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Le-David Maskil - - Bog - Pennsylvania State University Press - Plusbog.dk

Le-David Maskil - - Bog - Pennsylvania State University Press - Plusbog.dk

For the past half-century, David Noel Freedman has had an enormous impact on the study of the Bible, both as an author and as an editor of the writings of others. As his colleagues note in their comments at the beginning of this volume, "You are quintessentially the man of the book. And perhaps what impresses us most is that your bibliography of hundreds of books is not limited to the extraordinary number of important books that you've written yourself. It also contains the books that you've edited for others. And we know what it means to have David Noel Freedman as one's editor. For every page of manuscript that the author sends you, you send back almost an equal number of pages of advice, criticism, corrections, and improvements. You can make a bad book good, and a good book better. And you can make its author a better scholar and a better writer." In this volume, his compatriots at the University of California, San Diego, contribute eight varied essays in celebration of his impact on them and in honor of his varied contributions to biblical studies.

DKK 346.00
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In Light of Rome - Jr. Mcguigan - Bog - Pennsylvania State University Press - Plusbog.dk

In Light of Rome - Jr. Mcguigan - Bog - Pennsylvania State University Press - Plusbog.dk

This comprehensive study of Rome’s contribution to the early history of photography traces the medium’s rise from a fledgling science to a dynamic form of artistic expression that forever changed the way we perceive the Eternal City. The authors examine the diverse transnational group of photographers who thrived in the cosmopolitan art center of Rome—and the pivotal role they played in the refinement and technical development of the nascent medium in the nineteenth century. The book ranges from the earliest pioneers—the French daguerreotypist Joseph-Philibert Girault de Prangey and the Welsh calotypist Calvert Richard Jones—to the work of the Roman School of Photography and its successors, among them James Anderson and Robert Macpherson of Britain; Frédéric Flachéron, Firmin Eugène Le Dien, and Gustave Le Gray of France; and Giacomo Caneva, Adriano de Bonis, and Pietro Dovizielli of Italy. Lavishly illustrated with 112 plates, many never before published, by nearly fifty practitioners, this volume expands our understanding of the place of Rome in early photography. An exhibition of the same title, to open at the Bowdoin College Museum of Art in December 2022, accompanies this study.

DKK 584.00
1

Performance in the Texts of Mallarme - Mary Lewis Shaw - Bog - Pennsylvania State University Press - Plusbog.dk

Performance in the Texts of Mallarme - Mary Lewis Shaw - Bog - Pennsylvania State University Press - Plusbog.dk

Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake. Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarmé perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarmé's major poetic texts—Herodiade, L'après-midi d'un faune, Igitur, and Un coup de des—revealing the consistent formal expression of his original conception of literature's relationship to the performing arts. Shaw then discusses Mallarmé's monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarmé's corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarmé's literary experimentation and crucial developments in twentieth-century arts.

DKK 361.00
1

The Revolution Takes Form - Jordan Marc Rose - Bog - Pennsylvania State University Press - Plusbog.dk

The Revolution Takes Form - Jordan Marc Rose - Bog - Pennsylvania State University Press - Plusbog.dk

During the French Revolution of 1830, insurgents raised some four thousand barricades. Afterward, lithographs of the street fighting flowed from the presses, creating the barricade’s first imagery. This book documents the changing political valence of the revolutionary ideals associated with the barricade in France from 1830 to 1852. The Revolution Takes Form coordinates the political reality of the barricade with the divergent ways in which its image gave shape to the period’s conceptions of class, revolution, and urban space. Engaging the instability of the barricade, art historian Jordan Marc Rose focuses on five politically charged works of art: Eugène Delacroix’s La Liberté guidant le peuple, Honoré Daumier’s Rue Transnonain, le 15 avril 1834 and L’Émeute, Auguste Préault’s Tuerie, and Ernest Meissonier’s Souvenir de guerre civile. The history of these artworks illuminates how such revolutionary insurrections were characterized—along with the conceptions of “the people” they mobilized. Foregrounding a trajectory of disillusionment, growing class tensions, and ultimately open conflict between bourgeois liberals and the proletariat, Rose both explains why the barricade became a compelling subject for pictorial reflection and accounts for its emergence as the period’s most poignant and meaningful symbol of revolution. Original and convincing, this book will appeal to students and scholars of art history and, in particular, of the history of the French Revolution.

DKK 940.00
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Depicting the Holy War - Elizabeth Lapina - Bog - Pennsylvania State University Press - Plusbog.dk

Depicting the Holy War - Elizabeth Lapina - Bog - Pennsylvania State University Press - Plusbog.dk

Depicting the Holy War examines the impact that crusades in the Middle East had on societies in western Europe through the analysis of a heretofore largely ignored type of source: mural paintings. In this book, Elizabeth Lapina analyzes five programs of mural paintings from the early twelfth to the late thirteenth century in what is today France and England—in Hardham, Berzé-la-Ville, Poncé-sur-le-Loir, Cressac, and Tour Ferrande. These images provide rare sources of information about attitudes toward crusades in locations that have produced next to no written evidence about the subject, such as rural parishes. Four of the murals are found in ecclesiastical structures, themselves sacred and made more so as the location of the celebration of mass. This sacralization of violence, Lapina argues, led to changing attitudes toward the enemy and depictions of battles as “holy wars” between the forces of good and evil. The mural paintings come from England, Normandy, Aquitaine, Provence, and Burgundy, areas that supplied both numerous crusaders and ideas related to crusades. Taken together, the murals show a trend toward an acceptance and celebration of increasingly varied types of violence across the period. This pathbreaking study employs new methods to open a window onto perceptions and representations of crusades in strata of society about which we know relatively little. It will be indispensable to historians and art historians who study crusades, warfare, and violence in medieval England and France.

