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Taxidermic Signs - Pauline Wakeham - Bog - University of Minnesota Press - Plusbog.dk

Taxidermic Signs - Pauline Wakeham - Bog - University of Minnesota Press - Plusbog.dk

Taxidermy-the preservation, stuffing, and mounting of animal skins for lifelike display-has been traced back over four centuries to imperial Europe. In the intervening centuries it has remained inextricably linked to the politics of colonial conquest, materializing Western fantasies of mastery over the natural world and control of unruly, “wild” bodies. In Taxidermic Signs, Pauline Wakeham decodes the practice of taxidermy as it was performed in North America from the late nineteenth century to the present, revealing its connection to ecological and racial discourses integral to the maintenance of colonial power. Moving beyond the literal practice of stuffing skins, Wakeham theorizes taxidermy as a sign system that conflates “animality” and “aboriginality” within colonial narratives of extinction. Through a series of provocative case studies, Wakeham demonstrates how the semiotics of taxidermy travels across diverse cultural texts. From the display of animal specimens and aboriginal artifacts in the Banff Park Museum, to the ethnographic films of Edward S. Curtis and Marius Barbeau, to the fetishization of aboriginal remains in the Kennewick Man and Kwäday Dän Ts’inchi repatriation cases, Wakeham argues that taxidermy’s sign system reinvents mythologies of disappearing wildlife and vanishing Indians while simultaneously valorizing the power of Western technologies to memorialize these figures. Seeking to destabilize the hierarchies of anthropocentric white supremacy, Wakeham presents an analysis of taxidermy as both a material practice and a symbolic system foundational to colonial authority in North America and still vital to the maintenance of power asymmetries today. Pauline Wakeham is assistant professor of English at the University of Western Ontario.

DKK 522.00
1

Taxidermic Signs - Pauline Wakeham - Bog - University of Minnesota Press - Plusbog.dk

Taxidermic Signs - Pauline Wakeham - Bog - University of Minnesota Press - Plusbog.dk

Taxidermy-the preservation, stuffing, and mounting of animal skins for lifelike display-has been traced back over four centuries to imperial Europe. In the intervening centuries it has remained inextricably linked to the politics of colonial conquest, materializing Western fantasies of mastery over the natural world and control of unruly, “wild” bodies. In Taxidermic Signs, Pauline Wakeham decodes the practice of taxidermy as it was performed in North America from the late nineteenth century to the present, revealing its connection to ecological and racial discourses integral to the maintenance of colonial power. Moving beyond the literal practice of stuffing skins, Wakeham theorizes taxidermy as a sign system that conflates “animality” and “aboriginality” within colonial narratives of extinction. Through a series of provocative case studies, Wakeham demonstrates how the semiotics of taxidermy travels across diverse cultural texts. From the display of animal specimens and aboriginal artifacts in the Banff Park Museum, to the ethnographic films of Edward S. Curtis and Marius Barbeau, to the fetishization of aboriginal remains in the Kennewick Man and Kwäday Dän Ts’inchi repatriation cases, Wakeham argues that taxidermy’s sign system reinvents mythologies of disappearing wildlife and vanishing Indians while simultaneously valorizing the power of Western technologies to memorialize these figures. Seeking to destabilize the hierarchies of anthropocentric white supremacy, Wakeham presents an analysis of taxidermy as both a material practice and a symbolic system foundational to colonial authority in North America and still vital to the maintenance of power asymmetries today. Pauline Wakeham is assistant professor of English at the University of Western Ontario.

DKK 220.00
1

Creating American Civilization - David Shumway - Bog - University of Minnesota Press - Plusbog.dk

Creating American Civilization - David Shumway - Bog - University of Minnesota Press - Plusbog.dk

“Shumway has written a penetrating and provocative account of the making of American civilization as an academic field.”Gerald GraffUniversity of ChicagoDavid R. Shumway contends that American literature is the product of study - the deliberate invention of a discipline seeking to define the character and legitimate the existence of a specifically American civilization. He traces the various reconstitutions of American literature by examining the discipline’s practices and techniques, discourses and structures, paradigms and unstated assumptions. This genealogy begins around 1890, when American literature as defined by institutions outside the academy, such as magazines and publishing houses, acquired much of the ideology it would display in later phases, including sexism, racism, and class bias. Singular in its treatment of American literary study as a discipline rather than as criticism and in its insistence on the cultural and political work carried on by this discipline, Creating American Civilization will engage literary theorists and historians as well as individuals with an interest in American literature.

