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Tracks in the Wild - Betsy Bowen - Bog - University of Minnesota Press - Plusbog.dk

Tracks in the Wild - Betsy Bowen - Bog - University of Minnesota Press - Plusbog.dk

Animal tracks always tell a story. You just have to recognize the signs. As you follow the marks an animal left behind, you get to know it: where it goes, what it likes to eat, when it runs, and why. There are secrets to be learned in those signs in the snow, mysteries to be explored in the mud along the river’s edge. Tracks in the Wild introduces young naturalists to the tracks of bears, wolves, moose, otters, and other wild animals—thirteen in all. Betsy Bowen’s signature woodcut prints accompany poetic passages about each animal, along with life-size representations of their footprints. As it reveals some of the wonders of the natural world, it will also inspire awe and respect for all the wild, elusive creatures that inhabit Minnesota’s northwoods. Winner of a 1994 Minnesota Book Award, Tracks in the Wild is perfect reading for a family to share before and after a trek through their own woods.

DKK 199.00
1

Blood in the Tracks - Rick Shefchik - Bog - University of Minnesota Press - Plusbog.dk

Blood in the Tracks - Rick Shefchik - Bog - University of Minnesota Press - Plusbog.dk

The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something’s not right, it’s wrong,” as Dylan puts it in “You’re Gonna Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five songs, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians participated in that two-night recording session at Sound 80, bringing their unique sound to some of Dylan’s best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, introduces the musicians who gave the album so much of its ultimate form and sound, and describes their decades-long fight for recognition. Blood in the Tracks takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan’s until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and then set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work required to finally obtain the official credit that they were due. A rare look at the making—or remaking—of an all-time great album, and a long overdue recognition of the musicians who made it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players.

DKK 243.00
1

Homeward To Zion - William Mulder - Bog - University of Minnesota Press - Plusbog.dk

Homeward To Zion - William Mulder - Bog - University of Minnesota Press - Plusbog.dk

The classic history of this emblematic moment in U.S. immigration. In the late nineteenth century, thirty thousand Mormons from Norway, Sweden, Denmark, and Finland immigrated to Utah, dissatisfied with conditions in their homelands. As their countrymen were farming rich fields in other parts of the United States, Scandinavian Mormons were making their way to Salt Lake City. Homeward to Zion tracks this movement from northern Europe to the western desert, examining the Mormon recruiting efforts in Scandinavia as well as the arduous journey across the Great Plains. Mulder draws extensively from personal narratives of these immigrants to relate their pioneering experience and their role in the history of Scandinavian migration and of the settlement of the American West.

DKK 228.00
1

One Winter Up North - John Owens - Bog - University of Minnesota Press - Plusbog.dk

One Winter Up North - John Owens - Bog - University of Minnesota Press - Plusbog.dk

A picture-book journey through the Boundary Waters Canoe Area Wilderness in winter, snowshoeing the frozen lakes and silent forest with family, encountering the wonders of northern wildlife in the cold season In winter the Boundary Waters, way up north in Minnesota, is not the same place you canoed last summer—but still it beckons and welcomes you. Grab a pack, strap on snowshoes, make a path (Oh! they take some getting used to!), and venture out across the frozen lakes and through the snowy woods. The vast wintery world here is so still and quiet, you might think you’re all alone—but no! Who made these tracks? A deer? A hare? A fox? And far off there’s a musher, making tracks with his sled dogs. It’s a magical place. The bright sun brilliant on the snow, the sparkling silence—wait, is that a wolf calling? Try to answer! And when the dark descends, the stars and pine trees holding up the night, your nose gets cold and it’s back to camp, to your warm winter tent, where Father feeds the stove with wood you gathered, Mother snuggles into her big sleeping bag, and you curl up in the fire’s glow and know that in your dreams and memories you will return again and again to this one winter up north. A wintery adventure that unfolds in pictures, John Owens’s delightful book gives readers a chance to discover—or rediscover—another season full of wonder in the Boundary Waters Canoe Area Wilderness.

