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Middle-Class Dharma - Jennifer D. (assistant Professor Of Religion Ortegren - Bog - Oxford University Press Inc - Plusbog.dk

A Middle Class Without Democracy - Jie Chen - Bog - Oxford University Press Inc - Plusbog.dk

A Middle Class Without Democracy - Jie Chen - Bog - Oxford University Press Inc - Plusbog.dk

What kind of role can the middle class play in potential democratization in such an undemocratic, late developing country as China? To answer this profound political as well as theoretical question, Jie Chen explores attitudinal and behavioral orientation of China''s new middle class to democracy and democratization. Chen''s work is based on a unique set of data collected from a probability-sample survey and in-depth interviews of residents in three major Chinese cities, Beijing, Chengdu and Xi''an--each of which represents a distinct level of economic development in urban China-in 2007 and 2008. The empirical findings derived from this data set confirm that (1) compared to other social classes, particularly lower classes, the new Chinese middle class-especially those employed in the state apparatus-tends to be more supportive of the current Party-state but less supportive of democratic values and institutions; (2) the new middle class''s attitudes toward democracy may be accounted for by this class''s close ideational and institutional ties with the state, and its perceived socioeconomic wellbeing, among other factors; (3) the lack of support for democracy among the middle class tends to cause this social class to act in favor of the current state but in opposition to democratic changes. The most important political implication is that while China''s middle class is not likely to serve as the harbinger of democracy now, its current attitudes toward democracy may change in the future. Such a crucial shift in the middle class''s orientation toward democracy can take place, especially when its dependence on the Party-state decreases and perception of its own social and economic statuses turns pessimistic. The key theoretical implication from the findings suggests that the attitudinal and behavioral orientations of the middle class-as a whole and as a part-toward democratic change in late developing countries are contingent upon its relationship with the incumbent state and its perceived social/economic wellbeing, and the middle class''s support for democracy in these countries is far from inevitable.

DKK 514.00
1

A Middle Class Without Democracy - Jie Chen - Bog - Oxford University Press Inc - Plusbog.dk

A Middle Class Without Democracy - Jie Chen - Bog - Oxford University Press Inc - Plusbog.dk

What kind of role can the middle class play in potential democratization in such an undemocratic, late developing country as China? To answer this profound political as well as theoretical question, Jie Chen explores attitudinal and behavioral orientation of China''s new middle class to democracy and democratization. Chen''s work is based on a unique set of data collected from a probability-sample survey and in-depth interviews of residents in three major Chinese cities, Beijing, Chengdu and Xi''an--each of which represents a distinct level of economic development in urban China-in 2007 and 2008. The empirical findings derived from this data set confirm that (1) compared to other social classes, particularly lower classes, the new Chinese middle class-especially those employed in the state apparatus-tends to be more supportive of the current Party-state but less supportive of democratic values and institutions; (2) the new middle class''s attitudes toward democracy may be accounted for by this class''s close ideational and institutional ties with the state, and its perceived socioeconomic wellbeing, among other factors; (3) the lack of support for democracy among the middle class tends to cause this social class to act in favor of the current state but in opposition to democratic changes. The most important political implication is that while China''s middle class is not likely to serve as the harbinger of democracy now, its current attitudes toward democracy may change in the future. Such a crucial shift in the middle class''s orientation toward democracy can take place, especially when its dependence on the Party-state decreases and perception of its own social and economic statuses turns pessimistic. The key theoretical implication from the findings suggests that the attitudinal and behavioral orientations of the middle class-as a whole and as a part-toward democratic change in late developing countries are contingent upon its with the incumbent state and its perceived social/economic wellbeing, and the middle class''s support for democracy in these countries is far from inevitable.

