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Hiroshige. One Hundred Famous Views of Edo - Melanie Trede - Bog - Taschen GmbH - Plusbog.dk

Hiroshige. One Hundred Famous Views of Edo. 45th Ed. - Melanie Trede - Bog - Taschen GmbH - Plusbog.dk

Hiroshige. One Hundred Famous Views of Edo. 45th Ed. - Lorenz Bichler - Bog - Taschen GmbH - Plusbog.dk

Hiroshige. One Hundred Famous Views of Edo - Lorenz Bichler - Bog - Taschen GmbH - Plusbog.dk

Koolhaas/Obrist. Project Japan. Metabolism Talks - Hans Ulrich Obrist - Bog - Taschen GmbH - Plusbog.dk

Koolhaas/Obrist. Project Japan. Metabolism Talks - Hans Ulrich Obrist - Bog - Taschen GmbH - Plusbog.dk

“Once there was a nation that went to war, but after they conquered a continent their own country was destroyed by atom bombs ... then the victors imposed democracy on the vanquished. For a group of apprentice architects, artists, and designers, led by a visionary, the dire situation of their country was not an obstacle but an inspiration to plan and think ... although they were very different characters, the architects worked closely together to realize their dreams, staunchly supported by a super-creative bureaucracy and an activist state... after 15 years of incubation, they surprised the world with a new architecture —Metabolism—that proposed a radical makeover of the entire land... Then newspapers, magazines, and TV turned the architects into heroes: thinkers and doers, thoroughly modern men… Through sheer hard work, discipline, and the integration of all forms of creativity, their country, Japan, became a shining example ... when the oil crisis initiated the end of the West, the architects of Japan spread out over the world to define the contours of a post-Western aesthetic....” —Rem Koolhaas / Hans Ulrich Obrist Between 2005 and 2011, architect Rem Koolhaas and curator Hans Ulrich Obrist interviewed the surviving members of Metabolism —the first non-Western avant-garde, launched in Tokyo in 1960, in the midst of Japan’s postwar miracle. Project Japan features hundreds of never-before-seen images —master plans from Manchuria to Tokyo, intimate snapshots of the Metabolists at work and play, architectural models, magazine excerpts, and astonishing sci-fi urban visions— telling the 20th-century history of Japan through its architecture . From the tabula rasa of a colonized Manchuria in the 1930s, a devastated Japan after the war, and the establishment of Metabolism at the 1960 World Design Conference in Tokyo to the rise of Kisho Kurokawa as the first celebrity architect, the apotheosis of Metabolism at Expo ’70 in Osaka, and its expansion into the Middle East and Africa in the 1970s: The result is a vivid documentary of the last moment when architecture was a public rather than a private affair . Oral history by Rem Koolhaas and Hans Ulrich Obrist Extensive interviews with Arata Isozaki, Toshiko Kato, Kiyonori Kikutake, Noboru Kawazoe, Fumihiko Maki, Kisho Kurokawa, Kenji Ekuan, Atsushi Shimokobe , and Takako and Noritaka Tange Hundreds of never-before-seen images, architectural models, and magazine excerpts Layout by award-winning Dutch designer Irma Boom Further reading

DKK 480.00
1

Hiroshige. One Hundred Famous Views of Edo. 40th Ed. - Melanie Trede - Bog - Taschen GmbH - Plusbog.dk

Hiroshige. One Hundred Famous Views of Edo. 40th Ed. - Melanie Trede - Bog - Taschen GmbH - Plusbog.dk

Utagawa Hiroshige (1797–1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning “pictures of the floating world,” ukiyo-e was a particular genre of art that flourished between the 17th and 19th centuries and came to characterize the Western world’s visual idea of Japan. In many ways images of hedonism, ukiyo-e scenes often represented the bright lights and attractions of Edo (modern-day Tokyo): beautiful women, actors and wrestlers, city life, and spectacular landscapes. Though he captured a variety of subjects, Hiroshige was most famous for landscapes, with a final masterpiece series known as “One Hundred Famous Views of Edo” (1856–1858), which depicted various scenes of the city through the seasons, from bustling shopping streets to splendid cherry orchards. This reprint is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo. It pairs each of the 120 illustrations with a description, allowing readers to immerse themselves in these beautiful, vibrant vistas that became paradigms of Japonisme and inspired Impressionist, Post-Impressionist and Art Nouveau artists alike, from Vincent van Gogh to James McNeill Whistler. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program—now more compact, friendly in price, and still realized with the same commitment to impeccable production.

