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The Filing Cabinet - Craig Robertson - Bog - University of Minnesota Press - Plusbog.dk

The Filing Cabinet - Craig Robertson - Bog - University of Minnesota Press - Plusbog.dk

The history of how a deceptively ordinary piece of office furniture transformed our relationship with information The ubiquity of the filing cabinet in the twentieth-century office space, along with its noticeable absence of style, has obscured its transformative role in the histories of both information technology and work. In the first in-depth history of this neglected artifact, Craig Robertson explores how the filing cabinet profoundly shaped the way that information and data have been sorted, stored, retrieved, and used. Invented in the 1890s, the filing cabinet was a result of the nineteenth-century faith in efficiency. Previously, paper records were arranged haphazardly: bound into books, stacked in piles, curled into slots, or impaled on spindles. The filing cabinet organized loose papers in tabbed folders that could be sorted alphanumerically, radically changing how people accessed, circulated, and structured information. Robertson’s unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an “automatic memory” machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women’s nimble fingers helped to naturalize the changes that brought women into the workforce as low-level clerical workers. The filing cabinet emerges from this unexpected account as a sophisticated piece of information technology and a site of gendered labor that with its folders, files, and tabs continues to shape how we interact with information and data in today’s digital world.

DKK 833.00
1

The Filing Cabinet - Craig Robertson - Bog - University of Minnesota Press - Plusbog.dk

The Filing Cabinet - Craig Robertson - Bog - University of Minnesota Press - Plusbog.dk

The history of how a deceptively ordinary piece of office furniture transformed our relationship with information The ubiquity of the filing cabinet in the twentieth-century office space, along with its noticeable absence of style, has obscured its transformative role in the histories of both information technology and work. In the first in-depth history of this neglected artifact, Craig Robertson explores how the filing cabinet profoundly shaped the way that information and data have been sorted, stored, retrieved, and used. Invented in the 1890s, the filing cabinet was a result of the nineteenth-century faith in efficiency. Previously, paper records were arranged haphazardly: bound into books, stacked in piles, curled into slots, or impaled on spindles. The filing cabinet organized loose papers in tabbed folders that could be sorted alphanumerically, radically changing how people accessed, circulated, and structured information. Robertson’s unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an “automatic memory” machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women’s nimble fingers helped to naturalize the changes that brought women into the workforce as low-level clerical workers. The filing cabinet emerges from this unexpected account as a sophisticated piece of information technology and a site of gendered labor that with its folders, files, and tabs continues to shape how we interact with information and data in today’s digital world.

DKK 264.00
1

Wall To Wall America - Karal Ann Marling - Bog - University of Minnesota Press - Plusbog.dk

Girls In The Back Room - Kelly Hankin - Bog - University of Minnesota Press - Plusbog.dk

Girls In The Back Room - Kelly Hankin - Bog - University of Minnesota Press - Plusbog.dk

The first in-depth study of how lesbian bars are depicted in popular cultureThe lesbian bar has long been seen as a mysterious place, steeped in mythologies of clandestine meetings and sexuality that is alluring because it is wayward and sinful. In The Girls in the Back Room, Kelly Hankin focuses on the lesbian bar, looking at how it is portrayed in such films as Foxy Brown, The Killing of Sister George, Basic Instinct, Bound, and Chasing Amy; in television series like The Simpsons, Xena: Warrior Princess, Roseanne, Ellen, and Sex and the City; and in independent, lesbian-produced documentaries. Hankin examines the lesbian bar through a consideration of the ways its representation in popular culture both oppresses and nourishes lesbian cultures. In popular commercial entertainment, she finds, the view of the lesbian bar as a private space for those who practice aberrant sexuality implicitly reinforces heterosexual spatial and social privilege. Through her in-depth history of the production of The Killing of Sister George in 1968 and the deception involved in director Robert Aldrich's use of a real lesbian bar and its patrons, for example, Hankin uncovers the heterosexist preconceptions in evidence on both sides of the camera. She argues that lesbian-produced works effectively challenge this paradigm, articulating and confirming positive visions of lesbian public life and identity. The Girls in the Back Room provides an engaging historical and theoretical analysis of the visual lesbian bar as a revelatory intersection of gender, sexuality, and space.

