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The Poetics and Politics of Place - - Bog - University of Washington Press - Plusbog.dk

Just Another Poster? - - Bog - University of Washington Press - Plusbog.dk

Contrasts - Vicki Halper - Bog - University of Washington Press - Plusbog.dk

The Grief of a Happy Life - Christopher Howell - Bog - University of Washington Press - Plusbog.dk

George Tsutakawa - David F. Martin - Bog - University of Washington Press - Plusbog.dk

Sailing to Formosa - - Bog - University of Washington Press - Plusbog.dk

The Propeller under the Bed - Eileen A. Bjorkman - Bog - University of Washington Press - Plusbog.dk

The Propeller Under the Bed - Eileen A. Bjorkman - Bog - University of Washington Press - Plusbog.dk

Spirit Whales and Sloth Tales - Elizabeth A. Nesbitt - Bog - University of Washington Press - Plusbog.dk

Bronze Mirrors in Ancient China - Kin Sum Li - Bog - University of Washington Press - Plusbog.dk

Bronze Mirrors in Ancient China - Kin Sum Li - Bog - University of Washington Press - Plusbog.dk

Examines mass production in antiquityHighly decorated mirrors are widely sought by museums with collections of Chinese art and are the most actively exchanged items in the art market of ancient Chinese bronzes. Featuring intricate designs that draw from those observable on woven bamboo, textiles, jade, and lacquered and painted objects of their time, these mirrors display intricate artistry. Motifs such as dragons, birds, and monsters interplay with layered decorative patterns. Most of what we know of these mirrors comes from their discovery in recent decades in tombs dating to early China. Despite their importance, this is the first book-length, scholarly study of Chinese bronze mirrors. Through research based on close examination and comparison of extant examples, Kin Sum Li offers a detailed analysis of how mirrors were designed and produced during the period from 500 to 200 BCE. He documents evidence of an emphasis on efficiency and division of labor in the production process that permitted artisans to apply expertise accumulated from long-term training and professional practice. Improvements in the production process eventually changed how mirror models and molds were prepared, as compared to earlier freehand carving. Collectively, mirror producers laid the foundations of a large commercial exchange network. Bronze Mirrors in Ancient China will be of interest to art historians, archaeologists, museum curators, art dealers, mirror collectors, and auction houses.

DKK 609.00
1

Proud Raven, Panting Wolf - Emily L. Moore - Bog - University of Washington Press - Plusbog.dk

Proud Raven, Panting Wolf - Emily L. Moore - Bog - University of Washington Press - Plusbog.dk

Among Southeast Alaska's best-known tourist attractions are its totem parks, showcases for monumental wood sculptures by Tlingit and Haida artists. Although the art form is centuries old, the parks date back only to the waning years of the Great Depression, when the US government reversed its policy of suppressing Native practices and began to pay Tlingit and Haida communities to restore older totem poles and move them from ancestral villages into parks designed for tourists. Dramatically altering the patronage and display of historic Tlingit and Haida crests, this New Deal restoration project had two key aims: to provide economic aid to Native people during the Depression and to recast their traditional art as part of America's heritage. Less evident is why Haida and Tlingit people agreed to lend their crest monuments to tourist attractions at a time when they were battling the US Forest Service for control of their traditional lands and resources. Drawing on interviews and government records, as well as on the histories represented by the totem poles themselves, Emily Moore shows how Tlingit and Haida leaders were able to channel the New Deal promotion of Native art as national art into an assertion of their cultural and political rights. Just as they had for centuries, the poles affirmed the ancestral ties of Haida and Tlingit lineages to their lands. Supported by the Jill and Joseph McKinstry Book FundArt History Publication Initiative. For more information, visit http://arthistorypi.org/books/proud-raven-panting-wolf

DKK 347.00
1

Proud Raven, Panting Wolf - Emily L. Moore - Bog - University of Washington Press - Plusbog.dk

