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Pop Masculinities - Kai Arne (associate Professor Of Music Hansen - Bog - Oxford University Press Inc - Plusbog.dk

Pop Masculinities - Kai Arne (associate Professor Of Music Hansen - Bog - Oxford University Press Inc - Plusbog.dk

In Pop Masculinities, author Kai Arne Hansen investigates the performance and policing of masculinity in pop music as a starting point for grasping the broad complexity of gender and its politics in the early twenty-first century. Drawing together perspectives from critical musicology, gender studies, and adjacent scholarly fields, the book presents extended case studies of five well-known artists: Zayn, Lil Nas X, Justin Bieber, The Weeknd, and Take That. By directing particular attention to the ambiguities and contradictions that arise from these artists'' representations of masculinity, Hansen argues that pop performances tend to operate in ways that simultaneously reinforce and challenge gender norms and social inequalities. Providing a rich exploration of these murky waters, Hansen merges the interpretation of recorded song and music video with discourse analysis and media ethnography in order to engage with the full range of pop artists'' public identities as they emerge at the intersections between processes of performance, promotion, and reception. In so doing, he advances our understanding of the aesthetic and discursive underpinnings of gender politics in twenty-first century pop culture and encourages readers to contemplate the sociopolitical implications of their own musical engagements as audiences, critics, musicians, and scholars.

DKK 316.00
1

Pop Convergence - James Gabrillo - Bog - Oxford University Press Inc - Plusbog.dk

Pop Convergence - James Gabrillo - Bog - Oxford University Press Inc - Plusbog.dk

What do the power rock band Aegis, multimedia superstar Vice Ganda, queer zombie film Zombadings, and glocalized movement P-Pop have in common? These subjects of Philippine pop culture embody novel convergences in aesthetics, style, tone, and thematic content culled from local, regional, and global ideas.Pop Convergence explores the contemporary pop music and related multimedia cultures of Manila, the center for commercial entertainment industries in the Philippines. At the turn of the twenty-first century, the country was recovering from decades of political mayhem and economic turbulence against a backdrop of swelling class divide and the maturation of mass media. Distinct from the somberness of nationalist anthems, Western music covers, and protest songs of prior years, the creative industries of new-millennium Manila generated a multimedia movement emphasizing kitsch, parody, and overstatement. These works, author James Gabrillo claims, can be read as complex expressions of consumer fatigue, ironic self-consciousness, and instinctive reclamation of social power by the creative working class.This entertainment industry developed a buoyant system of mass culture, filtered through the demands of postcolonial, postmodern Manila''s broadening capitalist media enterprises. Pop Convergence locates the hallmarks and contributions of this scene within an assortment of platforms--on screens, via streams, and on the streets-- to explore musical sequences in cinema, reality television spectacles, melismatic power ballads, song-and-dance contests, musical comedy bars, and viral virtual sensations. Dissecting these arenas of musical articulation and negotiation, Pop Convergence metaphorizes the interplay within Manila''s contemporary networks of artistic production, power, and spectatorship as a complex patchwork of convergence. This multimedia patchwork is framed not simply as a culmination of tradition stained by outside influence but as a fascinating force resulting from endless confrontation.

DKK 264.00
1

Pop Convergence - James Gabrillo - Bog - Oxford University Press Inc - Plusbog.dk

Pop Convergence - James Gabrillo - Bog - Oxford University Press Inc - Plusbog.dk

What do the power rock band Aegis, multimedia superstar Vice Ganda, queer zombie film Zombadings, and glocalized movement P-Pop have in common? These subjects of Philippine pop culture embody novel convergences in aesthetics, style, tone, and thematic content culled from local, regional, and global ideas.Pop Convergence explores the contemporary pop music and related multimedia cultures of Manila, the center for commercial entertainment industries in the Philippines. At the turn of the twenty-first century, the country was recovering from decades of political mayhem and economic turbulence against a backdrop of swelling class divide and the maturation of mass media. Distinct from the somberness of nationalist anthems, Western music covers, and protest songs of prior years, the creative industries of new-millennium Manila generated a multimedia movement emphasizing kitsch, parody, and overstatement. These works, author James Gabrillo claims, can be read as complex expressions of consumer fatigue, ironic self-consciousness, and instinctive reclamation of social power by the creative working class.This entertainment industry developed a buoyant system of mass culture, filtered through the demands of postcolonial, postmodern Manila''s broadening capitalist media enterprises. Pop Convergence locates the hallmarks and contributions of this scene within an assortment of platforms--on screens, via streams, and on the streets-- to explore musical sequences in cinema, reality television spectacles, melismatic power ballads, song-and-dance contests, musical comedy bars, and viral virtual sensations. Dissecting these arenas of musical articulation and negotiation, Pop Convergence metaphorizes the interplay within Manila''s contemporary networks of artistic production, power, and spectatorship as a complex patchwork of convergence. This multimedia patchwork is framed not simply as a culmination of tradition stained by outside influence but as a fascinating force resulting from endless confrontation.