DKK 237.00
1

Girls In The Back Room - Kelly Hankin - Bog - University of Minnesota Press - Plusbog.dk

Girls In The Back Room - Kelly Hankin - Bog - University of Minnesota Press - Plusbog.dk

The first in-depth study of how lesbian bars are depicted in popular culture The lesbian bar has long been seen as a mysterious place, steeped in mythologies of clandestine meetings and sexuality that is alluring because it is wayward and sinful. In The Girls in the Back Room, Kelly Hankin focuses on the lesbian bar, looking at how it is portrayed in such films as Foxy Brown, The Killing of Sister George, Basic Instinct, Bound, and Chasing Amy; in television series like The Simpsons, Xena: Warrior Princess, Roseanne, Ellen, and Sex and the City; and in independent, lesbian-produced documentaries.  Hankin examines the lesbian bar through a consideration of the ways its representation in popular culture both oppresses and nourishes lesbian cultures. In popular commercial entertainment, she finds, the view of the lesbian bar as a private space for those who practice aberrant sexuality implicitly reinforces heterosexual spatial and social privilege. Through her in-depth history of the production of The Killing of Sister George in 1968 and the deception involved in director Robert Aldrich's use of a real lesbian bar and its patrons, for example, Hankin uncovers the heterosexist preconceptions in evidence on both sides of the camera. She argues that lesbian-produced works effectively challenge this paradigm, articulating and confirming positive visions of lesbian public life and identity. The Girls in the Back Room provides an engaging historical and theoretical analysis of the visual lesbian bar as a revelatory intersection of gender, sexuality, and space.  Â

DKK 556.00
1

When Pain Strikes - Bill Burns - Bog - University of Minnesota Press - Plusbog.dk

When Pain Strikes - Bill Burns - Bog - University of Minnesota Press - Plusbog.dk

When Pain Strikes was first published in 1998. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. When pain strikes, do you raid the medicine cabinet? Read a self-help manual? Hit the roof? How we in North America respond to pain-what we think about it, what we say, and what we do-is the subject of this collection of writings and images. The book''s five sections contain a myriad of complex reactions to the occurrence of pain: "Measure It" discusses biomedical responses; "Scream and Yell" explores therapeutic solutions; "Cut It Open" takes up surgical interventions; "Take a Pill" looks at pharmacology; and "Intensify It" examines positions that embrace pain. Each section comprises original artwork, scholarly analyses, poetic and literary texts, and discussions by activists. Hailing from the university, the gallery, and the community organization, the authors—as TV watchers, recreational drug users, recipients of medical attention, caregivers, midwives, or the HIV positive—inhabit and reconfigure our contemporary painscape, offering a new approach to the puzzle of pain. Contributors: Charles R. Acland; Barbara McGill Balfour; Isabelle Brabant; Stephen Busby; Millie Chen; Michael Fernandes; Bob Flanagan; Thyrza Nichols Goodeve; Marie-Paule Macdonald; Ronald Melzack; Margaret Morse; Celeste Olalquiaga; John O''Neill; Gerard Päs; Elsie Petch; D. L. Pughe; Julia Scher; Cathy Sisler; Johanne Sloan; Jana Sterbak; Fred Tomaselli; Patrick D. Wall; Theodore Wan; Gregory Whitehead; Fred Wilson. When Pain Strikes is published in collaboration with the Banff Centre for the Arts.

