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Pat Harrison - Martha H. Swain - Bog - University Press of Mississippi - Plusbog.dk

Pat Harrison - Martha H. Swain - Bog - University Press of Mississippi - Plusbog.dk

Pat Harrison: The New Deal Yearsby Martha H. SwainByron Patton "Pat" Harrison was chairman of the Senate Committee on Finance during the New Deal, and under his tutelage the committee handled many of the major measures of the decade. Harrison brought to his post enormous influence based not only upon congressional longevity dating from his entry into the House of Representatives in 1911 and the Senate in 1919 but also upon a happy combination of personal qualities that made him perhaps the most popular man in the Senate during his time. Although never the author of any major legislation, Harrison was a master tactician and broker for the ideas of others. Defeated by one vote in 1937 in a contest with Alben W. Barkley for the position of majority leader, the Mississippi senator was named President Pro Tempore in January 1941, six months before his death.Harrison was an ardent supporter of Franklin D. Roosevelt during the first years of the New Deal. By 1935 the senator had become, as Fortune magazine reported, "a New Deal wheelhorse . . . suspicious of his load." One of the major purposes of this study is to explain how Harrison''s basic conservatism, subdued by the exigencies of total depression, became manifest during the latter years of the decade. His reservations, which appeared in the open at the time of the wealth tax of 1935, grew out of his basic belief that revenue bills should be written for revenue only. After he became disenchanted with the later New Deal''s emphasis upon deficit spending and social control programs, disillusioned by the treatment accorded him by the President, and convinced that the economic emergency was over, Harrison''s attitudinal modifications were obvious. Subsequently his refusal to support the administration, his open leadership of the Finance Committee in diminishing the effect of administrative measures, and his affection for senators cast off by the President all began to indicate that the Mississippian was ready to match his Senate performance with the beliefs that he probably had always held. The Harrison-Roosevelt estrangement did not end until the two agreed upon the need for preparedness in 1940.This study focuses to a lesser extent upon Pat Harrison''s relationships with major New Deal figures. Considerable attention is also devoted to his difficulties with his colleague Theodore G. Bilbo and his easier associations with other Mississippi officials. Finally, this work sheds some light upon the nature of depression and recovery in Mississippi and the political vagaries of the state during this decade.This book is based primarily upon public documents, newspaper accounts, and a number of manuscript collections. Other important sources are private interviews of the author with contemporaries of Harrison and the interviews found in the Columbia Oral History Collection.Martha H. Swain is Professor Emerita at Mississippi State University.

DKK 312.00
1

Eleanor H. Porter's Pollyanna - - Bog - University Press of Mississippi - Plusbog.dk

Eleanor H. Porter's Pollyanna - - Bog - University Press of Mississippi - Plusbog.dk

Appearing first as a weekly serial in The Christian Herald , Eleanor H. Porter's Pollyanna was first published in book form in 1913. This popular story of an impoverished orphan girl who travels from America's western frontier to live with her wealthy maternal Aunt Polly in the fictional east coast town of Beldingsville went through forty-seven printings in seven years and remains in print today in its original version, as well as in various translations and adaptations. The story's enduring appeal lies in Pollyanna's sunny personality and in her glad game, her playful attempt to accentuate the positive in every situation. In celebration of its centenary, this collection of thirteen original essays examines a wide variety of the novel's themes and concerns, as well as adaptations in film, manga, and translation. In this edited collection on Pollyanna , internationally respected and emerging scholars of children's literature consider Porter's work from modern critical perspectives. Contributors focus primarily on the novel itself but also examine Porter's sequel, Pollyanna Grows Up , and the various film versions and translations of the novel. With backgrounds in children's literature, cultural and film studies, philosophy, and religious studies, these scholars extend critical thinking about Porter's work beyond the thematic readings that have dominated previous scholarship. In doing so, the authors approach the novel from theoretical perspectives that examine what happens when Pollyanna engages with the world around her--her community and the natural environment--exposing the implicit philosophical, religious, and nationalist ideologies of the era in which Pollyanna was written. The final section is devoted to studies of adaptations of Porter's protagonist.

