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The Dividing Paths - Tom Hatley - Bog - Oxford University Press Inc - Plusbog.dk

The Misadventures of Master Mugwort - Su Shi - Bog - Oxford University Press Inc - Plusbog.dk

Antonio Vieira - - Bog - Oxford University Press Inc - Plusbog.dk

Antonio Vieira - - Bog - Oxford University Press Inc - Plusbog.dk

This volume is the first English translation and annotation of the sermons of António Vieira, a major cultural figure in the Portuguese-speaking world. Born in Lisbon in 1608, Vieira was a Jesuit who lived and worked in both Europe and Brazil in the service of the church and the Portuguese crown. His sermons are among the most renowned pieces of baroque oratory in the Portuguese language. These carefully selected sermons offer insight into Vieira''s visionary thought on social and spiritual matters. In the Sermon for the Success of Portuguese Arms against the Dutch, Vieira inveighs against God for His apparent abandonment of the Portuguese and begs for divine intervention. His Sermon of St. Anthony is an allegory that addresses the inequities that he witnessed in Brazil. The Sexagesima Sermon parodies literary clichés from his time while prescribing a more effective, if harsher, style of preaching. The Sermon of the Good Thief is a rebuke to the imperial officials who used their positions for personal enrichment, and a warning to kings against complicity with corruption. Vieira''s Sermon XXVII addresses African slaves and their Brazilian masters, attempting to comfort the first group in their trials and to admonish the second for their brutality. Finally, the Sermon called Arm tells the story of the relic of Francis Xavier''s arm sent from India to Italy in 1614, and pays tribute to the obedience of Vieira''s Jesuit predecessor.

DKK 270.00
1

Singing of Arms and Men - Kelley Harness - Bog - Oxford University Press Inc - Plusbog.dk

Singing of Arms and Men - Kelley Harness - Bog - Oxford University Press Inc - Plusbog.dk

Equestrian ballets (balletti a cavallo), although little known today, emerged as valued dramatic entertainments in early modern Europe, capable of demonstrating the wealth and magnificence of the patrons who commissioned them as well as the horsemanship and military skills of the noblemen who rode in them. Although the horse ballet did not originate in Florence, that city--and its ruling grand dukes, the Medici--acquired a reputation for excellence in the genre. Between 1608 and 1686, the court commissioned horse ballets to commemorate important state events such as Medici weddings or visits by foreign visitors.In Singing of Arms and Men, author Kelley Harness undertakes the first comprehensive study of the seventeenth-century Florentine horse ballets. She demonstrates how these works communicated messages relevant to the occasions for which they were performed, delivered by means of texts sung in styles similar to contemporary opera and punctuated by choreography and dramatic structure. Mock battles fought with swords and pistols animated audiences but also provided visible instances of conflict, which were then interrupted by the sudden arrival of a deus ex machina, who commanded the combatants to instead join forces to defeat a common enemy. The knights then demonstrated newfound cooperation through their creation of choreographed figures danced on horseback in time to music. Documentary evidence confirms that the Medici family expended significant financial and human resources on these one-time events, revealing just how much work it took to appear effortless.Ultimately, Harness shows how the balletto a cavallo played a crucial role in Medici self-fashioning during the period, and that the 250 noblemen invited to lend their equestrian skills both confirmed their family''s relationship to the Medici and were provided a venue for demonstrating critical markers of masculine nobility.

DKK 965.00
1