DKK 472.00
1

The Art of Protest - T. V. Reed - Bog - University of Minnesota Press - Plusbog.dk

The Art of Protest - T. V. Reed - Bog - University of Minnesota Press - Plusbog.dk

A second edition of the classic introduction to arts in social movements, fully updated and now including Black Lives Matter, Occupy Wall Street, and new digital and social media forms of cultural resistanceThe Art of Protest, first published in 2006, was hailed as an “essential” introduction to progressive social movements in the United States and praised for its “fluid writing style” and “well-informed and insightful” contribution (Choice Magazine). Now thoroughly revised and updated, this new edition of T. V. Reed’s acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women’s movements, the American Indian Movement’s use of film and video, anti-apartheid rock music, ACT UP’s visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms. For students and scholars of social change and those seeking to counter reactionary efforts to turn back the clock on social equality and justice, the new edition of The Art of Protest will be both informative and inspiring.

DKK 920.00
1

Queer Twin Cities - Twin Cities Glbt Oral History Project - Bog - University of Minnesota Press - Plusbog.dk

Queer Twin Cities - Twin Cities Glbt Oral History Project - Bog - University of Minnesota Press - Plusbog.dk

A pioneering look at the queer history, politics, and spaces of the Twin Cities The Twin Cities is home to one of the largest and most vital GLBT populations in the nation—and one of the highest percentages of gay residents in the country. Drawn from the pioneering work of the Twin Cities GLBT Oral History Project—a collective organization of students, scholars, and activists devoted to documenting and interpreting the lives of GLBT people in Minneapolis and St. Paul— Queer Twin Citie s is a uniquely critical collection of essays on Minnesota’s vibrant queer communities, past and present. A rich blend of oral history, archival research, and ethnography, Queer Twin Cities uses sexuality to chart connections between people’s lives in Minnesota. Topics range from turn-of-the-century Minneapolis amid moral reform—including the highly publicized William Williams murder trial and efforts to police Bridge Square, aka ‘skid row’—to northern Minnesota and the importance of male companionship among lumber workers, and to postwar life, when the increased visibility of queer life went hand in hand with increased regulation, repression, and violence. Other essays present a portrait of early queer spaces in the Twin Cities, such as Kirmser’s Bar, the Viking Room, and the Persian Palms, and the proliferation of establishments like the Dugout and the 19 Bar. Exploring the activism of GLBT Two-Spirit indigenous people, the antipornography movements of the 1980s, and the role of gay men in the gentrification of Minneapolis neighborhoods, this volume brings the history of queer life and politics in the Twin Cities into fascinating focus. Engaging and revelatory, Queer Twin Cities offers a critical analysis of local history and community and fills a glaring omission in the culture and history of Minnesota, looking not only to a remarkable past but to our collective future.

DKK 237.00
1

Queer Twin Cities - Twin Cities Glbt Oral History Project - Bog - University of Minnesota Press - Plusbog.dk

Queer Twin Cities - Twin Cities Glbt Oral History Project - Bog - University of Minnesota Press - Plusbog.dk

A pioneering look at the queer history, politics, and spaces of the Twin CitiesThe Twin Cities is home to one of the largest and most vital GLBT populations in the nation—and one of the highest percentages of gay residents in the country. Drawn from the pioneering work of the Twin Cities GLBT Oral History Project—a collective organization of students, scholars, and activists devoted to documenting and interpreting the lives of GLBT people in Minneapolis and St. Paul—Queer Twin Cities is a uniquely critical collection of essays on Minnesota’s vibrant queer communities, past and present. A rich blend of oral history, archival research, and ethnography, Queer Twin Cities uses sexuality to chart connections between people’s lives in Minnesota. Topics range from turn-of-the-century Minneapolis amid moral reform—including the highly publicized William Williams murder trial and efforts to police Bridge Square, aka ‘skid row’—to northern Minnesota and the importance of male companionship among lumber workers, and to postwar life, when the increased visibility of queer life went hand in hand with increased regulation, repression, and violence. Other essays present a portrait of early queer spaces in the Twin Cities, such as Kirmser’s Bar, the Viking Room, and the Persian Palms, and the proliferation of establishments like the Dugout and the 19 Bar. Exploring the activism of GLBT Two-Spirit indigenous people, the antipornography movements of the 1980s, and the role of gay men in the gentrification of Minneapolis neighborhoods, this volume brings the history of queer life and politics in the Twin Cities into fascinating focus. Engaging and revelatory, Queer Twin Cities offers a critical analysis of local history and community and fills a glaring omission in the culture and history of Minnesota, looking not only to a remarkable past but to our collective future.