DKK 370.00
1

The White Working Class - Justin Gest - Bog - Oxford University Press Inc - Plusbog.dk

The White Working Class - Justin Gest - Bog - Oxford University Press Inc - Plusbog.dk

In recent years, the world has been re-introduced to the constituency of "white working class" people. In a wave of revolutionary populism, far right parties have scored victories across the transatlantic political world: Britain voted to leave the European Union, the United States elected President Donald Trump to enact an "America First" agenda, and Radical Right movements are threatening European centrists in elections across the Continent. In each case, white working class people are driving a broad reaction to the inequities and social change brought by globalization, and its cosmopolitan champions. In the midst of this rebellion, a new group consciousness has emerged among the very people who not so long ago could take their political, economic, and cultural primacy for granted. Who are white working class people? What do they believe? Are white working class people an "interest group"? What has driven them to break so sharply with the world''s trajectory toward a more borderless, interconnected meritocracy? How can a group with such enduring power feel marginalized? This perplexing constituency must be understood if the world is to address and respond to the social and political backlash they are driving. The White Working Class: What Everyone Needs to Know® provides the context for understanding the politics of this large, perplexing group of people. The book begins by explaining what "white working class" means in terms of demographics, history, and geography, as well as the ways in which this group defines itself and has been defined by others. It will address whether white identity is on the rise, why white people perceive themselves as marginalized, and the roles of racism and xenophobia in white consciousness. It will also look at whether the white working class has distinct political attitudes, their voting behavior, and their prospects for the future. This accessible book provides a nuanced view into the forces driving one of the most complicated and consequential political constituencies today.

DKK 123.00
1

The White Working Class - Justin Gest - Bog - Oxford University Press Inc - Plusbog.dk

The White Working Class - Justin Gest - Bog - Oxford University Press Inc - Plusbog.dk

In recent years, the world has been re-introduced to the constituency of "white working class" people. In a wave of revolutionary populism, far right parties have scored victories across the transatlantic political world: Britain voted to leave the European Union, the United States elected President Donald Trump to enact an "America First" agenda, and Radical Right movements are threatening European centrists in elections across the Continent. In each case, white working class people are driving a broad reaction to the inequities and social change brought by globalization, and its cosmopolitan champions. In the midst of this rebellion, a new group consciousness has emerged among the very people who not so long ago could take their political, economic, and cultural primacy for granted. Who are white working class people? What do they believe? Are white working class people an "interest group"? What has driven them to break so sharply with the world''s trajectory toward a more borderless, interconnected meritocracy? How can a group with such enduring power feel marginalized? This perplexing constituency must be understood if the world is to address and respond to the social and political backlash they are driving. The White Working Class: What Everyone Needs to Know® provides the context for understanding the politics of this large, perplexing group of people. The book begins by explaining what "white working class" means in terms of demographics, history, and geography, as well as the ways in which this group defines itself and has been defined by others. It will address whether white identity is on the rise, why white people perceive themselves as marginalized, and the roles of racism and xenophobia in white consciousness. It will also look at whether the white working class has distinct political attitudes, their voting behavior, and their prospects for the future. This accessible book provides a nuanced view into the forces driving one of the most complicated and consequential political constituencies today.

DKK 364.00
1

Ballet Class - Melissa R. (professor Of History And Director Of Women's And Gender Studies Klapper - Bog - Oxford University Press Inc - Plusbog.dk

The Making of an American Thinking Class - Darren Staloff - Bog - Oxford University Press Inc - Plusbog.dk

The Making of an American Thinking Class - Darren Staloff - Bog - Oxford University Press Inc - Plusbog.dk

Contemporary Class Piano - Elyse Mach - Bog - Oxford University Press Inc - Plusbog.dk

The Making of the Jewish Middle Class - Marion A. Kaplan - Bog - Oxford University Press Inc - Plusbog.dk

Understanding Race, Class, Gender, and Sexuality - Lynn Weber - Bog - Oxford University Press Inc - Plusbog.dk

Slavery and Class in the American South - William L. Andrews - Bog - Oxford University Press Inc - Plusbog.dk

Slavery and Class in the American South - William L. Andrews - Bog - Oxford University Press Inc - Plusbog.dk