DKK 170.00
1

Town Hall Meetings and the Death of Deliberation - Jonathan Beecher Field - Bog - University of Minnesota Press - Plusbog.dk

Town Hall Meetings and the Death of Deliberation - Jonathan Beecher Field - Bog - University of Minnesota Press - Plusbog.dk

Tracing the erosion of democratic norms in the US and the conditions that make it possible Jonathan Beecher Field tracks the permutations of the town hall meeting from its original context as a form of democratic community governance in New England into a format for presidential debates and a staple of corporate governance. In its contemporary iteration, the town hall meeting models the aesthetic of the former but replaces actual democratic deliberation with a spectacle that involves no immediate electoral stakes or functions as a glorified press conference. Urgently, Field notes that though this evolution might be apparent, evidence suggests many US citizens don’t care to differentiate. Forerunners: Ideas First Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

DKK 130.00
1

Negritude Women - T. Denean Sharpley Whiting - Bog - University of Minnesota Press - Plusbog.dk

Negritude Women - T. Denean Sharpley Whiting - Bog - University of Minnesota Press - Plusbog.dk

Rediscovers the crucial role that women played in the influential Negritude movement. The Negritude movement, which signaled the awakening of a pan-African consciousness among black French intellectuals, has been understood almost exclusively in terms of the contributions of its male founders: Aimé Césaire, Léopold Sédar Senghor, and Léon G. Damas. This masculine genealogy has completely overshadowed the central role played by French-speaking black women in its creation and evolution. In Negritude Women, T. Denean Sharpley-Whiting offers a long-overdue corrective, revealing the contributions made by the women who were not merely integral to the success of the movement, but often in its vanguard. Through such disparate tactics as Lacascade’s use of Creole expressions in her French prose writings, the literary salon and journal founded by the Martinique-born Nardal sisters, and Roussy-Césaire’s revolutionary blend of surrealism and Negritude in the pages of Tropiques, the journal she founded with her husband, these four remarkable women made vital contributions. In exploring their influence on the development of themes central to Negritude-black humanism, the affirmation of black peoples and their cultures, and the rehabilitation of Africa-Sharpley-Whiting provides the movement’s first genuinely inclusive history.

DKK 225.00
1

Lifeblood - Matthew T. Huber - Bog - University of Minnesota Press - Plusbog.dk

Lifeblood - Matthew T. Huber - Bog - University of Minnesota Press - Plusbog.dk

If our oil addiction is so bad for us, why don’t we kick the habit? Looking beyond the usual culprits—Big Oil, petro-states, and the strategists of empire— Lifeblood finds a deeper and more complex explanation in everyday practices of oil consumption in American culture. Those practices, Matthew T. Huber suggests, have in fact been instrumental in shaping the broader cultural politics of American capitalism. How did gasoline and countless other petroleum products become so central to our notions of the American way of life? Huber traces the answer from the 1930s through the oil shocks of the 1970s to our present predicament, revealing that oil’s role in defining popular culture extends far beyond material connections between oil, suburbia, and automobility. He shows how oil powered a cultural politics of entrepreneurial life—the very American idea that life itself is a product of individual entrepreneurial capacities. In so doing he uses oil to retell American political history from the triumph of New Deal liberalism to the rise of the New Right, from oil’s celebration as the lifeblood of postwar capitalism to increasing anxieties over oil addiction. Lifeblood rethinks debates surrounding energy and capitalism, neoliberalism and nature, and the importance of suburbanization in the rightward shift in American politics. Today, Huber tells us, as crises attributable to oil intensify, a populist clamoring for cheap energy has less to do with American excess than with the eroding conditions of life under neoliberalism.

DKK 264.00
1

The Art of Protest - T. V. Reed - Bog - University of Minnesota Press - Plusbog.dk

The Art of Protest - T. V. Reed - Bog - University of Minnesota Press - Plusbog.dk

A second edition of the classic introduction to arts in social movements, fully updated and now including Black Lives Matter, Occupy Wall Street, and new digital and social media forms of cultural resistanceThe Art of Protest, first published in 2006, was hailed as an “essential” introduction to progressive social movements in the United States and praised for its “fluid writing style” and “well-informed and insightful” contribution (Choice Magazine). Now thoroughly revised and updated, this new edition of T. V. Reed’s acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women’s movements, the American Indian Movement’s use of film and video, anti-apartheid rock music, ACT UP’s visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms. For students and scholars of social change and those seeking to counter reactionary efforts to turn back the clock on social equality and justice, the new edition of The Art of Protest will be both informative and inspiring.