DKK 912.00
1

Sixties British Pop, Outside In - Gordon Thompson - Bog - Oxford University Press Inc - Plusbog.dk

Sixties British Pop, Outside In - Gordon Thompson - Bog - Oxford University Press Inc - Plusbog.dk

Itchycoo Park, 1964-1970--the second volume of Sixties British Pop, Outside In--explores how London songwriters, musicians, and production crews navigated the era''s cultural upheavals by reimagining the pop-music envelope. As the generation born during the postwar years approached adulthood, they gravitated to music that resonated with their lives. Mainstream pop remained true to the basics, but some British artists conjured up sophisticated hybrid forms by recombining elements of jazz, folk, blues, Indian ragas, and western classical music while others returned to the raw essentials. Encouraging these experiments, youth culture''s economic power challenged the authority of their parents'' generation. Improved amplification opened larger and more lucrative concert venues while the spread of studios with enhanced technologies allowed artists and production crews the means to improve performances and recordings.British charts began to reflect London''s postcolonial heritage as groups such as the Beatles, the Rolling Stones, the Kinks, and the Who all listened for ideas and sounds that would distinguish their recordings. On stage, the Yardbirds, Cream, Led Zeppelin, the Nice, and others led by instrumental virtuosi developed British versions of American blues and rhythm and blues while the Moody Blues, Pink Floyd, and King Crimson painted imaginary worlds. And, although Engelbert Humperdinck and other men lamented independent women, Dusty Springfield, Sandie Shaw, and Lulu used their cultural capital to question systemic sexism. Based on extensive research, including vintage and original interviews, Itchycoo Park, 1964-1970 presents sixties British pop, not as lists of discrete people and events, but as an interwoven story. Communities of musicians, producers, music directors, engineers, songwriters, publishers, promoters, broadcasters, and journalists interacted as they provided songs, made and played recordings, organized concerts, and celebrated the optimism of youth. They brought audiences together and gave individuals identity while establishing the musical world in which we live today.

DKK 258.00
1

Sixties British Pop, Outside In - Gordon Thompson - Bog - Oxford University Press Inc - Plusbog.dk

Sixties British Pop, Outside In - Gordon Thompson - Bog - Oxford University Press Inc - Plusbog.dk

Itchycoo Park, 1964-1970--the second volume of Sixties British Pop, Outside In--explores how London songwriters, musicians, and production crews navigated the era''s cultural upheavals by reimagining the pop-music envelope. As the generation born during the postwar years approached adulthood, they gravitated to music that resonated with their lives. Mainstream pop remained true to the basics, but some British artists conjured up sophisticated hybrid forms by recombining elements of jazz, folk, blues, Indian ragas, and western classical music while others returned to the raw essentials. Encouraging these experiments, youth culture''s economic power challenged the authority of their parents'' generation. Improved amplification opened larger and more lucrative concert venues while the spread of studios with enhanced technologies allowed artists and production crews the means to improve performances and recordings.British charts began to reflect London''s postcolonial heritage as groups such as the Beatles, the Rolling Stones, the Kinks, and the Who all listened for ideas and sounds that would distinguish their recordings. On stage, the Yardbirds, Cream, Led Zeppelin, the Nice, and others led by instrumental virtuosi developed British versions of American blues and rhythm and blues while the Moody Blues, Pink Floyd, and King Crimson painted imaginary worlds. And, although Engelbert Humperdinck and other men lamented independent women, Dusty Springfield, Sandie Shaw, and Lulu used their cultural capital to question systemic sexism. Based on extensive research, including vintage and original interviews, Itchycoo Park, 1964-1970 presents sixties British pop, not as lists of discrete people and events, but as an interwoven story. Communities of musicians, producers, music directors, engineers, songwriters, publishers, promoters, broadcasters, and journalists interacted as they provided songs, made and played recordings, organized concerts, and celebrated the optimism of youth. They brought audiences together and gave individuals identity while establishing the musical world in which we live today.