DKK 573.00
1

Sherlock Holmes and the Red Demon - Larry Millett - Bog - University of Minnesota Press - Plusbog.dk

Twitch And Shout - Lowell Handler - Bog - University of Minnesota Press - Plusbog.dk

A Natural Curiosity - Don Luce - Bog - University of Minnesota Press - Plusbog.dk

A Natural Curiosity - Don Luce - Bog - University of Minnesota Press - Plusbog.dk

A richly illustrated tour of Minnesota’s premier natural history museum after 150 years From its humble start in 1872 as a one-room cabinet of curiosities, the University of Minnesota’s Bell Museum of natural history has grown to be one of the state’s most important cultural institutions. Within its walls are displayed the natural wonders of Minnesota and the world beyond, a standing invitation to explore, understand, and appreciate our natural environment-and, for visitors of all ages, both seasoned observers and curious onlookers, to experience the delight of discovery. A Natural Curiosity is a tale well told, a lively ride across 150 years of important scientific advancement. Drawing on a wealth of materials unearthed during the museum’s recent move to its new building, this gorgeously illustrated book chronicles the remarkable discoveries, moments, and personalities that have made the Bell Museum what it is today. Among the stories of ornithologists, botanists, tycoons, and conservationists, readers will encounter the magnificent dioramas created by renowned artist Francis Lee Jaques, the adventures behind some of the Bell’s more curious specimens (like the bones of Philippine orangutans and moonrats, a high-flying moose, and a simple fungi sample that saved a man’s life), and the dramatic accounts of the critical advances made by the museum in wildlife telemetry, conservation biology, and scientific learning-all in defense of our planet’s threatened biodiversity. In a photographic finale, readers will be treated to a tour of the new, reimagined museum, complete with the planetarium that inspired one Minnesota boy to become a NASA astronaut. From its conception as part of a state-mandated geological and natural history survey, to its most recent ventures into technology, environmental science, and DNA sequencing, the Bell Museum has informed, explained, and expanded our relationship to the natural world. Its story, engagingly told in A Natural Curiosity, reveals and explores the profound changes undergone by society, science, and the natural landscape over the museum’s lifetime.

DKK 303.00
1

Modernism as Memory - Kathleen James Chakraborty - Bog - University of Minnesota Press - Plusbog.dk

Modernism as Memory - Kathleen James Chakraborty - Bog - University of Minnesota Press - Plusbog.dk

After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and ‘20s. As Modernism as Memory illustrates, these postwar practices undergird the approaches later taken in influential structures created or renovated in Berlin following the fall of the Wall, including the Jewish Museum and the Reichstag, the New Museum and the Topography of Terror. While others have characterized contemporary Berlin’s museums and memorials as postmodern, Kathleen James-Chakraborty argues that these environments are examples of an “architecture of modern memory” that is much older, more complex, and historically contingent. She reveals that churches and museums repaired and designed before 1989 in Düren, Hanover, Munich, Neviges, Pforzheim, Stuttgart, and Weil am Rhein contributed to a modernist precedent for the relationship between German identity and the past developed since then in the Ruhr region and in Berlin. Modernism as Memory demonstrates that how one remembers can be detached from what one remembers, contrasting ruins with recollections of modernism to commemorate German suffering, the Holocaust, and the industrial revolution, as well as new spaces for Islam in the country.