DKK 237.00
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Scenarios II - Werner Herzog - Bog - University of Minnesota Press - Plusbog.dk

Scenarios II - Werner Herzog - Bog - University of Minnesota Press - Plusbog.dk

The second in a series: the master filmmaker’s prose scenarios for four of his notable films On the first day of editing Fata Morgana , Werner Herzog recalls, his editor said: “With this kind of material we have to pretend to invent cinema.” And this, Herzog says, is what he tries to do every day. In this second volume of his scenarios, the peerless filmmaker’s genius for invention is on clear display. Written in Herzog’s signature fashion—more prose poem than screenplay, transcribing the vision unfolding before him as if in a dream—the four scenarios here (three never before translated into English) reveal an iconoclastic craftsman at the height of his powers. Along with his template for the film poem Fata Morgana (1971), this volume includes the scenarios for Herzog’s first two feature films, Signs of Life (1968) and Even Dwarfs Started Small (1970), along with the hypnotic Heart of Glass (1976). In a brief introduction, Herzog describes the circumstances surrounding each scenario, inviting readers into the mysterious process whereby one man’s vision becomes every viewer’s waking dream.

DKK 203.00
1

Little White Houses - Dianne Harris - Bog - University of Minnesota Press - Plusbog.dk

Little White Houses - Dianne Harris - Bog - University of Minnesota Press - Plusbog.dk

A rare exploration of the racial and class politics of architecture, Little White Houses examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others, creating a powerful and invidious cultural iconography that continues to resonate today. Drawing from popular and trade magazines, floor plans and architectural drawings, television programs, advertisements, and beyond, Dianne Harris shows how the depiction of houses and their interiors, furnishings, and landscapes shaped and reinforced the ways in which Americans perceived white, middle-class identities and helped support a housing market already defined by racial segregation and deep economic inequalities. After describing the ordinary postwar house and its orderly, prescribed layout, Harris analyzes how cultural iconography associated these houses with middle-class whites and an ideal of white domesticity. She traces how homeowners were urged to buy specific kinds of furniture and other domestic objects and how the appropriate storage and display of these possessions was linked to race and class by designers, tastemakers, and publishers. Harris also investigates lawns, fences, indoor-outdoor spaces, and other aspects of the postwar home and analyzes their contribution to the assumption that the rightful owners of ordinary houses were white. Richly detailed, Little White Houses adds a new dimension to our understanding of race in America and the inequalities that persist in the U.S. housing market.

DKK 312.00
1

Shaving the Beasts - John Hartigan Jr. - Bog - University of Minnesota Press - Plusbog.dk

Shaving the Beasts - John Hartigan Jr. - Bog - University of Minnesota Press - Plusbog.dk

A vivid first-person study of a notorious equine ritual-from the perspective of the wild horses who are its targets Wild horses still roam the mountains of Galicia, Spain. But each year, in a ritual dating to the 1500s called rapa das bestas, villagers herd these “beasts” together and shave their manes and tails. Shaving the Beasts is a firsthand account of how the horses experience this traumatic rite, producing a profound revelation about the durability of sociality in the face of violent domination. John Hartigan Jr. constructs an engrossing, day-by-day narrative chronicling the complex, nuanced social lives of wild horses and the impact of their traumatic ritual shearing every summer. His story generates intimate, individual portraits of these creatures while analyzing the social practices-like grazing and grooming-that are the building blocks of equine society. Shaving the Beasts culminates in a searing portrayal of the inspiring resilience these creatures display as they endure and recover from rapa das bestas. Turning away from “thick” description to “thin,” Hartigan moves toward a more observational form of study, focusing on behaviors over interpretations. This vivid approach provides new and important contributions to the study of animal behavior. Ultimately, he comes away with profound, penetrating insights into multispecies interactions and a strong alternative to humancentric ethnographic practices.