DKK 731.00
1

Pop Culture, Politics, and the News - Joel Penney - Bog - Oxford University Press Inc - Plusbog.dk

Pop Culture, Politics, and the News - Joel Penney - Bog - Oxford University Press Inc - Plusbog.dk

In Pop Culture, Politics, and the News, Joel Penney explores how pop culture news has taken on an important role in contemporary political discourse. Through coverage of topics like Hollywood diversity, celebrity controversy, and "cancel culture" backlash, entertainment journalism has emerged as a key source of political information and commentary, providing audiences with an accessible lens into some of the most hot-button issues of our time. Yet due to the "clickbait" economics of the polarized digital news business, the quality of entertainment journalism is often compromised, and consequently, people view pop culture coverage as "soft news" with little substance or public value. Very little is known about how this journalism is produced and consumed as a component of the digital news ecosystem. Moreover, we lack a measured sense of its potential impact on the political interests and knowledge of its audiences, the politics of the entertainment industry it covers, and the shape of public debate more broadly. Drawing on interviews with entertainment journalists and testimonials from news audiences who share these stories on social media, Joel Penney argues for the importance of reframing our understanding of impactful journalism and persuasive political communication when culture and identity have moved thoroughly to the center of U.S. public discourse. Moreover, Penney examines how audiences engage with this highly accessible and emotionally resonant form of journalism and use it as a resource for political expression and discussion, raising important questions about how it can serve as a bridge to public issue engagement as well as a potential distraction from on-the-ground political concerns. As a cutting-edge, data-rich analysis of the blurring boundaries between entertainment, politics, social media activism, and partisan journalism, Pop Culture, Politics, and the News makes a major contribution to public scholarship on the shifting digital information landscape.

DKK 837.00
1

Sixties British Pop, Outside In - Gordon Ross Thompson - Bog - Oxford University Press Inc - Plusbog.dk

Sixties British Pop, Outside In - Gordon Ross Thompson - Bog - Oxford University Press Inc - Plusbog.dk

Downtown, 1956-1965--the first volume of Sixties British Pop, Outside In--describes the rise of London''s music and recording cultures through the stories of those who empowered Britain''s youth to be young. As the generations born in the postwar world entered adolescence and demanded a say in their lives, British musicians responded by creating music reflecting youth''s quest for love and recognition. With waves of technological innovation sweeping through a world where political and economic superpowers postured for domination, deep-seated English values helped shape both pop music and its audiences.The music that reverberated in hundreds of local clubs and halls began as fervent attempts to imitate an ongoing American cultural invasion that television helped bring into front rooms across Britain. The emergence of British blues and rock ''n'' roll began when broadcasters allowed teens to discover Tommy Steele, Cliff Richard and the Shadows, Adam Faith, Helen Shapiro, and others. These pioneers provided an opening for the Beatles to lead a northwest invasion of an unsuspecting London. Soon, from across the nation, the Rolling Stones, the Animals, the Kinks, and a host of other groups, and singers such as Petula Clark, Tom Jones, and Donovan were feeding their music into the same media stream that the US had dominated. Americans, reeling from the assassination of a president, embraced the unmitigated joy and optimism they heard and called it the British invasion. Based on extensive research and drawing on vintage and original interviews, Downtown, 1956-1965 frames the extraordinary rise of British pop in an era when pharmaceutical discoveries and electromagnetic innovation were altering lives. A community of musicians, producers, music directors, engineers, songwriters, publishers, promoters, broadcasters, and journalists provided songs, made and played recordings, organized concerts, and wrote about music expressing the exuberance of youth culture. They brought audiences together and gave individuals identity. Moreover, the fruits of their efforts set in motion the musical world in which we live today.

