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Batman and the Multiplicity of Identity - Jeffrey A. Brown - Bog - Taylor & Francis Ltd - Plusbog.dk

The Many Lives of the Batman - - Bog - Taylor & Francis Ltd - Plusbog.dk

Batman and the Joker - Chris (young Harris College Richardson - Bog - Taylor & Francis Ltd - Plusbog.dk

Batman and the Joker - Chris (young Harris College Richardson - Bog - Taylor & Francis Ltd - Plusbog.dk

Adam West as a Signature Role TV Star - Carl Sweeney - Bog - Taylor & Francis Ltd - Plusbog.dk

The Gothic in Contemporary Literature and Popular Culture - - Bog - Taylor & Francis Ltd - Plusbog.dk

Set the Action! - Elvin A. (faculty Member Hernandez - Bog - Taylor & Francis Ltd - Plusbog.dk

Superman and Comic Book Brand Continuity - Phillip Bevin - Bog - Taylor & Francis Ltd - Plusbog.dk

Practical Art of Motion Picture Sound - David Lewis Yewdall - Bog - Taylor & Francis Ltd - Plusbog.dk

Superheroes and Identities - - Bog - Taylor & Francis Ltd - Plusbog.dk

Stories, Pictures and Reality - Virginia Lowe - Bog - Taylor & Francis Ltd - Plusbog.dk

The Paranormal and Popular Culture - - Bog - Taylor & Francis Ltd - Plusbog.dk

LEGO Studies - - Bog - Taylor & Francis Ltd - Plusbog.dk

Why It's OK to Love Bad Movies - Matthew Strohl - Bog - Taylor & Francis Ltd - Plusbog.dk

Why It's OK to Love Bad Movies - Matthew Strohl - Bog - Taylor & Francis Ltd - Plusbog.dk

Most people are too busy to keep up with all the good movies they’d like to see, so why should anyone spend their precious time watching the bad ones? In Why It’s OK to Love Bad Movies, philosopher and cinematic bottom feeder Matthew Strohl enthusiastically defends a fondness for disreputable films. Combining philosophy of art with film criticism, Strohl flips conventional notions of "good" and "bad" on their heads and makes the case that the ultimate value of a work of art lies in what it can add to our lives. By this measure, some of the worst movies ever made are also among the best. Through detailed discussions of films such as Troll 2, The Room, Batman & Robin, Twilight, Ninja III: The Domination, and a significant portion of Nicolas Cage’s filmography, Strohl argues that so-called "bad movies" are the ones that break the rules of the art form without the aura of artistic seriousness that surrounds the avant-garde. These movies may not win any awards, but they offer rich opportunities for creative engagement and enable the formation of lively fan communities, and they can be a key ingredient in a fulfilling aesthetic life. Key Features: - Written in a humorous, approachable style, appealing to readers with no background in philosophy. - Elaborates the rewards of loving bad movies, such as forming unlikely social bonds and developing refinement without narrowness. - Discusses a wide range of beloved bad movies, including Plan 9 from Outer Space, The Core , Battlefield Earth, and Freddy Got Fingered. - Contains the most extensive discussion of Nicolas Cage ever included in a philosophy book.

DKK 246.00
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Teenage Nervous Breakdown - David Walley - Bog - Taylor & Francis Ltd - Plusbog.dk

Teenage Nervous Breakdown - David Walley - Bog - Taylor & Francis Ltd - Plusbog.dk

Teenage Nervous Breakdown: Music and Politics in the Post-Elvis Era combines music and cultural history and criticism to examine how rock and the rock lifestyle have been merchandised first to a teenage audience and eventually to a worldwide consumer society. Well-known, iconoclastic writer/ critic David Walley examines the entire rock culture and how it has infused all aspects of American (and world) life, from entertainment to politics to academic education. In a series of what he describes as "word-jazz rock and roll improvisations and variations," Walley examines how adult culture has been "adolescent-ized" and what the ramifications are on our society. Walley is not an uninvolved observer-his personal story and opinions are right up front, where they belong. Famous for being the first writer to recognize the commercial genius of Frank Zapp a (in the landmark book, No Commercial Potential , first published in 1972 and still in print today), Walley is ideally suited to examine how commercialism has invaded rock music, and in turn how this commercialism has invaded rock music, and in turn how this commercial stepchild of rock has become a culture unto itself. He tackles everything from the elevation of youth culture to the mainstream; the fast-food economy; the commercial hijack of the counterculture movement; the "cool" aesthetic; the marketing of politicians; psychotropic drugs from LSD to Prozac; and much, much more. Along the way, he touches on a diverse range of figures. From Ma Rainey to Elvis, from Béla Bartók to Batman; from Timothy Leary to Rush Limbaugh; from The Man From U.N.C.L.E. to Understanding Media.