DKK 312.00
1

Eleanor H. Porter's Pollyanna - - Bog - University Press of Mississippi - Plusbog.dk

Eleanor H. Porter's Pollyanna - - Bog - University Press of Mississippi - Plusbog.dk

A THOROUGH EXAMINATION OF THE CONTEXT AND IMPACT OF THE IRREPRESSIBLY OPTIMISTIC LITERARY DARLINGEssays by Anke Brouwers, Mio Bryce, Samantha Christensen, Monika Elbert, Marina Endicott, Roxanne Harde, Dorothy Karlin, Patricia Oman, Anthony Pavlik, Ashley N. Reese, Laura M. Robinson, Tanfer Emin Tunc?, K. Brenna Wardell, and Janet WesseliusAppearing first as a weekly serial in the Christian Herald, Eleanor H. Porter''s Pollyanna was first published in book form in 1913. This popular story of an impoverished orphan girl who travels from America''s western frontier to live with her wealthy maternal Aunt Polly in the fictional east coast town of Beldingsville went through forty-seven printings in seven years and remains in print today in its original version, as well as in various translations and adaptations. The story''s enduring appeal lies in Pollyanna''s sunny personality and in her glad game, her playful attempt to accentuate the positive in every situation. In celebration of its centenary, this collection of thirteen original essays examines a wide variety of the novel''s themes and concerns, as well as adaptations in film, manga, and translation.In this edited collection on Pollyanna, internationally respected and emerging scholars of children''s literature consider Porter''s work from modern critical perspectives. Contributors focus primarily on the novel itself but also examine Porter''s sequel, Pollyanna Grows Up, and the various film versions and translations of the novel. With backgrounds in children''s literature, cultural and film studies, philosophy, and religious studies, these scholars extend critical thinking about Porter''s work beyond the thematic readings that have dominated previous scholarship.Roxanne Harde, Camrose, Alberta, Canada, is associate professor of English, associate dean (Research), and a McCalla University Professor at the Augustana Faculty of the University of Alberta. She has published extensively on American women writers, children''s literature, and popular culture. Lydia Kokkola, Luleå, Sweden, is professor of English and education at Luleå University of Technology, Sweden. She is the author of Fictions of Adolescent Carnality.

DKK 858.00
1

No Small Thing - William H. Lawson - Bog - University Press of Mississippi - Plusbog.dk

No Small Thing - William H. Lawson - Bog - University Press of Mississippi - Plusbog.dk

The Mississippi Freedom Vote in 1963 consisted of an integrated citizens' campaign for civil rights. With candidates Aaron Henry, a black pharmacist from Clarksdale for governor, and Reverend Ed King, a college chaplain from Vicksburg for lieutenant governor, the Freedom Vote ran a platform aimed at obtaining votes, justice, jobs, and education for blacks in the Magnolia State.Through speeches, photographs, media coverage, and campaign materials, William H. Lawson examines the rhetoric and methods of the Mississippi Freedom Vote. Lawson looks at the vote itself rather than the already much-studied events surrounding it, an emphasis new in scholarship. Even though the actual campaign was carried out from October 13 to November 4, the Freedom Vote's impact far transcended those few weeks in the fall. Campaign manager Bob Moses rightly calls the Freedom Vote "one of the most unique voting campaigns in American history." Lawson demonstrates that the Freedom Vote remains a key moment in the history of civil rights in Mississippi, one that grew out of a rich tradition of protest and direct action.Though the campaign is overshadowed by other major events in the arc of the civil rights movement, Lawson regards the Mississippi Freedom Vote as an early and crucial exercise of citizenship in a lineage of racial protest during the 1960s. While more attention has been paid to the March on Washington and the protests in Birmingham or to the assassination of John F. Kennedy and the Freedom Summer murders, this book yields a long-overdue, in-depth analysis of this crucial movement.

DKK 858.00
1

Strawberry Plains Audubon Center - Hubert H. Mcalexander - Bog - University Press of Mississippi - Plusbog.dk

Strawberry Plains Audubon Center - Hubert H. Mcalexander - Bog - University Press of Mississippi - Plusbog.dk