Proud Raven, Panting Wolf - Emily L. Moore - Bog - University of Washington Press - Plusbog.dk

Among Southeast Alaska's best-known tourist attractions are its totem parks, showcases for monumental wood sculptures by Tlingit and Haida artists. Although the art form is centuries old, the parks date back only to the waning years of the Great Depression, when the US government reversed its policy of suppressing Native practices and began to pay Tlingit and Haida communities to restore older totem poles and move them from ancestral villages into parks designed for tourists. Dramatically altering the patronage and display of historic Tlingit and Haida crests, this New Deal restoration project had two key aims: to provide economic aid to Native people during the Depression and to recast their traditional art as part of America's heritage. Less evident is why Haida and Tlingit people agreed to lend their crest monuments to tourist attractions at a time when they were battling the US Forest Service for control of their traditional lands and resources. Drawing on interviews and government records, as well as on the histories represented by the totem poles themselves, Emily Moore shows how Tlingit and Haida leaders were able to channel the New Deal promotion of Native art as national art into an assertion of their cultural and political rights. Just as they had for centuries, the poles affirmed the ancestral ties of Haida and Tlingit lineages to their lands. Supported by the Jill and Joseph McKinstry Book FundArt History Publication Initiative. For more information, visit http://arthistorypi.org/books/proud-raven-panting-wolf

DKK 246.00
1

Text and Ritual in Early China - - Bog - University of Washington Press - Plusbog.dk

Text and Ritual in Early China - - Bog - University of Washington Press - Plusbog.dk

In Text and Ritual in Early China , leading scholars of ancient Chinese history, literature, religion, and archaeology consider the presence and use of texts in religious and political ritual. Through balanced attention to both the received literary tradition and the wide range of recently excavated artifacts, manuscripts, and inscriptions, their combined efforts reveal the rich and multilayered interplay of textual composition and ritual performance. Drawn across disciplinary boundaries, the resulting picture illuminates two of the defining features of early Chinese culture and advances new insights into their sumptuous complexity.Beginning with a substantial introduction to the conceptual and thematic issues explored in succeeding chapters, Text and Ritual in Early China is anchored by essays on early Chinese cultural history and ritual display (Michael Nylan) and the nature of its textuality (William G. Boltz). This twofold approach sets the stage for studies of the E Jun Qi metal tallies (Lothar von Falkenhausen), the Gongyang commentary to The Spring and Autumn Annals (Joachim Gentz), the early history of The Book of Odes (Martin Kern), moral remonstration in historiography (David Schaberg), the “Liming” manuscript text unearthed at Mawangdui (Mark Csikszentmihalyi), and Eastern Han commemorative stele inscriptions (K. E. Brashier).The scholarly originality of these essays rests firmly on their authors’ control over ancient sources, newly excavated materials, and modern scholarship across all major Sinological languages. The extensive bibliography is in itself a valuable and reliable reference resource.This important work will be required reading for scholars of Chinese history, language, literature, philosophy, religion, art history, and archaeology.

DKK 300.00
1

Text and Ritual in Early China - - Bog - University of Washington Press - Plusbog.dk

Text and Ritual in Early China - - Bog - University of Washington Press - Plusbog.dk

In Text and Ritual in Early China , leading scholars of ancient Chinese history, literature, religion, and archaeology consider the presence and use of texts in religious and political ritual. Through balanced attention to both the received literary tradition and the wide range of recently excavated artifacts, manuscripts, and inscriptions, their combined efforts reveal the rich and multilayered interplay of textual composition and ritual performance. Drawn across disciplinary boundaries, the resulting picture illuminates two of the defining features of early Chinese culture and advances new insights into their sumptuous complexity.Beginning with a substantial introduction to the conceptual and thematic issues explored in succeeding chapters, Text and Ritual in Early China is anchored by essays on early Chinese cultural history and ritual display (Michael Nylan) and the nature of its textuality (William G. Boltz). This twofold approach sets the stage for studies of the E Jun Qi metal tallies (Lothar von Falkenhausen), the Gongyang commentary to The Spring and Autumn Annals (Joachim Gentz), the early history of The Book of Odes (Martin Kern), moral remonstration in historiography (David Schaberg), the “Liming” manuscript text unearthed at Mawangdui (Mark Csikszentmihalyi), and Eastern Han commemorative stele inscriptions (K. E. Brashier).The scholarly originality of these essays rests firmly on their authors’ control over ancient sources, newly excavated materials, and modern scholarship across all major Sinological languages. The extensive bibliography is in itself a valuable and reliable reference resource.This important work will be required reading for scholars of Chinese history, language, literature, philosophy, religion, art history, and archaeology.

