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Movies under the Influence - Jocelyn Szczepaniak Gillece - Bog - University of Minnesota Press - Plusbog.dk

Movies under the Influence - Jocelyn Szczepaniak Gillece - Bog - University of Minnesota Press - Plusbog.dk

A cultural history of the enduring relationship between film spectatorship and intoxicating substances Movies under the Influence charts the entangled histories of moviegoing and mind-altering substances from early cinema through the psychedelic 1970s. Jocelyn Szczepaniak-Gillece examines how the parallel trajectories of these two enduring aspects of American culture, linked by their ability to influence individual and collective consciousness, resulted in them being treated and regulated in similar ways. Rather than looking at representations of drug use within film, she regards cinema and intoxicants as kindred experiences of immersion that have been subject to corresponding forces of ideology and power. Exploring the effects of intoxicants such as caffeine, nicotine, alcohol, marijuana, and psychedelics on film spectatorship, Szczepaniak-Gillece demonstrates how American movie theaters sought to cultivate a dual identity, presenting themselves as both a place of wholesome entertainment and a shadowy zone of illicit behavior. Movies under the Influence highlights the various legislative, legal, and corporate powers that held sway over the darkened anonymity of theaters, locating the convergence of moviegoing and drug use as a site of mediation and social control in America. As much as substances and cinema are points where power intervenes, they are also settings of potential transcendence, and Movies under the Influence maintains this paradox as a necessary component of American film history. Recontextualizing a wide range of films, from Hollywood to the avant-garde, this book examines the implicit relationship intoxicants suggest between mass media, spectatorship, and governmental regulation and provides a new angle from which to understand cinema’s lasting role in evolving American culture.

DKK 833.00
1

Movies under the Influence - Jocelyn Szczepaniak Gillece - Bog - University of Minnesota Press - Plusbog.dk

Movies under the Influence - Jocelyn Szczepaniak Gillece - Bog - University of Minnesota Press - Plusbog.dk

A cultural history of the enduring relationship between film spectatorship and intoxicating substances Movies under the Influence charts the entangled histories of moviegoing and mind-altering substances from early cinema through the psychedelic 1970s. Jocelyn Szczepaniak-Gillece examines how the parallel trajectories of these two enduring aspects of American culture, linked by their ability to influence individual and collective consciousness, resulted in them being treated and regulated in similar ways. Rather than looking at representations of drug use within film, she regards cinema and intoxicants as kindred experiences of immersion that have been subject to corresponding forces of ideology and power. Exploring the effects of intoxicants such as caffeine, nicotine, alcohol, marijuana, and psychedelics on film spectatorship, Szczepaniak-Gillece demonstrates how American movie theaters sought to cultivate a dual identity, presenting themselves as both a place of wholesome entertainment and a shadowy zone of illicit behavior. Movies under the Influence highlights the various legislative, legal, and corporate powers that held sway over the darkened anonymity of theaters, locating the convergence of moviegoing and drug use as a site of mediation and social control in America. As much as substances and cinema are points where power intervenes, they are also settings of potential transcendence, and Movies under the Influence maintains this paradox as a necessary component of American film history. Recontextualizing a wide range of films, from Hollywood to the avant-garde, this book examines the implicit relationship intoxicants suggest between mass media, spectatorship, and governmental regulation and provides a new angle from which to understand cinema’s lasting role in evolving American culture.

DKK 243.00
1

Russian Orthodoxy under the Old Regime - - Bog - University of Minnesota Press - Plusbog.dk

Under a Black Star - Amari Johnson - Bog - University of Minnesota Press - Plusbog.dk

Under a Black Star - Amari Johnson - Bog - University of Minnesota Press - Plusbog.dk

