University Press - Plusbog.dk

The dazzling splendors of the court of Napoleon I (1769–1821) reflected the grandeur and ambitions of the greatest empire of the day. This luxurious volume re-creates the ambiance and captures the spirit that prevailed in the French court during the Empire through the material manifestations of the Imperial Household. The Imperial Household, a key institution during Napoleon’s reign, was responsible for the daily lives of the Imperial family; it consisted of six departments, each headed by a high-ranking dignitary of the Empire: the grand chaplain, grand master of ceremonies, grand marshal of the Palace, grand master of the hunt, grand chamberlain, and grand equerry – each intimately involved with every moment of pageantry in the court. Featured here are more than 250 works of fine and decorative art, the visual magnificence of which was part of a calculated and deliberate effort to fashion a monarchic identity for the new emperor. Distributed for Editions Hazan, ParisExhibition Schedule:The Montreal Museum of Fine Arts (01/23/18–05/13/18)Virginia Museum of Fine Arts (06/06/18–09/03/18)The Nelson-Atkins Museum of Art (10/04/18–01/13/19)Musée national du Château de Fontainebleau (04/13/19–07/15/19)

DKK 461.00
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The Arts of China, 1600-1900 - William Watson - Bog - Yale University Press - Plusbog.dk

The Arts of China, 1600-1900 - William Watson - Bog - Yale University Press - Plusbog.dk

In this volume, William Watson and Chuimei Ho begin with discussions of “fine” art and painting and progress to an analysis of carving and sculpture, ceramics, glassware, and textiles. The authors demonstrate how, in the age of the Emperors Kangxi, Yongzheng and Qianlong, the “decorative” arts rose to prominence in a way quite unlike the western experience. Avoiding misrepresentative categorization, they single out period styles, identify repeated phases of archaism and Buddhist art, and discuss characteristic groups of jade, ivory, ceramics, glassware, and textiles. They consider the importance of the imperial workshops and their role in developing craftsmen’s skills and encouraging the cross-over of techniques from different disciplines, and they direct attention to the compelling influence of Emperor Qianlong’s aesthetic innovations. In architecture, the vast plan and overwhelming authority of the imperial buildings is discussed in contrast with the restrained subtlety of domestic architecture and garden design, where magnificent rocks were the principal feature just as in landscape painting. The survey concludes by examining the development of East/West trade and the effects of commercialization on Chinese arts and crafts. This is a handsome, well-illustrated book that will be a valuable and illuminating resource for all who are interested in the arts of China.

DKK 571.00
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Hector Guimard - - Bog - Yale University Press - Plusbog.dk

Hector Guimard - - Bog - Yale University Press - Plusbog.dk

A beautifully illustrated retrospective of Art Nouveau architect and designer Hector Guimard, positioning him at the forefront of the modernist movement The aesthetic of architect Hector Guimard (1867–1942) has long characterized French Art Nouveau in the popular imagination. This groundbreaking book showcases all aspects of his artistry and recognizes the fundamental modernity of his work. Known for, among other things, the decorative entrances to the Paris Métro and the associated lettering, he often looked to nature for inspiration, and combined materials such as stone and cast iron in unique ways to create designs composed of curves and waves that evoked movement. Guimard broke away from his classical Beaux-Arts training to advocate a modern, abstract style; he also pioneered the use of standardized models for his design objects and experimented with prefabricated designs in his social housing commissions, advancing the technology of the time. With copious, beautifully reproduced illustrations of his architectural drawings as well as his furniture, jewelry, and textile designs, this volume explores Guimard’s full oeuvre and elucidates the significance of his work to the history of modern art. Essays by an international group of scholars present Guimard as a visionary architect, a shrewd entrepreneur, an industrialist, and a social activist. Published in association with the Richard H. Driehaus MuseumExhibition Schedule:Cooper Hewitt, Smithsonian Design Museum, New York (November 17, 2022–May 21, 2023)The Richard H. Driehaus Museum, Chicago (June 22, 2023–January 7, 2024)

DKK 429.00
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The Book of Esther in the Age of Rembrandt - Abigail Rapoport - Bog - Yale University Press - Plusbog.dk

The Book of Esther in the Age of Rembrandt - Abigail Rapoport - Bog - Yale University Press - Plusbog.dk

An exploration of how the biblical heroine Queen Esther, a symbol of resilience and a figure of immense popularity, was portrayed in seventeenth-century Dutch art In the age of Rembrandt van Rijn, the biblical Book of Esther was a popular source of inspiration for diverse communities in the Netherlands, both Jewish and Christian. Traditionally, the Esther story is read annually on the Jewish holiday of Purim. For immigrant Jewish communities living with new freedom in more tolerant Amsterdam, celebrating Purim—notably through finely produced Esther scrolls and theater productions—became a meaningful expression of Jewish culture. For the Dutch, Queen Esther’s heroism came to represent their emerging nation’s identity. Rembrandt and his contemporaries depicted essential scenes of Esther’s story in paintings, prints, drawings, and decorative arts. Examining how Esther was represented in art and popular culture in Rembrandt’s time, this beautifully illustrated volume includes essays that discuss the visual culture and ceremonial art of Purim and examine the queen’s status as a heroine in seventeenth-century Netherlands. A postscript reveals Esther’s continued appeal through a close look at work by contemporary American artist Fred Wilson, who reimagines the biblical heroine as the abolitionist Harriet Tubman. Published in association with the Jewish Museum, New York, and the North Carolina Museum of Art, Raleigh Exhibition Schedule: Jewish Museum, New York (March 7–August 10, 2025) North Carolina Museum of Art, Raleigh (September 20, 2025–March 8, 2026) Isabella Stewart Gardner Museum, Boston (July 28, 2026–January 10, 2027)

DKK 475.00
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Nature’s Nation - Alan C. Braddock - Bog - Yale University Press - Plusbog.dk

Nature’s Nation - Alan C. Braddock - Bog - Yale University Press - Plusbog.dk

A groundbreaking ecocritical exploration of American art that examines the complex and evolving relationship between art and the environment Public awareness of environmental issues has never been greater, nor has the need for imagining more sustainable and ethical habits of human action and thought, including environmentally informed ways of understanding art history. This multidisciplinary book offers the first broad ecocritical review of American art and examines the environmental contexts of artistic practice from the colonial period to the present day. Tracing how visions of the environment have changed from the Native-European encounter to the emergence of modern ecological activism, more than a dozen scholars and practitioners discuss how artists have both responded to and actively instigated changes in ecological understanding. Far-reaching in its interpretive approach, Nature’s Nation looks at artworks across genres and media—including painting, sculpture, prints, photography, decorative arts, and video—revealing important new discoveries about creative encounters with environmental history and politics through materials, techniques, subjects, and ideas. The book features work by more than one hundred artists, from Charles Willson Peale, Thomas Cole, and Winslow Homer to Georgia O’Keeffe, Jacob Lawrence, and Jaune Quick-to-See Smith. Providing a fascinating and timely reframing of more than three centuries of American art, this volume is a powerful example of how greater ecological consciousness can expand and enrich the discipline of art history. Distributed for the Princeton University Art MusuemExhibition Schedule:Princeton University Art Museum (10/13/18–01/06/19)Peabody Essex Museum, Salem, Massachusetts (02/02/19–05/05/19)Crystal Bridges Museum of American Art, Bentonville, Arkansas (05/25/19–09/09/19)

DKK 445.00
1