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Organizing Your Own - Say Burgin - Bog - New York University Press - Plusbog.dk

Organizing Your Own - Say Burgin - Bog - New York University Press - Plusbog.dk

The fascinating history of white solidarity with the Black Power movement In the mid-1960s, as the politics of Black self-determination gained steam, Black activists had a new message for white activists: Go into your own communities and organize white people against racism. While much of the media at the time and many historians since have regarded this directive as a "white purge" from the Black freedom movement, Say Burgin argues that it heralded a new strategy, racially parallel organizing, which people experimented with all over the country. Organizing Your Own shows that the Black freedom movement never experienced a "white purge," and it offers a new way of understanding Black Power's relationship to white America. By focusing on Detroit from the mid-1960s through the mid-1970s, this volume illuminates a wide cross-section of white activists who took direction from Black-led groups like the Northern Student Movement, the City-Wide Citizens Action Committee, and the League of Revolutionary Black Workers. Organizing Your Own draws on numerous oral histories and heretofore unseen archives to show that these white activists mobilized support for Black self-determination in education, policing, employment, and labor unions. It was a trial-and-error effort that pushed white activists to grapple with tough questions – which white people should they organize and how, which Black-led groups should they take direction from, and when did taking Black direction become mere sycophancy. The story of Detroit's white fight for Black Power thus not only reveals a broader, richer movement, but it carries great insight into questions that remain relevant.

DKK 312.00
1

Slavery before Race - Katherine Howlett Hayes - Bog - New York University Press - Plusbog.dk

Slavery before Race - Katherine Howlett Hayes - Bog - New York University Press - Plusbog.dk

The study of slavery in the Americas generally assumes a basic racial hierarchy: Africans or those of African descent are usually the slaves, and white people usually the slaveholders. In this unique interdisciplinary work of historical archaeology, anthropologist Katherine Hayes draws on years of fieldwork on Shelter Island’s Sylvester Manor to demonstrate how racial identity was constructed and lived before plantation slavery was racialized by the legal codification of races. Using the historic Sylvester Manor Plantation site turned archaeological dig as a case study, Hayes draws on artifacts and extensive archival material to present a rare picture of northern slavery on one of the North’s first plantations. The Manor was built in the mid-17th century by British settler Nathaniel Sylvester, whose family owned Shelter Island until the early 18th century and whose descendants still reside in the Manor House. There, as Hayes demonstrates, white settlers, enslaved Africans, and Native Americans worked side by side. While each group played distinct roles on the Manor and in the larger plantation economy of which Shelter Island was part, their close collaboration and cohabitation was essential for the Sylvester family’s economic and political power in the Atlantic Northeast. Through the lens of social memory and forgetting, this study addresses the significance of Sylvester Manor’s plantation history to American attitudes about diversity, Indian land politics, slavery and Jim Crow, in tension with idealized visions of white colonial community.

DKK 539.00
1

Slavery before Race - Katherine Howlett Hayes - Bog - New York University Press - Plusbog.dk

Slavery before Race - Katherine Howlett Hayes - Bog - New York University Press - Plusbog.dk

The study of slavery in the Americas generally assumes a basic racial hierarchy: Africans or those of African descent are usually the slaves, and white people usually the slaveholders. In this unique interdisciplinary work of historical archaeology, anthropologist Katherine Hayes draws on years of fieldwork on Shelter Island’s Sylvester Manor to demonstrate how racial identity was constructed and lived before plantation slavery was racialized by the legal codification of races. Using the historic Sylvester Manor Plantation site turned archaeological dig as a case study, Hayes draws on artifacts and extensive archival material to present a rare picture of northern slavery on one of the North’s first plantations. The Manor was built in the mid-17th century by British settler Nathaniel Sylvester, whose family owned Shelter Island until the early 18th century and whose descendants still reside in the Manor House. There, as Hayes demonstrates, white settlers, enslaved Africans, and Native Americans worked side by side. While each group played distinct roles on the Manor and in the larger plantation economy of which Shelter Island was part, their close collaboration and cohabitation was essential for the Sylvester family’s economic and political power in the Atlantic Northeast. Through the lens of social memory and forgetting, this study addresses the significance of Sylvester Manor’s plantation history to American attitudes about diversity, Indian land politics, slavery and Jim Crow, in tension with idealized visions of white colonial community.