"The distinction among slaves is as marked, as the classes of society are in any aristocratic community. Some refusing to associate with others whom they deem to be beneath them, in point of character, color, condition, or the superior importance of their respective masters." Henry Bibb, fugitive slave, editor, and antislavery activist, stated this in his Narrative of the Life and Adventures of Henry Bibb (1849). In William L. Andrews''s magisterial study of an entire generation of slave narrators, more than 60 mid-nineteenth-century narratives reveal how work, family, skills, and connections made for social and economic differences among the enslaved of the South. Slave narrators disclosed class-based reasons for violence that broke out between "impudent," "gentleman," and "lady" slaves and their resentful "mean masters." Andrews''s far-reaching book shows that status and class played key roles in the self- and social awareness and in the processes of liberation portrayed in the narratives of the most celebrated fugitives from U.S. slavery, such as Frederick Douglass, Harriet Jacobs, William Wells Brown, and William and Ellen Craft.Slavery and Class in the American South explains why social and economic distinctions developed and how they functioned among the enslaved. Noting that the majority of the slave narrators came from the higher echelons of the enslaved, Andrews also pays close attention to the narratives that have received the least notice from scholars, those from the most exploited class, the "field hands." By examining the lives of the most and least acclaimed heroes and heroines of the slave narrative, Andrews shows how the dividing edge of social class cut two ways, sometimes separating upper and lower strata of slaves to their enslavers'' advantage, but at other times fueling pride, aspiration, and a sense of just deserts among some of the enslaved that could be satisfied by nothing less than complete freedom.The culmination of a career spent studying African American literature, this comprehensive study of the antebellum slave narrative offers a ground-breaking consideration of a unique genre of American literature.

DKK 278.00
1

Love and the Working Class - Karen Lystra - Bog - Oxford University Press Inc - Plusbog.dk

Love and the Working Class - Karen Lystra - Bog - Oxford University Press Inc - Plusbog.dk

Love and the Working Class is a unique look at the emotions of hard-living, nineteenth-century Americans who were often on the cusp of literacy. These laboring folk highly valued letters and, however difficult it was, wrote to stay connected to those they loved. This book displays the personal expression of factory hands, manual laborers, peddlers, coopers, carpenters, lumbermen, miners, tanners, haulers, tailors, seamstresses, laundresses, domestics, sharecroppers, independent farmers, and common soldiers and their wives. Entering the “anonymous corners” of these people''s lives through letters, we can see their humor, grit, hope, heartache, and endurance, and grasp what they believed and felt about themselves, their kinfolk, and their friends. As much as possible, these working-class Americans living in the nineteenth century speak to contemporary readers in their own words. Often armed with only a third or fourth grade education, they could read but had limited instruction in writing. Yet they sat down to compose a letter, often spurred by a range of experience including the Gold Rush, westward expansion, slavery, the Emancipation Proclamation, and what was arguably the most important event in nineteenth-century America, the Civil War. During the war, poor, undereducated soldiers and their families wrote letters in a quantity never before seen in American history.Using letters written to parents, siblings, husbands, wives, friends, and potential mates between 1830 and 1880, Karen Lystra identifies the shared conceptions of love and practices of courtship and marriage within a racially diverse population of free working-class people born in America. Readers can listen to their voices as they flirt, act as intermediaries in hometown courtships, express non-romantic love to their mates, tease each other, and voice their hopes for the future. Through these personal letters, poor, minimally schooled Americans show us how they felt about love and how they created meaningful attachments in their uncertain lives.

DKK 269.00
1

Teaching Beginning Guitar Class - Bill (department Chair Swick - Bog - Oxford University Press Inc - Plusbog.dk

Class, Control, and Classical Music - Anna Bull - Bog - Oxford University Press Inc - Plusbog.dk

Class, Control, and Classical Music - Anna Bull - Bog - Oxford University Press Inc - Plusbog.dk

Why is classical music predominantly the preserve of the white middle classes? Contemporary associations between classical music and social class remain underexplored, with classical music primarily studied as a text rather than as a practice until recent years. In order to answer this question, this book outlines a new approach for a socio-cultural analysis of classical music, asking how musical institutions, practices, and aesthetics are shaped by wider conditions of economic inequality, and how music might enable and entrench such inequalities or work against them. This approach is put into practice through a richly detailed ethnography which locates classical music within one of the cultures that produces it - middle-class English youth - and foregrounds classical music as bodily practice of control and restraint. Drawing on the author''s own background as a classical musician, this closely observed account examines youth orchestra and youth choir rehearsals as a space where young people learn the unspoken rules of this culture of weighty tradition and gendered control. It highlights how the middle-classes'' habitual roles - boundary drawing around their protected spaces and reproducing their privilege through education - can be traced within the everyday spaces of classical music. These practices are camouflaged, however, by the ideology of ''autonomous art'' that classical music carries. Rather than solely examining the social relations around the music, the book demonstrates how this reproductive work is facilitated by its very aesthetic, of ''controlled excitement'', ''getting it right'', precision, and detail. This book is of particular interest at the present moment, thanks to the worldwide proliferation of El Sistema-inspired programmes which teach classical music to children in underserved areas. While such schemes demonstrate a resurgence in defending the value of classical music, there has been a lack of debate over the ways in which its socio-cultural heritage shapes its conventions today. This book locates these contestations within contemporary debates on class, gender and whiteness, making visible what is at stake in such programmes.