DKK 731.00
1

Sixties British Pop, Outside In - Gordon Ross Thompson - Bog - Oxford University Press Inc - Plusbog.dk

Sixties British Pop, Outside In - Gordon Ross Thompson - Bog - Oxford University Press Inc - Plusbog.dk

Downtown, 1956-1965--the first volume of Sixties British Pop, Outside In--describes the rise of London''s music and recording cultures through the stories of those who empowered Britain''s youth to be young. As the generations born in the postwar world entered adolescence and demanded a say in their lives, British musicians responded by creating music reflecting youth''s quest for love and recognition. With waves of technological innovation sweeping through a world where political and economic superpowers postured for domination, deep-seated English values helped shape both pop music and its audiences.The music that reverberated in hundreds of local clubs and halls began as fervent attempts to imitate an ongoing American cultural invasion that television helped bring into front rooms across Britain. The emergence of British blues and rock ''n'' roll began when broadcasters allowed teens to discover Tommy Steele, Cliff Richard and the Shadows, Adam Faith, Helen Shapiro, and others. These pioneers provided an opening for the Beatles to lead a northwest invasion of an unsuspecting London. Soon, from across the nation, the Rolling Stones, the Animals, the Kinks, and a host of other groups, and singers such as Petula Clark, Tom Jones, and Donovan were feeding their music into the same media stream that the US had dominated. Americans, reeling from the assassination of a president, embraced the unmitigated joy and optimism they heard and called it the British invasion. Based on extensive research and drawing on vintage and original interviews, Downtown, 1956-1965 frames the extraordinary rise of British pop in an era when pharmaceutical discoveries and electromagnetic innovation were altering lives. A community of musicians, producers, music directors, engineers, songwriters, publishers, promoters, broadcasters, and journalists provided songs, made and played recordings, organized concerts, and wrote about music expressing the exuberance of youth culture. They brought audiences together and gave individuals identity. Moreover, the fruits of their efforts set in motion the musical world in which we live today.

DKK 269.00
1

Pop Culture, Politics, and the News - Joel (associate Professor In The School Of Communication And Media Penney - Bog - Oxford University Press Inc -

Pop Culture, Politics, and the News - Joel (associate Professor In The School Of Communication And Media Penney - Bog - Oxford University Press Inc -

In Pop Culture, Politics, and the News, Joel Penney explores how pop culture news has taken on an important role in contemporary political discourse. Through coverage of topics like Hollywood diversity, celebrity controversy, and "cancel culture" backlash, entertainment journalism has emerged as a key source of political information and commentary, providing audiences with an accessible lens into some of the most hot-button issues of our time. Yet due to the "clickbait" economics of the polarized digital news business, the quality of entertainment journalism is often compromised, and consequently, people view pop culture coverage as "soft news" with little substance or public value. Very little is known about how this journalism is produced and consumed as a component of the digital news ecosystem. Moreover, we lack a measured sense of its potential impact on the political interests and knowledge of its audiences, the politics of the entertainment industry it covers, and the shape of public debate more broadly. Drawing on interviews with entertainment journalists and testimonials from news audiences who share these stories on social media, Joel Penney argues for the importance of reframing our understanding of impactful journalism and persuasive political communication when culture and identity have moved thoroughly to the center of U.S. public discourse. Moreover, Penney examines how audiences engage with this highly accessible and emotionally resonant form of journalism and use it as a resource for political expression and discussion, raising important questions about how it can serve as a bridge to public issue engagement as well as a potential distraction from on-the-ground political concerns. As a cutting-edge, data-rich analysis of the blurring boundaries between entertainment, politics, social media activism, and partisan journalism, Pop Culture, Politics, and the News makes a major contribution to public scholarship on the shifting digital information landscape.