DKK 920.00
1

Fates of the Performative - Jeffrey T. Nealon - Bog - University of Minnesota Press - Plusbog.dk

Fates of the Performative - Jeffrey T. Nealon - Bog - University of Minnesota Press - Plusbog.dk

A powerful new examination of the performative that asks “what’s next?” for this well-worn concept From its humble origins in J. L. Austin’s speech-act theory of the 1950s, the performative has grown to permeate wildly diverse scholarly fields, ranging from deconstruction and feminism to legal theory and even theories about the structure of matter. Here Jeffrey T. Nealon discovers how the performative will remain vital in the twenty-first century, arguing that it was never merely concerned with linguistic meaning but rather constitutes an insight into the workings of immaterial force. Fates of the Performative takes a deep dive into this “performative force” to think about the continued power and relevance of this wide-ranging concept. Offering both a history of the performative’s mutations and a diagnosis of its present state, Nealon traces how it has been deployed by key writers in the past sixty years, including foundational thinkers like Jacques Derrida, Eve Kosofsky Sedgewick, and Judith Butler; contemporary theorists such as Thomas Piketty and Antonio Negri; and the “conceptual poetry” of Kenneth Goldsmith. Ultimately, Nealon’s inquiry is animated by one powerful question: what’s living and what’s dead in performative theory? In deconstructing the reaction against the performative in current humanist thought, Fates of the Performative opens up important conversations about systems theory, animal studies, object-oriented ontology, and the digital humanities. Nealon’s stirring appeal makes a necessary declaration of the performative’s continued power and relevance at a time of neoliberal ascendancy.

DKK 749.00
1

Fates of the Performative - Jeffrey T. Nealon - Bog - University of Minnesota Press - Plusbog.dk

Fates of the Performative - Jeffrey T. Nealon - Bog - University of Minnesota Press - Plusbog.dk

A powerful new examination of the performative that asks “what’s next?” for this well-worn concept From its humble origins in J. L. Austin’s speech-act theory of the 1950s, the performative has grown to permeate wildly diverse scholarly fields, ranging from deconstruction and feminism to legal theory and even theories about the structure of matter. Here Jeffrey T. Nealon discovers how the performative will remain vital in the twenty-first century, arguing that it was never merely concerned with linguistic meaning but rather constitutes an insight into the workings of immaterial force. Fates of the Performative takes a deep dive into this “performative force” to think about the continued power and relevance of this wide-ranging concept. Offering both a history of the performative’s mutations and a diagnosis of its present state, Nealon traces how it has been deployed by key writers in the past sixty years, including foundational thinkers like Jacques Derrida, Eve Kosofsky Sedgewick, and Judith Butler; contemporary theorists such as Thomas Piketty and Antonio Negri; and the “conceptual poetry” of Kenneth Goldsmith. Ultimately, Nealon’s inquiry is animated by one powerful question: what’s living and what’s dead in performative theory? In deconstructing the reaction against the performative in current humanist thought, Fates of the Performative opens up important conversations about systems theory, animal studies, object-oriented ontology, and the digital humanities. Nealon’s stirring appeal makes a necessary declaration of the performative’s continued power and relevance at a time of neoliberal ascendancy.

DKK 229.00
1

The Art of Protest - T. V. Reed - Bog - University of Minnesota Press - Plusbog.dk

The Art of Protest - T. V. Reed - Bog - University of Minnesota Press - Plusbog.dk

A second edition of the classic introduction to arts in social movements, fully updated and now including Black Lives Matter, Occupy Wall Street, and new digital and social media forms of cultural resistanceThe Art of Protest, first published in 2006, was hailed as an “essential” introduction to progressive social movements in the United States and praised for its “fluid writing style” and “well-informed and insightful” contribution (Choice Magazine). Now thoroughly revised and updated, this new edition of T. V. Reed’s acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women’s movements, the American Indian Movement’s use of film and video, anti-apartheid rock music, ACT UP’s visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms. For students and scholars of social change and those seeking to counter reactionary efforts to turn back the clock on social equality and justice, the new edition of The Art of Protest will be both informative and inspiring.

DKK 234.00
1

The Popular Wobbly - T Bone Slim - Bog - University of Minnesota Press - Plusbog.dk

The Popular Wobbly - T Bone Slim - Bog - University of Minnesota Press - Plusbog.dk

