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Hearing Luxe Pop - John Howland - Bog - University of California Press - Plusbog.dk

Hearing Luxe Pop - John Howland - Bog - University of California Press - Plusbog.dk

Hearing Luxe Pop explores a deluxe-production aesthetic that has long thrived in American popular music, in which popular-music idioms are merged with lush string orchestrations and big-band instrumentation. John Howland presents an alternative music history that centers on shifts in timbre and sound through innovative uses of orchestration and arranging, traveling from symphonic jazz to the Great American Songbook, the teenage symphonies of Motown to the “countrypolitan” sound of Nashville, the sunshine pop of the Beach Boys to the blending of soul and funk into 1970s disco, and Jay-Z’s hip-hop-orchestra events to indie rock bands performing with the Brooklyn Philharmonic. This book attunes readers to hear the discourses gathered around the music and its associated images as it examines pop’s relations to aspirational consumer culture, theatricality, sophistication, cosmopolitanism, and glamorous lifestyles.

DKK 661.00
1

Hearing Luxe Pop - John Howland - Bog - University of California Press - Plusbog.dk

Hearing Luxe Pop - John Howland - Bog - University of California Press - Plusbog.dk

Hearing Luxe Pop explores a deluxe-production aesthetic that has long thrived in American popular music, in which popular-music idioms are merged with lush string orchestrations and big-band instrumentation. John Howland presents an alternative music history that centers on shifts in timbre and sound through innovative uses of orchestration and arranging, traveling from symphonic jazz to the Great American Songbook, the teenage symphonies of Motown to the “countrypolitan” sound of Nashville, the sunshine pop of the Beach Boys to the blending of soul and funk into 1970s disco, and Jay-Z’s hip-hop-orchestra events to indie rock bands performing with the Brooklyn Philharmonic. This book attunes readers to hear the discourses gathered around the music and its associated images as it examines pop’s relations to aspirational consumer culture, theatricality, sophistication, cosmopolitanism, and glamorous lifestyles.

DKK 252.00
1

How Hip Hop Became Hit Pop - Amy Coddington - Bog - University of California Press - Plusbog.dk

How Hip Hop Became Hit Pop - Amy Coddington - Bog - University of California Press - Plusbog.dk

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream. The author gratefully acknowledges the AMS 75 PAYS Fund of the American Musicological Society, supported in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.

DKK 301.00
1

How Hip Hop Became Hit Pop - Amy Coddington - Bog - University of California Press - Plusbog.dk

How Hip Hop Became Hit Pop - Amy Coddington - Bog - University of California Press - Plusbog.dk

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream. The author gratefully acknowledges the AMS 75 PAYS Fund of the American Musicological Society, supported in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.

DKK 826.00
1

Swiftynomics - Misty L Heggeness - Bog - University of California Press - Plusbog.dk

Swiftynomics - Misty L Heggeness - Bog - University of California Press - Plusbog.dk

A feminist romp through pop culture that illuminates how women impact and shape the economy. Taylor Swift and Beyoncé aren’t just pop megastars. They are working women, whose astounding accomplishments defy patriarchal norms. And while not all women can be Rihanna or Dolly Parton or Reese Witherspoon, their successes help us understand the central role of everyday women in today’s economy. Swiftynomics assesses the complex economic lives of American women. Drawing insights from pathbreakers like Taylor Swift, Misty Heggeness digs into the data revealing women’s hidden contributions and aspirations—the unexamined value they create by following their own ambitions. She confronts misconceptions about the roles women play in today’s economy by highlighting the abundance of productive activity occurring in their daily lives and acknowledging the barriers they still face. Lighthearted but substantive, Swiftynomics explores critical reforms like paying caregivers for work on behalf of their families and collecting statistical documentation of gendered labor that currently goes unrecognized. Heggeness also offers advice for women so they can thrive in an economy that was not built for them.

DKK 233.00
1

The Accidental Possibilities of the City - Katherine Smith - Bog - University of California Press - Plusbog.dk

The Accidental Possibilities of the City - Katherine Smith - Bog - University of California Press - Plusbog.dk

Claes Oldenburg’s commitment to familiar objects has shaped accounts of his career, but his associations with Pop art and postwar consumerism have overshadowed another crucial aspect of his work. In this revealing reassessment, Katherine Smith traces Oldenburg’s profound responses to shifting urban conditions, framing his enduring relationship with the city as a critical perspective and conceiving his art as urban theory. Smith argues that Oldenburg adapted lessons of context, gleaned from New York’s changing cityscape in the late 1950s, to large-scale objects and architectural plans. By examining disparate projects from New York to Los Angeles, she situates Oldenburg’s innovations in local geographies and national debates. In doing so, Smith illuminates patterns of urbanization through the important contributions of one of the leading artists in the United States.

DKK 539.00
1

Magic, Monsters, and Make-Believe Heroes - Douglas E. Cowan - Bog - University of California Press - Plusbog.dk

Magic, Monsters, and Make-Believe Heroes - Douglas E. Cowan - Bog - University of California Press - Plusbog.dk

Magic, Monsters, and Make-Believe Heroes looks at fantasy film, television, and participative culture as evidence of our ongoing need for a mythic vision—for stories larger than ourselves into which we write ourselves and through which we can become the heroes of our own story. Why do we tell and retell the same stories over and over when we know they can’t possibly be true? Contrary to popular belief, it’s not because pop culture has run out of good ideas. Rather, it is precisely because these stories are so fantastic, some resonating so deeply that we elevate them to the status of religion. Illuminating everything from Buffy the Vampire Slayer to Dungeons and Dragons, and from Drunken Master to Mad Max, Douglas E. Cowan offers a modern manifesto for why and how mythology remains a vital force today.

DKK 242.00
1