Summer Samba

Summer Evening : Sonatina

Summer of '69

Summer 1955 : A Collection Of Small Compositions Written or Rewritten In Summer 1955

Zala ainava : (Green Scenery (Summer))

Maza vasaras muzika : (Little Summer Music)

Summer Sonata : for Violin and Piano

Maza vasaras muzika : (Little Summer Music)

String Quartet No. 2 : Vasaras dziedajumi / Summer Tunes

Maza Vasaras Muzika : (Kleine Sommermusik - Little Summer Music)

Vasaras vakara muzika : (Music for a Summer Evening)

Sommertänze (Vasaras Dejas)

Peteris Vasks' summer dances (Vasaras dejas) for two violins consist of seven dances of different character with a slight degree of difficulty. The consistently lively short pieces are ideal for lessons and foreplay.

Cadenza : Versione per violoncello solo di Jakob Spahn

The present transcription of Cadenza was written as part of a complete recording of Penderecki's compositions for violoncello solo at the Krzysztof Penderecki European Centre for Music in Luslavice in the summer of 2015. Numerousworks by Penderecki are available in various versions for different instruments. Cadenza is also available in a version for violin solo.

Märchenbilder Op. 113 : Nach Robert Schumann. Neue Ausgabe Sämtlicher Werke, Band II No. 3

In the summer of 1852, Vier Stücke ['Four Pieces'] for viola and piano by Robert Schumann were published under the title Märchenbilder ['Fairy-Tale Pictures'] by the Kassel publishing house Luckhardt, with a particularlyexpressive vignette on the titlepage. Unusual were both this title Märchenbilder, on the one hand, and the scoring with a solo viola, on the other. With the viola in a soloistic role in chamber music, Schumann's Märchenbilder, Op.113, offers a rather unfamiliar, but all the more delightful sound.

48 Etüden Op. 29 und Op. 32

The Etudes op. 29 and op. 32 are among Bertini's best-known and most influential tutorial works. For aspiring pianists there is much to discover: Pieces with interesting harmonies in keys with up to four sharps or flats displayvarious musical characteristics using a range of different rhythms, articulation and dynamics. With teaching notes by editor Ruth Taneda. When Henri Jerôme Bertini, born in 1798 in Lyon, developed into a child prodigy who at theage of twelve was already performing in concerts in Paris and other major cities. Concert tours to the Netherlands and Rhineland region followed. After spending some time in England and Scotland, in 1821 he settled in Paris, wherebesides teaching piano he performed as a pianist at Parisian salons and went on extended concert tours of the provinces in the summer months. Bertini's teaching activities through to 1848 inspired his Méthode de Piano_x001A_and a wealthof Etudes (op. 29 and 32, op. 66, op. 100 as well as a Nouvelle Collection d'Études in ten volumes varying in degrees of difficulty). In about 1848 Bertini stopped working as a pianist, composer and teacher, left Paris and retiredto the Dauphiné in southeastern France. He died in Meylan near Grenoble on 30 September 1876.