DKK 207.00
1

Araki. 45th Ed. - - Bog - Taschen GmbH - Plusbog.dk

Hiroshige - Adele Schlombs - Bog - Taschen GmbH - Plusbog.dk

Sneaker Freaker. World's Greatest Sneaker Collectors - Simon Wood - Bog - Taschen GmbH - Plusbog.dk

Frank Lloyd Wright. 45th Ed. - Bruce Brooks Pfeiffer - Bog - Taschen GmbH - Plusbog.dk

Frank Lloyd Wright - Bruce Brooks Pfeiffer - Bog - Taschen GmbH - Plusbog.dk

Homes for Our Time. Small Houses - Philip Jodidio - Bog - Taschen GmbH - Plusbog.dk

Hiroshige & Eisen. The Sixty-Nine Stations along the Kisokaido. 40th Ed. - Rhiannon Paget - Bog - Taschen GmbH - Plusbog.dk

Hiroshige & Eisen. The Sixty-Nine Stations along the Kisokaido. 40th Ed. - Rhiannon Paget - Bog - Taschen GmbH - Plusbog.dk

The Kisokaidō route through Japan was ordained in the early 1600s by the country’s then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the arduous passage between Edo (present-day Tokyo) and Kyoto . Inns, shops, and restaurants were established to provide sustenance and lodging to weary travelers. In 1835, renowned woodblock print artist Keisai Eisen was commissioned to create a series of works to chart the Kisokaidō journey. After producing 24 prints, Eisen was replaced by Utagawa Hiroshige , who completed the series of 70 prints in 1838.Both Eisen and Hiroshige were master print practitioners . In The Sixty-Nine Stations along the Kisokaidō , we find the artists’ distinct styles as much as their shared expertise. From the busy starting post of Nihonbashi to the castle town of Iwamurata, Eisen opts for a more muted palette but excels in figuration, particularly of glamorous women , and relishes snapshots of activity along the route , from shoeing a horse to winnowing rice. Hiroshige demonstrates his mastery of landscape with grandiose and evocative scenes , whether it’s the peaceful banks of the Ota River, the forbidding Wada Pass , or a moonlit ascent between Yawata and Mochizuki.Taken as a whole, The Sixty-Nine Stations collection represents not only a masterpiece of woodblock practice, including bold compositions and an experimental use of color , but also a charming tapestry of 19th-century Japan, long before the specter of industrialization . This TASCHEN volume is sourced from one of the finest surviving first editions and revives the series in our compact anniversary edition.

DKK 241.00
1

Japan 1900. A Portrait in Color - Sabine Arque - Bog - Taschen GmbH - Plusbog.dk

Japan 1900. A Portrait in Color - Sabine Arque - Bog - Taschen GmbH - Plusbog.dk

The Golden Age of Travel neatly overlaps with the reign of the Emperor Meiji, which began in 1868 with the overthrow of a feudal order that had kept Japan secluded from the outside world for more than 200 years. In the ensuing four-and-a-half decades, Japan became a less remote and more attractive destination for the international traveler and a popular subject for photographers, both Japanese and foreign.In 536 pages, this book presents more than 700 vintage images of Japan, texts by a specialist in early Japanese photography, and extensive commentary through thematic sections exploring traditions as varied as tea, silk and Buddhism, as well as itineraries across five regions, all of which guide the reader through this captivating land.Our travels take us from the enchanting vistas of Nagasaki to the seagirt shrine of Miyajima, long esteemed among the "Three Views" considered the most beautiful in Japan; from the rambling streets of Kobe to the energetic bustle of Osaka; from the cornucopia of historic sights in the ancient cities of Kyoto and Nara to the twin delights of shopping and sex in the vibrant modern port of Yokohama; from the timeless beauty of Mount Fuji and the mountainside scenery of nearby Hakone to the urban melange of Japan’s modern capital, where the traditions of Edo and the modernity of Tokyo co-existed; and, finally, from the jewel-like architecture of Nikkō set amidst forests and waterfalls to the islet-studded bay of Matsushima, until our journey ends in the remote wilds of Hokkaido, home to the indigenous Ainu.

