Pricemate

Plain Style - Christopher Lasch - Bog - University of Pennsylvania Press - Plusbog.dk

Plain Style is an amusing and instructive guide to written English by the late Christopher Lasch, author of The Culture of Narcissism , The True and Only Heaven , and many other memorable works of American history and social criticism. Written for the benefit of the students at the University of Rochester, where Lasch taught from 1970 until his death in 1994, it quickly established itself in typescript as a local classic—a lively, witty, and historically minded alternative to the famous volume by William Strunk and E. B. White, The Elements of Style .Now available for the first time in published form, Plain Style is fundamentally a clear, readable, practical guide to the timeless principles of effective composition. At the same time, however, in ways that Stewart Weaver explains in his critical introduction, it is a distinctive and revealing addition to the published work of an eminent American thinker. No mere primer, Plain Style is an essay in cultural criticism, a political treatise even, by one for whom directness, clarity, and honesty of expression were essential to the living spirit of democracy.As the teachers and students who have for years benefited from its succinct wisdom will testify, Plain Style is an indispensable guide to writing and, indeed, Christopher Lasch''s least-expected but perhaps most serviceable work.

DKK 181.00

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In Plain Sight - Ann E. Zimo - Bog - University of Pennsylvania Press - Plusbog.dk

How Muslims integrated themselves into the Kingdom of Jerusalem, founded in the wake of the First Crusade In Plain Sight draws from a wide array of interdisciplinary sources to show how Muslims, seemingly hostile to the entire crusading enterprise, integrated themselves into the kingdom founded in the wake of the First Crusade. The book examines how Muslims, whether Sunni or Shi‘a or Druze, fit into society in the crusader Kingdom of Jerusalem, uncovering the daily reality of their experience. Exploring how and to what extent Muslims interacted with the Frankish ruling elite, historian Ann E. Zimo presents a new vantage point from which to reconsider the popularly accepted notion that the crusades, and by extension the crusader states, were a locus of a monolithic clash between West and East or between Christianity and Islam. By untangling the relations between the Muslim communities and their rulers, Zimo offers a more fully realized image of a society too multifaceted to be reasonably reduced to a black-and-white binary opposition.Zimo not only re-reads the well-known Frankish sources, including narrative chronicles, letters, charters, and legal treatises, but combines them with an investigation of the Arabic documentary base, including chronicles, biographies, fatwa literature, pilgrimage guides, and treaties which are not translated and largely inaccessible to most historians of the crusades. She also draws from the enormous and growing body of scholarship generated by archaeologists whose work can often provide insights into the aspects of the past not recorded in the historical record. By casting such a wide evidentiary net, In Plain Sight sheds new light on Frankish society and how Muslims fit into it, offering major revisions to the current conception of population distribution within the kingdom and the nature of the Frankish polity itself.

DKK 539.00

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Quaker Aesthetics - - Bog - University of Pennsylvania Press - Plusbog.dk

How did Quakers reconcile their belief in plain living with their appreciation of fine material goods?

DKK 593.00

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After Revelation - Marc Herman - Bog - University of Pennsylvania Press - Plusbog.dk

Reveals how medieval Jews developed religious law through contact with their Muslim neighbors After Revelation offers a dynamic new perspective on medieval Jewish legal thought and its integration in the wider Islamic world. Here, Marc D. Herman demonstrates that Jews were fully conversant in their contemporaries'' ideas about revelation, law, and legal interpretation. Bookended by the two luminaries of medieval Judaism—Saadia Gaon and Moses Maimonides— After Revelation analyzes the legal theory that medieval Jews produced in Islamic lands, mostly in Arabic, and reveals previously unrecognized commonalities between Jewish and Islamic constructions of religious law. Herman tackles one of the central doctrines of post-biblical Judaism: that God had supplemented the written Hebrew Bible with an Oral Torah. Tracing this idea from Baghdad to Córdoba to Cairo, he shows that the Oral Torah took many new forms in the medieval Islamic world. After Revelation makes plain that medieval Judaism took the shapes that it did largely because of contact with Islam.