DKK 287.00
1

Acting Out In Groups - Laurence A. Rickels - Bog - University of Minnesota Press - Plusbog.dk

The Effluent Eye - Rosemary J. Jolly - Bog - University of Minnesota Press - Plusbog.dk

The Effluent Eye - Rosemary J. Jolly - Bog - University of Minnesota Press - Plusbog.dk

Why human rights don’t work In The Effluent Eye, Rosemary J. Jolly argues for the decolonization of human rights, attributing their failure not simply to state and institutional malfeasance but to the very concept of human rights as anthropocentric—and, therefore, fatally shortsighted. In an engaging mix of literary and cultural criticism, Indigenous and Black critique, and substantive forays into the medical humanities, Jolly proposes right-making in the demise of human rights. Using what she calls an “effluent eye,” Jolly draws on “Fifth Wave” structural public health to confront the concept of human rights—one of the most powerful and widely entrenched liberal ideas. She builds on Indigenous sovereignty work from authors such as Robin Wall Kimmerer, Leanne Betasamosake Simpson, and Mark Rifkin as well as the littoral development in Black studies from Christine Sharpe, Saidiya Hartman, and Tiffany Lethabo King to engage decolonial thinking on a range of urgent topics such as pandemic history and grief; gender-based violence and sexual assault; and the connections between colonial capitalism and substance abuse, the Anthropocene, and climate change. Combining witnessed experience with an array of decolonial texts, Jolly argues for an effluent form of reading that begins with the understanding that the granting of “rights” to individuals is meaningless in a world compromised by pollution, poverty, and successive pandemics. Retail e-book files for this title are screen-reader friendly.

DKK 800.00
1

The King of Skid Row - James Eli Shiffer - Bog - University of Minnesota Press - Plusbog.dk

The King of Skid Row - James Eli Shiffer - Bog - University of Minnesota Press - Plusbog.dk

The story of a much different Minneapolis, through the words and photographs of one of its most colorful characters—now in paperback City blue laws drove the liquor trade and its customers—hard-drinking lumberjacks, pensioners, farmhands, and railroad workers—into the oldest quarter of Minneapolis. In the fifty-cent-a-night flophouses of the city’s Gateway District, they slept in cubicles with ceilings of chicken wire. In rescue missions, preachers and nuns tried to save their souls. Sociology researchers posing as vagrants studied them. And in their midst John Bacich, aka Johnny Rex, who owned a bar, a liquor store, and a cage hotel, documented the gritty neighborhood’s last days through photographs and film of his clientele. The King of Skid Row follows Johnny Rex into this vanished world that once thrived in the heart of Minneapolis. Drawing on hours of interviews conducted in the three years before Bacich’s death in 2012, James Eli Shiffer brings to life the eccentric characters and strange events of an American skid row. Supplemented with archival and newspaper research and his own photographs, Bacich’s stories recreate the violent, alcohol-soaked history of a city best known for its clean, progressive self-image. His life captures the seamy, richly colorful side of the city swept away by a massive urban renewal project in the early 1960s and gives us, in a glimpse of those bygone days, one of Minneapolis’s most intriguing figures—spinning some of its most enduring and enthralling tales.

DKK 203.00
1

Great Holiday Baking Book - Beatrice Ojakangas - Bog - University of Minnesota Press - Plusbog.dk

Great Holiday Baking Book - Beatrice Ojakangas - Bog - University of Minnesota Press - Plusbog.dk

An expert on traditional holidays and the special baked treats that mark them, veteran chef and cookbook writer Beatrice Ojakangas presents recipes for twenty-one seasonal occasions and cultural holidays. She takes you from spring to winter with recipes like heart-shaped coffee cake for Valentine’s Day, Austrian carnival doughnuts or spicy rabbit cookies for Easter, and cinnamon-walnut kamish bread or challah for Rosh Hashanah. For Christmas, the biggest baking season of the year, Ojakangas offers enticing recipes for thirty-eight classic and fancy cookies, eighteen yeast breads, thirteen quick breads, nine cakes, ten bar cookies and brownies, and many more. With these recipes, every holiday is sure to be memorable. In addition to its array of delectable foods, The Great Holiday Baking Book is brimming with holiday lore from cultures around the world. Ojakangas also provides helpful tips and practical information about hosting a cookie-swap party, organizing your bustling holiday kitchen, involving the kids in baking fun, and more. With its variety of specialties and treats for almost every gala occasion, The Great Holiday Baking Book is sure to become an indispensable part of your feasts and celebrations. Beatrice Ojakangas is the author of more than a dozen cookbooks, including The Great Scandinavian Baking Book (1999) and Scandinavian Feasts (2001), both published by the University of Minnesota Press. Her articles have been published in Bon Appétit, Gourmet, Cooking Light, Cuisine, and Redbook, and she has appeared on television’s Baking with Julia Child and Martha Stewart’s Living. She lives in Duluth, Minnesota.