DKK 315.00
1

Class, Control, and Classical Music - Anna (lecturer Bull - Bog - Oxford University Press Inc - Plusbog.dk

Class, Control, and Classical Music - Anna (lecturer Bull - Bog - Oxford University Press Inc - Plusbog.dk

Why is classical music predominantly the preserve of the white middle classes? Contemporary associations between classical music and social class remain underexplored, with classical music primarily studied as a text rather than as a practice until recent years. In order to answer this question, this book outlines a new approach for a socio-cultural analysis of classical music, asking how musical institutions, practices, and aesthetics are shaped by wider conditions of economic inequality, and how music might enable and entrench such inequalities or work against them. This approach is put into practice through a richly detailed ethnography which locates classical music within one of the cultures that produces it - middle-class English youth - and foregrounds classical music as bodily practice of control and restraint. Drawing on the author''s own background as a classical musician, this closely observed account examines youth orchestra and youth choir rehearsals as a space where young people learn the unspoken rules of this culture of weighty tradition and gendered control. It highlights how the middle-classes'' habitual roles - boundary drawing around their protected spaces and reproducing their privilege through education - can be traced within the everyday spaces of classical music. These practices are camouflaged, however, by the ideology of ''autonomous art'' that classical music carries. Rather than solely examining the social relations around the music, the book demonstrates how this reproductive work is facilitated by its very aesthetic, of ''controlled excitement'', ''getting it right'', precision, and detail. This book is of particular interest at the present moment, thanks to the worldwide proliferation of El Sistema-inspired programmes which teach classical music to children in disadvantaged areas. While such schemes demonstrate a resurgence in defending the value of classical music, there has been a lack of debate over the ways in which its socio-cultural heritage shapes its conventions today. This book locates these contestations within contemporary debates on class, gender and whiteness, making visible what is at stake in such programmes.

DKK 728.00
1

Negotiating Opportunities - Jessica (assistant Professor Of Sociology Mccrory Calarco - Bog - Oxford University Press Inc - Plusbog.dk

Handbook of Electrogastrography - - Bog - Oxford University Press Inc - Plusbog.dk

Handbook of Electrogastrography - - Bog - Oxford University Press Inc - Plusbog.dk

The Handbook of Electrogastrography is the first textbook dedicated to reviewing the physiology of gastric myelectrical activity and the measurement of this electrical activity with electrodes placed on the abdominal surface - the electrogastrogram. The Handbook is divided into three major sections. The first section focuses on the history of electrogastrography, electrical activity of the interstitial cells of Cajal, the cells from which gastric electrical rhythmicity emanates. The cellular level of gastric electrical rhythmicity provides an understanding of the physiological basis of the electrogastrogram signal. The second section of the book incorporates the practical aspects of recording a high quality electrogastrogram and approaches to the analysis of the electrogastrogram using visual inspection and computer techniques. This section focuses on the authors'' combined experience of examining EGG recordings for more than sixty years. From this rich research and clinical experience, the clinical application of EGG recordings in an approach to patients with unexplained nausea and vomiting is described. Neuromuscular disorders of the stomach involving gastric dysrhythmias are reviewed.The third section of the book comprises many examples of gastric dysrythmias ranging from bradygastrias to tachygastrias and mixed dysrythmias. Current understanding of the mechanisms of gastric dysrhythmias is reviewed. Artifacts in the EGG signal, which may be confused with gastric dysrhythmias, are also presented.The Handbook of Electrogastrography will be a valuable reference for physicians interested in recording gastric electrical activity in clinical practices or in clinical research. Gastroenterologists, internists, psychologists and others with an interest in gastric myoelectrical events will also find extensive and relevant information for recording and interpreting EGGs in the Handbook.