In 1982, sisters Ruth Finley and Margaret Finley Shackelford made wills bequeathing 2,500 acres and two antebellum houses in Marshall County, Mississippi, to the National Audubon Society. Early in 1998, the surviving sister Margaret Shackelford invited the society to open its state headquarters at the family home in Holly Springs and to begin working at Strawberry Plains, the plantation where she lived four miles north of town. At her death late that year, the society took full possession of the sisters' bequest, and Strawberry Plains Audubon Center was established. Strawberry Plains Audubon Center: Four Centuries of a Mississippi Landscape documents the unique and complex history of the land encompassed by the center. With a large cast of characters from many generations, this book richly delineates life on a tract of land in north Mississippi. It tells a fascinating story involving famous historical figures like Hernando de Soto and William Tecumseh Sherman, but concentrates on those who owned and worked this land and their changing fortunes. Through their individual stories, the author conveys the larger sweep of history in the South and tells an uplifting saga of stewards of the land, conservators whose vision led to the creation of a lasting legacy for people and wildlife. Hubert H. McAlexander is Josiah Meigs Professor of English at the University of Georgia. His previous books include Peter Taylor: A Writer's Life and Conversations with Peter Taylor (published by University Press of Mississippi), and his work has appeared in numerous periodicals.

DKK 312.00
1

Conversations with William H. Gass - - Bog - University Press of Mississippi - Plusbog.dk

Conversations with William H. Gass - - Bog - University Press of Mississippi - Plusbog.dk

"As a writer, I have only one responsibility, and that''s to the language I''m using and to the thing I''m trying to make."Conversations with William H. Gass captures the imagination and philosophical acumen of one of America''s most important aestheticians, critical theorists, fiction writers, and essayists.From his first major novel, Omensetter''s Luck (1966), to his numerous collections of essays and philosophical inquiries, to his controversial novel The Tunnel (1995), Gass (b. 1924) has proved himself a meticulous craftsman. Throughout these interviews, he reveals an aesthetic that combines ideas from sources as disparate as Ludwig Wittgenstein, Rainer Maria Rilke, Gertrude Stein, and Plato.The interviews make clear the unity behind Gass''s views is by his own design. Conversations retrace his undergraduate years at Kenyon College and his subsequent philosophical investigation of metaphor at Cornell University.Gass has never strayed from his belief that metaphor is central and fundamental to thought and to aesthetics. In these interviews he reiterates time and again his belief that the ultimate understanding of the relationship of language to the world pivots on one''s understanding of metaphor.In interviews, in profiles, and in his own essays, Gass does not hide from questions about his art and personal motivations, no matter how frequently they are asked, nor does he toy with his interviewers. Revealing how he never shies from an intellectual joust, this collection includes a rousing, contentious debate with John Gardner, fellow literary pundit and fiction writer.The distinction of Gass''s prose is matched by the clarity and brilliance of the mind behind it. These talks allow an unobstructed view. Anyone interested in Gass''s writing will delight in hearing the brutally honest voice of the mind that produced it.Theodore G. Ammon is chair of the philosophy department at Millsaps College in Jackson, Miss. His work has appeared in such publications as Romance Notes, Arachne, College Mathematics, and the Journal of Aesthetic Education.

DKK 267.00
1

In the Lion's Mouth - Omar H. Ali - Bog - University Press of Mississippi - Plusbog.dk

In the Lion's Mouth - Omar H. Ali - Bog - University Press of Mississippi - Plusbog.dk

