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Treatment for Hoarding Disorder - Dr. Randy O. Frost - Bog - Oxford University Press Inc - Plusbog.dk

Treatment for Hoarding Disorder - Dr. Randy O. Frost - Bog - Oxford University Press Inc - Plusbog.dk

The relationship people have with their possessions ranges from purely utilitarian to intensely emotional. For most people, their personal possessions provide them with a sense of security, comfort, and pleasure. However, if someone loses the ability to distinguish useful or important possessions from those that make life overly complicated, the objects can become a prison. For people who suffer from Hoarding Disorder (HD), the process of getting rid of unneeded objects is not easy. For them, possessions never "feel" unneeded and trying to get rid of them is an excruciating emotional ordeal. This Second Edition of Treatment for Hoarding Disorder is the culmination of more than 20 years of research on understanding hoarding and building an effective intervention to address its myriad components. Thoroughly updated and reflective of changes made to the Fifth Edition of the Diagnostic and Statistical Manual for Mental Disorders (DSM-5), this second edition of the Therapist Guide and accompanying client Workbook outlines an empirically supported and effective CBT program for treating hoarding disorder. This Therapist Guide is written for mental health clinicians-psychologists, social workers, psychiatrists, counsellors, and psychiatric nurses-to guide effective treatment of people with hoarding disorder. It provides numerous assessment and intervention forms to help clients use the methods described in the intervention. A major goal of the treatment is to recapture the positive role of possessions in the lives of people with hoarding problems, and strategies are outlined for sustaining gains and making further progress, as well as for managing stressful life events that can provoke problematic acquiring and difficulty discarding.

DKK 607.00
1

Why Good People Do Bad Environmental Things - Elizabeth R. (camilla Chandler Frost Professor Of Environmental Studies Desombre - Bog - Oxford

Why Good People Do Bad Environmental Things - Elizabeth R. (camilla Chandler Frost Professor Of Environmental Studies Desombre - Bog - Oxford

No one sets out to intentionally cause environmental problems. All things being equal, we are happy to protect environmental resources; in fact, we tend to prefer our air cleaner and our species protected. But despite not wanting to create environmental problems, we all do so regularly in the course of living our everyday lives. Why do we behave in ways that cause environmental harm?It is often easy and inexpensive to behave in ways with bad environmental consequences, but more difficult and costly to take environmentally friendly actions. The incentives we face, some created by the nature of environmental resources, some by social and political structures, often do not make environmentally beneficial behavior the most likely choice. Furthermore, our behavior is conditioned by habits and social norms that fail to take environmental protection into consideration.In this book, Elizabeth R. DeSombre integrates research from political science, sociology, psychology, and economics to understand why bad environmental behavior makes perfect sense. As she notes, there is little evidence that having more information about environmental problems or the way an individual''s actions contribute to them changes behavior in meaningful ways, and lack of information is rarely the underlying cause that connects behavior to harm. In some cases such knowledge may even backfire, as people come to see themselves as powerless to address huge global problems and respond by pushing these issues out of their minds. The fact that causing environmental problems is never anyone''s primary goal means that people are happy to stop causing them if the alternative behavior still accomplishes their underlying goals. If we can figure out why those problems are caused, when no one intends to cause them, we can develop strategies that work to shift behavior in a positive direction. Over the course of this book, DeSombre considers the role of structure, incentives, information, habit, and norms on behavior in order to formulate lessons about how these factors lead to environmentally problematic behavior, and what understanding their effects can tell us about ways to change behavior. To prevent or address environmental problems, we have to understand why even good people do bad environmental things.

DKK 368.00
1

Why Good People Do Bad Environmental Things - Elizabeth R. (camilla Chandler Frost Professor Of Environmental Studies Desombre - Bog - Oxford

Why Good People Do Bad Environmental Things - Elizabeth R. (camilla Chandler Frost Professor Of Environmental Studies Desombre - Bog - Oxford