DKK 283.00
1

On Display - Justus Uitermark - Bog - Oxford University Press Inc - Plusbog.dk

On Display - Justus Uitermark - Bog - Oxford University Press Inc - Plusbog.dk

Two billion people around the world use Instagram, but so far social scientists have done little research on the platform. Despite Instagram''s reputation for shallowness, the ongoing self-presentation it demands confronts users with profound dilemmas. Who are we? What do we want to show of ourselves? What do we aspire to be?On Display is a book about how people remake their worlds through social media. John D. Boy and Justus Uitermark provide an encompassing account of how a platform that is unfailingly polished and ruthlessly judgmental shapes us and our environments. They examine how personalities, relations, social movements, urban subcultures, and city streets change as they are represented on Instagram. Interviews and ethnographic vignettes render an intimate account of the desires and anxieties that animate the platform. Just as importantly, Boy and Uitermark reveal how Instagram is implicated in social inequalities.While previous accounts have argued that social media promote polarization, On Display shows that this is not the case for Instagram where users belong to large and diverse networks, compelling them to take many, often contradictory expectations into account. This means users shy away from producing statements or images that may cause offense as a way to preserve their public image and their social connections. Drawing on sociological theory, long-term qualitative inquiry in Amsterdam, and computational analyses, Boy and Uitermark argue that grasping the power of Instagram--and other social media platforms--requires seeing them not as digital networks of communication and sharing, but as a stage for the expression and affirmation of social status.

DKK 697.00
1

On Display - Justus Uitermark - Bog - Oxford University Press Inc - Plusbog.dk

On Display - Justus Uitermark - Bog - Oxford University Press Inc - Plusbog.dk

Two billion people around the world use Instagram, but so far social scientists have done little research on the platform. Despite Instagram''s reputation for shallowness, the ongoing self-presentation it demands confronts users with profound dilemmas. Who are we? What do we want to show of ourselves? What do we aspire to be?On Display is a book about how people remake their worlds through social media. John D. Boy and Justus Uitermark provide an encompassing account of how a platform that is unfailingly polished and ruthlessly judgmental shapes us and our environments. They examine how personalities, relations, social movements, urban subcultures, and city streets change as they are represented on Instagram. Interviews and ethnographic vignettes render an intimate account of the desires and anxieties that animate the platform. Just as importantly, Boy and Uitermark reveal how Instagram is implicated in social inequalities.While previous accounts have argued that social media promote polarization, On Display shows that this is not the case for Instagram where users belong to large and diverse networks, compelling them to take many, often contradictory expectations into account. This means users shy away from producing statements or images that may cause offense as a way to preserve their public image and their social connections. Drawing on sociological theory, long-term qualitative inquiry in Amsterdam, and computational analyses, Boy and Uitermark argue that grasping the power of Instagram--and other social media platforms--requires seeing them not as digital networks of communication and sharing, but as a stage for the expression and affirmation of social status.

DKK 228.00
1

Politics on Display - Anand Sokhey - Bog - Oxford University Press Inc - Plusbog.dk

Politics on Display - Anand Sokhey - Bog - Oxford University Press Inc - Plusbog.dk

Political yard signs are one of the most ubiquitous and conspicuous features of American political campaigns, yet they have received relatively little attention as a form of political communication or participation. In Politics on Display, Todd Makse, Scott L. Minkoff, and Anand E. Sokhey tackle this phenomenon to craft a larger argument about the politics of identity and space in contemporary America. Documenting political life in two suburban communities and a major metropolitan area, they use an unprecedented research design that leverages street-level observation of the placement of yard signs and neighborhood-specific survey research that delves into the attitudes, behavior, and social networks of residents. The authors then integrate these data into a geo-database that also includes demographic and election data. Supplemented by nationally-representative data sources, the book brings together insights from political communication, political psychology, and political geography. Against a backdrop of conflict and division, this book advances a new understanding of how citizens experience campaigns, why many still insist on airing their views in public, and what happens when social spaces become political spaces.

DKK 969.00
1

Politics on Display - Anand Sokhey - Bog - Oxford University Press Inc - Plusbog.dk

Politics on Display - Anand Sokhey - Bog - Oxford University Press Inc - Plusbog.dk

Political yard signs are one of the most ubiquitous and conspicuous features of American political campaigns, yet they have received relatively little attention as a form of political communication or participation. In Politics on Display, Todd Makse, Scott L. Minkoff, and Anand E. Sokhey tackle this phenomenon to craft a larger argument about the politics of identity and space in contemporary America. Documenting political life in two suburban communities and a major metropolitan area, they use an unprecedented research design that leverages street-level observation of the placement of yard signs and neighborhood-specific survey research that delves into the attitudes, behavior, and social networks of residents. The authors then integrate these data into a geo-database that also includes demographic and election data. Supplemented by nationally-representative data sources, the book brings together insights from political communication, political psychology, and political geography. Against a backdrop of conflict and division, this book advances a new understanding of how citizens experience campaigns, why many still insist on airing their views in public, and what happens when social spaces become political spaces.

