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Race and Political Theology - - Bog - Stanford University Press - Plusbog.dk

Race and Political Theology - - Bog - Stanford University Press - Plusbog.dk

Counterrevolution - Stephen Steinberg - Bog - Stanford University Press - Plusbog.dk

Celan Studies - Peter Szondi - Bog - Stanford University Press - Plusbog.dk

Worlds Within - Vilashini Cooppan - Bog - Stanford University Press - Plusbog.dk

Celan Studies - Peter Szondi - Bog - Stanford University Press - Plusbog.dk

Counterrevolution - Stephen Steinberg - Bog - Stanford University Press - Plusbog.dk

Outrage - Katherine Giuffre - Bog - Stanford University Press - Plusbog.dk

A Violent Peace - Christine Hong - Bog - Stanford University Press - Plusbog.dk

Multidirectional Memory - Michael Rothberg - Bog - Stanford University Press - Plusbog.dk

Anatomy of the Passions - Francois Delaporte - Bog - Stanford University Press - Plusbog.dk

Anatomy of the Passions - Francois Delaporte - Bog - Stanford University Press - Plusbog.dk

The Strange Career of Racial Liberalism - Joseph Darda - Bog - Stanford University Press - Plusbog.dk

The Strange Career of Racial Liberalism - Joseph Darda - Bog - Stanford University Press - Plusbog.dk

Banking on the State - Hicham Safieddine - Bog - Stanford University Press - Plusbog.dk

Banking on the State - Hicham Safieddine - Bog - Stanford University Press - Plusbog.dk

Digital Victorians - Paul Fyfe - Bog - Stanford University Press - Plusbog.dk

Digital Victorians - Paul Fyfe - Bog - Stanford University Press - Plusbog.dk

Perhaps no period better clarifies our current crisis of digital information than the nineteenth century. Self-aware about its own epochal telecommunications changes and awash in a flood of print, the nineteenth century confronted the consequences of its media shifts in ways that still define contemporary responses. In this authoritative new work, Paul Fyfe argues that writing about Victorian new media continues to shape reactions to digital change. Among its unexpected legacies are what we call digital humanities, characterized by the self-reflexiveness, disciplinary reconfigurations, and debates that have made us digital Victorians, so to speak, struggling again to resituate humanities practices amid another technological revolution. Engaging with writers such as Thomas De Quincey, George Eliot, George du Maurier, Henry James, and Robert Louis Stevenson who confronted the new media of their day, Fyfe shows how we have inherited Victorian anxieties about quantitative and machine-driven reading, professional obsolescence in the face of new technology, and more—telling a longer history of how writers, readers, and scholars adapt to dramatically changing media ecologies, then and now. The result is a predigital history for the digital humanities through nineteenth-century encounters with telecommunication networks, privacy intrusions, quantitative reading methods, remediation, and their effects on literary professionals. As Fyfe demonstrates, well before computers, the Victorians were already digital.

DKK 884.00
1

Digital Victorians - Paul Fyfe - Bog - Stanford University Press - Plusbog.dk

Digital Victorians - Paul Fyfe - Bog - Stanford University Press - Plusbog.dk

Perhaps no period better clarifies our current crisis of digital information than the nineteenth century. Self-aware about its own epochal telecommunications changes and awash in a flood of print, the nineteenth century confronted the consequences of its media shifts in ways that still define contemporary responses. In this authoritative new work, Paul Fyfe argues that writing about Victorian new media continues to shape reactions to digital change. Among its unexpected legacies are what we call digital humanities, characterized by the self-reflexiveness, disciplinary reconfigurations, and debates that have made us digital Victorians, so to speak, struggling again to resituate humanities practices amid another technological revolution. Engaging with writers such as Thomas De Quincey, George Eliot, George du Maurier, Henry James, and Robert Louis Stevenson who confronted the new media of their day, Fyfe shows how we have inherited Victorian anxieties about quantitative and machine-driven reading, professional obsolescence in the face of new technology, and more—telling a longer history of how writers, readers, and scholars adapt to dramatically changing media ecologies, then and now. The result is a predigital history for the digital humanities through nineteenth-century encounters with telecommunication networks, privacy intrusions, quantitative reading methods, remediation, and their effects on literary professionals. As Fyfe demonstrates, well before computers, the Victorians were already digital.