Uncovering the spirit of freedom and self-determination in New Orleans In Under a Black Star, Amari Johnson explores what he defines as the “maroon impulse” among the BlackStar Community in the Algiers neighborhood of New Orleans. This community sought autonomy for Black people facing systemic marginalization through denied employment, insufficient education, and a housing crisis following Hurricane Katrina, establishing initiatives such as Kamali Academy, a homeschool collective, and BlackStar Books and Caffé, a bookstore and gathering place. Instead of appealing to the city, they built the community they desired by employing legacies of marronage: disengagement, flight, and reengagement. An active participant in the physical and ideological development of these autonomous spaces, Johnson provides nuanced insights into the community’s work toward liberation and self-determination. Demonstrating that marronage is a cultural tradition throughout the African Diaspora, he focuses on the transtemporal maroon process to show how it is central to the pursuit of autonomy, community, and freedom. From the swamps of southeastern Louisiana, across urban obstacles, and into BlackStar’s creative spaces, Johnson’s path leads him to ask: How did the New Orleans community mobilize the tradition of marronage to create autonomous spaces amid gentrification? What forms might the maroon impulse take in the twenty-first century? This dynamic ethnographic memoir ultimately illuminates marronage as a potent form of liberatory potential, offering strategies for similar communities across the country and around the world.

DKK 229.00
1

Under a Black Star - Amari Johnson - Bog - University of Minnesota Press - Plusbog.dk

Under a Black Star - Amari Johnson - Bog - University of Minnesota Press - Plusbog.dk

Uncovering the spirit of freedom and self-determination in New Orleans In Under a Black Star, Amari Johnson explores what he defines as the “maroon impulse” among the BlackStar Community in the Algiers neighborhood of New Orleans. This community sought autonomy for Black people facing systemic marginalization through denied employment, insufficient education, and a housing crisis following Hurricane Katrina, establishing initiatives such as Kamali Academy, a homeschool collective, and BlackStar Books and Caffé, a bookstore and gathering place. Instead of appealing to the city, they built the community they desired by employing legacies of marronage: disengagement, flight, and reengagement. An active participant in the physical and ideological development of these autonomous spaces, Johnson provides nuanced insights into the community’s work toward liberation and self-determination. Demonstrating that marronage is a cultural tradition throughout the African Diaspora, he focuses on the transtemporal maroon process to show how it is central to the pursuit of autonomy, community, and freedom. From the swamps of southeastern Louisiana, across urban obstacles, and into BlackStar’s creative spaces, Johnson’s path leads him to ask: How did the New Orleans community mobilize the tradition of marronage to create autonomous spaces amid gentrification? What forms might the maroon impulse take in the twenty-first century? This dynamic ethnographic memoir ultimately illuminates marronage as a potent form of liberatory potential, offering strategies for similar communities across the country and around the world.

DKK 940.00
1

Russia Under the Last Tsar - - Bog - University of Minnesota Press - Plusbog.dk

Russia Under the Last Tsar - - Bog - University of Minnesota Press - Plusbog.dk

Russia Under the Last Tsar was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The reign of Russia''s last tsar, Nicholas II, from 1894 to 1917, constitutes a period of continuing controversy among historians. Interesting in its own right, it is also a time of great importance to an understanding of the cataclysmic events which followed in Russian history. In this volume eight scholars contribute interpretive essays on some of the most significant forces and issues in Imperial Russia during the two decades before the revolutions. Professor Stavrou writes an introductory essay. The other essays and authors are: "on Interpreting the Fate of Imperial Russia" by Arthur Mendel, University of Michigan; "Russian Conservative Thought before the Revolution" by Robert F. Brynes, Indiana University; "Russian Radical Thought, 1894–1917" by Donald W. Treadgold, University of Washington; "Russian Constitutional Developments" by Thomas Riha, University of Colorado; "Problems of Industrialization in Russia" by Theodore Von Laue, Washington University; "Politics, Universities, and Science" by Alexander Vucinich, University of Illinois; "The Cultural Renaissance" by Gleb Struve, formerly of the University of California, Berkeley; and "Some Imperatives of Russian Foreign Policy" by Roderick E. McGrew, Temple University. The book is illustrated with photographs of some of the principal figures in the history of the period, and there are a bibliography and index. As Professor Stavrou points out in his preface, the contributors did not consult with one another before preparing their respective essays, and the various approaches are refreshingly different in their assessments of the period. The book as a whole provides a panoramic view of the fascinating Russia of Nicholas and Alexandra. It will be interesting to general readers and especially useful as a textbook for courses in Russian or modern European history.