No one sets out to intentionally cause environmental problems. All things being equal, we are happy to protect environmental resources; in fact, we tend to prefer our air cleaner and our species protected. But despite not wanting to create environmental problems, we all do so regularly in the course of living our everyday lives. Why do we behave in ways that cause environmental harm?It is often easy and inexpensive to behave in ways with bad environmental consequences, but more difficult and costly to take environmentally friendly actions. The incentives we face, some created by the nature of environmental resources, some by social and political structures, often do not make environmentally beneficial behavior the most likely choice. Furthermore, our behavior is conditioned by habits and social norms that fail to take environmental protection into consideration.In this book, Elizabeth R. DeSombre integrates research from political science, sociology, psychology, and economics to understand why bad environmental behavior makes perfect sense. As she notes, there is little evidence that having more information about environmental problems or the way an individual''s actions contribute to them changes behavior in meaningful ways, and lack of information is rarely the underlying cause that connects behavior to harm. In some cases such knowledge may even backfire, as people come to see themselves as powerless to address huge global problems and respond by pushing these issues out of their minds. The fact that causing environmental problems is never anyone''s primary goal means that people are happy to stop causing them if the alternative behavior still accomplishes their underlying goals. If we can figure out why those problems are caused, when no one intends to cause them, we can develop strategies that work to shift behavior in a positive direction. Over the course of this book, DeSombre considers the role of structure, incentives, information, habit, and norms on behavior in order to formulate lessons about how these factors lead to environmentally problematic behavior, and what understanding their effects can tell us about ways to change behavior. To prevent or address environmental problems, we have to understand why even good people do bad environmental things.

DKK 283.00
1

Drawing the Line - Erich Hatala (associate Professor Of Philosophy And Faculty Director Of The Frost Center For The Environment Matthes - Bog - Oxford

Drawing the Line - Erich Hatala (associate Professor Of Philosophy And Faculty Director Of The Frost Center For The Environment Matthes - Bog - Oxford

Can we still watch Woody Allen''s movies? Can we still laugh at Bill Cosby''s jokes? Woody Allen, Kevin Spacey, Dave Chappelle, Louis C. K., J.K. Rowling, Michael Jackson, Roseanne Barr. Recent years have proven rife with revelations about the misdeeds, objectional views, and, in some instances, crimes of popular artists. Spurred in part by the #metoo movement, and given more access than ever thanks to social media and the internet in general, the public has turned an alert and critical eye upon the once-hidden lives of previously cherished entertainers. But what should we members of the public do, think, and feel in response to these artists'' actions or statements? It''s a predicament that many of us face: whether it''s possible to disentangle the deeply unsettled feelings we have toward an artist from how we respond to the art they produced. As consumers of art, and especially as fans, we have a host of tricky moral question to navigate: do the moral lives of artists affect the aesthetic quality of their work? Is it morally permissible for us to engage with or enjoy that work? Should immoral artists and their work be "canceled"? Most of all, can we separate an artist from their art? In Drawing the Line, Erich Hatala Matthes employs the tools of philosophy to offer insight and clarity to the ethical questions that dog us. He argues that it doesn''t matter whether we can separate the art from the artist, because we shouldn''t. While some dismiss the lives of artists as if they are irrelevant to the artist''s work, and others instrumentalize artwork, treating it as nothing more than a political tool, Matthes argues both that the lives of artists can play an important role in shaping our moral and aesthetic relationship to the artworks that we love and that these same artworks offer us powerful resources for grappling with the immorality of their creators. Rather than shunning art made by those who have been canceled, shamed, called out, or even arrested, we should engage with it all the more thoughtfully and learn from the complexity it forces us to confront. Recognizing the moral and aesthetic relationships between art and artist is crucial to determining when and where we should draw the line when good artists do bad things.

DKK 262.00
1

The Art of Poetry - Shira Wolosky - Bog - Oxford University Press Inc - Plusbog.dk

George Kennan and the Dilemmas of US Foreign Policy - David Mayers - Bog - Oxford University Press Inc - Plusbog.dk

Coleridge and Textual Instability - Jack Stillinger - Bog - Oxford University Press Inc - Plusbog.dk

Polkabilly - James Leary - Bog - Oxford University Press Inc - Plusbog.dk

Polkabilly - James Leary - Bog - Oxford University Press Inc - Plusbog.dk

A freewheeling blend of continental European folk music and the songs, tunes, and dances of Anglo and Celtic immigrants, polkabilly has enthralled American musicians and dancers since the mid-19th century. From West Virginia coal camps and east Texas farms to the Canadian prairies and America''s Upper Midwest, scores of groups have wed squeezeboxes with string bands, hoe downs with hambos, and sentimental Southern balladry with comic "up north" broken-English comedy, to create a new and uniquely American sound. The Goose Island Ramblers played as a house band for a local tavern in Madison, Wisconsin from the early 1960s through the mid-1970s. The group epitomized the polkabilly sound with their wild mixture of Norwegian fiddle tunes, Irish jigs, Slovenian polkas, Swiss yodels, old time hillbilly songs, "Scandihoovian" and "Dutchman" dialect ditties, frost-bitten Hawaiian marches, and novelty numbers on the electric toilet plunger. In this original study, James P. Leary illustrates how the Ramblers'' multiethnic music combined both local and popular traditions, and how their eclectic repertoire challenges prevailing definitions of American folk music. He thus offers the first comprehensive examination of the Upper Midwest''s folk musical traditions within the larger context of American life and culture. Impeccably researched, richly detailed and illustrated, and accompanied by a compact disc of interviews and performances, James P. Leary''s Polkabilly: How the Goose Island Ramblers Redefined American Folk Music creates an unforgettable portrait of a polkabilly band and its world.