A history of the independent political movement of black farmers in the late 19th century"In this insightful survey of a generation of African American political activism, Omar Ali lays to rest the common misconception that black politics in the South ended with the death of Reconstruction. He shows how, during the 1880s and 1890s, two Populist movements, black and white, mainly separate and unequal, challenged the political status quo. Anyone interested in the innovative and often bold political action undertaken by black southerners in these trying times will benefit from reading In the Lion''s Mouth."--Charles Postel, author of The Populist Vision"In the Lion''s Mouth breaks new ground by locating a distinctive politics of culture deeply rooted in the black radical tradition, agrarian culture, with groundings in African culture and the experience of slavery. Ali correctly resists the common tendency to either see black populists as an offshoot of white populist movement, or a failed effort at interracial organizing. Rather, he paints a compelling portrait of an independent movement. But understand that by independent, he does not mean separatist. It is an important distinction, for if we follow Ali''s arguments and the evidence he marshals seriously, we can only conclude that the white Populist movement, more than any, exhibited separatist tendencies. Ali flips the script, if you will, and compels us to rethink the entire history of late 19th century Southern politics. Moreover, he insists that the real story of these different movements is not a simple matter of two separate strands of populism operating side-by-side, but conflicting ideals about fairness, equity, the construction of a democratic, caring political economy."--Robin D.G. Kelley, author of Hammer and Hoe: Alabama Communists During the Great Depression"[Omar Ali] is able--through a combination of original research and synthesis of previous studies--to reframe very effectively our understanding of the genesis, expansion, and historical significance of black Populism. In particular, he reveals the central role that black Populism played in providing impetus and force to the Populist movement in the South. His book stands as an important contribution to the literature in the field."--American Historical Review"There is good history, and there is great history that is both well written and groundbreaking. Omar H. Ali''s new work on populism is great history."--The HistorianFollowing the collapse of Reconstruction in 1877, African Americans organized a movement in the South for economic and political reform: Black Populism. Between 1886 and 1900, tens of thousands of black farmers, sharecroppers, and agrarian workers created their own organizations and tactics primarily under black leadership.Growing out of the networks established by black churches and fraternal organizations, Black Populism found further expression in the Colored Agricultural Wheels, the southern branch of the Knights of Labor, the Cooperative Workers of America, the Farmers Union, and the Colored Farmers'' Alliance. In the early 1890s African Americans, together with their white counterparts, launched the People''s Party and ran fusion campaigns with the Republican Party. By the turn of the century, Black Populism was crushed by relentless attack, hostile propaganda, and targeted assassinations of leaders and foot soldiers of the movement. The movement''s legacy remains, though, as the largest independent black political movement until the rise of the modern civil rights movement.Omar H. Ali is Associate Professor of African American History at the University of North Carolina, Greensboro. A graduate of the London School of Economics and Political Science, he received his Ph.D. in History from Columbia University and is the author of In the Balance of Power: Independent Black Politics and Third Party Movements in the United States.

DKK 312.00
1

In the Lion's Mouth - Omar H. Ali - Bog - University Press of Mississippi - Plusbog.dk

In the Lion's Mouth - Omar H. Ali - Bog - University Press of Mississippi - Plusbog.dk

A history of the alliance between black farmers, sharecroppers, and the People''s PartyFollowing the collapse of Reconstruction in 1877, African Americans organized a movement--distinct from the white Populist movement--in the South and parts of the Midwest for economic and political reform: Black Populism. Between 1886 and 1900, tens of thousands of black farmers, sharecroppers, and agrarian workers created their own organizations and tactics primarily under black leadership.As Black Populism grew as a regional force, it met fierce resistance from the Southern Democrats and constituent white planters and local merchants. African Americans carried out a wide range of activities in this hostile environment. They established farming exchanges and cooperatives; raised money for schools; published newspapers; lobbied for better agrarian legislation; mounted boycotts against agricultural trusts and business monopolies; carried out strikes for better wages; protested the convict lease system, segregated coach boxes, and lynching; demanded black jurors in cases involving black defendants; promoted local political reforms and federal supervision of elections; and ran independent and fusion campaigns.Growing out of the networks established by black churches and fraternal organizations, Black Populism found further expression in the Colored Agricultural Wheels, the southern branch of the Knights of Labor, the Cooperative Workers of America, the Farmers Union, and the Colored Farmers'' Alliance. In the early 1890s African Americans, together with their white counterparts, launched the People''s Party and ran fusion campaigns with the Republican Party. By the turn of the century, Black Populism was crushed by relentless attack, hostile propaganda, and targeted assassinations of leaders and foot soldiers of the movement. The movement''s legacy remains, though, as the largest independent black political movement until the rise of the modern civil rights movement.Omar H. Ali is Associate Professor of African American and Diaspora Studies at the University of North Carolina, Greensboro. A graduate of the London School of Economics and Political Science, he received his Ph.D. in History from Columbia University and is the author of In the Balance of Power: Independent Black Politics and Third Party Movements in the United States.