DKK 380.00
1

L.A. under the Influence - Roger Sherman - Bog - University of Minnesota Press - Plusbog.dk

L.A. under the Influence - Roger Sherman - Bog - University of Minnesota Press - Plusbog.dk

Using game theory to understand how competing public and private interests shape the contemporary urban landscapeIn the American city, property rights involve not one but numerous stakeholders, some connected to the parcel by title and others through less formal arrangements, whether political, economic, or cultural. Negotiations between these stakeholders over the use of property are frequently complicated, even convoluted. In L.A. under the Influence, Roger Sherman contends that it is these negotiations, rather than more commonly accepted factors like history, symbolism, and planning, that not only shape a city but also influence the development of its smallest common increment: the individual parcel. Through a series of case studies in Los Angeles, Sherman applies game theory to scrutinize the behavior of these intersecting private and public interests, revealing an alternative logic of architectural composition. Making extensive use of diagrams, photographs, and a range of negotiation models employed within game theory, including pecking order, negotiated access, multilateral exchange, and tit for tat, he identifies the characteristic features and behaviors of this new spatial logic. For Sherman, these models offer an exciting new role for architecture in urban planning and design. Sherman urges architects to utilize design strategy as a means of mediating between the various stakeholders involved in a project, identifying and creating affiliations between otherwise conflicting interests. The architect’s willingness to engage with these negotiations, he argues, has the potential to produce formally and spatially audacious projects as well as recover the social and political relevance of architecture itself.

DKK 783.00
1

L.A. under the Influence - Roger Sherman - Bog - University of Minnesota Press - Plusbog.dk

L.A. under the Influence - Roger Sherman - Bog - University of Minnesota Press - Plusbog.dk

Using game theory to understand how competing public and private interests shape the contemporary urban landscapeIn the American city, property rights involve not one but numerous stakeholders, some connected to the parcel by title and others through less formal arrangements, whether political, economic, or cultural. Negotiations between these stakeholders over the use of property are frequently complicated, even convoluted. In L.A. under the Influence, Roger Sherman contends that it is these negotiations, rather than more commonly accepted factors like history, symbolism, and planning, that not only shape a city but also influence the development of its smallest common increment: the individual parcel. Through a series of case studies in Los Angeles, Sherman applies game theory to scrutinize the behavior of these intersecting private and public interests, revealing an alternative logic of architectural composition. Making extensive use of diagrams, photographs, and a range of negotiation models employed within game theory, including pecking order, negotiated access, multilateral exchange, and tit for tat, he identifies the characteristic features and behaviors of this new spatial logic. For Sherman, these models offer an exciting new role for architecture in urban planning and design. Sherman urges architects to utilize design strategy as a means of mediating between the various stakeholders involved in a project, identifying and creating affiliations between otherwise conflicting interests. The architect’s willingness to engage with these negotiations, he argues, has the potential to produce formally and spatially audacious projects as well as recover the social and political relevance of architecture itself.

DKK 287.00
1

Globalization Under Construction - Richard Warren Perry - Bog - University of Minnesota Press - Plusbog.dk

Globalization Under Construction - Richard Warren Perry - Bog - University of Minnesota Press - Plusbog.dk

