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The Strangers Book - Lloyd Pratt - Bog - University of Pennsylvania Press - Plusbog.dk

The Strangers Book - Lloyd Pratt - Bog - University of Pennsylvania Press - Plusbog.dk

The Strangers Book explores how various nineteenth-century African American writers radically reframed the terms of humanism by redefining what it meant to be a stranger. Rejecting the idea that humans have easy access to a common reserve of experiences and emotions, they countered the notion that a person can use a supposed knowledge of human nature to claim full understanding of any other person''s life. Instead they posited that being a stranger, unknown and unknowable, was an essential part of the human condition. Affirming the unknown and unknowable differences between people, as individuals and in groups, laid the groundwork for an ethical and democratic society in which all persons could find a place. If everyone is a stranger, then no individual or class can lay claim to the characteristics that define who gets to be a human in political and public arenas.Lloyd Pratt focuses on nineteenth-century African American writing and publishing venues and practices such as the Colored National Convention movement and literary societies in Nantucket and New Orleans. Examining the writing of Frederick Douglass in tandem with that of the francophone free men of color who published the first anthology of African American poetry in 1845, he contends these authors were never interested in petitioning whites for sympathy or for recognition of their humanity. Instead, they presented a moral imperative to develop practices of stranger humanism in order to forge personal and political connections based on mutually acknowledged and always evolving differences.

DKK 240.00
1

The Textual Effects of David Walker's "Appeal" - Marcy J. Dinius - Bog - University of Pennsylvania Press - Plusbog.dk

The Textual Effects of David Walker's "Appeal" - Marcy J. Dinius - Bog - University of Pennsylvania Press - Plusbog.dk

Historians and literary historians alike recognize David Walker's Appeal to the Coloured Citizens of the World (1829-1830) as one of the most politically radical and consequential antislavery texts ever published, yet the pamphlet's significant impact on North American nineteenth-century print-based activism has gone under-examined. In The Textual Effects of David Walker's "Appeal" Marcy J. Dinius offers the first in-depth analysis of Walker's argumentatively and typographically radical pamphlet and its direct influence on five Black and Indigenous activist authors, Maria W. Stewart, William Apess, William Paul Quinn, Henry Highland Garnet, and Paola Brown, and the pamphlets that they wrote and published in the United States and Canada between 1831 and 1851. She also examines how Walker's Appeal exerted a powerful and lasting influence on William Lloyd Garrison's Liberator and other publications by White antislavery activists. Dinius contends that scholars have neglected the positive, transnational, and transformative effects of Walker's Appeal on print-based political activism and literary and book history-that is, its primarily textual effects-due to an enduringly narrow focus on the violence that the pamphlet may have occasioned. She offers as an alternative a broadened view of activism and resistance that centers the works of Walker, Stewart, Apess, Quinn, Garnet, and Brown within an exploration of radical forms of authorship, publication, civic participation, and resistance. In doing so, she has written a major contribution to African American literary studies and the history of the book in antebellum America.

DKK 465.00
1

Experiencing Power, Generating Authority – Cosmos, Politics, and the Ideology of Kingship in Ancient Egypt and Mesopotamia - - Bog - University of

Experiencing Power, Generating Authority – Cosmos, Politics, and the Ideology of Kingship in Ancient Egypt and Mesopotamia - - Bog - University of

For almost three thousand years, Egypt and Mesopotamia were each ruled by the single sacred office of kingship. Though geographically near, these ancient civilizations were culturally distinct, and scholars have historically contrasted their respective conceptualizations of the ultimate authority, imagining Egyptian kings as invested with cosmic power and Mesopotamian kings as primarily political leaders. In fact, both kingdoms depended on religious ideals and political resources to legitimate and exercise their authority. Cross-cultural comparison reveals the sophisticated and varied strategies that ancient kings used to unify and govern their growing kingdoms. Experiencing Power, Generating Authority draws on rich material records left behind by both kingdoms, from royal monuments and icons to the written deeds and commissions of kings. Thirteen essays provocatively juxtapose the relationships Egyptian and Mesopotamian kings had with their gods and religious mediators, as well as their subjects and court officials. They also explore the ideological significance of landscape in each kingdom, since the natural and built environment influenced the economy, security, and cosmology of these lands. The interplay of religion, politics, and territory is dramatized by the everyday details of economy, trade, and governance, as well as the social crises of war or the death of a king. Reexamining established notions of cosmic and political rule, Experiencing Power, Generating Authority challenges and deepens scholarly approaches to rulership in the ancient world. Contributors: Mehmet-Ali Ataç, Miroslav Bárta, Dominique Charpin, D. Bruce Dickson, Eckart Frahm, Alan B. Lloyd, Juan Carlos Moreno Garcia, Ludwig D. Morenz, Ellen Morris, Beate Pongratz-Leisten, Michael Roaf, Walther Sallaberger, JoAnn Scurlock.PMIRC, volume 6

DKK 613.00
1

Biography and the Black Atlantic - - Bog - University of Pennsylvania Press - Plusbog.dk

Biography and the Black Atlantic - - Bog - University of Pennsylvania Press - Plusbog.dk

