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Arcade Game Typography - Toshi Omagari - Bog - Thames & Hudson Ltd - Plusbog.dk

Arcade Game Typography - Toshi Omagari - Bog - Thames & Hudson Ltd - Plusbog.dk

Arcade Game Typography presents readers with a fascinating new world of typography – the pixel typeface. Video game designers of the 70s, 80s and 90s faced colour and resolution limitations that stimulated incredible creativity: with letters having to exist in an 8x8 square grid, artists found ways to create expressive and elegant character sets within a tiny canvas. Featuring pixel typefaces carefully selected from the first decades of arcade video games, Arcade Game Typography presents a previously undocumented ‘outsider typography’ movement, accompanied by insightful commentary from author Toshi Omagari, a Monotype typeface designer himself, and screenshots of the type in use. Exhaustively researched, this book gathers an eclectic typography from hit games such as Super Sprint, Pac-Man, After Burner, Marble Madness, Shinobi, as well as countless lesserknown gems. The book presents its typefaces on a dynamic and decorative grid, taking reference from high-end type specimens while adding a suitably playful twist. Unlike print typefaces, pixel type often has bold colour ‘baked in’ to the characters, so Arcade Game Typography looks unlike any other typography book, fizzing with life and colour.

DKK 192.00
1

Napoleon's Plunder and the Theft of Veronese's Feast - Cynthia Saltzman - Bog - Thames & Hudson Ltd - Plusbog.dk

Napoleon's Plunder and the Theft of Veronese's Feast - Cynthia Saltzman - Bog - Thames & Hudson Ltd - Plusbog.dk

‘A fascinating and deeply rewarding book’ Adam Zamoyski, Daily Telegraph Napoleon’s Plunder chronicles one of the most spectacular art appropriation campaigns in history and, in doing so, sheds new light on the complex origins of what was once called the Musée Napoléon, now known as the Louvre. It centres on the story of Napoleon’s theft of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that in 1797 the French army tore from a wall of the monastery of San Giorgio Maggiore in Venice. Feast was just one of Napoleon’s spoils of war, which he claimed for the French nation and displayed in a public museum – the Louvre. He filled the former palace of the French kings with his acquisitions, and Europe flocked to Paris and hailed the Louvre as the greatest museum in the world. Did he take it for himself? Or for France? Or for the world at large? Saltzman interweaves the stories of Napoleon’s military campaigns, uncovering the treaties through which he obtained his loot, with the histories of the plundered works themselves, exploring how these masterpieces came into being. As much as a story of military might, this is an account of one of the most ambitious cultural projects ever conducted.

DKK 139.00
1

Venice - Martin Gayford - Bog - Thames & Hudson Ltd - Plusbog.dk

Venice - Martin Gayford - Bog - Thames & Hudson Ltd - Plusbog.dk

A Sunday Times Art Book of the Year. This is a unique and compelling journey through five centuries of the city known as ‘La Serenissima’ – a perfect companion for both lovers of Venice and lovers of its art. Venice was a major centre of art in the Renaissance: the city where the medium of oil on canvas became the norm. Nowhere else has been depicted by so many great painters in so many diverse styles and moods. Venetian views were a speciality of native artists such as Canaletto and Guardi, but the city has also been represented by outsiders: J. M. W. Turner, Claude Monet, John Singer Sargent, Howard Hodgkin, and many more. Then there are those who came to look at and write about art. The reactions of Henry James, George Eliot, Richard Wagner and others enrich this tale. Nor is the story over. Since the advent of the Venice Biennale in the 1890s, and the arrival of Peggy Guggenheim in the late 1940s, the city has become a shop window for the contemporary art of the whole world, and it remains the site of important artistic events. In this elegant volume, Gayford – who has visited Venice countless times since the 1970s, covered every Biennale since 1990, and even had portraits of himself exhibited there on several occasions – takes us on a visual journey through the city’s past five centuries.

DKK 139.00
1

Picasso: The Self-Portraits - Pascal Bonafoux - Bog - Thames & Hudson Ltd - Plusbog.dk

Picasso: The Self-Portraits - Pascal Bonafoux - Bog - Thames & Hudson Ltd - Plusbog.dk

The first book dedicated to Picasso’s self-portraits, many held in private collections and published here for the first time. Much has been said and written about Picasso’s life and art, but until now his self-portraits have never been studied and presented in a single book, perhaps because the artist always left many doubts about his work. However, there is no doubt that Picasso represented himself ceaselessly, whether in a dashed-off pencil sketch, as a flourish at the bottom of a letter, or on a giant canvas. At the suggestion of Picasso’s widow Jacqueline, the distinguished art historian Pascal Bonafoux began researching Picasso’s self-portraits more than forty years ago. This meticulously researched book presents the fruits of his decades-long project. From the first attributed painting in 1894 as a thirteen-year-old boy, until Picasso's final self-portrait in 1972, a year before his death, Bonafoux charts the evolution of the artist's life and art. Here is Picasso as a student; as a young bohemian; an impetuous artist in Paris; as harlequin; as lover, husband and father; and finally, as an old man confronting his mortality. The book comprises about 170 drawings, paintings and photographs, some from private collections and previously unpublished, bringing together for the first time the attributed self-portraits of this genius of 20th-century art.