DKK 225.00
1

Risible Rhymes - Muhammad Ibn Mahfuz Al Sanhuri - Bog - New York University Press - Plusbog.dk

Risible Rhymes - Muhammad Ibn Mahfuz Al Sanhuri - Bog - New York University Press - Plusbog.dk

Written in mid-seventeenth-century Egypt, Risible Rhymes is in part a short, comic disquisition on “rural” verse, mocking the pretensions and absurdities of uneducated poets from Egypt’s countryside. The interest in the countryside as a cultural, social, economic, and religious locus in its own right that is hinted at in this work may be unique in pre-twentieth-century Arabic literature. As such, the work provides a companion piece to its slightly younger contemporary, Yūsuf al-Shirbīnī’s Brains Confounded by the Ode of Abū Shādūf Expounded , which also takes examples of mock-rural poems and subjects them to grammatical analysis. The overlap between the two texts may indicate that they both emanate from a common corpus of pseudo-rural verse that circulated in Ottoman Egypt. Risible Rhymes also examines various kinds of puzzle poems—another popular genre of the day—and presents a debate between scholars over a line of verse by the fourth/tenth-century poet al-Mutanabbī. Taken as a whole, Risible Rhymes offers intriguing insight into the critical concerns of mid-Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics that dominated discussions of poetry in al-Sanhūrī''s day and shedding light on the literature of this understudied era.A bilingual Arabic-English edition.

DKK 270.00
1

Rituals of Migration - - Bog - New York University Press - Plusbog.dk

Rituals of Migration - - Bog - New York University Press - Plusbog.dk

Italian and Irish immigrant experiences When people migrate, they often perform social and cultural rituals along the way. The idea of rites of passage—with its elements of preparation, departure, transit, admission, exclusion, expulsion, and return—helps us understand these moments in the process of migration in new and meaningful ways. Rituals of Migration offers snapshots of Italian and Irish migrants on the move from the mid-nineteenth to mid-twentieth centuries. The essays in this volume examine the particular moments, actions, sentiments, and material objects in the process of migration—at the point of departure, in transit, and in the process of return. Because rites and rituals feature both nonverbal and verbal expression, migration history can be understood by studying physical objects as well as written sources. The authors focus on rituals created by migrants and their descendants, but they also consider the actions of officials who regulated migrants' departure, travel, admission, exclusion, and removal. By examining what people did, thought, felt, and packed on the eve of their departures, during their journeys, and when returning to their homelands, Rituals of Migration reveals how everyone involved in the immigration process, including the migrants themselves, the families they left behind, and those in charge of regulating their mobility, have tried to make sense of a process filled with peril, uncertainty, excitement, and opportunity.

DKK 291.00
1

The Green Space - Marion R. Casey - Bog - New York University Press - Plusbog.dk

The Green Space - Marion R. Casey - Bog - New York University Press - Plusbog.dk

Honorable Mention, 2025 ACIS Lawrence J. McCaffrey Prize for Books on Irish America A historical exploration of the Irish image in popular culture It only took a century or so to segue from phrases like "No Irish Need Apply" to "Kiss Me, I'm Irish" in American popular culture. Indeed, the transformation of the Irish image is a fascinating blend of political, cultural, racial, commercial, and social influences. The Green Space examines the variety of factors that contributed to remaking the Irish image from downtrodden and despised to universally acclaimed. To understand the forces that molded how people understand "Irish" is to see the matrix—the green space—that facilitated their interaction between the 1890s and 1960s. Marion R. Casey argues that, as "Irish" evolved between the mid-nineteenth and mid-twentieth centuries, a visual and rhetorical expanse for representing ethnicity was opened up in the process. The evolution was also transnational; both Ireland and the United States were inextricably linked to how various iterations of "Irish" were deployed over time—whether as a straightforward noun about a specific people with a national identity or a loose, endlessly malleable adjective only tangentially connected to actual ethnic identity. Featuring a rich assortment of sources and images, The Green Space takes the history of the Irish image in America as a prime example of the ways in which culture and identity can be manufactured, repackaged, and ultimately revolutionized. Understanding the multifaceted influences that shaped perceptions of "Irishness" holds profound relevance for examining similar dynamics within studies of various immigrant and ethnic communities in the US.

DKK 303.00
1

How East New York Became a Ghetto - Walter Thabit - Bog - New York University Press - Plusbog.dk

How East New York Became a Ghetto - Walter Thabit - Bog - New York University Press - Plusbog.dk

In response to the riots of the mid-‘60s, Walter Thabit was hired to work with the community of East New York to develop a plan for low- and moderate-income public housing. In the years that followed, he experienced first-hand the forces that had engineered East New York’s dramatic decline and that continued to work against its successful revitalization. How East New York Became a Ghetto describes the shift of East New York from a working-class immigrant neighborhood to a largely black and Puerto Rican neighborhood and shows how the resulting racially biased policies caused the deterioration of this once flourishing area.A clear-sighted, unflinching look at one ghetto community, How East New York Became a Ghetto provides insights and observations on the histories and fates of ghettos throughout the United States.