DKK 964.00
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Teenage Nervous Breakdown - David Walley - Bog - Taylor & Francis Ltd - Plusbog.dk

Teenage Nervous Breakdown - David Walley - Bog - Taylor & Francis Ltd - Plusbog.dk

Teenage Nervous Breakdown: Music and Politics in the Post-Elvis Era combines music and cultural history and criticism to examine how rock and the rock lifestyle have been merchandised first to a teenage audience and eventually to a worldwide consumer society. Well-known, iconoclastic writer/ critic David Walley examines the entire rock culture and how it has infused all aspects of American (and world) life, from entertainment to politics to academic education. In a series of what he describes as "word-jazz rock and roll improvisations and variations," Walley examines how adult culture has been "adolescent-ized" and what the ramifications are on our society. Walley is not an uninvolved observer-his personal story and opinions are right up front, where they belong. Famous for being the first writer to recognize the commercial genius of Frank Zapp a (in the landmark book, No Commercial Potential , first published in 1972 and still in print today), Walley is ideally suited to examine how commercialism has invaded rock music, and in turn how this commercialism has invaded rock music, and in turn how this commercial stepchild of rock has become a culture unto itself. He tackles everything from the elevation of youth culture to the mainstream; the fast-food economy; the commercial hijack of the counterculture movement; the "cool" aesthetic; the marketing of politicians; psychotropic drugs from LSD to Prozac; and much, much more. Along the way, he touches on a diverse range of figures. From Ma Rainey to Elvis, from Béla Bartók to Batman; from Timothy Leary to Rush Limbaugh; from The Man From U.N.C.L.E. to Understanding Media.

DKK 285.00
1

Hollywood Sound Design and Moviesound Newsletter - David Stone - Bog - Taylor & Francis Ltd - Plusbog.dk

Hollywood Sound Design and Moviesound Newsletter - David Stone - Bog - Taylor & Francis Ltd - Plusbog.dk

As film students and younger fans experience "Big Hollywood Sound" in Imax presentations and digital theaters, many are also discovering action and adventure movies made well before they were born. There is a legacy to be enjoyed in the sound of these films: Blockbuster movies of the ‘80’s, and ‘90’s are notable for the extraordinarily dramatic impact of their sound mixing, and the way in which it could immerse audiences in a surrounding space. During this period, a small group of sound professionals in Hollywood wrote and published a critical journal about the craftsmanship, new technology, and changing aesthetics that excited conversation in their community. Their work has been edited and compiled here for the first time. David Stone is a sound editor, a veteran of roughly 100 Hollywood feature films, such as Gremlins, Top Gun, Die Hard, Speed , and Ocean’s 11 . He was a Supervising Sound Editor for projects as varied as Predator, Edward Scissorhands, Beauty and the Beast, Batman Returns, City Slickers 2, and Dolores Claiborne . He has collected Golden Reel awards for Best Sound Editing five times, and won the 1992 Academy Award ® for best Sound Effects Editing, for his supervising work on Bram Stoker’s Dracula . In 2015, he received a Lifetime Achievement Award from the San Luis Obispo Jewish Film Festival in California. Stone is now a Professor and former Chair of Sound Design at Savannah College of Art and Design. Between 1989 and 1994, he was the editor of Moviesound Newsletter , which was published by Vanessa Ament. Dr. Vanessa Theme Ament is the author of The Foley Grail, and a contributor to Sound: Dialogue, Music, and Effects (the Silver Screen Series). She is on the steering committee for Cinesonika , an international film festival and conference. A veteran Foley artist, sound editor, and voice actor from Los Angeles, she also writes and sings jazz, and is a member of the American Federation of Musicians, SAG-AFTRA, Actors Equity, and the Editors Guild. She worked on Die Hard , sex, lies, and videotape , Platoon , Predator , Edward Scissorhands , Beauty and the Beast , Noises Off , and A Goofy Movie, and many other films. Dr. Ament received her Ph.D. in Communication, in the area of Moving Image Studies, from Georgia State University in Atlanta, and is presently the Edmund F. and Virginia B. Ball Endowed Chair Professor of Telecommunications, at Ball State University in Muncie, Indiana.

DKK 449.00
1