Pricemate

Richard Rodney Bennett: In The Bleak Mid-Winter

Richard Rodney Bennett's setting of Christina Rossetti's text, In the Bleak Mid-Winter. For SATB chorus unaccompanied.

DKK 78.00

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John Joubert: In The Bleak Mid-Winter

In The Bleak Mid-Winter , by John Joubert with words by Christina Rossetti (1830-1894), is for SA Chorus and Organ. The piece was commissioned by Nicholas Fisher for the choir of Merton College, Oxford, and for inclusion in the Merton Choirbook to celebrate the 750th anniversary of the founding of the college in 1264.

DKK 82.00

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Colin Evans: Basic Bass

Six easy pieces for the beginner bass player using open strings only.

DKK 134.00

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Jackson: The York Organ Album

Francis Jackson's York Organ Album is a work dedicated to the various organists of York Cathedral since the mid eighteenth century and the York Minister Organ on which they played.

DKK 332.00

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Richard Rodney Bennett:: Sonatina For Clarinet Solo

Richard Rodney Bennett, Sonatina for clarinet solo, commissioned by the Mid-Northumberland Arts Group for the National Clarinet Competition for Young People 1983. Duration c. 7 minutes. The Sonatina is in three movements, 'Con fuoco', 'Night thoughts', ' Scherznado'

DKK 118.00

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Richard Allain: In The Bleak Mid-Winter (SATB)

Written for Stephen Cleobury and the Choir of King's College, Cambridge.Piano part on the score for rehearsal purposes only

DKK 65.00

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Sing Nowell

A mid-twentieth century collection of the best in contemporary British carol writing and arrangement, featuring 51 carols for mixed voices.Every effort has been made to keep the carols within the capabilities of a reasonable proficient choir. The performing notes at the end of each carol are intended to save the conductor?s time by indicating likely trouble spots and giving interpretative hints. Edited by Louis Halsey and Basil Ramsey.

DKK 221.00

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Treble Recorder Technique

Alan Davis. A book intended primarily for players who would like to attain sufficient technical ability to explore lots of repertoire. Part 1 is concerned with the basic technique of the modern treble recorder and consists of elementary graded exercises, scales and arpeggios and advanced technical studies. Part 2 focuses on the more specialised techniques of the renaissance and baroque recorder and also introduces avant-garde technique.

DKK 340.00

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Edward Gregson: String Quartet (Score/Parts)

Edward Gregson 's String Quartet was commissioned by The Manchester Mid-day Concerts Society in celebration of its 100th year. The premier performance took place on the 14th of January 2015, performed by the Navarra Quartet at the Bridgewater Hall in Manchester. The piece is divided into three distinct movements, each developing and changing what has come before. When commenting on his compositional process for String Quartet , Gregson noted that he desired to return to the classical principles of Beethoven and Bartok, deciding to include extended sonata, variation and rondo forms.

DKK 488.00

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Michael Hurd: Rooster Rag

A swinging pop cantata for narrator, unison voices with optional divisions, piano and guitar chord symbols. When performed as a cantata the chorus can sing throughout, with or without division into solo, main chorus and semi-chorus effects. As a stage work, the chorus can be placed at the sides, whilst centre stage are the chorus of six hens, the main characters with solos (Chanticleer, Pertelote, and Mr Fox), plus the Narrator. Entrances, exits and all the basic action are implicit in the lyrics and narration.

DKK 158.00

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David Sanger: Play The Organ Volume 2

Here is the keenly-awaited sequel to David Sanger's Beginner's Tutor, Play The Organ. Volume two continues the course of study commenced and can be used to equal advantage by those who began with the first volume and those who already have a basic keyboard facility and music reading ability. Manual-playing, pedalling, co-ordination, national styles of Baroque organ playing and hymn playing techniques are all subjects dealt with in depth. Advice on registration, improvisation, plus exercises and studies and over sixty pieces.

DKK 428.00

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Junior Choral Club Book 2: Orange Book

Junior Choral Club is an exciting and enjoyable series for Keystage 2 choirs, in association with the British Federation of Young Choirs. The songs are designed to help your choir develop their singing within a range suitable for young voices, reinforce basic score reading skills, encourage good musicianship and develop ensemble skills. The series is designed to be used in succession, or in any order for repertoire purpose. The harmony parts have been kept simple, alongside the piano/keyboard accompaniment. Each contains four songs with photocopiable vocal parts, helpful advice, rehearsal tips for each piece, and demonstration CD.

