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The Red Sofa - Michele Lesbre - Bog - Seagull Books London Ltd - Plusbog.dk

Looking Back through Our Identities - Aloka Parasher Sen - Bog - Seagull Books London Ltd - Plusbog.dk

Anyone Who Utters a Consoling Word Is a Traitor – 48 Stories for Fritz Bauer - Alta L. Price - Bog - Seagull Books London Ltd - Plusbog.dk

The Red Sofa - Michele Lesbre - Bog - Seagull Books London Ltd - Plusbog.dk

Anyone Who Utters a Consoling Word Is a Traitor - Alexander Kluge - Bog - Seagull Books London Ltd - Plusbog.dk

Another Spring - Yasmine Beverly Rana - Bog - Seagull Books London Ltd - Plusbog.dk

Crossings - Sylvia Molloy - Bog - Seagull Books London Ltd - Plusbog.dk

Crossings - Sylvia Molloy - Bog - Seagull Books London Ltd - Plusbog.dk

A captivating exploration of identity, language, and memory, weaving together whimsical and profound vignettes that challenge our understanding of home and self in a multicultural world. In Crossings, Sylvia Molloy embarks on an evocative exploration of the intricate and profound experience of living between languages, cultures, and geographies. A pioneering Argentine writer, fluent in Spanish, English, and French, Molloy inhabited all three languages, shuttling back, forth, and between, aware that each place and each language bring forth a different self. The short entries that make up “Varied Imagination” and “Living Between Languages”—the two collections gathered in this volume for the first time—revolve around an interrelated set of questions. What makes “home”? Does language make or destabilize a sense of home? How does speaking a language or switching between languages perform one’s place in the world? These vignettes capture the realization that the most seemingly natural things in life—such as home, language, and identity—depend entirely on performance. Each act, each word communicates something, means something, does something to their specific audience; another audience might react quite differently. Molloy wrote, rewrote, edited, and reworked to find the right mix to express the estar entre or “between” that was her life. In this compelling volume, Molloy’s reflections on the fluidity of identity and the transient nature of home resonate deeply, prompting readers to contemplate the profound connections between language, place, memory, and lived experience.

DKK 1070.00
1

Tamangur - Leta Semadeni - Bog - Seagull Books London Ltd - Plusbog.dk

Tamangur - Leta Semadeni - Bog - Seagull Books London Ltd - Plusbog.dk

A hauntingly beautiful debut novel that interweaves grief, memory, and the mystical realm of an ancient forest through eighty-four poignant vignettes. Romansh poet Leta Semadeni’s debut novel, Tamangur, is a multifaceted gem that delves into the shadowed depths of a remote valley in the Engadin Alps. More than a setting, the ancient stone pine forest of Tamangur serves as a mystical realm, a Valhalla for hunters and their kin, where the living brush against the world of the dead. A richly woven narrative, Tamangur unfolds through eighty-four interlocking vignettes. We follow an unnamed young girl, referred to only as “the child,” and her grandmother as they navigate their shared grief. The loss of the girl’s beloved grandfather and younger brother casts a long shadow, with the child believing she is to blame for her brother’s death—a burden that has led her parents to abandon her. The small village they inhabit is populated by a cast of quirky characters: Elsa, who passionately loves the absent Elvis; a seamstress who steals others’ memories; a brooding chimney sweep; and a rude goat. Amidst the sorrow, these oddballs form a patchwork family, softening the harsh edges of fate with their peculiar charm. Semadeni’s prose is crystalline and evocative, blending the poignant with the absurd in a way that captures the heart and imagination. Tamangur is a haunting exploration of loss, memory, and the fragile connections that bind us.