A kaleidoscopic look at the intersections of globalization and governanceThe future outlines of the new global order are the constant object of speculation—economic, political, and metaphysical. From the sunny new world proclaimed by global free marketers to the rebellion against globalization unleashed in the streets of Seattle and Genoa, to the doomsdays envisioned by transnational terrorists and counterterrorists alike, this emerging global-millennial epoch is foretold alternately as redemption or apocalypse. The authors consider these sweeping descriptions of humankind’s future, as well as the discourses of globalization that filter and frame them, from perspectives in anthropology, geography, law, sociology, and cultural studies. Their goal is not to resolve the ultimate semantic or philosophical question of what “globalization” really is; instead, their essays explore the forms, practices, and effects of governmentality integral to global modernity’s architecture. In Globalization under Construction, the authors ask: What are the rationalities of government implicit in global modernity’s project of mobilizing space, time, and difference? And what difference does it make to the globalization debates to put those rationalities in the foreground of critical analysis? Altogether, their work attempts to discern in the disparateness of contemporary events an emerging pattern of governmentality, techniques of governance and assemblages of intersecting arguments about the history of the present and the nature of the future that our present portends. Contributors: Kitty Calavita, U of California, Irvine; Rosemary J. Coombe, York U; Susan Bibler Coutin, U of California, Irvine; Karen Leonard, U of California, Irvine; Sally Engle Merry, Wellesley College; Aihwa Ong, U of California, Berkeley; Susan Roberts, U of Kentucky; Lisa Sanchez, U of California, San Diego; Liliana Suárez-Navaz, Autónoma U, Madrid.

DKK 228.00
1

Globalization Under Construction - Richard Warren Perry - Bog - University of Minnesota Press - Plusbog.dk

Globalization Under Construction - Richard Warren Perry - Bog - University of Minnesota Press - Plusbog.dk

A kaleidoscopic look at the intersections of globalization and governanceThe future outlines of the new global order are the constant object of speculation—economic, political, and metaphysical. From the sunny new world proclaimed by global free marketers to the rebellion against globalization unleashed in the streets of Seattle and Genoa, to the doomsdays envisioned by transnational terrorists and counterterrorists alike, this emerging global-millennial epoch is foretold alternately as redemption or apocalypse. The authors consider these sweeping descriptions of humankind’s future, as well as the discourses of globalization that filter and frame them, from perspectives in anthropology, geography, law, sociology, and cultural studies. Their goal is not to resolve the ultimate semantic or philosophical question of what “globalization” really is; instead, their essays explore the forms, practices, and effects of governmentality integral to global modernity’s architecture. In Globalization under Construction, the authors ask: What are the rationalities of government implicit in global modernity’s project of mobilizing space, time, and difference? And what difference does it make to the globalization debates to put those rationalities in the foreground of critical analysis? Altogether, their work attempts to discern in the disparateness of contemporary events an emerging pattern of governmentality, techniques of governance and assemblages of intersecting arguments about the history of the present and the nature of the future that our present portends. Contributors: Kitty Calavita, U of California, Irvine; Rosemary J. Coombe, York U; Susan Bibler Coutin, U of California, Irvine; Karen Leonard, U of California, Irvine; Sally Engle Merry, Wellesley College; Aihwa Ong, U of California, Berkeley; Susan Roberts, U of Kentucky; Lisa Sanchez, U of California, San Diego; Liliana Suárez-Navaz, Autónoma U, Madrid.

DKK 573.00
1

A Bibliography on South American Economic Affairs - Anne Kingsley - Bog - University of Minnesota Press - Plusbog.dk

Enchantment Lake - Margi Preus - Bog - University of Minnesota Press - Plusbog.dk

Enchantment Lake - Margi Preus - Bog - University of Minnesota Press - Plusbog.dk

Midwest Book Award Winner — Young Adult FictionA disturbing call from her great aunts Astrid and Jeannette sends seventeen-year-old Francie far from her new home in New York into a tangle of mysteries. Ditching an audition in a Manhattan theater, Francie travels to a remote lake in the northwoods where her aunts’ neighbors are “dropping like flies” from strange accidents. But are they accidents? On the shores of Enchantment Lake in the woods of northern Minnesota, something ominous is afoot, and as Francie begins to investigate, the mysteries multiply: a poisoned hotdish, a puzzling confession, eerie noises in the bog, and a legendary treasure said to be under enchantment—or is that under Enchantment, as in under the lake? At the center of everything is a suddenly booming business in cabin sales and a road not everyone wants built. To a somewhat reluctant northwoods Nancy Drew, the intrigue proves irresistible, especially when it draws her closer to the mysteries at the heart of her own life. What happened to her father? Who and where is her mother? Who is she, and where does her heart lie—in the bustle of New York City or the deep woods of Minnesota? With its gripping story, romantic spirit, and a sly dash of modern-day trouble (including evil realtors and other invasive species), Enchantment Lake will fascinate readers, providing precisely the charm that Margi Preus’s fans have come to expect.