DKK 609.00

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Truth Without Reconciliation - Abena Ampofoa Asare - Bog - University of Pennsylvania Press - Plusbog.dk

Although truth and reconciliation commissions are supposed to generate consensus and unity in the aftermath of political violence, Abena Ampofoa Asare identifies cacophony as the most valuable and overlooked consequence of this process in Ghana. By collecting and preserving the voices of a diverse cross-section of the national population, Ghana''s National Reconciliation Commission (2001-2004) created an unprecedented public archive of postindependence political history as told by the self-described victims of human rights abuse.The collected voices in the archives of this truth commission expand Ghana''s historic record by describing the state violence that seeped into the crevices of everyday life, shaping how individuals and communities survived the decades after national independence. Here, victims of violence marshal the language of international human rights to assert themselves as experts who both mourn the past and articulate the path toward future justice.There are, however, risks as well as rewards for dredging up this survivors'' history of Ghana. The revealed truth of Ghana''s human rights history is the variety and dissonance of suffering voices. These conflicting and conflicted records make it plain that the pursuit of political reconciliation requires, first, reckoning with a violence that is not past but is preserved in national institutions and individual lives. By exploring the challenge of human rights testimony as both history and politics, Asare charts a new course in evaluating the success and failures of truth and reconciliation commissions in Africa and around the world.

DKK 640.00

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Medieval Badges - Ann Marie Rasmussen - Bog - University of Pennsylvania Press - Plusbog.dk

Mass-produced of tin-lead alloys and cheap to make and purchase, medieval badges were brooch-like objects displaying familiar images. Circulating widely throughout Europe in the High and late Middle Ages, badges were usually small, around four-by-four centimeters, though examples as tiny as two centimeters and a few as large as ten centimeters have been found. About 75 percent of surviving badges are closely associated with specific charismatic or holy sites, and when sewn or pinned onto clothing or a hat, they would have marked their wearers as having successfully completed a pilgrimage. Many others, however, were artifacts of secular life; some were political devices-a swan, a stag, a rose-that would have denoted membership in a civic organization or an elite family, and others-a garland, a pair of clasped hands, a crowned heart-that would have been tokens of love or friendship. A good number are enigmatic and even obscene. The popularity of badges seems to have grown steadily from the last decades of the twelfth century before waning at the very end of the fifteenth century. Some 20,000 badges survive today, though historians estimate that as many as two million were produced in the fourteenth and fifteenth centuries alone. Archaeologists and hobbyists alike continue to make new finds, often along muddy riverbanks in northern Europe. Interdisciplinary in approach, and sumptuously illustrated with more than 115 color and black-and-white images, Medieval Badges introduces badges in all their variety and uses. Ann Marie Rasmussen considers all medieval badges, whether they originated in religious or secular contexts, and highlights the different ways badges could confer meaning and identity on their wearers. Drawing on evidence from England, France, the Low Countries, Germany, and Scandinavia, this book provides information about the manufacture, preservation, and scholarly study of these artifacts. From chapters exploring badges and pilgrimage, to the complexities of the political use of badges, to the ways the visual meaning-making strategies of badges were especially well-suited to the unique features of medieval cities, this book offers an expansive introduction of these medieval objects for a wide readership.

DKK 554.00

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Disknowledge - Katherine Eggert - Bog - University of Pennsylvania Press - Plusbog.dk