DKK 291.00
1

Revisions: Francis Bacon in the Act of Painting - - Bog - Thames & Hudson Ltd - Plusbog.dk

Revisions: Francis Bacon in the Act of Painting - - Bog - Thames & Hudson Ltd - Plusbog.dk

An indispensable supplement to Francis Bacon: Catalogue Raisonné, uncovering valuable new information about the artist's practice. The manner in which Bacon’s paintings evolved was misunderstood during his lifetime. Since he always painted alone in his studios, there were no witnesses to the emergence of his visceral imagery. His insistence on privacy helped generate considerable speculation about his painting process, most of it erroneous. Bacon did make one clear statement about the genesis of his paintings: ‘I sketch out very roughly on the canvas with a brush, just a vague outline of something, and then I go to work …’. Yet this fundamentally accurate summation of his technique ran counter to the received wisdom and was misunderstood or ignored. Martin Harrison's introductory essay begins by demonstrating exactly what Bacon meant, and what he did: it will show what ‘rough sketching’ signified. It also deploys X-ray and infrared images that reveal under-drawing, and analyses other features that elucidate Bacon’s methodology. Photographs of paintings briefly arrested at intermediate points before completion – taken by the few visitors to the studio allowed the privilege – help to explain later stages in painting process. Sophie Pretorius's survey incorporates every one of the images that have hitherto remained unseen, illustrating the transitional states of all the paintings recorded in photographs, arranged thematically. A reference section includes thumbnail images of all the paintings discussed here, arranged in chronological order. This is consistent with the layout of Francis Bacon: Catalogue Raisonné (2016), to which this volume may be regarded as a supplement, publishing significant new information.

DKK 488.00
1

The Artist's Palette - Alexandra Loske - Bog - Thames & Hudson Ltd - Plusbog.dk

The Artist's Palette - Alexandra Loske - Bog - Thames & Hudson Ltd - Plusbog.dk

The paint-loaded palettes of fifty world-renowned artists are displayed alongside the paintings the artists created using those hues, and the colours and brushstrokes employed are analysed to uncover surprising new stories about each artist and their work. Presented broadly chronologically, the artists featured in this revelatory book range from those working in the 17th century to the present day, including Artemisia Gentileschi, Paul Cézanne, Berthe Morisot, Vincent Van Gogh, Wassily Kandinsky, Georgia O’Keeffe and Bridget Riley. Each artist’s palette – whether photographed or visible in self-portraits – is paired with one or more works by the artist that reflect the colours of the paint remaining on the palette. Colour expert and art historian Alexandra Loske skilfully analyses each artist’s colour palette and brushstrokes to reveal not only exactly how they used colour in their work but also to tell the story of their journey with colour and the influence of their approach on the wider culture to which they belonged. For example, Georges Seurat meticulously arranged the paints on his palette in prismatic order, isolating the colours and pairing each with a blot of white paint. His pointillist technique was equally apparent on his palette and his canvas. Kerry James Marshall uses blots of zinc white and smears of pale pink on the surfaces of symbolically oversized white palettes held by black artists in his portraits, raising provocative questions about the role of colour in the story of black history and white western art. The Artist’s Palette will appeal to an art history audience, a wider audience eager to learn more about the use of colour by the great artists and amateur painters looking for inspiration in the creation of their own work.

DKK 340.00
1

Venice - Martin Gayford - Bog - Thames & Hudson Ltd - Plusbog.dk

Venice - Martin Gayford - Bog - Thames & Hudson Ltd - Plusbog.dk

A Sunday Times Art Book of the Year A visual journey through five centuries of the city known for centuries as 'La Serenissima' – a unique and compelling story for both lovers of Venice and lovers of its art. Venice was a major centre of art in the Renaissance: the city where the medium of oil on canvas became the norm. The achievements of the Bellini brothers, Carpaccio, Giorgione, Titian, Tintoretto and Veronese are a key part of this story. Nowhere else has been depicted by so many great painters in so many diverse styles and moods. Venetian views were a speciality of native artists such as Canaletto and Guardi, but the city has also been represented by outsiders: J. M. W. Turner, Claude Monet, John Singer Sargent, Howard Hodgkin, and many more. Then there are those who came to look at and write about art. The reactions of Henry James, George Eliot, Richard Wagner and others enrich this tale. Nor is the story over. Since the advent of the Venice Biennale in the 1890s, and the arrival of pioneering modern art collector Peggy Guggenheim in the late 1940s, the city has become a shop window for the contemporary art of the whole world, and it remains the site of important artistic events. In this elegant volume, Gayford – who has visited Venice countless times since the 1970s, covered every Biennale since 1990, and even had portraits of himself exhibited there on several occasions – takes us on a visual journey through the past five centuries of the city known ‘La Serenissima’, the Most Serene. It is a unique and compelling portrait of Venice that will delight lovers of the city and lovers of its art.

DKK 291.00
1