DKK 1031.00
1

Art and Intimacy - Ellen Dissanayake - Bog - University of Washington Press - Plusbog.dk

Art and Intimacy - Ellen Dissanayake - Bog - University of Washington Press - Plusbog.dk

To Ellen Dissanayake, the arts are biologically evolved propensities of human nature: their fundamental features helped early humans adapt to their environment and reproduce themselves successfully over generations. In Art and Intimacy she argues for the joint evolutionary origin of art and intimacy, what we commonly call love. It all begins with the human trait of birthing immature and helpless infants. To ensure that mothers find their demanding babies worth caring for, humans evolved to be lovable and to attune themselves to others from the moment of birth. The ways in which mother and infant respond to each other are rhythmically patterned vocalizations and exaggerated face and body movements that Dissanayake calls rhythms and sensory modes. Rhythms and modes also give rise to the arts. Because humans are born predisposed to respond to and use rhythmic-modal signals, societies everywhere have elaborated them further as music, mime, dance, and display, in rituals which instill and reinforce valued cultural beliefs. Just as rhythms and modes coordinate and unify the mother-infant pair, in ceremonies they coordinate and unify members of a group. Today we humans live in environments very different from those of our ancestors. They used ceremonies (the arts) to address matters of serious concern, such as health, prosperity, and fecundity, that affected their survival. Now we tend to dismiss the arts, to see them as superfluous, only for an elite. But if we are biologically predisposed to participate in artlike behavior, then we actually need the arts. Even -- or perhaps especially -- in our fast-paced, sophisticated modern lives, the arts encourage us to show that we care about important things.

DKK 1031.00
1

To Sing with Pigs Is Human - Jane C. Goodale - Bog - University of Washington Press - Plusbog.dk

To Sing with Pigs Is Human - Jane C. Goodale - Bog - University of Washington Press - Plusbog.dk

Melanesia has been the research focus of some of anthropology’s legendary names. In the best tradition of Melanesian scholarship, Jane Goodale writes here of the Kaulong who live in the deep forests of New Britain, an island in the vast territory of Papua New Guinea. Even in the last half of the twentieth century, the Kaulong’s contact with the outside world through government patrols and missionaries has been minimal. Their story enhances our understanding of Melanesia and adds new and significant material to the comparison of Oceanic cultures and societies.In the course of her fieldwork with them, Goodale recognized that everything of importance to the Kaulong--every event, every relationship, every transaction--was rooted in their constant quest for recognition as human beings. She addresses here questions central to Kaulong society: What is it that makes an individual human? How is humanity, or personhood, achieved and maintained?In their consuming concern with their status as human beings, the Kaulong mark progress on a continuum from nonhuman (animal-like) to the most respected level of humanity--the political Big Men and Big Women. Knowledge is the key to movement along the continuum, and acquiring, displaying and defending knowledge are at the heart of social interaction. At all-night “singsings,” individuals compete through song in their knowledge of people, places, and many other aspects of their forested world. The sacrifice of pigs and distribution of pork to guests completes the ceremonial display and defense of knowledge and personhood.While To Sing with Pigs will be welcomed by anthropologists and area specialists, it will appeal on a broader level to anyone interested in this still remote part of the world. Goodale''s analysis of songs and their ritual context adds unusual depth to the ethnography. Fascinating field photographs and readable text prove again that anthropology can be both scholarly and lively.