"Disknowledge": knowing something isn't true, but believing it anyway. In Disknowledge: Literature, Alchemy, and the End of Humanism in Renaissance England, Katherine Eggert explores the crumbling state of learning in the sixteenth and seventeenth centuries. Even as the shortcomings of Renaissance humanism became plain to see, many intellectuals of the age had little choice but to treat their familiar knowledge systems as though they still held. Humanism thus came to share the status of alchemy: a way of thinking simultaneously productive and suspect, reasonable and wrongheaded. Eggert argues that English writers used alchemy to signal how to avoid or camouflage pressing but discomfiting topics in an age of rapid intellectual change. Disknowledge describes how John Donne, George Herbert, Henry Vaughan, John Dee, Christopher Marlowe, William Harvey, Helkiah Crooke, Edmund Spenser, and William Shakespeare used alchemical imagery, rhetoric, and habits of thought to shunt aside three difficult questions: how theories of matter shared their physics with Roman Catholic transubstantiation; how Christian Hermeticism depended on Jewish Kabbalah; and how new anatomical learning acknowledged women's role in human reproduction. Disknowledge further shows how Shakespeare, Ben Jonson, and Margaret Cavendish used the language of alchemy to castigate humanism for its blind spots and to invent a new, posthumanist mode of knowledge: writing fiction. Covering a wide range of authors and topics, Disknowledge is the first book to analyze how English Renaissance literature employed alchemy to probe the nature and limits of learning. The concept of disknowledge-willfully adhering to something we know is wrong-resonates across literary and cultural studies as an urgent issue of our own era.

DKK 296.00

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Subjects of Advice - Ivan Lupic - Bog - University of Pennsylvania Press - Plusbog.dk

In Subjects of Advice, Ivan Lupic uncovers the rich interconnectedness of dramatic art and the culture of counsel in the early modern period. While counsel was an important form of practical knowledge, with concrete political consequences, it was also an ingrained cultural habit, a feature of obligatory mental, moral, and political hygiene. To be a Renaissance subject, Lupic claims, one had to reckon with the advice of others. Lupic examines this reckoning in a variety of sixteenth-century dramatic contexts. The result is an original account of the foundational role that counsel played in the development of Renaissance drama. Lupic begins by considering the figure of Thomas More, whose influential argument about counsel as a form of performance in Utopia set the agenda for the entire century. Resisting linear narratives and recovering, instead, the simultaneity of radically different kinds of dramatic experience, he shows the vitality of later dramatic engagements with More's legacy through an analysis of the moral interlude staged within Sir Thomas More, a play possibly coauthored by Shakespeare. More also helps explain the complex use of counsel in Senecan drama, from the neo-Latin plays of George Buchanan, discussed in connection with Buchanan's political writings, to the historical tragedies of the mid-sixteenth century. If tyranny and exemplarity are the keywords for early Elizabethan drama of counsel, for the plays of Christopher Marlowe it is friendship. Lupic considers Marlowe's interest in friendship and counsel, most notably in Edward II, alongside earlier dramatic treatments, thus exposing the pervasive fantasy of the ideal counselor as another self. Subjects of Advice concludes by placing King Lear in relation to its dramatic sources to demonstrate Shakespeare's deliberate dispersal of counsel throughout his play. Counsel's customary link to plain and fearless speech becomes in Shakespeare's hands a powerful instrument of poetic and dramatic expression.

DKK 506.00

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Literature, American Style - Ezra Tawil - Bog - University of Pennsylvania Press - Plusbog.dk

Between 1780 and 1800, authors of imaginative literature in the new United States wanted to assert that their works, which bore obvious connections to anglophone literature on the far side of the Atlantic, nevertheless constituted a properly "American" tradition. No one had yet figured out, however, what it would mean to write like an American, what literature with an American origin would look like, nor what literary characteristics the elusive quality of Americanness could generate. Literature, American Style returns to this historical moment—decades before the romantic nationalism of Cooper, the transcendentalism of Emerson and Thoreau, or the iconoclastic poetics of Whitman—when a fantasy about the unique characteristics of U.S. literature first took shape, and when that notion was linked to literary style. While late eighteenth-century U.S. literature advertised itself as the cultural manifestation of a radically innovative nation, Ezra Tawil argues, it was not primarily marked by invention or disruption. In fact, its authors self-consciously imitated European literary traditions while adapting them to a new cultural environment. These writers gravitated to the realm of style, then, because it provided a way of sidestepping the uncomfortable reality of cultural indebtedness; it was their use of style that provided a way of departing from European literary precedents. Tawil analyzes Noah Webster's plan to reform the American tongue; J. Hector St. John de Crèvecoeur's fashioning of an extravagantly naïve American style from well-worn topoi; Charles Brockden Brown's adaptations of the British gothic; and the marriage of seduction plots to American "plain style" in works such as Susanna Rowson's Charlotte Temple and Hannah Webster Foster's The Coquette. Each of these works claims to embody something "American" in style yet, according to Tawil, remains legible only in the context of stylistic, generic, and conceptual forms that animated English cultural life through the century.