DKK 248.00
1

Four Steeples over the City Streets - Kyle T. Bulthuis - Bog - New York University Press - Plusbog.dk

Four Steeples over the City Streets - Kyle T. Bulthuis - Bog - New York University Press - Plusbog.dk

Tells the diverse story of four congregations in New York City as they navigated the social and political changes of the late eighteenth and mid-nineteenth centuries. In the fifty years after the Constitution was signed in 1787, New York City grew from a port town of 30,000 to a metropolis of over half a million residents. This rapid development transformed a once tightknit community and its religious experience. Including four churches belonging in various forms to the Church of England, that in some form still thrive today. Rapid urban and social change connected these believers in unity in the late colonial era. As the city grew larger, more impersonal, and socially divided, churches reformed around race and class-based neighborhoods. In Four Steeples over the City Streets, Kyle T. Bulthuis examines the intertwining of these four famous institutions—Trinity Episcopal, John Street Methodist, Mother Zion African Methodist, and St. Philip’s (African) Episcopal—to uncover the lived experience of these historical subjects, and just how religious experience and social change connected in the dynamic setting of early Republic New York.Drawing on a wide range of sources including congregational records and the unique histories of some of the churches leaders, Four Steeples over the City Streets reveals how these city churches responded to these transformations from colonial times to the mid-nineteenth century. Bulthuis also adds new dynamics to the stories of well-known New Yorkers such as John Jay, James Harper, and Sojourner Truth. More importantly, Four Steeples over the City Streets connects issues of race, class, and gender, urban studies, and religious experience, revealing how the city shaped these churches, and how their respective religious traditions shaped the way they reacted to the city. This book is a critical addition to the study and history of African American activism and life in the ever-changing metropolis of New York City.

DKK 248.00
1

Wedlocked - Katherine Franke - Bog - New York University Press - Plusbog.dk

Wedlocked - Katherine Franke - Bog - New York University Press - Plusbog.dk

Compares today's same-sex marriage movement to the experiences of black people in the mid-nineteenth century. The staggering string of victories by the gay rights movement's campaign for marriage equality raises questions not only about how gay people have been able to successfully deploy marriage to elevate their social and legal reputation, but also what kind of freedom and equality the ability to marry can mobilize. Wedlocked turns to history to compare today's same-sex marriage movement to the experiences of newly emancipated black people in the mid-nineteenth century, when they were able to legally marry for the first time. Maintaining that the transition to greater freedom was both wondrous and perilous for newly emancipated people, Katherine Franke relates stories of former slaves' involvements with marriage and draws lessons that serve as cautionary tales for today's marriage rights movements. While "be careful what you wish for" is a prominent theme, they also teach us how the rights-bearing subject is inevitably shaped by the very rights they bear, often in ways that reinforce racialized gender norms and stereotypes. Franke further illuminates how the racialization of same-sex marriage has redounded to the benefit of the gay rights movement while contributing to the ongoing subordination of people of color and the diminishing reproductive rights of women. Like same-sex couples today, freed African-American men and women experienced a shift in status from outlaws to in-laws, from living outside the law to finding their private lives organized by law and state licensure. Their experiences teach us the potential and the perils of being subject to legal regulation: rights—and specifically the right to marriage—can both burden and set you free.