DKK 199.00
1

Crossings - Sylvia Molloy - Bog - Seagull Books London Ltd - Plusbog.dk

Crossings - Sylvia Molloy - Bog - Seagull Books London Ltd - Plusbog.dk

A captivating exploration of identity, language, and memory, weaving together whimsical and profound vignettes that challenge our understanding of home and self in a multicultural world. In Crossings, Sylvia Molloy embarks on an evocative exploration of the intricate and profound experience of living between languages, cultures, and geographies. A pioneering Argentine writer, fluent in Spanish, English, and French, Molloy inhabited all three languages, shuttling back, forth, and between, aware that each place and each language bring forth a different self. The short entries that make up “Varied Imagination” and “Living Between Languages”—the two collections gathered in this volume for the first time—revolve around an interrelated set of questions. What makes “home”? Does language make or destabilize a sense of home? How does speaking a language or switching between languages perform one’s place in the world? These vignettes capture the realization that the most seemingly natural things in life—such as home, language, and identity—depend entirely on performance. Each act, each word communicates something, means something, does something to their specific audience; another audience might react quite differently. Molloy wrote, rewrote, edited, and reworked to find the right mix to express the estar entre or “between” that was her life. In this compelling volume, Molloy’s reflections on the fluidity of identity and the transient nature of home resonate deeply, prompting readers to contemplate the profound connections between language, place, memory, and lived experience.

DKK 228.00
1

The Concept of Tradition - K. G. Subramanyan - Bog - Seagull Books London Ltd - Plusbog.dk

Rue Traversiere - Yves Bonnefoy - Bog - Seagull Books London Ltd - Plusbog.dk

Rue Traversiere - Yves Bonnefoy - Bog - Seagull Books London Ltd - Plusbog.dk

A beautiful collection of poems from various styles and genres by France's foremost poet, Yves Bonnefoy. Praised by Paul Auster as “one of the rare poets in the history of literature to have sustained the highest level of artistic excellence throughout an entire lifetime,” Yves Bonnefoy is widely considered the foremost French poet of his generation. Proving that his prose is just as lyrical, Rue Traversière, written in 1977, is one of his most harmonious works. Each of the fifteen discrete or linked texts, whose lengths range from brief notations to long, intense, self-questioning pages, is a work of art in its own right: brief and richly suggestive as haiku, or long and intricately wrought in syntax and thought; and all are as rewarding in their sounds and rhythms, and their lightning flashes of insight, as any sonnet. “I can write all I like; I am also the person who looks at the map of the city of his childhood and doesn’t understand,” says the section that gives the book its title, as he revisits childhood cityscapes and explores the tricks memory plays on us. A mixture of genres—the prose poem, the personal essay, quasi-philosophical reflections on time, memory, and art—this is a book of both epigrammatic concision and dreamlike narratives that meander with the poet’s thought as he struggles to understand and express some of the undercurrents of human life. The book’s layered texts echo and elaborate on one another, as well as on aspects of Bonnefoy’s own poetics and thought.

DKK 173.00
1

Porcelain – Poem on the Downfall of My City - Durs Grunbein - Bog - Seagull Books London Ltd - Plusbog.dk

Porcelain – Poem on the Downfall of My City - Durs Grunbein - Bog - Seagull Books London Ltd - Plusbog.dk

A book-length cycle of forty-nine poems written over the course of more than a decade that together serve as a lament for Durs Grünbein’s hometown, Dresden, which was destroyed in the Allied firebombing of February 1945. Porcelain is a book-length cycle of forty-nine poems written over the course of more than a decade that together serve as a lament for Durs Grünbein’s hometown, Dresden, which was destroyed in the Allied firebombing of February 1945. The book is at once a history and “declaration of love” to the famed “Venice on the Elbe,” so catastrophically razed by British bombs; a musical fusion of eyewitness accounts, family memories, and stories, of monuments and relics; the story of the city’s destiny as seen through a prism of biographical enigmas, its intimate relation to the “white gold” porcelain that made its fortune and reflections on the power and limits of poetry. Musical, fractured, ironic, and elegiac, Porcelain is controversial, too, in setting itself against what Grünbein calls the “myth” of the Germans as innocent victims of a war crime. At the same time, it never loses sight of the horror deliberately visited on an unwitting civilian population, nor the devastation that looms so large in the German memory. Published for the first time in English, on the seventy-fifth year anniversary of the firebombing, this edition contains new images, notes, Grünbein’s own reflections, and an additional canto—an extraordinary act of poetic kintsugi for the fractured remains of Dresden’s memory.