DKK 606.00

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Lost Letters of Medieval Life - - Bog - University of Pennsylvania Press - Plusbog.dk

Everyday life in early thirteenth-century England is revealed in vivid detail in this riveting collection of correspondence of people from all classes, from peasants and shopkeepers to bishops and earls. The documents presented here include letters between masters and servants, husbands and wives, neighbors and enemies, and cover a wide range of topics: politics and war, going to fairs and going to law, attending tournaments and stocking a game park, borrowing cash and doing favors for friends, investigating adultery and building a windmill.While letters by celebrated people have long been known, the correspondence of ordinary people has not survived and has generally been assumed never to have existed in the first place. Martha Carlin and David Crouch, however, have discovered numerous examples of such correspondence hiding in plain sight. The letters can be found in manuscripts called formularies—the collections of form letters and other model documents that for centuries were used to teach the arts of letter-writing and keeping accounts.The writing-masters and their students who produced these books compiled examples of all the kinds of correspondence that people of means, members of the clergy, and those who handled their affairs might expect to encounter in their business and personal lives. Tucked among the sample letters from popes to bishops and from kings to sheriffs are examples of a much more casual, ephemeral kind of correspondence. These are the low-level letters that evidently were widely exchanged, but were often discarded because they were not considered to be of lasting importance. Two manuscripts, one in the British Library and the other in the Bodleian Library, are especially rich in such documents, and it is from these collections that Carlin and Crouch have drawn the documents in this volume. They are presented here in their first printed edition, both in the original Latin and in English translation, each document splendidly contextualized in an accompanying essay.

DKK 311.00

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The Rule of Peshat - Mordechai Z. Cohen - Bog - University of Pennsylvania Press - Plusbog.dk

An exploration of the theoretical underpinnings of the philological method of Jewish Bible interpretation known as peshat Within the rich tradition of Jewish biblical interpretation, few concepts are as vital as peshat, often rendered as the "plain sense" of Scripture. Generally contrasted with midrash-the creative and at times fanciful mode of reading put forth by the rabbis of Late Antiquity-peshat came to connote the systematic, philological-contextual, and historically sensitive analysis of the Hebrew Bible, coupled with an appreciation of the text's literary quality. In The Rule of "Peshat," Mordechai Z. Cohen explores the historical, geographical, and theoretical underpinnings of peshat as it emerged between 900 and 1270. Adopting a comparative approach that explores Jewish interactions with Muslim and Christian learning, Cohen sheds new light on the key turns in the vibrant medieval tradition of Jewish Bible interpretation. Beginning in the tenth century, Jews in the Middle East drew upon Arabic linguistics and Qur'anic study to open new avenues of philological-literary exegesis. This Judeo-Arabic school later moved westward, flourishing in al-Andalus in the eleventh century. At the same time, a revolutionary peshat school was pioneered in northern France by the Ashkenazic scholar Rashi and his circle of students, whose methods are illuminated by contemporaneous trends in Latinate learning in the Cathedral Schools of France. Cohen goes on to explore the heretofore little-known Byzantine Jewish exegetical tradition, basing his examination on recently discovered eleventh-century commentaries and their offshoots in southern Italy in the twelfth century. Lastly, this study focuses on three pivotal figures who represent the culmination of the medieval Jewish exegetical tradition: Abraham Ibn Ezra, Moses Maimonides, and Moses Nahmanides. Cohen weaves together disparate Jewish disciplines and external cultural influences through chapters that trace the increasing force acquired by the peshat model until it could be characterized, finally, as the "rule of peshat": the central, defining feature of Jewish hermeneutics into the modern period.

DKK 970.00

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