DKK 645.00
1

The Making of the American Creative Class - Shannan (associate Professor Of History Clark - Bog - Oxford University Press Inc - Plusbog.dk

The Making of the American Creative Class - Shannan (associate Professor Of History Clark - Bog - Oxford University Press Inc - Plusbog.dk

During the middle decades of the twentieth century, the production of America''s consumer culture was centralized in midtown Manhattan to an extent unparalleled in the history of the modern United States. Within a few square miles of skyscrapers were the headquarters of networks like NBC and CBS, the editorial offices of book publishers and mass circulation magazines such as Time and Life, numerous influential newspapers, and major advertising agencies on Madison Avenue. Every day tens of thousands of writers, editors, artists, performers, technicians, secretaries, and other white-collar workers made advertisements, produced media content, and enhanced the appearance of goods in order to boost sales. While this center of creativity has often been portrayed as a smoothly running machine, within these offices many white-collar workers challenged the managers and executives who directed their labors.In this definitive history, The Making of the American Creative Class examines these workers and their industries throughout the twentieth century. As manufacturers and retailers competed to attract consumers'' attention, their advertising expenditures financed the growth of enterprises engaged in the production of culture, which in turn provided employment for an increasing number of clerical, technical, professional, and creative workers. The book explores employees'' efforts to improve their working conditions by forming unions, experimenting with alternative media and cultural endeavors supported by public, labor, or cooperative patronage, and expanding their opportunities for creative autonomy. As blacklisting and attacks on militant unions left them destroyed or weakened, workers in advertising, design, publishing, and broadcasting in the late twentieth century were constrained in their ability to respond to economic dislocations and to combat discrimination in the culture industries.At once a portrait of a city and the national culture of consumer capitalism it has produced, The Making of the American Creative Class is an innovative narrative of modern American history that addresses issues of earnings and status still experienced by today''s culture workers.

DKK 334.00
1

For the Family? - Sarah Damaske - Bog - Oxford University Press Inc - Plusbog.dk

For the Family? - Sarah Damaske - Bog - Oxford University Press Inc - Plusbog.dk

In the emotional public debate about women and work, conventional wisdom holds that middle-class women "choose" whether or not to work, while working class "need" to work. Yet, despite the recent economic crisis, national trends show that middle-class women are more likely to work than working-class women. In this timely volume, Sarah Damaske debunks the myth that financial needs determine women''s workforce participation, revealing that financial resources make it easier for women to remain at work, not easier to leave it. Departing from mainstream research, Damaske finds not two (working or not working), but three main employment patterns: steady, pulled back, and interrupted. Looking at the differences between women in these three groups, Damaske discovers that financial resources made it easier for middle-class women to remain at work steadily, while working-class women often found themselves following interrupted work pathways in which they experienced multiple bouts of unemployment. While most of the national attention has been focused on women who leave work, Damaske shows that both middle-class and working-class women found themselves pulling back from work, but for vastly different reasons. For the Family? concludes that the public debate about women''s work remains focused on need because women themselves emphasize the importance of family needs in their decision-making. Damaske argues that despite differences in work experiences, class, race, and familial support, most women explained their work decisions by pointing to family needs, connecting work to family rather than an individual pursuit. In For the Family?, Sarah Damaske at last provides a far more nuanced and richer picture of women, work, and class than conventional wisdom offers.