DKK 198.00

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David Blake: Scenes Cello Solo

Written for Moray Welsh whilst still an undergraduate at York University. This piece was completed in mid-September. Inspired by Hermann Hesse's Steppenwolf. A solo 'cello seemed an appropriate medium for music which might explore the character of Harry Haller, with his desire for bourgeois comfort and his strong misanthropic and suicidal tendencies. The opening theme attempts to express this - melancholy, nostalgic, a bit Biedermeyer (cf. Brahms Intermezzi). The basic theme of the book, at its simplest, is that every human personality consists of hundred of different personalities - within every man there lurks a wolf. Accordingly the tendency of my piece is for all its musical material to become distorted, either by thematic transformation or by changes of timbre. There are three movements played without a break. The first is a character portrait of the Steppenwolf. The second is concerned in the most general sort of way with the dance elements in the novel - Harry's being taught to dance and appreciate low 'popular' music - a tango is recapitulated in a waltz and 'Yearning', a popular song of the time (1927) is hinted at. The third movement concerns the Masked Ball and the Magic Theatre. Mozart is one of Hesse's great loves and he is repeatedly mentioned in the book. Inevitably some Mozart quotes have been worked in, the most significant being a reference to The Magic Flute 'fire and water' flute theme in the middle of the second movement. Long before I finished the piece, I was disenchanted with the work of Hesse. Much of Steppenwolf I now find rather embarrassing and the claims currently made for Hesse's greatness seem to me exaggerated. Since my piece is in no important sense programmatically specific, this change of heart doesn't really matter.© David Blake

DKK 213.00

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Junior Choral Club Book 4: Red Book

Simple arrangements by Jo McNally for KS2 choirs and easy Piano/Keyboard accompaniment. With CD demonstration. Junior Choral Club is an exciting and enjoyable series for Keystage 2 choirs, in association with the British Federation of Young Choirs. The songs are designed to help your choir develop their singing within a range suitable for young voices, reinforce basic score reading skills, encourage good musicianship and develop ensemble skills. The series is designed to be used in succession, or in any order for repertoire purpose. The harmony parts have been kept simple, alongside the piano/keyboard accompaniment. Each contains four songs with photocopiable vocal parts, helpful advice, rehearsal tips for each piece, and demonstration CD.

DKK 191.00

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Charles Villiers Stanford: Intermezzo On An Irish Air (No.4 From Four Intermezzi Op.189)

Charles Villiers Stanford was an Irish composer, music teacher, and conductor. Stanford composed a substantial number of concert works, including seven symphonies, but his best-remembered pieces are his choral works for church performance, chiefly composed in the Anglican tradition. Admitted to Queens College, Cambridge with an Organ scholarship Stanford had written a substantial number of compositions, including vocal music, both sacred and secular, and orchestral works before getting involved with the university’s Musical Society. While still an undergraduate, Stanford was appointed organist of Trinity College, Cambridge. Part of the ‘Four Intermezzi Op. 189’ Intermezzo On An Irish Air for Organ is based on the melody of the well-known ‘Londonderry Air’. The traditional Irish tune was first collected in the mid 19th century by Jane Ross, and is recognised all around the world by the Irish Diaspora. Duration ca. 6:20.

DKK 142.00

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Alan Bush: Variations, Nocturne And Finale For 2 Pianos

Variations, Nocturne & Finale On An English Sea-Song for Piano and Orchestra Op.60. Orchestral part arranged for a second Piano by David Lyon. After a brief introduction to the Orchestra, the melody of an eighteenth century whalermen's ballad with verse and refrain 'Blow Ye Winds', is given out, the verse by the Piano, the refrain divided between Orchestra and Piano. Then follow thirteen variations, the last three being pianistic etudes, accompanied Orchestrally. The nocturne evokes the nostalgia of a long voyage and the finale the excitement, dangers and glory of a triumphant chase. In these movements, as well as in the variations, the entire musical material is derived from the basic theme. The work is designed as a virtuoso concert-piece for the pianist, with supporting Orchestral flashes of colour and points of contrast.

DKK 317.00

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Edward Gregson: Shadow of Paradise (Oboe/Percussion)

Shadow of Paradise was written specially for Melinda Maxwell. The work was completed in 2005, the same year that she recorded the work together with Richard Benjafield (percussion) for the Dutton label."The work is based on the poem by Samuel Taylor Coleridge, Kubla Khan, and I have attempted to capture some of the spirit of his highly evocative text in my music.It is structured in three main sections: the opening section (And ?mid this tumult Kubla heard from far Ancestral voices prophesying war) is dramatic in nature with the oboe announcing two ideas - the first a high repeated note rhythmic pattern (later with multiphonics), answered by six differently pitched drums and temple blocks, and the second a short lyrical phrase mainly built on thirds.In the second section (A damsel with a dulcimer In a vision once I saw?Could I revive within me Her symphony and song) the solo oboe transforms the repeated notes and thirds of the first section into a love song, underpinned by the percussionist?s vibraphone and crotales.A short reprise of the very opening leads into the final section (Beware! Beware! His flashing eyes, his floating hair! Weave a circle round him thrice?) which mirrors the text with three short dances in chain form, folk-like in character and increasingly climactic. A final reprise of the opening seems to suggest a violent end, but the oboe?s echo of the love song, answered by the percussionist?s crotales, brings the work to a gentler conclusion." Edward Gregson - December 2011Instrumentation:Solo oboeSolo percussion (6 temple blocks, 2 bongos, 4 tom-toms, vibraphone, crotales, 2 tambourines)

DKK 189.00

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