DKK 344.00
1

Decoration and Display in Rome's Imperial Thermae - Maryl B. Gensheimer - Bog - Oxford University Press Inc - Plusbog.dk

Decoration and Display in Rome's Imperial Thermae - Maryl B. Gensheimer - Bog - Oxford University Press Inc - Plusbog.dk

Across the Roman Empire, ubiquitous archaeological, art historical, and literary evidence attests to the significance of bathing for Romans'' routines and relationships. Public baths were popularly viewed as necessities of daily life and important social venues. Given the importance of bathing to the Roman style of living, by endowing eight magnificent baths (the so-called imperial thermae) in the city of Rome between 25 BCE - 315 CE, imperial patrons greatly enhanced their popular and political stature.Decoration and Display in Rome''s Imperial Thermae presents a detailed analysis of the extensive decoration of the best preserved of these bathing complexes, the Baths of Caracalla (inaugurated 216 CE). Maryl B. Gensheimer takes an interdisciplinary approach to existing archaeological data, textual and visual sources, and anthropological theories in order to generate a new understanding of the visual experience of the Baths of Caracalla and show how the decoration played a critical role in advancing imperial agendas.This reassessment of one of the most ambitious and sophisticated examples of large-scale architectural patronage in Classical antiquity examines the specific mechanisms through which an imperial patron could use architectural decoration to emphasize his own unique sociopolitical position relative to the thousands of people who enjoyed his benefaction. The case studies addressed herein--ranging from architectural to freestanding sculpture and mosaic--demonstrate that sponsoring monumental baths was hardly an act of altruism. Rather, even while they provided recreation for elite and sub-altern Romans alike, such buildings were concerned primarily with dynastic legitimacy and imperial largess. Decorative programs articulated these themes by consistently drawing analogies between the subjects of the decoration and the emperor who had paid for it. The unified decorative program--and the messages of imperial power therein--adroitly honored the emperor and consolidated his reputation.

DKK 969.00
1

On Elton John - Matthew Restall - Bog - Oxford University Press Inc - Plusbog.dk

On Elton John - Matthew Restall - Bog - Oxford University Press Inc - Plusbog.dk

A lively and imaginative exploration of the career and music of the Rocket ManElton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.In contrast, On Elton John approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton''s career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton''s career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton''s career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist''s transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world''s biggest rock star to creator of the world''s largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated.A must-have for fans, On Elton John will appeal to a wide range of readers interested in music history, popular culture, and the social issues of our era.

DKK 272.00
1

The James Bond Songs - Charles (assistant Professor Of Musicology Kronengold - Bog - Oxford University Press Inc - Plusbog.dk

The James Bond Songs - Charles (assistant Professor Of Musicology Kronengold - Bog - Oxford University Press Inc - Plusbog.dk

Starting with 1964''s Goldfinger, every James Bond film has followed the same ritual, and so has its audience: after an exciting action sequence the screen goes black and the viewer spends three long minutes absorbing abstract opening credits and a song that sounds like it wants to return to 1964. In The James Bond SongsR^ authors Adrian Daub and Charles Kronengold use the genre to trace not only a changing cultural landscape, but also evolving conceptions of what a pop song is. They argue that the story of the Bond song is the story of the pop song more generally, and perhaps even the story of its end. Each chapter discusses a particular segment of the Bond canon and contextualizes it in its eras music and culture. But the book also asks how Bond and his music reflected and influenced our feelings about such topics as masculinity, race, money, and aging. Through these individual pieces the book presents the Bond song as the perfect anthem of late capitalism. The Bond songs want to talk about the fulfillment that comes from fast cars, shaken Martinis and mindless sex, but their unstable speakers, subjects, and addressees actually undercut the logic of the lifestyle James Bond is sworn to defend. The book is an invitation to think critically about pop music, about genre, and about the political aspects of popular culture in the twentieth century and beyond.