DKK 366.00
1

For the Family? - Sarah Damaske - Bog - Oxford University Press Inc - Plusbog.dk

For the Family? - Sarah Damaske - Bog - Oxford University Press Inc - Plusbog.dk

In the emotional public debate about women and work, conventional wisdom holds that middle-class women "choose" whether or not to work, while working class "need" to work. Yet, despite the recent economic crisis, national trends show that middle-class women are more likely to work than working-class women. In this timely volume, Sarah Damaske debunks the myth that financial needs determine women''s workforce participation, revealing that financial resources make it easier for women to remain at work, not easier to leave it. Departing from mainstream research, Damaske finds not two (working or not working), but three main employment patterns: steady, pulled back, and interrupted. Looking at the differences between women in these three groups, Damaske discovers that financial resources made it easier for middle-class women to remain at work steadily, while working-class women often found themselves following interrupted work pathways in which they experienced multiple bouts of unemployment. While most of the national attention has been focused on women who leave work, Damaske shows that both middle-class and working-class women found themselves pulling back from work, but for vastly different reasons. For the Family? concludes that the public debate about women''s work remains focused on need because women themselves emphasize the importance of family needs in their decision-making. Damaske argues that despite differences in work experiences, class, race, and familial support, most women explained their work decisions by pointing to family needs, connecting work to family rather than an individual pursuit. In For the Family?, Sarah Damaske at last provides a far more nuanced and richer picture of women, work, and class than conventional wisdom offers.

DKK 1170.00
1

Privilege Lost - Jessi Streib - Bog - Oxford University Press Inc - Plusbog.dk

Privilege Lost - Jessi Streib - Bog - Oxford University Press Inc - Plusbog.dk

Hard Hats, Rednecks, and Macho Men - Derek Nystrom - Bog - Oxford University Press Inc - Plusbog.dk

Hard Hats, Rednecks, and Macho Men - Derek Nystrom - Bog - Oxford University Press Inc - Plusbog.dk

Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film''s representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner that evokes the South''s recent history of racial violence and upheaval. They haunt the singles nightclubs of Looking for Mr. Goodbar, threatening the film''s newly liberated heroine with patriarchal violence. They strut through the disco clubs of Saturday Night Fever, dancing to music whose roots in post-Stonewall homosexuality invite ambiguity that the men ignore. Hard Hats, Rednecks, and Macho Men argues that the persistent appearance of working-class characters in these and other films of the 1970s reveals the powerful role class played in the key social and political developments of the decade, such as the decline of the New Left and counterculture, the re-emergence of the South as the Sunbelt, and the rise of the women''s and gay liberation movements. Examining the "youth cult" film, the neo-Western "southern," and the "new nightlife" film, Nystrom shows how these cinematic renderings of white working-class masculinity actually tell us more about the crises facing the middle class during the 1970s than about working-class experience itself. Hard Hats thus demonstrates how these representations of the working class serve as fantasies about a class Other-fantasies that offer imaginary resolutions to middle-class anxieties provoked by the decade''s upheavals. Drawing on examples of iconic films from the era-Saturday Night Fever, Cruising, Five Easy Pieces, and Walking Tall, among others-Nystrom presents an incisive, evocative study of class and American cinema during one of the nation''s most tumultuous decades.

DKK 354.00
1

Hard Hats, Rednecks, and Macho Men - Derek Nystrom - Bog - Oxford University Press Inc - Plusbog.dk

Hard Hats, Rednecks, and Macho Men - Derek Nystrom - Bog - Oxford University Press Inc - Plusbog.dk

Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film''s representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner that evokes the South''s recent history of racial violence and upheaval. They haunt the singles nightclubs of Looking for Mr. Goodbar, threatening the film''s newly liberated heroine with patriarchal violence. They strut through the disco clubs of Saturday Night Fever, dancing to music whose roots in post-Stonewall homosexuality invite ambiguity that the men ignore. Hard Hats, Rednecks, and Macho Men argues that the persistent appearance of working-class characters in these and other films of the 1970s reveals the powerful role class played in the key social and political developments of the decade, such as the decline of the New Left and counterculture, the re-emergence of the South as the Sunbelt, and the rise of the women''s and gay liberation movements. Examining the "youth cult" film, the neo-Western "southern," and the "new nightlife" film, Nystrom shows how these cinematic renderings of white working-class masculinity actually tell us more about the crises facing the middle class during the 1970s than about working-class experience itself. Hard Hats thus demonstrates how these representations of the working class serve as fantasies about a class Other-fantasies that offer imaginary resolutions to middle-class anxieties provoked by the decade''s upheavals. Drawing on examples of iconic films from the era-Saturday Night Fever, Cruising, Five Easy Pieces, and Walking Tall, among others-Nystrom presents an incisive, evocative study of class and American cinema during one of the nation''s most tumultuous decades.

DKK 690.00
1