DKK 178.00
1

Repainting the Walls of Lunda - Delinda Collier - Bog - University of Minnesota Press - Plusbog.dk

Repainting the Walls of Lunda - Delinda Collier - Bog - University of Minnesota Press - Plusbog.dk

Repainting the Walls of Lunda chronicles the publication and dissemination of an anthropology book, Paredes Pintadas da Lunda (Painted Walls of Lunda), which was published in Portuguese in 1953. The book featured illustrations of wall murals and sand drawings of the Chokwe peoples of northeastern Angola. These reproductions were adapted in postindependence Angolan nationalist art and post–civil war contemporary art. As Delinda Collier recounts, the pictorial narrative foregrounds the complex relationships between content, distribution, and politicization. The result is a nuanced look at the practices of art entangled in political economies as much as in issues of aesthetics. After historicizing the drastic changes in media for the Chokwe images, from sand and dwelling to book and from analog to digital, Collier analyzes the formal and infrastructural logic of the two-dimensional images in their subsequent formats, from postindependence canvas paintings to Internet images. Collier does not view any of these iterations as a negation or obliteration of the previous one. Instead, she argues that the logic of reproductive media envelops the past: each mediation adds another layer of context and content. As Collier sees it, the images’ historicity is embedded within these media layers, which many Angolan postindependence artists speak of in terms of ghosts or ancestors when describing their encounter with reproductions of the Chokwe art. If, as Collier contends, “Africa troubles media,” this book troubles facile theories and romantic constructions of “analog Africa,” boundaries between art and cybernetics, and the firewall between the colonial and the postcolonial.

DKK 657.00
1

Constructing Imperial Berlin - Miriam Paeslack - Bog - University of Minnesota Press - Plusbog.dk

Constructing Imperial Berlin - Miriam Paeslack - Bog - University of Minnesota Press - Plusbog.dk

How photography and a modernizing Berlin informed an urban image—and one another—in the late nineteenth and early twentieth centuries Since the fall of the Berlin Wall, the city that once visually epitomized a divided Europe has thrived in the international spotlight as an image of reunified statehood and urbanity. Yet research on Berlin’s past has focused on the interwar years of the Weimar Republic or the Cold War era, with much less attention to the crucial Imperial years between 1871 and 1918. Constructing Imperial Berlin is the first book to critically assess, contextualize, and frame urban and architectural photographs of that era. Berlin, as it was pronounced Germany’s capital in 1871, was fraught with questions that had previously beset Paris and London. How was urban expansion and transformation to be absorbed? What was the city’s understanding of its comparably short history? Given this short history, how did it embody the idea of a capital? A key theme of this book is the close interrelation of the city’s rapid physical metamorphosis with repercussions on promotional and critical narratives, the emergence of groundbreaking photographic technologies, and novel forms of mass distribution. Providing a rare analysis of this significant formative era, Miriam Paeslack shows a city far more complex than the common clichés as a historical and aspiring place suggest. Imperial Berlin emerges as a modern metropolis, only half-heartedly inhibited by urban preservationist concerns and rather more akin to North American cities in their bold industrialization and competing urban expansions than to European counterparts.