DKK 240.00
1

Heart Full of Rhythm - Ricky (independent Scholar) Riccardi - Bog - Oxford University Press Inc - Plusbog.dk

Heart Full of Rhythm - Ricky (independent Scholar) Riccardi - Bog - Oxford University Press Inc - Plusbog.dk

Nearly 50 years after his death, Louis Armstrong remains one of the 20th century''s most iconic figures. Popular fans still appreciate his later hits such as "Hello, Dolly!" and "What a Wonderful World," while in the jazz community, he remains venerated for his groundbreaking innovations in the 1920s. The achievements of Armstrong''s middle years, however, possess some of the trumpeter''s most scintillating and career-defining stories. But the story of this crucial time has never been told in depth — until now. Between 1929 and 1947, Armstrong transformed himself from a little-known trumpeter in Chicago to an internationally renowned pop star, setting in motion the innovations of the Swing Era and Bebop. He had a similar effect on the art of American pop singing, waxing some of his most identifiable hits such as "Jeepers Creepers" and "When You''re Smiling." However as author Ricky Riccardi shows, this transformative era wasn''t without its problems, from racist performance reviews and being held up at gunpoint by gangsters to struggling with an overworked embouchure and getting arrested for marijuana possession. Utilizing a prodigious amount of new research, Riccardi traces Armstrong''s mid-career fall from grace and dramatic resurgence. Featuring never-before-published photographs and stories culled from Armstrong''s personal archives, Heart Full of Rhythm tells the story of how the man called "Pops" became the first "King of Pop."

DKK 343.00
1

Electric Folk - Britta Sweers - Bog - Oxford University Press Inc - Plusbog.dk

Electric Folk - Britta Sweers - Bog - Oxford University Press Inc - Plusbog.dk

In Electric Folk - Revival and Transformation of English Traditional Music, Britta Sweers chronicles the history of the genre and explores its cultural implications. She characterizes electric folk as both a result of the American folk revival of the early 1960s and a reaction against the dominance of American pop music abroad. Sweers creates a detailed portrait of the folk rock scene - as cultural phenomenon, commercial entity, and performance style.

DKK 776.00
1

Electric Folk - Britta Sweers - Bog - Oxford University Press Inc - Plusbog.dk

Electric Folk - Britta Sweers - Bog - Oxford University Press Inc - Plusbog.dk

In Electric Folk - Revival and Transformation of English Traditional Music, Britta Sweers chronicles the history of the genre and explores its cultural implications. She characterizes electric folk as both a result of the American folk revival of the early 1960s and a reaction against the dominance of American pop music abroad. Sweers creates a detailed portrait of the folk rock scene - as cultural phenomenon, commercial entity, and performance style.

DKK 330.00
1

Please Please Me - Gordon Thompson - Bog - Oxford University Press Inc - Plusbog.dk

Please Please Me - Gordon Thompson - Bog - Oxford University Press Inc - Plusbog.dk

Sixties British rock and pop changed music history. While American popular music dominated the record industry in the late fifties and early sixties, the Beatles, the Rolling Stones, the Kinks, the Who, and numerous other groups soon invaded the world at large and put Britain at the center of the modern musical map. Please Please Me offers an insider''s view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections, contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain. Author Gordon Thompson weaves issues of class, age, professional status, gender, and ethnicity into his narrative, beginning with the rise of British beat groups and the emergence of teenagers as consumers in postwar Britain, and moving into the competition between performers and the recording industry for control over the music. He interviews session musicians who recorded anonymously with the Beatles, Hermans Hermits, and the Kinks, professional musicians who toured with British bands promoting records or providing dance music, songwriters, music directors, and producers and engineers who worked with the best-known performers of the era. The consequences of World War Two for pop music in the late fifties and early sixties form the backdrop for discussion of recording equipment, musical instruments, and new jet-age transportation, all contributors to the rise of British pop-music alongside the personalities that more famously made entertainment news. And these famous personalities traverse the pages of Please Please Me as well: performing songwriters John Carter and Ken Lewis, Lennon and McCartney, Jagger and Richards, Ray Davies, and Pete Townshend took center stage while the production teams and session musicians created the art of recording behind the doors of London''s studios. Drawing his interpretation of the processes at work during this musical revolution into a wider context, Thompson unravels the musical change and innovation of the time with an eye on understanding what traces individuals leave in the musical and recording process. Opening up important new historical and musical understandings in a repertoire that is at the core of rock music''s history, Please Please Me will appeal to all students, scholars, and fans of popular music.