DKK 735.00
1

Hiroshige & Eisen. The Sixty-Nine Stations along the Kisokaido. 40th Ed. - Rhiannon Paget - Bog - Taschen GmbH - Plusbog.dk

Hiroshige & Eisen. The Sixty-Nine Stations along the Kisokaido. 40th Ed. - Rhiannon Paget - Bog - Taschen GmbH - Plusbog.dk

The Kisokaidō route through Japan was ordained in the early 1600s by the country’s then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the arduous passage between Edo (present-day Tokyo) and Kyoto . Inns, shops, and restaurants were established to provide sustenance and lodging to weary travelers. In 1835, renowned woodblock print artist Keisai Eisen was commissioned to create a series of works to chart the Kisokaidō journey. After producing 24 prints, Eisen was replaced by Utagawa Hiroshige , who completed the series of 70 prints in 1838.Both Eisen and Hiroshige were master print practitioners . In The Sixty-Nine Stations along the Kisokaidō , we find the artists’ distinct styles as much as their shared expertise. From the busy starting post of Nihonbashi to the castle town of Iwamurata, Eisen opts for a more muted palette but excels in figuration, particularly of glamorous women , and relishes snapshots of activity along the route , from shoeing a horse to winnowing rice. Hiroshige demonstrates his mastery of landscape with grandiose and evocative scenes , whether it’s the peaceful banks of the Ota River, the forbidding Wada Pass , or a moonlit ascent between Yawata and Mochizuki.Taken as a whole, The Sixty-Nine Stations collection represents not only a masterpiece of woodblock practice, including bold compositions and an experimental use of color , but also a charming tapestry of 19th-century Japan, long before the specter of industrialization . This TASCHEN volume is sourced from one of the finest surviving first editions and revives the series in our compact anniversary edition.

DKK 241.00
1

Miguel Rio Branco. Maldicidade - Paulo Herkenhoff - Bog - Taschen GmbH - Plusbog.dk

Miguel Rio Branco. Maldicidade - Paulo Herkenhoff - Bog - Taschen GmbH - Plusbog.dk

In Maldicidade , the city never sleeps. By dawn or dusk, in New York, Havana, Salvador da Bahia, or Tokyo, it is an environment fraught with yearning, aching with solitude, and fretful with fortunes never made. This searing urban portrait from visual artist Miguel Rio Branco draws upon his itinerant early years as the son of diplomats to reveal the common threads of struggle and loneliness in metropolises around the world. The images are impeccably captured, but the pictures are not always pretty. Rio Branco is not interested in documenting historic city landmarks, an impressive skyline, or the aspirational dreams that soar up towards it. Instead, he focuses his camera on the city’s refuse and margins—on that which it has thrown away and on those it has cast aside and disappointed. In stark frames or soft impressions, it is street sleepers, beggars, prostitutes, stray dogs, smashed cars, and shattered glass that characterize his urban impressions. While subtle details reveal the specificity of place, it is the commonality of urban experience at the heart of Rio Branco’s project . Light on local context or explanatory narrative, the images are instead meticulously arranged into one redolent sequence of a universal city. Working as if in the cutting studio, Rio Branco excels in the rhythm and succession of pictures, crafting evocative patterns of motif (decrepit buildings, lone figures, smashed-up cars); color (rich reds, dusty pinks, stark whites and blues); and form (an anguished street sleeper beside an ecstatic statue of a saint). Throughout, occasional pictures of women are proffered as sensual, hopeful reprieve, interspersing the grit and the grime in commanding portraits or up-close, supple nudes. At once incisive in its message and lyrical in its arrangement, Maldicidade focuses attention on the city’s ineludible magnetism, as much as on its alienation and inhumanity. Biting, bare-faced, and achingly beautiful, it is a collection in which all city dwellers will find something of themselves , or something they long to escape.

