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Paul Klee – Ad Parnassum - Oska Batschmann - Bog - Scheidegger und Spiess AG, Verlag - Plusbog.dk

Max Bill - Friederke Fast - Bog - Scheidegger und Spiess AG, Verlag - Plusbog.dk

Circle! Square! Progress! - - Bog - Scheidegger und Spiess AG, Verlag - Plusbog.dk

Circle! Square! Progress! - - Bog - Scheidegger und Spiess AG, Verlag - Plusbog.dk

They were reviled, ridiculed, and ignored. Today, the Zurich Concretists — along with Dada — are considered the most important art movement originating from Switzerland. Circle! Square! Progress! tells the story of the city’s avant-garde movement, which is rooted in the Bauhaus and renewed the formal language of art, shaped design and architecture, and also positioned itself politically. It traces its relations to the heroes of Constructivist–Concrete art, such as Johannes Itten, Piet Mondrian, Sophie Taeuber-Arp, Theo van Doesburg, and Georges Vantongerloo, and looks at the influences that came from graphic art and advertising, jazz music and dance, colour theory, and mathematics.Max Bill, Camille Graeser, Verena Loewensberg, and Richard Paul Lohse — a group incidentally thrown together rather than true conspirators — formed the centre of gravity of a milieu that wrestled with critics, institutions, and authorities. Lavishly illustrated, the book explores Zurich as the habitat of highly gifted people engaged in lively debates at bohemian cafés, drifting in jazz clubs, celebrating excessively at the legendary annual artists’ fancy dress ball, achieving fame and artistic triumphs with creative power and a sense of mission. It illuminates the Zurich Concretists’ successes of the 1960s, their at times extremely violent quarrels of the 1970s, and their disputes about the beauty of form.

DKK 437.00
1

Soviet Design - Kristina Krasnyanskaya - Bog - Scheidegger und Spiess AG, Verlag - Plusbog.dk

Soviet Design - Kristina Krasnyanskaya - Bog - Scheidegger und Spiess AG, Verlag - Plusbog.dk

The Soviet Union has left a vast heritage in interior design that is largely unknown in the West. Other than architecture and graphic or product design, interior design from the Soviet era has not yet been thoroughly investigated. For the first time ever, this book offers a comprehensive survey of the country''s interior design culture between revolutionary avant-garde and late Soviet modernism. Drawing on archives that were inaccessible until recently and featuring a wealth of previously unpublished material, it documents the achievements of seven decades in the former socialist empire. Soviet design is often discredited as massive, non-ergonomic and monotonous. Yet a remarkable variety of original styles have emerged behind the iron curtain. The 1920s were marked by bold exploration and experiments at Vkhutemas and by constructivism, rationalism, and suprematism. Early in Stalin''s reign constructivism was heavily criticised and post-constructivism and Soviet neo-classicism appeared alongside what became known as ''agitational furniture'', inspired by the regime''s propaganda. The 1930s brought Soviet Art Deco and eventually Stalinist Empire, which has produced some of the Soviet Union''s most iconic buildings. In the late 1950s, after Stalin''s death, the last Soviet ''big style'' originated modernist and functionalist furniture, mass-produced to fit the small apartments in the Khrushchyovka multi-unit housing developments that were built in cities on a large scale. The 1960s mark the Golden Age of Soviet interior design, showing again influences by the early Soviet Avant-Garde and the Bauhaus, while most of the visionary work of a new generation of designers in the 1970s and 1980s remained unrealised.

DKK 636.00
1