The first critical edition of the writings of the prolific radical workers’ newspaper columnist and musician who rode the rails during the Great DepressionThe Popular Wobbly brings together a wide selection of writings by T-Bone Slim, the most popular and talented writer belonging to the Industrial Workers of the World (IWW). Slim wrote humorous, polemical pieces, engaging with topics like labor and class injustice, which were mostly published in IWW publications from 1920 until his death in 1942. Although relatively little is known about Slim, editors Owen Clayton and Iain McIntyre coalesce the latest research on this enigmatic character to create a vivid portrait that adds valuable context for the array of writings assembled here. Known as “the laureate of the logging camps,” Slim also composed numerous songs that have been performed and recorded by Pete Seeger, Utah Phillips, and Candie Carawan, who in 1960 updated Slim’s song “The Popular Wobbly” with Civil Rights–era lyrics. Slim’s witticisms, sayings, and exhortations (“Wherever you find injustice, the proper form of politeness is attack”; “Only the poor break laws-the rich evade them”) were widely discussed among fellow hobos across the “jungle” campfires that dotted the railways, and some even transcribed his commentary on boxcars that traveled the country. Yet despite Slim’s importance and fame during his lifetime, his work disappeared from public view almost immediately after his death. The Popular Wobbly is the first critical edition of Slim’s work and also a significant contribution to literature about working-class writers, the radical labor movement, and the history and culture of nomadism and precarity. With this publication, Slim’s rediscovered writings can once again inspire artists and activists to march and agitate for a more just and equitable world.

DKK 1122.00
1

The Popular Wobbly - T Bone Slim - Bog - University of Minnesota Press - Plusbog.dk

The Popular Wobbly - T Bone Slim - Bog - University of Minnesota Press - Plusbog.dk

The first critical edition of the writings of the prolific radical workers’ newspaper columnist and musician who rode the rails during the Great DepressionThe Popular Wobbly brings together a wide selection of writings by T-Bone Slim, the most popular and talented writer belonging to the Industrial Workers of the World (IWW). Slim wrote humorous, polemical pieces, engaging with topics like labor and class injustice, which were mostly published in IWW publications from 1920 until his death in 1942. Although relatively little is known about Slim, editors Owen Clayton and Iain McIntyre coalesce the latest research on this enigmatic character to create a vivid portrait that adds valuable context for the array of writings assembled here. Known as “the laureate of the logging camps,” Slim also composed numerous songs that have been performed and recorded by Pete Seeger, Utah Phillips, and Candie Carawan, who in 1960 updated Slim’s song “The Popular Wobbly” with Civil Rights–era lyrics. Slim’s witticisms, sayings, and exhortations (“Wherever you find injustice, the proper form of politeness is attack”; “Only the poor break laws-the rich evade them”) were widely discussed among fellow hobos across the “jungle” campfires that dotted the railways, and some even transcribed his commentary on boxcars that traveled the country. Yet despite Slim’s importance and fame during his lifetime, his work disappeared from public view almost immediately after his death. The Popular Wobbly is the first critical edition of Slim’s work and also a significant contribution to literature about working-class writers, the radical labor movement, and the history and culture of nomadism and precarity. With this publication, Slim’s rediscovered writings can once again inspire artists and activists to march and agitate for a more just and equitable world.

DKK 268.00
1

Afro Orientalism - Bill V. Mullen - Bog - University of Minnesota Press - Plusbog.dk

Afro Orientalism - Bill V. Mullen - Bog - University of Minnesota Press - Plusbog.dk

Reveals a century of political solidarity uniting Asians and African Americans As early as 1914, in his pivotal essay “The World Problem of the Color Line,” W. E. B. Du Bois was charting a search for Afro-Asian solidarity and for an international anticolonialism. In Afro-Orientalism , Bill Mullen traces the tradition of revolutionary thought and writing developed by African American and Asian American artists and intellectuals in response to Du Bois’s challenge. Afro-Orientalism unfolds here as a distinctive strand of cultural and political work that contests the longstanding, dominant discourse about race and nation first fully named in Edward Said’s Orientalism . Mullen tracks Afro-Asian engagement with U.S. imperialism—including writings by Richard Wright, Grace and James Boggs, Robert F. Williams, and Fred Ho—and companion struggles against racism and capitalism around the globe. To this end, he offers Afro-Orientalism as an antidote to essentialist, race-based, or narrow conceptions of ethnic studies and postcolonial studies, calling on scholars in these fields to re-imagine their critical enterprises as mutually constituting and politically interdependent.