DKK 858.00
1

Rewatching on the Point of the Cinematic Index - Allen H. Redmon - Bog - University Press of Mississippi - Plusbog.dk

Rewatching on the Point of the Cinematic Index - Allen H. Redmon - Bog - University Press of Mississippi - Plusbog.dk

Rewatching on the Point of the Cinematic Index offers a reassessment of the cinematic index as it sits at the intersection of film studies, trauma studies, and adaptation studies. Author Allen H. Redmon argues that far too often scholars imagine the cinematic index to be nothing more than an acknowledgment that the lens-based camera captures and brings to the screen a reality that existed before the camera. When cinema''s indexicality is so narrowly defined, the entire nature of film is called into question the moment film no longer relies on a lens-based camera. The presence of digital technologies seemingly strips cinema of its indexical standing. This volume pushes for a broader understanding of the cinematic index by returning to the early discussions of the index in film studies and the more recent discussions of the index in other digital arts. Bolstered by the insights these discussions can offer, the volume looks to replace what might be best deemed a diminished concept of the cinematic index with a series of more complex cinematic indices, the impoverished index, the indefinite index, the intertextual index, and the imaginative index. The central argument of this book is that these more complex indices encourage spectators to enter a process of ongoing adaptation of the reality they see on the screen, and that it is on the point of these indices that the most significant instances of rewatching movies occur. Examining such films as John Lee Hancock''s Saving Mr. Banks (2013); Richard Linklater''s oeuvre; Paul Greengrass''s United 93 (2006); Oliver Stone''s World Trade Center (2006); Stephen Daldry''s Extremely Loud and Incredibly Close (2011); and Christopher Nolan''s Dunkirk (2017), Inception (2010), and Memento (2000), Redmon demonstrates that the cinematic index invites spectators to enter a process of ongoing adaptation.

DKK 294.00
1

Rewatching on the Point of the Cinematic Index - Allen H. Redmon - Bog - University Press of Mississippi - Plusbog.dk

Rewatching on the Point of the Cinematic Index - Allen H. Redmon - Bog - University Press of Mississippi - Plusbog.dk

Rewatching on the Point of the Cinematic Index offers a reassessment of the cinematic index as it sits at the intersection of film studies, trauma studies, and adaptation studies. Author Allen H. Redmon argues that far too often scholars imagine the cinematic index to be nothing more than an acknowledgment that the lens-based camera captures and brings to the screen a reality that existed before the camera. When cinema''s indexicality is so narrowly defined, the entire nature of film is called into question the moment film no longer relies on a lens-based camera. The presence of digital technologies seemingly strips cinema of its indexical standing. This volume pushes for a broader understanding of the cinematic index by returning to the early discussions of the index in film studies and the more recent discussions of the index in other digital arts. Bolstered by the insights these discussions can offer, the volume looks to replace what might be best deemed a diminished concept of the cinematic index with a series of more complex cinematic indices, the impoverished index, the indefinite index, the intertextual index, and the imaginative index. The central argument of this book is that these more complex indices encourage spectators to enter a process of ongoing adaptation of the reality they see on the screen, and that it is on the point of these indices that the most significant instances of rewatching movies occur. Examining such films as John Lee Hancock''s Saving Mr. Banks (2013); Richard Linklater''s oeuvre; Paul Greengrass''s United 93 (2006); Oliver Stone''s World Trade Center (2006); Stephen Daldry''s Extremely Loud and Incredibly Close (2011); and Christopher Nolan''s Dunkirk (2017), Inception (2010), and Memento (2000), Redmon demonstrates that the cinematic index invites spectators to enter a process of ongoing adaptation.

DKK 814.00
1

Comics, Trauma, and the New Art of War - Harriet E. H. Earle - Bog - University Press of Mississippi - Plusbog.dk

Comics, Trauma, and the New Art of War - Harriet E. H. Earle - Bog - University Press of Mississippi - Plusbog.dk

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. In Comics, Trauma, and the New Art of War , Harriet E. H. Earle brings together two distinct areas of research--trauma studies and comics studies--to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow , Doug Murray's The 'Nam , and Art Spiegelman's much-lauded Maus . These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways.

DKK 858.00
1

Ellen S. Woodward - Martha H. Swain - Bog - University Press of Mississippi - Plusbog.dk

Next Generation Adaptation - - Bog - University Press of Mississippi - Plusbog.dk

Next Generation Adaptation - - Bog - University Press of Mississippi - Plusbog.dk