DKK 655.00
1

A Rich Brew - Shachar M. Pinsker - Bog - New York University Press - Plusbog.dk

A Rich Brew - Shachar M. Pinsker - Bog - New York University Press - Plusbog.dk

Finalist, 2018 National Jewish Book Award for Modern Jewish Thought and Experience, presented by the Jewish Book Council Winner, 2019 Jordan Schnitzer Book Award, in the Jewish Literature and Linguistics Category, given by the Association for Jewish Studies A fascinating glimpse into the world of the coffeehouse and its role in shaping modern Jewish culture Unlike the synagogue, the house of study, the community center, or the Jewish deli, the café is rarely considered a Jewish space. Yet, coffeehouses profoundly influenced the creation of modern Jewish culture from the mid-nineteenth to mid-twentieth centuries. With roots stemming from the Ottoman Empire, the coffeehouse and its drinks gained increasing popularity in Europe. The "otherness," and the mix of the national and transnational characteristics of the coffeehouse perhaps explains why many of these cafés were owned by Jews, why Jews became their most devoted habitués, and how cafés acquired associations with Jewishness. Examining the convergence of cafés, their urban milieu, and Jewish creativity, Shachar M. Pinsker argues that cafés anchored a silk road of modern Jewish culture. He uncovers a network of interconnected cafés that were central to the modern Jewish experience in a time of migration and urbanization, from Odessa, Warsaw, Vienna, and Berlin to New York City and Tel Aviv. A Rich Brew explores the Jewish culture created in these social spaces, drawing on a vivid collection of newspaper articles, memoirs, archival documents, photographs, caricatures, and artwork, as well as stories, novels, and poems in many languages set in cafés. Pinsker shows how Jewish modernity was born in the café, nourished, and sent out into the world by way of print, politics, literature, art, and theater. What was experienced and created in the space of the coffeehouse touched thousands who read, saw, and imbibed a modern culture that redefined what it meant to be a Jew in the world.

DKK 281.00
1

A Rich Brew - Shachar M. Pinsker - Bog - New York University Press - Plusbog.dk

A Rich Brew - Shachar M. Pinsker - Bog - New York University Press - Plusbog.dk

Finalist, 2018 National Jewish Book Award for Modern Jewish Thought and Experience, presented by the Jewish Book Council Winner, 2019 Jordan Schnitzer Book Award, in the Jewish Literature and Linguistics Category, given by the Association for Jewish Studies A fascinating glimpse into the world of the coffeehouse and its role in shaping modern Jewish culture Unlike the synagogue, the house of study, the community center, or the Jewish deli, the café is rarely considered a Jewish space. Yet, coffeehouses profoundly influenced the creation of modern Jewish culture from the mid-nineteenth to mid-twentieth centuries. With roots stemming from the Ottoman Empire, the coffeehouse and its drinks gained increasing popularity in Europe. The "otherness," and the mix of the national and transnational characteristics of the coffeehouse perhaps explains why many of these cafés were owned by Jews, why Jews became their most devoted habitués, and how cafés acquired associations with Jewishness. Examining the convergence of cafés, their urban milieu, and Jewish creativity, Shachar M. Pinsker argues that cafés anchored a silk road of modern Jewish culture. He uncovers a network of interconnected cafés that were central to the modern Jewish experience in a time of migration and urbanization, from Odessa, Warsaw, Vienna, and Berlin to New York City and Tel Aviv. A Rich Brew explores the Jewish culture created in these social spaces, drawing on a vivid collection of newspaper articles, memoirs, archival documents, photographs, caricatures, and artwork, as well as stories, novels, and poems in many languages set in cafés. Pinsker shows how Jewish modernity was born in the café, nourished, and sent out into the world by way of print, politics, literature, art, and theater. What was experienced and created in the space of the coffeehouse touched thousands who read, saw, and imbibed a modern culture that redefined what it meant to be a Jew in the world.

DKK 246.00
1

Wedlocked - Katherine Franke - Bog - New York University Press - Plusbog.dk

Wedlocked - Katherine Franke - Bog - New York University Press - Plusbog.dk

Compares today's same-sex marriage movement to the experiences of black people in the mid-nineteenth century. The staggering string of victories by the gay rights movement's campaign for marriage equality raises questions not only about how gay people have been able to successfully deploy marriage to elevate their social and legal reputation, but also what kind of freedom and equality the ability to marry can mobilize. Wedlocked turns to history to compare today's same-sex marriage movement to the experiences of newly emancipated black people in the mid-nineteenth century, when they were able to legally marry for the first time. Maintaining that the transition to greater freedom was both wondrous and perilous for newly emancipated people, Katherine Franke relates stories of former slaves' involvements with marriage and draws lessons that serve as cautionary tales for today's marriage rights movements. While "be careful what you wish for" is a prominent theme, they also teach us how the rights-bearing subject is inevitably shaped by the very rights they bear, often in ways that reinforce racialized gender norms and stereotypes. Franke further illuminates how the racialization of same-sex marriage has redounded to the benefit of the gay rights movement while contributing to the ongoing subordination of people of color and the diminishing reproductive rights of women. Like same-sex couples today, freed African-American men and women experienced a shift in status from outlaws to in-laws, from living outside the law to finding their private lives organized by law and state licensure. Their experiences teach us the potential and the perils of being subject to legal regulation: rights—and specifically the right to marriage—can both burden and set you free.

DKK 262.00
1