DKK 128.00
1

Philosophical Fragments - Friedrich Schlegel - Bog - University of Minnesota Press - Plusbog.dk

Cinema is the Strongest Weapon - Lorenzo Fabbri - Bog - University of Minnesota Press - Plusbog.dk

Cinema is the Strongest Weapon - Lorenzo Fabbri - Bog - University of Minnesota Press - Plusbog.dk

A deep dive into Italian cinema under Mussolini’s regime and the filmmakers who used it as a means of antifascist resistance Looking at Italy’s national film industry under the rule of Benito Mussolini and in the era that followed, Cinema Is the Strongest Weapon examines how cinema was harnessed as a political tool by both the reigning fascist regime and those who sought to resist it. Covering a range of canonical works alongside many of their neglected contemporaries, this book explores film’s mutable relationship to the apparatuses of state power and racial capitalism. Exploiting realism’s aesthetic, experiential, and affective affordances, Mussolini’s biopolitical project employed cinema to advance an idealized vision of life under fascism and cultivate the basis for a homogenous racial identity. In this book, Lorenzo Fabbri crucially underscores realism’s susceptibility to manipulation from diametrically opposed political perspectives, highlighting the queer, Communist, Jewish, and feminist filmmakers who subverted Mussolini’s notion that “cinema is the regime’s strongest weapon” by developing film narratives and film forms that challenged the prevailing ethno-nationalist ideology. Focusing on an understudied era of film history and Italian cultural production, Fabbri issues an important recontextualization of Italy’s celebrated neorealist movement and the structural ties it shares with its predecessor. Drawing incisive parallels to contemporary debates around race, whiteness, authoritarianism, and politics, he presents an urgent examination into the broader impact of visual media on culture and society. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

DKK 1034.00
1

Playwrights for Tomorrow - - Bog - University of Minnesota Press - Plusbog.dk

Playwrights for Tomorrow - - Bog - University of Minnesota Press - Plusbog.dk

Playwrights for Tomorrow was first published in 1972. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Three playwrights are represented in this, the eighth volume of the continuing series Playwrights for Tomorrow, which makes available the work of playwrights who have been sponsored by the University of Minnesota Office for Advanced Drama Research. Under the program of the O.A.D.R., which is aided by a grant from the Rockefeller Foundation, writers are given the opportunity to work on their scripts and have their plays produced by cooperating theater companies. The program is directed by Arthur H. Ballet, the series editor. The three plays in this volume are A Gun Play by Yale M. Udoff, Anniversary on Weedy Hill by Allen Joseph, and The Nihilist by William N. Monson. Professor Ballet provides an introduction in which he explains the purpose and scope of the O.A.D.R. program, recounts some of its history and accomplishments, and tells a little about the O.A.D.R. productions of each of the plays included here. A Gun Play was produced by the Hartford Stage Company in Hartford, Connecticut, under the direction of Paul Weidner. Later it had an off-Broadway run in New York City, staged by commercial producers. The author, Yale Udoff, is a professional writer primarily involved in the mass media. Anniversary on Weedy Hill was produced by Theatre West, a professional company in West Hollywood, California. Allen Joseph, the author, a professional actor in film and television, turned to playwriting in the midst of a well-established career in the theater. The Nihilist was the second play of the O.A.D.R. offered through the facilities of the University of California at Davis Theatre under the direction of Alfred Rossi. William Monson, the playwright, is from the world of academe.

DKK 380.00
1

Terror and Territory - Stuart Elden - Bog - University of Minnesota Press - Plusbog.dk

Curated Decay - Caitlin Desilvey - Bog - University of Minnesota Press - Plusbog.dk