DKK 250.00
1

Thinking Fascism - Erin G. Carlston - Bog - Stanford University Press - Plusbog.dk

Thinking Fascism - Erin G. Carlston - Bog - Stanford University Press - Plusbog.dk

Thinking Fascism analyzes three works by women writers—Djuna Barnes''s Nightwood (1936), Marguerite Yourcenar''s Denier du rêve (1934), and Virginia Woolf''s Three Guineas (1938)—that engage, directly or indirectly, with fascist politics and ideology. Through these analyses, the author explores the conjunction between fascism and other forms of modernity, and refines the discussion about the relationship between women intellectuals and the various aesthetic and ideological practices collected under the names of modernism and facism. Until recently, much theoretical work on fascism has represented fascist thought as radically different from and inimical to non-fascist thought, and feminist criticism has further assumed that women intellectuals—especially the sexually marginal women sometimes grouped as the "Sapphic Modernists"—were necessarily antagonistic to fascist ideologies. In contrast, the author argues that Western intellectuals of both genders and all political persuasions were preoccupied in the 1930''s with the commodification of culture and sexuality, the erasure of liberal bourgeois concepts of the individual and the work of art in mass society, and the failure of social institutions to provide transcendence and immediacy in the face of these transformations. By demonstrating that women writers like the Sapphic Modernists and conservative or fascist male modernists often articulated very similar conceptions of these problems, this book suggests that fascism cannot be posed as the absolute other of non- or even anti-fascist politico-cultural discourses in the interwar period.

DKK 749.00
1

Thinking Fascism - Erin G. Carlston - Bog - Stanford University Press - Plusbog.dk

Thinking Fascism - Erin G. Carlston - Bog - Stanford University Press - Plusbog.dk

Thinking Fascism analyzes three works by women writers—Djuna Barnes''s Nightwood (1936), Marguerite Yourcenar''s Denier du rêve (1934), and Virginia Woolf''s Three Guineas (1938)—that engage, directly or indirectly, with fascist politics and ideology. Through these analyses, the author explores the conjunction between fascism and other forms of modernity, and refines the discussion about the relationship between women intellectuals and the various aesthetic and ideological practices collected under the names of modernism and facism. Until recently, much theoretical work on fascism has represented fascist thought as radically different from and inimical to non-fascist thought, and feminist criticism has further assumed that women intellectuals—especially the sexually marginal women sometimes grouped as the "Sapphic Modernists"—were necessarily antagonistic to fascist ideologies. In contrast, the author argues that Western intellectuals of both genders and all political persuasions were preoccupied in the 1930''s with the commodification of culture and sexuality, the erasure of liberal bourgeois concepts of the individual and the work of art in mass society, and the failure of social institutions to provide transcendence and immediacy in the face of these transformations. By demonstrating that women writers like the Sapphic Modernists and conservative or fascist male modernists often articulated very similar conceptions of these problems, this book suggests that fascism cannot be posed as the absolute other of non- or even anti-fascist politico-cultural discourses in the interwar period.

DKK 209.00
1

Charles W. Chesnutt: Essays and Speeches - - Bog - Stanford University Press - Plusbog.dk

Charles W. Chesnutt: Essays and Speeches - - Bog - Stanford University Press - Plusbog.dk

Over the past decade, increasing attention has been paid to the life and work of Charles W. Chesnutt (1858-1932), considered by many the major African-American fiction writer before the Harlem Renaissance by virtue of the three novels and two collections of short stories he published between 1899 and 1905. Less familiar are the essays he wrote for American periodicals from 1899 through 1931, the majority of which are analyses of and protests against white racism. Collected as well in this volume are the addresses he made to both white and black audiences from 1881 through 1931, on topics ranging from race prejudice to the life and literary career of Alexandre Dumas. The 77 works included in this volume comprise all of Chesnutt’s known works of nonfiction, 38 of which are reprinted here for the first time. They reveal an ardent and often outraged spokesman for the African American whose militancy increased to such a degree that, by 1903, he had more in common with W. E. B. Du Bois than Booker T. Washington. He was, however, a lifelong integrationist and even an advocate of “race amalgamation,” seeing interracial marriage as the ultimate means of solving “the Negro Problem,” as it was termed at the end of the century. That he championed the African American during the Jim Crow era while opposing Black Nationalism and other “race pride” movements attests to the way Chesnutt defined himself as a controversial figure, in his time and ours. The essays and speeches in this volume are not, however, limited to polemical writings. An educator, attorney, and man of letters with wide-ranging interests, Chesnutt stands as a humanist addressing subjects of universal interest, including the novels of George Meredith, the accomplishments of Samuel Johnson, and the relationship between literature and life.