Contributions by Zoe Bursztajn-Illingworth, Marc DiPaolo, Emine Akkülah Doğan, Caroline Eades, Noelle Hedgcock, Tina Olsin Lent, Rashmila Maiti, Allen H. Redmon, Jack Ryan, Larry T. Shillock, Richard Vela, and Geoffrey Wilson In Next Generation Adaptation: Spectatorship and Process, editor Allen H. Redmon brings together eleven essays from a range of voices in adaptation studies. This anthology explores the political and ethical contexts of specific adaptations and, by extension, the act of adaptation itself. Grounded in questions of gender, genre, and race, these investigations focus on the ways attention to these categories renegotiates the rules of power, privilege, and principle that shape the contexts that seemingly produce and reproduce them. Contributors to the volume examine such adaptations as Quentin Tarantino''s Death Proof, Jacques Tourneur''s Out of the Past, Taylor Sheridan''s Sicario and Sicario: Day of the Soldado, Jean-Jacques Annaud''s Wolf Totem, Spike Lee''s He''s Got Game, and Jim Jarmusch''s Paterson. Each chapter considers the expansive dialogue adaptations accelerate when they realize their capacity to bring together two or more texts, two or more peoples, two or more ideologies without allowing one expression to erase another. Building on the growing trends in adaptation studies, these essays explore the ways filmic texts experienced as adaptations highlight ethical or political concerns and argue that spectators are empowered to explore implications being raised by the adaptations.

DKK 849.00
1

Next Generation Adaptation - - Bog - University Press of Mississippi - Plusbog.dk

Next Generation Adaptation - - Bog - University Press of Mississippi - Plusbog.dk

Contributions by Zoe Bursztajn-Illingworth, Marc DiPaolo, Emine Akkülah Doğan, Caroline Eades, Noelle Hedgcock, Tina Olsin Lent, Rashmila Maiti, Allen H. Redmon, Jack Ryan, Larry T. Shillock, Richard Vela, and Geoffrey Wilson In Next Generation Adaptation: Spectatorship and Process, editor Allen H. Redmon brings together eleven essays from a range of voices in adaptation studies. This anthology explores the political and ethical contexts of specific adaptations and, by extension, the act of adaptation itself. Grounded in questions of gender, genre, and race, these investigations focus on the ways attention to these categories renegotiates the rules of power, privilege, and principle that shape the contexts that seemingly produce and reproduce them. Contributors to the volume examine such adaptations as Quentin Tarantino''s Death Proof, Jacques Tourneur''s Out of the Past, Taylor Sheridan''s Sicario and Sicario: Day of the Soldado, Jean-Jacques Annaud''s Wolf Totem, Spike Lee''s He''s Got Game, and Jim Jarmusch''s Paterson. Each chapter considers the expansive dialogue adaptations accelerate when they realize their capacity to bring together two or more texts, two or more peoples, two or more ideologies without allowing one expression to erase another. Building on the growing trends in adaptation studies, these essays explore the ways filmic texts experienced as adaptations highlight ethical or political concerns and argue that spectators are empowered to explore implications being raised by the adaptations.

DKK 312.00
1

Conversations with S. J. Perelman - - Bog - University Press of Mississippi - Plusbog.dk

Conversations with S. J. Perelman - - Bog - University Press of Mississippi - Plusbog.dk

What a pleasure this book affords! In these pages one of the delights of sophisticated conversation lives again. The interviews collected in this book comprise a treasury of wit. Perelman (1904-1979) was one of America's best writers and, undeniably, one of its wittiest talkers. His great ability to take the tired English language and make it new and shiny was perhaps his most amazing feat. For his seemingly effortless contributions to the world of humor and to an avid, exhilarated readership flourishing over six decades the New York Times Book Review declared him a national treasure.Although he quipped that by profession he was ""a feuilletonist, 'a maker of little leaves,"" in these interviews Perelman is repeatedly reminded that he is a clever genius, but he never divulges what makes him thus. Spanning his entire career, these conversations show that from the beginning he was a unique practitioner and a professional curmudgeon. He discusses his progress from youthful cartoonist to comic writer. He amuses listeners with accounts of hilarious adventures in Hollywood working with the Marx Brothers and later with Mike Todd on Around the World in Eighty Days, for which Perelman won an Academy Award for scriptwriting.His books--Baby, It's Cold Outside, Chicken Inspector #23, The Rising Gorge, Crazy Like a Fox, and others--showed the master's touch, his play with words, and his inexhaustible store of humor. His style he characterized as ""a mixture of all the trash I read as a child, all the clichés, criminal slang, liberal doses of Yiddish, and some of what I learned in school from impatient teachers."" But a better description was proffered by William Shawn, the editor of The New Yorker, who said, ""He was a master of the English language, and no one had put the language to more stunning comic effect than he did.""

DKK 276.00
1