DKK 348.00
1

Clonality - John C. Avise - Bog - Oxford University Press Inc - Plusbog.dk

Clonality - John C. Avise - Bog - Oxford University Press Inc - Plusbog.dk

Approximately 99.9% of vertebrate species reproduce sexually. The exceptional 0.1% reproduce via asexual or clonal means, which vary wildly and are fascinating in their own right. In this book, John C. Avise describes the genetics, ecology, natural history, and evolution of the world''s approximately 100 species of vertebrate animal that routinely display one form or another of clonal or quasi-clonal reproduction. Approximately 99.9% of vertebrate species reproduce sexually. The exceptional 0.1% reproduce via asexual or clonal means, which vary wildly and are fascinating in their own right. In this book, John C. Avise describes the genetics, ecology, natural history, and evolution of the world''s approximately 100 species of vertebrate animal that routinely display one form or another of clonal or quasi-clonal reproduction. By considering the many facets of sexual abstinence and clonal reproduction in vertebrate animals, Avise sheds new light on the biological meaning and ramifications of standard sexuality.

DKK 727.00
1

Rock in the Musical Theatre - Joseph Church - Bog - Oxford University Press Inc - Plusbog.dk

Rock in the Musical Theatre - Joseph Church - Bog - Oxford University Press Inc - Plusbog.dk

Today''s musical theatre world rocks. Now that rock ''n'' roll music and its offshoots, including pop, hard rock, rap, r&b, funk, folk, and world-pop music, are the standard language of musical theatre, theatre singers need a source of information on these styles, their origins, and their performance practices. Rock in the Musical Theatre: A Guide for Singers fills this need. Today''s musical theatre training programs are now including rock music in their coursework and rock songs and musicals in their repertoires. This is a text for those trainees, courses, and productions. It will also be of great value to working professionals, teachers, music directors, and coaches less familiar with rock styles, or who want to improve their rock-related skills. The author, an experienced music director, vocal coach, and university professor, and an acknowledged expert on rock music in the theatre, examines the many aspects of performing rock music in the theatre and offers practical advice through a combination of aesthetic and theoretical study, extensive discussions of musical, vocal, and acting techniques, and chronicles of coaching sessions. The book also includes advice from working actors, casting directors, and music directors who specialize in rock music for the stage.

DKK 969.00
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Rock in the Musical Theatre - Joseph (instructor In Music Composition Church - Bog - Oxford University Press Inc - Plusbog.dk

Rock in the Musical Theatre - Joseph (instructor In Music Composition Church - Bog - Oxford University Press Inc - Plusbog.dk

Today''s musical theatre world rocks. Now that rock ''n'' roll music and its offshoots, including pop, hard rock, rap, r&b, funk, folk, and world-pop music, are the standard language of musical theatre, theatre singers need a source of information on these styles, their origins, and their performance practices. Rock in the Musical Theatre: A Guide for Singers fills this need. Today''s musical theatre training programs are now including rock music in their coursework and rock songs and musicals in their repertoires. This is a text for those trainees, courses, and productions. It will also be of great value to working professionals, teachers, music directors, and coaches less familiar with rock styles, or who want to improve their rock-related skills. The author, an experienced music director, vocal coach, and university professor, and an acknowledged expert on rock music in the theatre, examines the many aspects of performing rock music in the theatre and offers practical advice through a combination of aesthetic and theoretical study, extensive discussions of musical, vocal, and acting techniques, and chronicles of coaching sessions. The book also includes advice from working actors, casting directors, and music directors who specialize in rock music for the stage.

DKK 316.00
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Holy Brotherhood - Barbara Rose Lange - Bog - Oxford University Press Inc - Plusbog.dk

Holy Brotherhood - Barbara Rose Lange - Bog - Oxford University Press Inc - Plusbog.dk

Holy Brotherhood: Romani Music in a Hungarian Pentecostal Church is a musical ethnography of a religious community. After the end of socialism, different ethnic groups in Hungary harbored antagonism toward one another. In one Pentecostal church in Pecs, Hungary, however, both Hungarians and Roma (Gypsies) worshipped and made music together. Three musical repertoires coexisted, each with a separate historical background and complex social meanings: Romani religious song; nineteenth-century gospel hymns originally from the United States; and contemporary Christian pop from the United States. Church members accommodated cultural and musical differences by developing several distinct performance styles.

DKK 1071.00
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