DKK 326.00
1

The Souls of White Jokes - Raul Perez - Bog - Stanford University Press - Plusbog.dk

The Souls of White Jokes - Raul Perez - Bog - Stanford University Press - Plusbog.dk

A rigorous study of the social meaning and consequences of racist humor, and a damning argument for when the joke is not just a joke. Having a "good" sense of humor generally means being able to take a joke without getting offended—laughing even at a taboo thought or at another's expense. The insinuation is that laughter eases social tension and creates solidarity in an overly politicized social world. But do the stakes change when the jokes are racist? In The Souls of White Jokes Raúl Pérez argues that we must genuinely confront this unsettling question in order to fully understand the persistence of anti-black racism and white supremacy in American society today. W.E.B. Du Bois's prescient essay "The Souls of White Folk" was one of the first to theorize whiteness as a social and political construct based on a feeling of superiority over racialized others—a kind of racial contempt. Pérez extends this theory to the study of humor, connecting theories of racial formation to parallel ideas about humor stemming from laughter at another's misfortune. Critically synthesizing scholarship on race, humor, and emotions, he uncovers a key function of humor as a tool for producing racial alienation, dehumanization, exclusion, and even violence. Pérez tracks this use of humor from blackface minstrelsy to contemporary contexts, including police culture, politics, and far-right extremists. Rather than being harmless fun, this humor plays a central role in reinforcing and mobilizing racist ideology and power under the guise of amusement. The Souls of White Jokes exposes this malicious side of humor, while also revealing a new facet of racism today. Though it can be comforting to imagine racism as coming from racial hatred and anger, the terrifying reality is that it is tied up in seemingly benign, even joyful, everyday interactions as well— and for racism to be eradicated we must face this truth.

DKK 640.00
1

The Souls of White Jokes - Raul Perez - Bog - Stanford University Press - Plusbog.dk

The Souls of White Jokes - Raul Perez - Bog - Stanford University Press - Plusbog.dk

A rigorous study of the social meaning and consequences of racist humor, and a damning argument for when the joke is not just a joke. Having a "good" sense of humor generally means being able to take a joke without getting offended—laughing even at a taboo thought or at another's expense. The insinuation is that laughter eases social tension and creates solidarity in an overly politicized social world. But do the stakes change when the jokes are racist? In The Souls of White Jokes Raúl Pérez argues that we must genuinely confront this unsettling question in order to fully understand the persistence of anti-black racism and white supremacy in American society today. W.E.B. Du Bois's prescient essay "The Souls of White Folk" was one of the first to theorize whiteness as a social and political construct based on a feeling of superiority over racialized others—a kind of racial contempt. Pérez extends this theory to the study of humor, connecting theories of racial formation to parallel ideas about humor stemming from laughter at another's misfortune. Critically synthesizing scholarship on race, humor, and emotions, he uncovers a key function of humor as a tool for producing racial alienation, dehumanization, exclusion, and even violence. Pérez tracks this use of humor from blackface minstrelsy to contemporary contexts, including police culture, politics, and far-right extremists. Rather than being harmless fun, this humor plays a central role in reinforcing and mobilizing racist ideology and power under the guise of amusement. The Souls of White Jokes exposes this malicious side of humor, while also revealing a new facet of racism today. Though it can be comforting to imagine racism as coming from racial hatred and anger, the terrifying reality is that it is tied up in seemingly benign, even joyful, everyday interactions as well— and for racism to be eradicated we must face this truth.

DKK 214.00
1