DKK 176.00
1

Porcelain - Durs Grunbein - Bog - Seagull Books London Ltd - Plusbog.dk

Porcelain - Durs Grunbein - Bog - Seagull Books London Ltd - Plusbog.dk

A book-length cycle of forty-nine poems written over the course of more than a decade that together serve as a lament for Durs Grünbein’s hometown, Dresden, which was destroyed in the Allied firebombing of February 1945. Porcelain is a book-length cycle of forty-nine poems written over the course of more than a decade that together serve as a lament for Durs Grünbein’s hometown, Dresden, which was destroyed in the Allied firebombing of February 1945. The book is at once a history and “declaration of love” to the famed “Venice on the Elbe,” so catastrophically razed by British bombs; a musical fusion of eyewitness accounts, family memories, and stories, of monuments and relics; the story of the city’s destiny as seen through a prism of biographical enigmas, its intimate relation to the “white gold” porcelain that made its fortune and reflections on the power and limits of poetry. Musical, fractured, ironic, and elegiac, Porcelain is controversial, too, in setting itself against what Grünbein calls the “myth” of the Germans as innocent victims of a war crime. At the same time, it never loses sight of the horror deliberately visited on an unwitting civilian population, nor the devastation that looms so large in the German memory. Published for the first time in English, on the seventy-fifth year anniversary of the firebombing, this edition contains new images, notes, Grünbein’s own reflections, and an additional canto—an extraordinary act of poetic kintsugi for the fractured remains of Dresden’s memory.

DKK 167.00
1

Stigmata of Bliss - Klaus Merz - Bog - Seagull Books London Ltd - Plusbog.dk

Stigmata of Bliss - Merz Klaus - Bog - Seagull Books London Ltd - Plusbog.dk

Where the Bird Disappeared - Ghassan Zaqtan - Bog - Seagull Books London Ltd - Plusbog.dk

The Holocaust as Culture - Imre Kertesz - Bog - Seagull Books London Ltd - Plusbog.dk

The Holocaust as Culture - Imre Kertesz - Bog - Seagull Books London Ltd - Plusbog.dk

Hungarian Imre Kertész was awarded the Nobel Prize in Literature in 2002 for “writing that upholds the fragile experience of the individual against the barbaric arbitrariness of history.” His conversation with literary historian Thomas Cooper that is presented here speaks specifically to this relationship between the personal and the historical. In The Holocaust as Culture,Kertész recalls his childhood in Buchenwald and Auschwitz and as a writer living under the so-called soft dictatorship of communist Hungary. Reflecting on his experiences of the Holocaust and the Soviet occupation of Hungary following World War II, Kertész likens the ideological machinery of National Socialism to the oppressive routines of life under communism. He also discusses the complex publication history of Fateless, his acclaimed novel about the experiences of a Hungarian child deported to Auschwitz, and the lack of interest with which it was initially met in Hungary due to its failure to conform to the communist government’s simplistic history of the relationship between Nazi occupiers and communist liberators. The underlying theme in the dialogue between Kertész and Cooper is the difficulty of mediating the past and creating models for interpreting history, and how this challenges ideas of self. The title The Holocaust as Culture is taken from that of a talk Kertész gave in Vienna for a symposium on the life and works of Jean Améry. That essay is included here, and it reflects on Améry’s fear that history would all too quickly forget the fates of the victims of the concentration camps. Combined with an introduction by Thomas Cooper, the thoughts gathered here reveal Kertész’s views on the lengthening shadow of the Holocaust as an ever-present part of the world’s cultural memory and his idea of the crucial functions of literature and art as the vessels of this memory.

DKK 123.00
1

The Spirits of the Earth - Catherine Colomb - Bog - Seagull Books London Ltd - Plusbog.dk

Kaddish - Jan Kott - Bog - Seagull Books London Ltd - Plusbog.dk

The Blue Light - Hussein Barghouthi - Bog - Seagull Books London Ltd - Plusbog.dk

Gold Sand, Gold Water - Nalini Bera - Bog - Seagull Books London Ltd - Plusbog.dk