DKK 228.00
1

Afro Orientalism - Bill V. Mullen - Bog - University of Minnesota Press - Plusbog.dk

Afro Orientalism - Bill V. Mullen - Bog - University of Minnesota Press - Plusbog.dk

Reveals a century of political solidarity uniting Asians and African AmericansAs early as 1914, in his pivotal essay “The World Problem of the Color Line,” W. E. B. Du Bois was charting a search for Afro-Asian solidarity and for an international anticolonialism. In Afro-Orientalism, Bill Mullen traces the tradition of revolutionary thought and writing developed by African American and Asian American artists and intellectuals in response to Du Bois’s challenge. Afro-Orientalism unfolds here as a distinctive strand of cultural and political work that contests the longstanding, dominant discourse about race and nation first fully named in Edward Said’s Orientalism. Mullen tracks Afro-Asian engagement with U.S. imperialism—including writings by Richard Wright, Grace and James Boggs, Robert F. Williams, and Fred Ho—and companion struggles against racism and capitalism around the globe. To this end, he offers Afro-Orientalism as an antidote to essentialist, race-based, or narrow conceptions of ethnic studies and postcolonial studies, calling on scholars in these fields to re-imagine their critical enterprises as mutually constituting and politically interdependent.

DKK 455.00
1

Cannibal Democracy - Zita Nunes - Bog - University of Minnesota Press - Plusbog.dk

Cannibal Democracy - Zita Nunes - Bog - University of Minnesota Press - Plusbog.dk

Zita Nunes argues that the prevailing narratives of identity formation throughout the Americas share a dependence on metaphors of incorporation and, often, of cannibalism. From the position of the incorporating body, the construction of a national and racial identity through a process of assimilation presupposes a remainder, a residue. Nunes addresses works by writers and artists who explore what is left behind in the formation of national identities and speak to the limits of the contemporary discourse of democracy. Cannibal Democracy tracks its central metaphor’s circulation through the work of writers such as Mário de Andrade, W. E. B. Du Bois, and Toni Morrison and journalists of the black press, as well as work by visual artists including Magdalena Campos-Pons and Keith Piper, and reveals how exclusion-understood in terms of what is left out-can be fruitfully understood in terms of what is left over from a process of unification or incorporation. Nunes shows that while this remainder can be deferred into the future-lurking as a threat to the desired stability of the present-the residue haunts discourses of national unity, undermining the ideologies of democracy that claim to resolve issues of race. Zita Nunes is associate professor of English at the University of Maryland, College Park.

DKK 522.00
1

Webbed Connectivities - Vrushali Patil - Bog - University of Minnesota Press - Plusbog.dk

Webbed Connectivities - Vrushali Patil - Bog - University of Minnesota Press - Plusbog.dk

Constructing a new approach for centering empire in productions of racialized, gendered, and sexualized difference One of the oldest, most persistent issues in gender and sexuality studies is the dominance of white, northern theorizing and its consequences for what we know about sex, gender, and sexuality. There is an ongoing neglect of the significance of histories of empire and coloniality, particularly in U.S. sociology, where the United States and its theoretical productions are routinely sanitized of such histories. In Webbed Connectivities, Vrushali Patil offers a global historical sociology that reembeds the United States within histories of empire, situating the emergence of northern and U.S.-based concepts and frameworks squarely within these histories. Webbed Connectivities intercepts the political economy of knowledge production within the social sciences to argue for the work of centering the role of imperial hierarchies in knowledge production and circulation. Patil develops a new approach—webbed connectivities—which tracks imperial processes and impacts across borders, shifting from an emphasis on particular experiences and identities to the constitution and creation of the categories themselves. A sociologist of feminist thought and gender and sexuality studies, Patil explores the theoretical spaces that spotlighting imperial hierarchies within knowledge production might open, including making productive and essential connections across sites of the global south and north.

DKK 800.00
1

Monstrous Work and Radical Satisfaction - Eve Dunbar - Bog - University of Minnesota Press - Plusbog.dk

Monstrous Work and Radical Satisfaction - Eve Dunbar - Bog - University of Minnesota Press - Plusbog.dk

Radical Black feminist refusal through the works of mid-twentieth-century African American women writers Monstrous Work and Radical Satisfaction offers new and insightful readings of African American women’s writings in the 1930s–1950s, illustrating how these writers centered Black women’s satisfaction as radical resistance to the false and incomplete promise of liberal racial integration. Eve Dunbar examines the writings of Ann Petry, Dorothy West, Alice Childress, and Gwendolyn Brooks to show how these women explored self-fulfillment over normative and sanctioned models of national belonging. Paying close attention to literary moments of disruption, miscommunication, or confusion rather than ease, assimilation, or mutual understanding around race and gender, Dunbar tracks these writers’ dissatisfaction with American race relations. She shows how Petry, West, Childress, and Brooks redeploy the idea of monstrous work to offer potential modalities for registering Black women’s capacity to locate satisfaction within the domestic and interpersonal. While racial integration may satisfy the national idea of equality and inclusion, it has not met the long-term needs of Black people’s quest for equity. Dunbar responds, demonstrating how these mid-century women offer new blueprints for Black life by creating narrative models for radical satisfaction: Black women’s completeness, joy, and happiness outside the bounds of normative racial inclusion.