DKK 243.00
1

City and Spectacle in Medieval Europe - Barbara Hanawalt - Bog - University of Minnesota Press - Plusbog.dk

City and Spectacle in Medieval Europe - Barbara Hanawalt - Bog - University of Minnesota Press - Plusbog.dk

Medieval Europe is known for its sense of ceremony and drama. Knightings, tournaments, coronations, religious processions, and even private celebrations such as baptisms, weddings, and funerals were occasions for ritual, feasting, and public display. This volume is the first to take a comprehensive look at the many types of city spectacles that entertained the masses and confirmed various messages of power in late medieval Europe. Bringing together leading scholars in history, art history, and literature, this interdisciplinary collection sets new standards for the study of medieval popular culture. Drawing examples from Spain, England, France, Italy, and the Netherlands, most of them in the fifteenth century, the authors explore the uses of ceremony as statements of political power, as pleas for divine intercession, and as expressions of popular culture. Their essays show us spectacles meant to confirm events such as victories, the signing of a city charter, or the coronation of a king. In other circumstances, the spectacle acts as a battleground where a struggle for the control of the metaphors of power is played out between factions within cities or between cities and kings. Still other ceremonies called upon divine spiritual powers in the hope that their intervention might save the urban inhabitants. We see here a public cognizant of the power of symbols to express its goals and achievements, a society reaching the height of sophistication in its manipulation of popular and elite culture for grand shows.

DKK 228.00
1

Spectacular Mexico - Luis M. Castaneda - Bog - University of Minnesota Press - Plusbog.dk

Spectacular Mexico - Luis M. Castaneda - Bog - University of Minnesota Press - Plusbog.dk

In the wake of its early twentieth-century civil wars, Mexico strove to present itself to the world as unified and prosperous. The preparation in Mexico City for the 1968 Summer Olympics was arguably the most ambitious of a sequence of design projects that aimed to signal Mexico’s arrival in the developed world. In Spectacular Mexico , Luis M. Castañeda demonstrates how these projects were used to create a spectacle of social harmony and ultimately to guide the nation’s capital into becoming the powerful megacity we know today. Not only the first Latin American country to host the Olympics, but also the first Spanish-speaking country, Mexico’s architectural transformation was put on international display. From traveling exhibitions of indigenous archaeological artifacts to the construction of the Mexico City subway, Spectacular Mexico details how these key projects placed the nation on the stage of global capitalism and revamped its status as a modernized country. Surveying works of major architects such as Félix Candela, Pedro Ramírez Vázquez, Ricardo Legorreta, and graphic designer Lance Wyman, Castañeda illustrates the use of architecture and design as instruments of propaganda and nation branding. Forming a kind of “image economy,” Mexico’s architectural projects and artifacts were at the heart of the nation’s economic growth and cultivated a new mass audience at an international level. Through an examination of one of the most important cosmopolitan moments in Mexico’s history, Spectacular Mexico positions architecture as central to the negotiation of social, economic, and political relations.

DKK 783.00
1

Spectacular Mexico - Luis M. Castaneda - Bog - University of Minnesota Press - Plusbog.dk

Spectacular Mexico - Luis M. Castaneda - Bog - University of Minnesota Press - Plusbog.dk

In the wake of its early twentieth-century civil wars, Mexico strove to present itself to the world as unified and prosperous. The preparation in Mexico City for the 1968 Summer Olympics was arguably the most ambitious of a sequence of design projects that aimed to signal Mexico’s arrival in the developed world. In Spectacular Mexico , Luis M. Castañeda demonstrates how these projects were used to create a spectacle of social harmony and ultimately to guide the nation’s capital into becoming the powerful megacity we know today. Not only the first Latin American country to host the Olympics, but also the first Spanish-speaking country, Mexico’s architectural transformation was put on international display. From traveling exhibitions of indigenous archaeological artifacts to the construction of the Mexico City subway, Spectacular Mexico details how these key projects placed the nation on the stage of global capitalism and revamped its status as a modernized country. Surveying works of major architects such as Félix Candela, Pedro Ramírez Vázquez, Ricardo Legorreta, and graphic designer Lance Wyman, Castañeda illustrates the use of architecture and design as instruments of propaganda and nation branding. Forming a kind of “image economy,” Mexico’s architectural projects and artifacts were at the heart of the nation’s economic growth and cultivated a new mass audience at an international level. Through an examination of one of the most important cosmopolitan moments in Mexico’s history, Spectacular Mexico positions architecture as central to the negotiation of social, economic, and political relations.

