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White Gold - Susan Falls - Bog - University of Nebraska Press - Plusbog.dk

White Gold - Susan Falls - Bog - University of Nebraska Press - Plusbog.dk

Segregation Made Them Neighbors - William A. White - Bog - University of Nebraska Press - Plusbog.dk

Segregation Made Them Neighbors - William A. White - Bog - University of Nebraska Press - Plusbog.dk

Segregation Made Them Neighbors investigates the relationship between whiteness and nonwhiteness through the lenses of landscapes and material culture. William A. White III uses data collected from a public archaeology and digital humanities project conducted in the River Street neighborhood in Boise, Idaho, to investigate the mechanisms used to divide local populations into racial categories. The River Street Neighborhood was a multiracial, multiethnic enclave in Boise that was inhabited by African American, European American, and Basque residents. Building on theoretical concepts from whiteness studies and critical race theory, this volume also explores the ways Boise’s residents crafted segregated landscapes between the 1890s and 1960s to establish white and nonwhite geographies. White describes how housing, urban infrastructure, ethnicity, race, and employment served to delineate the River Street neighborhood into a nonwhite space, an activity that resulted in larger repercussions for other Boiseans. Using material culture excavated from the neighborhood, White describes how residents used mass-produced products to assert their humanity and subvert racial memes. By describing the effects of racial discrimination, real-estate redlining, and urban renewal on the preservation of historic properties in the River Street neighborhood, Segregation Made Them Neighbors illustrates the symbiotic mechanisms that also prevent equity and representation through historic preservation in other cities in the American West.

DKK 648.00
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The Sacred White Turkey - Frances Washburn - Bog - University of Nebraska Press - Plusbog.dk

Black Print with a White Carnation - Amy Helene Forss - Bog - University of Nebraska Press - Plusbog.dk

Black Print with a White Carnation - Amy Helene Forss - Bog - University of Nebraska Press - Plusbog.dk

Mildred Dee Brown (1905–89) was the cofounder of Nebraska’s Omaha Star , the longest running black newspaper founded by an African American woman in the United States. Known for her trademark white carnation corsage, Brown was the matriarch of Omaha’s Near North Side—a historically black part of town—and an iconic city leader. Her remarkable life, a product of the Reconstruction era and Jim Crow, reflects a larger American history that includes the Great Migration, the Red Scare of the post–World War era, civil rights and black power movements, desegregation, and urban renewal. Within the context of African American and women’s history studies, Amy Helene Forss’s Black Print with a White Carnation examines the impact of the black press through the narrative of Brown’s life and work. Forss draws on more than 150 oral histories, numerous black newspapers, and government documents to illuminate African American history during the political and social upheaval of the twentieth century. During Brown’s fifty-one-year tenure, the Omaha Star became a channel of communication between black and white residents of the city, as well as an arena for positive weekly news in the black community. Brown and her newspaper led successful challenges to racial discrimination, unfair employment practices, restrictive housing covenants, and a segregated public school system, placing the woman with the white carnation at the center of America’s changing racial landscape.

DKK 256.00
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Theodore E. White and the Development of Zooarchaeology in North America - R. Lee Lyman - Bog - University of Nebraska Press - Plusbog.dk

Theodore E. White and the Development of Zooarchaeology in North America - R. Lee Lyman - Bog - University of Nebraska Press - Plusbog.dk

Theodore E. White and the Development of Zooarchaeology in North America illuminates the researcher and his lasting contribution to a field that has largely ignored him in its history. The few brief histories of North American zooarchaeology suggest that Paul W. Parmalee, John E. Guilday, Elizabeth S. Wing, and Stanley J. Olsen laid the foundation of the field. Only occasionally is Theodore White (1905–77) included, yet his research is instrumental for understanding the development of zooarchaeology in North America. R. Lee Lyman works to fill these gaps in the historical record and revisits some of White’s analytical innovations from a modern perspective. A comparison of publications shows that not only were White’s zooarchaeological articles first in print in archaeological venues but that he was also, at least initially, more prolific than his contemporaries. While the other “founders” of the field were anthropologists, White was a paleontologist by training who studied long-extinct animals and their evolutionary histories. In working with remains of modern mammals, the typical paleontological research questions were off the table simply because the animals under study were too recent. And yet White demonstrated clearly that scholars could infer significant information about human behaviors and cultures. Lyman presents a biography of Theodore White as a scientist and a pioneer in the emerging field of modern anthropological zooarchaeology.

DKK 465.00
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Bike Lanes Are White Lanes - Melody L Hoffmann - Bog - University of Nebraska Press - Plusbog.dk

The Lady in White - Christian Bobin - Bog - University of Nebraska Press - Plusbog.dk

The New White Race - Charlotte Ann Legg - Bog - University of Nebraska Press - Plusbog.dk

The New White Race - Charlotte Ann Legg - Bog - University of Nebraska Press - Plusbog.dk

The New White Race traces the development of the press in Algeria between 1860 and 1914, examining the particular role of journalists in shaping the power dynamics of settler colonialism. Constrained in different ways by the limitations imposed on free expression in a colonial context, diverse groups of European settlers, Algerian Muslims, and Algerian Jews nevertheless turned to the press to articulate their hopes and fears for the future of the land they inhabited and to imagine forms of community which would continue to influence political debates until the Algerian War. The frontiers of these imagined communities did not necessarily correlate with those of the nation-either French or Algerian-but framed processes of identification that were at once local, national, and transnational. The New White Race explores these processes of cultural and political identification, highlighting the production practices, professional networks, and strategic-linguistic choices mobilized by journalists as they sought to influence the sentiments of their readers and the decisions of the French state. Announcing the creation of a “new white race” among the mixed European population of Algeria, settler journalists hoped to increase the autonomy of the settler colony without forgoing the protections afforded by their French rulers. Their ambivalent expressions of “French” belonging, however, reflected tensions among the colonizers; these tensions were ably exploited by those who sought to transform or contest French imperial rule.

DKK 465.00
1

Not Just Green, not Just White - - Bog - University of Nebraska Press - Plusbog.dk

Not Just Green, not Just White - - Bog - University of Nebraska Press - Plusbog.dk

John Ermine of the Yellowstone - Frederic Remington - Bog - University of Nebraska Press - Plusbog.dk

John Ermine of the Yellowstone - Frederic Remington - Bog - University of Nebraska Press - Plusbog.dk

No one knew how the blue-eyed, blond-haired white baby came to be abandoned, but the Crow tribe that found him raised him as one of its own. As he grew into adolescence, White Weasel was taken to Crooked-Bear, a white man who had long ago abandoned society for a solitary mountain existence and who acted as counselor to the Crow elders. Under Crooked-Bear’s tutelage, White Weasel was schooled in white ways and rechristened John Ermine. Frederic Remington’s compelling tale relates Ermine’s successful reintroduction into white society, his heroic exploits as a scout in the military, and his growing interest in a white lady, Miss Katherine Searles. In his love for Katherine, Ermine must face the complexities and inequalities of American society. Although American culture may well laud Ermine''s military prowess and personal integrity, since he is “wild” he can never truly rise through the ranks of society. It is inevitable that Ermine’s story ends in tragedy. John Ermine of the Yellowstone is both an epic Western in the classic sense and a complex tale that captures the conflict between European Americans and Native Americans in the Wild West. John Ermine is the tragic character caught between two cultures, unable to assimilate fully into either. Famed artist Frederic Remington uses his pen to convey the irreparable stalemate between two groups of people in an untamed West while making a moving argument for the preservation of a truly wild western front.

DKK 154.00
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