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Faulkner - - Bog - University Press of Mississippi - Plusbog.dk

Diagnosing Folklore - - Bog - University Press of Mississippi - Plusbog.dk

Diagnosing Folklore - - Bog - University Press of Mississippi - Plusbog.dk

Diagnosing Folklore - - Bog - University Press of Mississippi - Plusbog.dk

Contributions by Sheila Bock, London Brickley, Olivia Caldeira, Diane E. Goldstein, Darcy Holtgrave, Kate Parker Horigan, Michael Owen Jones, Elaine J. Lawless, Amy Shuman, Annie Tucker, and Kristiana WillseyDiagnosing Folklore provides an inclusive forum for an expansive conversation on the sensitive, raw, and powerful processes that shape and imbue meaning in the lives of individuals and communities beleaguered by medical stigmatization, conflicting public perceptions, and contextual constraints. This volume aims to showcase current ideas and debates, as well as promote the larger study of disability, health, and trauma within folkloristics, helping bridge the gaps between the folklore discipline and disability studies. This book consists of three sections, each dedicated to key issues in disability, health, and trauma. It explores the confluence of disability, ethnography, and the stigmatized vernacular through communicative competence, esoteric and exoteric groups in the Special Olympics, and the role of family in stigmatized communities. Then, it considers knowledge, belief, and treatment in regional and ethnic communities with case studies from the Latino/a community in Los Angeles, Javanese Indonesia, and Middle America. Lastly, the volume looks to the performance of mental illness, stigma, and trauma through contemporary legends about mental illness, vlogs on bipolar disorder, medical fetishism, and veterans’ stories.

DKK 312.00
1

Race and Radio - Bala James Baptiste - Bog - University Press of Mississippi - Plusbog.dk

Race and Radio - Bala James Baptiste - Bog - University Press of Mississippi - Plusbog.dk

In Race and Radio: Pioneering Black Broadcasters in New Orleans, Bala James Baptiste traces the history of the integration of radio broadcasting in New Orleans and tells the story of how African American on-air personalities transformed the medium. Analyzing a trove of primary data--including archived manuscripts, articles and display advertisements in newspapers, oral narratives of historical memories, and other accounts of African Americans and radio in New Orleans between 1945 and 1965--Baptiste constructs a formidable narrative of broadcast history, racism, and black experience in this enormously influential radio market. The historiography includes the rise and progression of black broadcasters who reshaped the Crescent City. The first, O. C. W. Taylor, hosted an unprecedented talk show, the Negro Forum, on WNOE beginning in 1946. Three years later in 1949, listeners heard Vernon "Dr. Daddy-O" Winslow's smooth and creative voice as a disk jockey on WWEZ. The book also tells of Larry McKinley who arrived in New Orleans from Chicago in 1953 and played a critical role in informing black listeners about the civil rights movement in the city. The racial integration of radio presented opportunities for African Americans to speak more clearly, in their own voices, and with a technological tool that opened a broader horizon in which to envision community. While limited by corporate pressures and demands from advertisers ranging from local funeral homes to Jax beer, these black broadcasters helped unify and organize the communities to which they spoke. Race and Radio captures the first overtures of this new voice and preserves a history of black radio's awakening.

DKK 858.00
1

Steve Gerber - - Bog - University Press of Mississippi - Plusbog.dk

Steve Gerber - - Bog - University Press of Mississippi - Plusbog.dk

Steve Gerber (1947-2008) is among the most significant comics writers of the modern era. Best known for his magnum opus Howard the Duck, he also wrote influential series such as Man-Thing, Omega the Unknown, The Phantom Zone, and Hard Time, expressing a combination of intelligence and empathy rare in American comics. Gerber rose to prominence during the 1970s. His work for Marvel Comics during that era helped revitalize several increasingly clichéd generic conventions of superhero, horror, and funny animal comics by inserting satire, psychological complexity, and existential absurdism. Gerber's scripts were also often socially conscious, confronting, among other things, capitalism, environmentalism, political corruption, and censorship. His critique also extended into the personal sphere, addressing such taboo topics as domestic violence, racism, inequality, and poverty. This volume follows Gerber's career through a range of interviews, beginning with his height during the 1970s and ending with an interview with Michael Eury just before Gerber's death in 2008. Among the pieces featured is a 1976 interview with Mark Lerer, originally published in the low-circulation fanzine Pittsburgh Fan Forum, where Gerber looks back on his work for Marvel during the early to mid-1970s, his most prolific period. This volume concludes with selections from Gerber's dialogue with his readers and admirers in online forums and a Gerber-based Yahoo Group, wherein he candidly discusses his many projects over the years. Gerber's unique voice in comics has established his legacy. Indeed, his contribution earned him a posthumous induction into the Will Eisner Comic Book Hall of Fame.

DKK 858.00
1

Southern Ladies and Suffragists - Miki Pfeffer - Bog - University Press of Mississippi - Plusbog.dk

Southern Ladies and Suffragists - Miki Pfeffer - Bog - University Press of Mississippi - Plusbog.dk

A CLOSE LOOK AT THE ISSUES OF GENDER AND POWER AT THE 1884 WORLD''S FAIR IN NEW ORLEANSWomen from all over the country came to New Orleans in 1884 for the Woman''s Department of the Cotton Centennial Exposition, that portion of the World''s Fair exhibition devoted to the celebration of women''s affairs and industry. Their conversations and interactions played out as a drama of personalities and sectionalism at a transitional moment in the history of the nation. These women planted seeds at the Exposition that would have otherwise taken decades to drift southward.This book chronicles the successes and setbacks of a lively cast of postbellum women in the first Woman''s Department at a world''s fair in the Deep South. From a wide range of primary documents, Miki Pfeffer re-creates the sounds and sights of 1884 New Orleans after the Civil War and Reconstruction. She focuses on how difficult unity was to achieve, even when diverse women professed a common goal. Such celebrities as Julia Ward Howe and Susan B. Anthony brought national debates on women''s issues to the South for the first time, and journalists and ordinary women reacted. At the World''s Industrial and Cotton Centennial Exposition, the Woman''s Department became a petri dish where cultures clashed but where women from across the country exchanged views on propriety, jobs, education, and suffrage. Pfeffer memorializes women''s exhibits of handwork, literary and scientific endeavors, inventions, and professions, but she proposes that the real impact of the six-month long event was a shift in women''s self-conceptions of their public and political lives. For those New Orleans ladies who were ready to seize the opportunity of this uncommon forum, the Woman''s Department offered a future that they had barely imagined.Miki Pfeffer, Thibodaux, Louisiana, is an independent researcher and native New Orleanian whose work has appeared in the Encyclopedia of World''s Fairs and Expositions and in journals such as the Louisiana Historical Journal and La Creole.

DKK 858.00
1