DKK 884.00
1

Repainting the Walls of Lunda - Delinda Collier - Bog - University of Minnesota Press - Plusbog.dk

Repainting the Walls of Lunda - Delinda Collier - Bog - University of Minnesota Press - Plusbog.dk

Repainting the Walls of Lunda chronicles the publication and dissemination of an anthropology book, Paredes Pintadas da Lunda (Painted Walls of Lunda), which was published in Portuguese in 1953. The book featured illustrations of wall murals and sand drawings of the Chokwe peoples of northeastern Angola. These reproductions were adapted in postindependence Angolan nationalist art and post–civil war contemporary art. As Delinda Collier recounts, the pictorial narrative foregrounds the complex relationships between content, distribution, and politicization. The result is a nuanced look at the practices of art entangled in political economies as much as in issues of aesthetics. After historicizing the drastic changes in media for the Chokwe images, from sand and dwelling to book and from analog to digital, Collier analyzes the formal and infrastructural logic of the two-dimensional images in their subsequent formats, from postindependence canvas paintings to Internet images. Collier does not view any of these iterations as a negation or obliteration of the previous one. Instead, she argues that the logic of reproductive media envelops the past: each mediation adds another layer of context and content. As Collier sees it, the images’ historicity is embedded within these media layers, which many Angolan postindependence artists speak of in terms of ghosts or ancestors when describing their encounter with reproductions of the Chokwe art. If, as Collier contends, “Africa troubles media,” this book troubles facile theories and romantic constructions of “analog Africa,” boundaries between art and cybernetics, and the firewall between the colonial and the postcolonial.

DKK 237.00
1

Constructing Imperial Berlin - Miriam Paeslack - Bog - University of Minnesota Press - Plusbog.dk

Constructing Imperial Berlin - Miriam Paeslack - Bog - University of Minnesota Press - Plusbog.dk

How photography and a modernizing Berlin informed an urban image—and one another—in the late nineteenth and early twentieth centuries Since the fall of the Berlin Wall, the city that once visually epitomized a divided Europe has thrived in the international spotlight as an image of reunified statehood and urbanity. Yet research on Berlin’s past has focused on the interwar years of the Weimar Republic or the Cold War era, with much less attention to the crucial Imperial years between 1871 and 1918. Constructing Imperial Berlin is the first book to critically assess, contextualize, and frame urban and architectural photographs of that era. Berlin, as it was pronounced Germany’s capital in 1871, was fraught with questions that had previously beset Paris and London. How was urban expansion and transformation to be absorbed? What was the city’s understanding of its comparably short history? Given this short history, how did it embody the idea of a capital? A key theme of this book is the close interrelation of the city’s rapid physical metamorphosis with repercussions on promotional and critical narratives, the emergence of groundbreaking photographic technologies, and novel forms of mass distribution. Providing a rare analysis of this significant formative era, Miriam Paeslack shows a city far more complex than the common clichés as a historical and aspiring place suggest. Imperial Berlin emerges as a modern metropolis, only half-heartedly inhibited by urban preservationist concerns and rather more akin to North American cities in their bold industrialization and competing urban expansions than to European counterparts.

DKK 282.00
1

Federal Judges - Harold W. Chase - Bog - University of Minnesota Press - Plusbog.dk

Federal Judges - Harold W. Chase - Bog - University of Minnesota Press - Plusbog.dk

Federal Judges was first published in 1972. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Despite the importance of federal judges in the system of American government, relatively little scholarly attention has been directed toward the process of appointing these judges -- how it operates and what types of individuals become judges. Professor Chase analyzes and evaluates the appointing system and makes some provocative proposals for changes which he believes would improve and strengthen the federal judicial system. The study is concerned with the appointing process as it applies to federal judges below the level of the Supreme Court who receive lifetime appointments. These are the judges who serve in what are known as Article III courts, the courts constituted by Congress in accordance with Article III of the Constitution. They include courts of appeals, district courts, the court of claims, the court of customs and patent appeals, and the customs court. For this study the author had access to Department of Justice records, and he observed for several months the negotiations and discussions in the department involving the selection of judges by President Kennedy's administration. He conducted extensive interviews with officials in the Kennedy administration as well as with officials in the Eisenhower and Johnson administrations who played leading roles in the appointment of judges. In addition, he interviewed many judges, lawyers, newsmen, and political leaders, as well as a sampling of U.S. senators and most of the recent chairmen of the American Bar Association's Committee on Federal Judiciary.

DKK 380.00
1