DKK 587.00
1

Hiroshige & Eisen. The Sixty-Nine Stations along the Kisokaido - Rhiannon Paget - Bog - Taschen GmbH - Plusbog.dk

Hiroshige & Eisen. The Sixty-Nine Stations along the Kisokaido - Rhiannon Paget - Bog - Taschen GmbH - Plusbog.dk

The Kisokaidō route through Japan was ordained in the early 1600s by the country’s then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the arduous passage between Edo (present-day Tokyo) and Kyoto. Inns, shops, and restaurants were established to provide sustenance and lodging to weary travelers. In 1835, renowned woodblock print artist Keisai Eisen was commissioned to create a series of works to chart the Kisokaidō journey. After producing 24 prints, Eisen was replaced by Utagawa Hiroshige, who completed the series of 70 prints in 1838.Both Eisen and Hiroshige were master print practitioners. In The Sixty-Nine Stations along the Kisokaidō, we find the artists’ distinct styles as much as their shared expertise. From the busy starting post of Nihonbashi to the castle town of Iwamurata, Eisen opts for a more muted palette but excels in figuration, particularly of glamorous women, and relishes snapshots of activity along the route, from shoeing a horse to winnowing rice. Hiroshige demonstrates his mastery of landscape with grandiose and evocative scenes, whether it’s the peaceful banks of the Ota River, the forbidding Wada Pass, or a moonlit ascent between Yawata and Mochizuki.Taken as a whole, The Sixty-Nine Stations collection represents not only a masterpiece of woodblock practice, including bold compositions and an experimental use of color, but also a charming tapestry of 19th-century Japan, long before the specter of industrialization. This TASCHEN edition revives the series with due scale and splendor. Sourced from the only-known set of a near-complete run of the first edition of the series, this legendary publication is reproduced in the finest quality, bound in the Japanese tradition and with uncut paper. A perfect companion piece to TASCHEN’s One Hundred Famous Views of Edo, it is at once a visual delight and a major artifact from the bygone era of Imperial Japan.

DKK 587.00
1

Ren Hang - - Bog - Taschen GmbH - Plusbog.dk

Ren Hang - - Bog - Taschen GmbH - Plusbog.dk

Ren Hang, who took his life February 23, 2017 , was an unlikely rebel. Slight of build, shy by nature, prone to fits of depression, the 29-year-old Beijing photographer was nonetheless at the forefront Chinese artists’ battle for creative freedom . Like his champion Ai Weiwei, Ren was controversial in his homeland and wildly popular in the rest of the world. He said, “I don’t really view my work as taboo, because I don’t think so much in cultural context, or political context. I don’t intentionally push boundaries, I just do what I do.” Why? Because his models, friends, and in his last years, fans, are naked, often outdoors, high in the trees or on the terrifyingly vertiginous rooftops of Beijing , stacked like building blocks, heads wrapped in octopi, body cavities sprouting phone cords and flowers, whatever entered his mind at the moment. He denied his intentions were sexual, and there is a clean detachment about even his most extreme images: the urine, the insertions, the many, many erections . In a 2013 interview VICE magazine asked, “there are a lot of dicks … do you just like dicks?” Ren responded, “It’s not just dicks I’m interested in, I like to portray every organ in a fresh, vivid and emotional way .” True though that may be, the penises Ren photographed were not just fresh and vivid, but unusually large, making one wonder just where he met his friends. In the same piece, Hang also stated, “Gender isn’t important when I’m taking pictures, it only matters to me when I’m having sex,” making him a pioneer of gender inclusiveness . Young fans still eagerly flock to his website and Facebook, Instagram, and Flickr accounts. His photographs, all produced on film, have been the subject of over 20 solo and 70 group shows in his brief six-year career , in cities as disparate as Tokyo, Athens, Paris, New York, Copenhagen, Frankfurt, Vienna, and yes, even Beijing. He self-published 16 monographs, in tiny print runs, that now sell for up to $ 600 . TASCHEN’s Ren Hang is his only international collection, covering his entire career , with well-loved favorites and many never-before-seen photos of men, women, Beijing, and those many, many erections. We take solace remembering Ren’s joy when he first held the book, shared by his long-time partner Jiaqi, featured on the cover.

DKK 390.00
1