In Biography and the Black Atlantic , leading historians in the field of Atlantic studies examine the biographies and autobiographies of eighteenth- and nineteenth-century African-descended people and reflect on the opportunities and limitations these life stories present to studies of slavery and the African diaspora. The essays remind us that historical developments like slavery and empire-building were mostly experienced and shaped by men and women outside of the elite political, economic, and military groups to which historians often turn as sources.Despite the scarcity of written records and other methodological challenges, the contributors to Biography and the Black Atlantic have pieced together vivid glimpses into lives of remarkable, through previously unknown, enslaved and formerly enslaved people who moved, struggled, and endured in different parts of Africa, the Americas, and Europe. From the woman of Fulani origin who made her way from Revolutionary Haiti to Louisiana to the free black American who sailed for Liberia and the former slave from Brazil who became a major slave trader in Angola, these stories render the Atlantic world as a densely and sometimes unpredictably interconnected sphere. Biography and the Black Atlantic demonstrates the power of individual stories to illuminate history: though the life histories recounted here often involved extraordinary achievement and survival against the odds, they also portray the struggle for self-determination and community in the midst of alienation that lies at the heart of the modern condition. Contributors: James T. Campbell, Vincent Carretta, Roquinaldo Ferreira, Jean-Michel Hébrard, Martin Klein, Lloyd S. Kramer, Sheryl Kroen, Jane Landers, Lisa A. Lindsay, Joseph C. Miller, Cassandra Pybus, João José Reis, Rebecca J. Scott, Jon Sensbach, John Wood Sweet.

DKK 584.00
1

Frank Furness - George E. Thomas - Bog - University of Pennsylvania Press - Plusbog.dk

Frank Furness - George E. Thomas - Bog - University of Pennsylvania Press - Plusbog.dk

Frank Furness (1839-1912) has remained a curiosity to architectural historians and critics, somewhere between an icon and an enigma, whose importance and impact have yet to be properly evaluated or appreciated. To some, his work pushed pattern and proportion to extremes, undermining or forcing together the historic styles he referenced in such eclectic buildings as the Pennsylvania Academy of the Fine Arts and the University of Pennsylvania Library. To others, he was merely a regional mannerist creating an eccentric personal style that had little resonance and modest influence on the future of architecture. By placing Furness in the industrial culture that supported his work, George Thomas finds a cutting-edge revolutionary who launched the beginnings of modern design, played a key part in its evolution, and whose strategies continue to affect the built world.In his sweeping reassessment of Furness as an architect of the machine age, Thomas grounds him in Philadelphia, a city led by engineers, industrialists, and businessmen who commissioned the buildings that extended modern design to Chicago, Glasgow, and Berlin. Thomas examines the multiple facets of Victorian Philadelphia''s modernity, looking to its eager embrace of innovations in engineering, transportation, technology, and building, and argues that Furness, working for a particular cohort of clients, played a central role in shaping this context. His analyses of the innovative planning, formal, and structural qualities of Furness''s major buildings identifies their designs as initiators of a narrative that leads to such more obviously modern figures as Louis Sullivan, William Price, Frank Lloyd Wright and eventually, the architects of the Bauhaus.Misunderstood and reviled in the traditional architectural centers of New York and Boston, Furness''s projects, commissioned by the progressive industrialists of the new machine age, intentionally broke with the historical styles of the past to work in a modern way—from utilizing principles based on logistical planning to incorporating the new materials of the industrial age. Lavishly illustrated, the book includes more than eighty black-and-white and thirty color photographs that highlight the richness of his work and the originality of his design spanning more than forty years.

DKK 279.00
1

Frank Furness - George E. Thomas - Bog - University of Pennsylvania Press - Plusbog.dk

Frank Furness - George E. Thomas - Bog - University of Pennsylvania Press - Plusbog.dk

Frank Furness (1839-1912) has remained a curiosity to architectural historians and critics, somewhere between an icon and an enigma, whose importance and impact have yet to be properly evaluated or appreciated. To some, his work pushed pattern and proportion to extremes, undermining or forcing together the historic styles he referenced in such eclectic buildings as the Pennsylvania Academy of the Fine Arts and the University of Pennsylvania Library. To others, he was merely a regional mannerist creating an eccentric personal style that had little resonance and modest influence on the future of architecture. By placing Furness in the industrial culture that supported his work, George Thomas finds a cutting-edge revolutionary who launched the beginnings of modern design, played a key part in its evolution, and whose strategies continue to affect the built world.In his sweeping reassessment of Furness as an architect of the machine age, Thomas grounds him in Philadelphia, a city led by engineers, industrialists, and businessmen who commissioned the buildings that extended modern design to Chicago, Glasgow, and Berlin. Thomas examines the multiple facets of Victorian Philadelphia''s modernity, looking to its eager embrace of innovations in engineering, transportation, technology, and building, and argues that Furness, working for a particular cohort of clients, played a central role in shaping this context. His analyses of the innovative planning, formal, and structural qualities of Furness''s major buildings identifies their designs as initiators of a narrative that leads to such more obviously modern figures as Louis Sullivan, William Price, Frank Lloyd Wright and eventually, the architects of the Bauhaus.Misunderstood and reviled in the traditional architectural centers of New York and Boston, Furness''s projects, commissioned by the progressive industrialists of the new machine age, intentionally broke with the historical styles of the past to work in a modern way—from utilizing principles based on logistical planning to incorporating the new materials of the industrial age. Lavishly illustrated, the book includes more than eighty black-and-white and thirty color photographs that highlight the richness of his work and the originality of his design spanning more than forty years.

DKK 506.00
1