DKK 321.00
1

Chapters into Verse - - Bog - Oxford University Press Inc - Plusbog.dk

Chapters into Verse - - Bog - Oxford University Press Inc - Plusbog.dk

Drawing a unique map of the history of English poetry, Chapters Into Verse surveys and defines the literary legacy of the Scriptures from the fourteenth century to the present. Arranged in scriptural order from Genesis to Revelation, the book presents each poem alongside the biblical passage that inspired it. Thus readers can conveniently witness the various ways sacred text has sparked the imagination of poets throughout the ages. The editors have included poems by virtually all the prominent religious poets--among them John Donne, George Herbert, Henry Vaughan, Edward Taylor, and Gerard Manley Hopkins. Included, too, are devotional and visionary works from a wide range of vintage poets--Robert Burns, William Blake, Walt Whitman, Emily Dickinson, Christina Rossetti, Alfred Tennyson, and Robert Browning. Proving that the Bible is just as powerful a source of inspiration today as it was in the past, the collection also assembles a mixed congregation of modern and contemporary poets, such as Dylan Thomas, Robert Frost, William Carlos Williams, Countee Cullen, e.e. cummings, William Butler Yeats, Laura (Riding) Jackson, A.D. Hope, Denise Levertov, and Philip Levine. Of enduring interest to readers of both scripture and literature, this anthology illuminates key passages of the Old and New Testament. In selection after selection, readers will encounter an astonishing variety of religious experiences, as a host of poets from many eras and many backgrounds respond to Holy Scripture profoundly and imaginatively.

DKK 213.00
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Polkabilly - James Leary - Bog - Oxford University Press Inc - Plusbog.dk

Polkabilly - James Leary - Bog - Oxford University Press Inc - Plusbog.dk

A freewheeling blend of continental European folk music and the songs, tunes, and dances of Anglo and Celtic immigrants, polkabilly has enthralled American musicians and dancers since the mid-19th century. From West Virginia coal camps and east Texas farms to the Canadian prairies and America''s Upper Midwest, scores of groups have wed squeezeboxes with string bands, hoe downs with hambos, and sentimental Southern balladry with comic "up north" broken-English comedy, to create a new and uniquely American sound. The Goose Island Ramblers played as a house band for a local tavern in Madison, Wisconsin from the early 1960s through the mid-1970s. The group epitomized the polkabilly sound with their wild mixture of Norwegian fiddle tunes, Irish jigs, Slovenian polkas, Swiss yodels, old time hillbilly songs, "Scandihoovian" and "Dutchman" dialect ditties, frost-bitten Hawaiian marches, and novelty numbers on the electric toilet plunger. In this original study, James P. Leary illustrates how the Ramblers'' multiethnic music combined both local and popular traditions, and how their eclectic repertoire challenges prevailing definitions of American folk music. He thus offers the first comprehensive examination of the Upper Midwest''s folk musical traditions within the larger context of American life and culture. Impeccably researched, richly detailed and illustrated, and accompanied by a compact disc of interviews and performances, James P. Leary''s Polkabilly: How the Goose Island Ramblers Redefined American Folk Music creates an unforgettable portrait of a polkabilly band and its world.

DKK 689.00
1

Innovators - David W. Galenson - Bog - Oxford University Press Inc - Plusbog.dk

Innovators - David W. Galenson - Bog - Oxford University Press Inc - Plusbog.dk

When in their lives are innovators most creative, and why? This book summarizes more than two decades of research prompted by this question. The result is an authoritative statement of a new unified theory of creativity, that overturns both popular and scholarly beliefs about the sources of human inventiveness. David Galenson shows that there are two distinctly different kinds of creativity in virtually every discipline. They result from very different goals and methods, and each produces a specific pattern of discovery over the life cycle. Conceptual innovators make bold leaps to formulate new ideas. The most radical conceptual innovations are made by brash young geniuses, who often lose their creativity thereafter. Great conceptual innovators analyzed in this book include Pablo Picasso, Albert Einstein, Orson Welles, Sylvia Plath, Andy Warhol, Bob Dylan, and Steve Jobs. Experimental innovators make discoveries gradually and unobtrusively, through careful observation and generalization. They gain knowledge over time, and make their greatest contributions late in their lives. Great experimental innovators considered in this book include Paul Cezanne, Charles Darwin, Virginia Woolf, Robert Frost, Alfed Hitchcock, John Coltrane, and Warren Buffett. From analysis of the careers of scores of artists, scholars, and entrepreneurs, this book provides a new understanding of the creative processes of great innovators, and reveals the systematic patterns that underlie the two life cycles of creativity. It will be of interest to anyone who seeks a deeper understanding of the sources of human creativity.