DKK 290.00
1

The Transparent Body - Jose Van Van Dijck - Bog - University of Washington Press - Plusbog.dk

The Transparent Body - Jose Van Van Dijck - Bog - University of Washington Press - Plusbog.dk

From the potent properties of X rays evoked in Thomas Mann's Magic Mountain to the miniaturized surgical team of the classic science fiction film Fantastic Voyage, the possibility of peering into the inner reaches of the body has engaged the twentieth-century popular and scientific imagination. Drawing on examples that are international in scope, The Transparent Body examines the dissemination of medical images to a popular audience, advancing the argument that medical imaging technologies are the material embodiment of collective desires and fantasies--the most pervasive of which is the ideal of transparency itself. The Transparent Body traces the cultural context and wider social impact of such medical imaging practices as X ray and endoscopy, ultrasound imaging of fetuses, the filming and broadcasting of surgical operations, the creation of plastinated corpses for display as art objects, and the use of digitized cadavers in anatomical study. In the early twenty-first century, the interior of the body has become a pervasive cultural presence - as accessible to the public eye as to the physician's gaze. Jose van Dijck explores the multifaceted interactions between medical images and cultural ideologies that have brought about this situation. The Transparent Body unfolds the complexities involved in medical images and their making, illuminating their uses and meanings both within and outside of medicine. Van Dijck demonstrates the ways in which the ability to render the inner regions of the human body visible - and the proliferation of images of the body's interior in popular media - affect our view of corporeality and our understanding of health and disease. Written in an engaging style that brings thought-provoking cultural intersections vividly to life, The Transparent Body will be of special interest to those in media studies, cultural studies, science and technology studies, medical humanities, and the history of medicine.

DKK 1031.00
1

Indian Rock Art of the Columbia Plateau - James D. Keyser - Bog - University of Washington Press - Plusbog.dk

Indian Rock Art of the Columbia Plateau - James D. Keyser - Bog - University of Washington Press - Plusbog.dk

From the river valleys of interior British Columbia south to the hills of northern Oregon and east to the continental divide in western Montana, hundreds of cliffs and boulders display carved and painted designs created by ancient artists who inhabited this area, the Columbia Plateau, as long as seven thousand years ago.Expressing a vital social and spiritual dimension in the lives of these hunter-gathers, rock art captivates us with its evocative power and mystery. At once an irreplaceable yet fragile cultural resource, it documents Native histories, customs, and visions through thousands of years.This valuable reference and guidebook addresses basic questions of what petroglyphs and pictographs are, how they were produced, and how archaeologists classify and date them. James Keyser identifies five regions on the Columbia Plateau, each with its own variant of the rock art style identifiable as belonging exclusively to the region. He describes for each region the setting and scope of the rock art along with its design characteristics and possible meaning. Through line drawings, photographs, and detailed maps he provides a guide to the sites where rock art can be viewed.In western Montana, rock art motifs express the ritualistic seeking of a spirit helper from the natural world. In interior British Columbia, rayed arcs above the heads of human figures demonstrate possession of a guardian spirit. Twin figures on the central Columbia Plateau reveal another belief--the special power of twins--and hunting scenes celebrate success of the chase. The grimacing evocative face of Tsagiglalal, in lower Columbia pictographs, testifies to the Plateau Indians’ “death cult” response to the European diseases that decimated their villages between 1700 and 1840. On the southeastern Plateau, images of horse-back riders mark the adoption, after 1700 of the equestrian and cultural habits of the northwestern Great Plains Indians.Despite geographic differences in emphasis, similarities in design and technique link the drawings of all five regions. Human figures, animals depicting numerous species on the Plateau, geometric motifs, mysterious beings, and tally marks, whether painted or carved, appear throughout the Columbia Plateau.

DKK 229.00
1