DKK 920.00
1

Monstrous Work and Radical Satisfaction - Eve Dunbar - Bog - University of Minnesota Press - Plusbog.dk

Monstrous Work and Radical Satisfaction - Eve Dunbar - Bog - University of Minnesota Press - Plusbog.dk

Radical Black feminist refusal through the works of mid-twentieth-century African American women writers Monstrous Work and Radical Satisfaction offers new and insightful readings of African American women’s writings in the 1930s–1950s, illustrating how these writers centered Black women’s satisfaction as radical resistance to the false and incomplete promise of liberal racial integration. Eve Dunbar examines the writings of Ann Petry, Dorothy West, Alice Childress, and Gwendolyn Brooks to show how these women explored self-fulfillment over normative and sanctioned models of national belonging. Paying close attention to literary moments of disruption, miscommunication, or confusion rather than ease, assimilation, or mutual understanding around race and gender, Dunbar tracks these writers’ dissatisfaction with American race relations. She shows how Petry, West, Childress, and Brooks redeploy the idea of monstrous work to offer potential modalities for registering Black women’s capacity to locate satisfaction within the domestic and interpersonal. While racial integration may satisfy the national idea of equality and inclusion, it has not met the long-term needs of Black people’s quest for equity. Dunbar responds, demonstrating how these mid-century women offer new blueprints for Black life by creating narrative models for radical satisfaction: Black women’s completeness, joy, and happiness outside the bounds of normative racial inclusion.

DKK 234.00
1

Webbed Connectivities - Vrushali Patil - Bog - University of Minnesota Press - Plusbog.dk

Webbed Connectivities - Vrushali Patil - Bog - University of Minnesota Press - Plusbog.dk

Constructing a new approach for centering empire in productions of racialized, gendered, and sexualized difference One of the oldest, most persistent issues in gender and sexuality studies is the dominance of white, northern theorizing and its consequences for what we know about sex, gender, and sexuality. There is an ongoing neglect of the significance of histories of empire and coloniality, particularly in U.S. sociology, where the United States and its theoretical productions are routinely sanitized of such histories. In Webbed Connectivities, Vrushali Patil offers a global historical sociology that reembeds the United States within histories of empire, situating the emergence of northern and U.S.-based concepts and frameworks squarely within these histories. Webbed Connectivities intercepts the political economy of knowledge production within the social sciences to argue for the work of centering the role of imperial hierarchies in knowledge production and circulation. Patil develops a new approach—webbed connectivities—which tracks imperial processes and impacts across borders, shifting from an emphasis on particular experiences and identities to the constitution and creation of the categories themselves. A sociologist of feminist thought and gender and sexuality studies, Patil explores the theoretical spaces that spotlighting imperial hierarchies within knowledge production might open, including making productive and essential connections across sites of the global south and north.

DKK 238.00
1

The Technique of Thought - Ian James - Bog - University of Minnesota Press - Plusbog.dk

The Technique of Thought - Ian James - Bog - University of Minnesota Press - Plusbog.dk

Interrogating the work of four contemporary French philosophers to rethink philosophy’s relationship to science and science’s relationship to reality The Technique of Thought explores the relationship between philosophy and science as articulated in the work of four contemporary French thinkers—Jean-Luc Nancy, François Laruelle, Catherine Malabou, and Bernard Stiegler. Situating their writings within both contemporary scientific debates and the philosophy of science, Ian James elaborates a philosophical naturalism that is notably distinct from the Anglo-American tradition. The naturalism James proposes also diverges decisively from the ways in which continental philosophy has previously engaged with the sciences. He explores the technical procedures and discursive methods used by each of the four thinkers as distinct “techniques of thought” that approach scientific understanding and knowledge experimentally. Moving beyond debates about the constructed nature of scientific knowledge, The Technique of Thought argues for a strong, variably configured, and entirely novel scientific realism. By bringing together post-phenomenological perspectives concerning individual or collective consciousness and first-person qualitative experience with science’s focus on objective and third-person quantitative knowledge, James tracks the emergence of a new image of the sciences and of scientific practice. Stripped of aspirations toward total mastery of the universe or a “grand theory of everything,” this renewed scientific worldview, along with the simultaneous reconfiguration of philosophy’s relationship to science, opens up new ways of interrogating immanent reality.

DKK 237.00
1