DKK 849.00
1

Italian Women Writers from the Renaissance to the Present - - Bog - Pennsylvania State University Press - Plusbog.dk

Italian Women Writers from the Renaissance to the Present - - Bog - Pennsylvania State University Press - Plusbog.dk

Contents: Introduction Revising the Canon: Italian Women Writers/Maria O. Marotti Part I: Canon Formation/Canon Revision Women Writers and the Canon in Contemporary Italy/JoAnn Cannon From One Closet to Another? Feminism, Literary Archaeology, and the Canon/Beverly Allen Italian "Difference Theory": A New Canon?/Renate Holub Part II: Renaissance Women: Rethinking the Canon Renaissance Women Defending Women: Arguments Against Patriarchy/Constance Jordan Selling the Self, or the Epistolary Production of Renaissance Courtesans/Fiora A.Bassanese Part III: At the Turn of the Century: Women Writers at the Margins of the Canon Double Marginality: Matilde Serao and the Politics of Ambiguity/Nancy Harrowitz The Diaries of Sibilla Aleramo: Constructing Female Subjectivity/Bernadette Luciano Narrative Voice and the Regional Experience: Redefining Female Images in the Works of Maria Messina/Elise Magistro Part IV: Contemporary Women Writers: Toward a New Canon Brushing Benjamin Against the Grain: Elsa Morante and the "Jetzeit" of Marginal History/Maurizia Boscagli From Genealogy to Gynealogy and Beyond: Fausta Cialente's Le Quattro Ragazze Wieselberger/Graziella Parati Ethnic Matriarchy: Fabrizia Ramondino's Neapolitan World/Maria Ornella Marotti Mythic Revisionism: Women Poets and Philosophers in Italy Today/Lucia Re Part V: Women as Filmmakers: Images of Women/Images by Women/Images for Women Monica Vitti: The Image and the Word/Marga Cottino-Jones Signifying the Holocaust: Liliana Cavani's Portiere di notte/Marguerite Waller Maria Ornella Marotti is a lecturer in Italian at the University of California, Santa Barbara. She is the author of The Duplicating Imagination: Twain and the Twain Papers (Penn State, 1990).

DKK 355.00
1

In Search of the Classic - Steven Shankman - Bog - Pennsylvania State University Press - Plusbog.dk

In Search of the Classic - Steven Shankman - Bog - Pennsylvania State University Press - Plusbog.dk

The "classical," Steven Shankman argues, should not be confused with a particular historical period of Western antiquity, although it may owe its original articulation to the literary and philosophical explorations of ancient Greek authors. Shankman's book searches for and attempts to formulate the shape of the continuing presence—as embodied in particular literary works mainly from Western antiquity and the neoclassical and modern periods—of what the author calls a "classical" understanding of literature. For Shankman, literature, defined from a classical perspective, is a coherent, compelling, and rationally defensible representation that resists being reduced either to the mere recording of material reality or to the bare exemplification of an abstract philosophical precept. He derives his definition largely from his reading of Greek literature from Homer through Plato, from the history of literary criticism, and from the Greco-Roman tradition in English, American, and French literature. Shankman reveals unsuspected yet convincing connections among authors of such widely disparate times and places. His idea of the "classic" that authorizes these connections is presented as normative, thus making possible the evaluation of literary works and, in turn, forthright discussion of what constitutes the "literary" as distinct from other kinds of discourse. Shankman's study runs counter to a strong tendency of contemporary criticism that argues precisely against any distinct category of the "literary." He offers a series of interpretations that cumulatively advance theoretical discussion by challenging scholars to rethink the critical paradigms of postmodernism. At the center of the book is a discussion of the quintessentially classic Valéry poem Le Cimetière marin and the classic qualities it shares with Pindar's third Pythian ode, from which Valéry derives the epigraph for his poem.

DKK 361.00
1

Our Ladies of Darkness - Joseph Andriano - Bog - Pennsylvania State University Press - Plusbog.dk

Our Ladies of Darkness - Joseph Andriano - Bog - Pennsylvania State University Press - Plusbog.dk

Our Ladies of Darkness opens with a question raised by Nathaniel Hawthorne in his 1835 sketch "The Haunted Mind": "What if the fiend should come in women's garments, with a pale beauty amid sin and desolation, and lie down by your side?" Joseph Andriano boldly attempts to answer this question by examining some fifteen texts in which such a haunting occurs, including Poe's "Ligeia," Hoffmann's "The Sandman," Irving's "The Adventure of the German Student," Cazotte's "Le Diable amoureux," and Aickman's "Ravissante." His close reading of the individual texts leads to illuminating intertextual parallels, drawn through an archetypal perspective, which creates coherence among the many recurring image-patterns and motifs. The haunting is an incursion into the male ego's dominion: the female demon is seen as a usurper or intruder; she inhabits and insidiously attempts to exert her influence, to feminize the male. These demands include the impelling need to acknowledge male femininity, or androgyny. Ignoring this drive, which Andriano views as instinctual and archetypal, often results in what the Romantics called "nympholepsy," and what Carl Jung called "anima-possession." Although the notion that men need to acknowledge their own femininity is not new, the realization that doing so involves coming to terms not only with Eros (in its widest sense) but also with Thanatos has never been sufficiently emphasized, except perhaps by the post-Jungian James Hillman, by whose work Andriano is especially influenced. This book clearly and succinctly demonstrates that fear of the inner feminine prevents a man from ever fully maturing; his anima remains that of a child (he can only view women as girls or mothers), and he never comes to know, much less to love, the dark side of his soul, his own "lady of darkness."

DKK 355.00
1