DKK 292.00
1

When Souls Had Wings - Terryl L. Givens - Bog - Oxford University Press Inc - Plusbog.dk

When Souls Had Wings - Terryl L. Givens - Bog - Oxford University Press Inc - Plusbog.dk

The idea of the pre-existence of the soul has been extremely important, widespread, and persistent throughout Western history - from even before the philosophy of Plato to the poetry of Robert Frost. When Souls Had Wings offers the first systematic history of this little explored feature of Western culture. Terryl Givens describes the tradition of pre-existence as "pre-heaven"--the place where unborn souls wait until they descend to earth to be born. And typically it is seen as a descent--a falling away from a happier and untroubled state into the turbulent and sinful world we know. The title of the book refers to the idea put forward in antiquity that our souls begin with wings, and that only after shedding those wings do we fall to earth. The book not only traces the history of the idea of pre-existence, but also captures its meaning for those who have embraced it. Givens describes how pre-existence has been invoked to explain "the better angels of our nature," including the human yearning for transcendence and the sublime. Pre-existence has been said to account for why we know what we should not know, whether in the form of a Greek slave''s grasp of mathematics, the moral sense common to humanity, or the human ability to recognize universals. The belief has explained human bonds that seem to have their own mysterious prehistory, salved the wounded sensibility of a host of thinkers who could not otherwise account for the unevenly distributed pain and suffering that are humanity''s common lot, and has been posited by philosophers and theologians alike to salvage the principle of human freedom and accountability. When Souls had Wings underscores how durable (and controversial) this idea has been throughout the history of Western thought, the theological dangers it has represented, and how prominently it has featured in poetry, literature, and art.

DKK 516.00
1

When Souls Had Wings - Terryl L. Givens - Bog - Oxford University Press Inc - Plusbog.dk

When Souls Had Wings - Terryl L. Givens - Bog - Oxford University Press Inc - Plusbog.dk

The idea of the pre-existence of the soul has been extremely important, widespread, and persistent throughout Western history--from even before the philosophy of Plato to the poetry of Robert Frost. When Souls Had Wings offers the first systematic history of this little explored feature of Western culture. Terryl Givens describes the tradition of pre-existence as "pre-heaven"--the place where unborn souls wait until they descend to earth to be born. And typically it is seen as a descent--a falling away from a happier and untroubled state into the turbulent and sinful world we know. The title of the book refers to the idea put forward in antiquity that our souls begin with wings, and that only after shedding those wings do we fall to earth. The book not only traces the history of the idea of pre-existence, but also captures its meaning for those who have embraced it. Givens describes how pre-existence has been invoked to explain "the better angels of our nature," including the human yearning for transcendence and the sublime. Pre-existence has been said to account for why we know what we should not know, whether in the form of a Greek slave''s grasp of mathematics, the moral sense common to humanity, or the human ability to recognize universals. The belief has explained human bonds that seem to have their own mysterious prehistory, salved the wounded sensibility of a host of thinkers who could not otherwise account for the unevenly distributed pain and suffering that are humanity''s common lot, and has been posited by philosophers and theologians alike to salvage the principle of human freedom and accountability. When Souls had Wings underscores how durable (and controversial) this idea has been throughout the history of Western thought, the theological dangers it has represented, and how prominently it has featured in poetry, literature, and art.

DKK 389.00
1

Darwinism as Religion - Michael Ruse - Bog - Oxford University Press Inc - Plusbog.dk

Darwinism as Religion - Michael Ruse - Bog - Oxford University Press Inc - Plusbog.dk