DKK 287.00
1

Godzilla and Godzilla Raids Again - Shigeru Kayama - Bog - University of Minnesota Press - Plusbog.dk

Godzilla and Godzilla Raids Again - Shigeru Kayama - Bog - University of Minnesota Press - Plusbog.dk

The first English translations of the original novellas about the iconic kaijū Godzilla Godzilla emerged from the sea to devastate Tokyo in the now-classic 1954 film, produced by Tōhō Studios and directed by Ishirō Honda, creating a global sensation and launching one of the world’s most successful movie and media franchises. Awakened and transformed by nuclear weapons testing, Godzilla serves as a terrifying metaphor for humanity’s shortsighted destructiveness: this was the intent of Shigeru Kayama, the science fiction writer who drafted the 1954 original film and its first sequel and, in 1955, published these novellas. Although the Godzilla films have been analyzed in detail by cultural historians, film scholars, and generations of fans, Kayama’s two Godzilla novellas—both classics of Japanese young-adult science fiction—have never been available in English. This book finally provides English-speaking fans and critics the original texts with these first-ever English-language translations of Godzilla and Godzilla Raids Again . The novellas reveal valuable insights into Kayama’s vision for the Godzilla story, feature plots that differ from the films, and clearly display the author’s strong antinuclear, proenvironmental convictions. Kayama’s fiction depicts Godzilla as engaging in guerrilla-style warfare against humanity, which has allowed the destruction of the natural world through its irresponsible, immoral perversion of science. As human activity continues to cause mass extinctions and rapid climatic change, Godzilla provides a fable for the Anthropocene, powerfully reminding us that nature will fight back against humanity’s onslaught in unpredictable and devastating ways. Retail e-book files for this title are screen-reader friendly.

DKK 202.00
1

Drama of Democracy - Lisa Bjorkman - Bog - University of Minnesota Press - Plusbog.dk

Drama of Democracy - Lisa Bjorkman - Bog - University of Minnesota Press - Plusbog.dk

The performative arts of political communication and representation in Mumbai In an era of global political passions, many have wondered whether some sort of natural affinity exists between political style and substance. Does liberal democracy speak the language of rationality and sincerity while political emotion, imagery, and embodiment properly belong to authoritarianism? Taking an ethnographic approach to the relationship between political form and political content, Drama of Democracy explores the material substance of representations (things like heady crowds and rousing images) together with language-based forms of political communication, such as public oration and community meetings. Drawing on a decade of research in the city of Mumbai, Lisa BjÖrkman shows that embodied performance is the very site and substance of representation and demonstrates how Mumbaikars evaluate performative bids to represent. The ethnographic accounts demonstrate the extraordinary fluency in this evaluative work in Mumbai, where people from all walks of life are remarkably astute at navigating and assessing political signs and representations, endlessly discussing and debating possible meanings of the city’s dense material-semiotic ecologies-whether words or images, cash or crowds, flyers or flowers. In Mumbai, BjÖrkman argues, the evaluative criterion of representation is not whether something is sign or substance, or even whether people are deemed to utter truths or falsehoods. Rather, what matters is whether and how a performance activates and actuates the social relations and political subjectivities that it professes to display. Drama of Democracy highlights Mumbaikars’ communicative fluency and theatrical acumen to offer a conceptual toolbox through which contemporary political churnings around the globe might be understood. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

DKK 1168.00
1

Drama of Democracy - Lisa Bjorkman - Bog - University of Minnesota Press - Plusbog.dk

Drama of Democracy - Lisa Bjorkman - Bog - University of Minnesota Press - Plusbog.dk

The performative arts of political communication and representation in Mumbai In an era of global political passions, many have wondered whether some sort of natural affinity exists between political style and substance. Does liberal democracy speak the language of rationality and sincerity while political emotion, imagery, and embodiment properly belong to authoritarianism? Taking an ethnographic approach to the relationship between political form and political content, Drama of Democracy explores the material substance of representations (things like heady crowds and rousing images) together with language-based forms of political communication, such as public oration and community meetings. Drawing on a decade of research in the city of Mumbai, Lisa BjÖrkman shows that embodied performance is the very site and substance of representation and demonstrates how Mumbaikars evaluate performative bids to represent. The ethnographic accounts demonstrate the extraordinary fluency in this evaluative work in Mumbai, where people from all walks of life are remarkably astute at navigating and assessing political signs and representations, endlessly discussing and debating possible meanings of the city’s dense material-semiotic ecologies-whether words or images, cash or crowds, flyers or flowers. In Mumbai, BjÖrkman argues, the evaluative criterion of representation is not whether something is sign or substance, or even whether people are deemed to utter truths or falsehoods. Rather, what matters is whether and how a performance activates and actuates the social relations and political subjectivities that it professes to display. Drama of Democracy highlights Mumbaikars’ communicative fluency and theatrical acumen to offer a conceptual toolbox through which contemporary political churnings around the globe might be understood. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

DKK 268.00
1