The Darwinian Revolution--the change in thinking sparked by Charles Darwin''s On the Origin of Species, which argued that all organisms including humans are the end product of a long, slow, natural process of evolution rather than the miraculous creation of an all-powerful God--is one of the truly momentous cultural events in Western Civilization. Darwinism as Religion is an innovative and exciting approach to this revolution through creative writing, showing how the theory of evolution as expressed by Darwin has, from the first, functioned as a secular religion. Drawing on a deep understanding of both the science and the history, Michael Ruse surveys the naturalistic thinking about the origins of organisms, including the origins of humankind, as portrayed in novels and in poetry, taking the story from its beginnings in the Age of Enlightenment in the 18th century right up to the present. He shows that, contrary to the opinion of many historians of the era, there was indeed a revolution in thought and that the English naturalist Charles Darwin was at the heart of it. However, contrary also to what many think, this revolution was not primarily scientific as such, but more religious or metaphysical, as people were taken from the secure world of the Christian faith into a darker, more hostile world of evolutionism. In a fashion unusual for the history of ideas, Ruse turns to the novelists and poets of the period for inspiration and information. His book covers a wide range of creative writers - from novelists like Voltaire and poets like Erasmus Darwin in the eighteenth century, through the nineteenth century with novelists including Elizabeth Gaskell, George Eliot, Thomas Hardy, Henry James and H. G. Wells and poets including Robert Browning, Alfred Tennyson, Walt Whitman, Emily Dickinson and Gerard Manley Hopkins, and on to the twentieth century with novelists including Edith Wharton, D. H. Lawrence, John Steinbeck, William Golding, Graham Greene, Ian McEwan and Marilynne Robinson, and poets including Robert Frost, Edna St Vincent Millay and Philip Appleman. Covering such topics as God, origins, humans, race and class, morality, sexuality, and sin and redemption, and written in an engaging manner and spiced with wry humor, Darwinism as Religion gives us an entirely fresh, engaging and provocative view of one of the cultural highpoints of Western thought.

DKK 460.00
1

A Dictionary of Creation Myths - David Adams Leeming - Bog - Oxford University Press Inc - Plusbog.dk

A Dictionary of Creation Myths - David Adams Leeming - Bog - Oxford University Press Inc - Plusbog.dk

"God made Heaven, and then, after measuring the space underneath with a ball of thread, he began to form the earth. A mole asked to help, and God gave him the thread to hold while he wove the patterns of the earth. Sometimes the mole would let out too much thread, and finally the earth grew too large for the space under heaven. The mole was so upset that he hid under the earth. God sent the bee to look for him; he wanted the mole''s advice on what to do about the mistake. The bee found the mole and he just laughed at the idea of advising God. The bee, however, hid in a flower and overheard the mole mumbling to himself about what he would do if he were God. ''Iwould squeeze the earth,'' he said. ''That would make mountains and valleys and make it smaller at the same time.'' When the bee heard this, he went directly to God and told him. God did what the mole had said, and everything fit fine." The myth of Rumanian Creation in which God weaves the earth from a ball of thread is just one the many stories that make up the wonderous world of creation myths. In virtually every culture throughout the ages, creation myths have played a vital role in providing not only explanations of the origins of societies but also specific cultural identities--serving as a "projection of an aspect of a culture''s soul." Covering thousands of years of intricate creation tales, A Dictionary of Creation Myths is the first and most comprehensive work devoted to creation myths from cultures throughout the world. With an easy-to-use A-Z format, this around-the-world tour provides quick access to information on the beliefs (both exotic and ordinary) of ancient civilizations from Sumeria and Babylonia to Egypt, Greece, and ancient Rome, from India and China to Japan and Indonesia, as well as the rich mythological history of Native Americans, the indigenous peoples of Australia, and many other cultures. We read of the creation myth of the Diegueno tribe of southern California in which the creator, Tu-chai-pai, made the earth female and the sky male and then formed mud into people; the Norse creation story of the gods Odin, Vili, and Ve, who made man and woman out of two fallen trees--Odin breathed life into the new pair, Vili''s gift to them was intelligence, and Ve gave the gifts of sight and hearing; and the myth of Japanese creation in which Izanagei, and his sister Izanami, watch the first land form from ocean water dripping from Izanagi''s spear. Alongside these ancient beliefs are the more modern, such as Darwin''s theory of evolution and the big bang theory. Each entry identifies the culture associated with the myth, and each myth is retold in clear, eloquent prose, with extensive cross-referencing to guide readers to other entries. Throughout, the authors share insightful analyses of the surprisingly intricate relationship of certain myths across cultures, regions, and time. The entry on Maori creation, for example, leads to entries on the Samoan and Tahitian creation stories and on to the motif of "Creation from Nothing." And, in the course of retelling the creation myth of the Medoc Indians, the authors send us to entries on the "Trickster" and the "earth-diver creation" theme. From cosmic eggs, frost giants, and the Garden of Eden to Brahma, the Spider Woman, and the Gaia Principle, from myths of the apocalypse and the great world religions to myths of love, re-birth, and science, this unique guide illuminates the phenomenon of creation from all aspects of the human experience. Richly illustrated, A Dictionary of Creation Myths is essential for anyone who has ever wondered how the world was created, where we came from, or why we are here at all.

DKK 255.00
1