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Guardian of the Wall - J. David Holcomb - Bog - Lexington Books - Plusbog.dk

Foundation for a Natural Morality - Edmund Wall - Bog - Lexington Books - Plusbog.dk

Breaking the Iron Wall - Habiba Zaman - Bog - Lexington Books - Plusbog.dk

The Philosophical Contexts of Sartre’s The Wall and Other Stories - Kevin W. Sweeney - Bog - Lexington Books - Plusbog.dk

The Philosophical Contexts of Sartre’s The Wall and Other Stories - Kevin W. Sweeney - Bog - Lexington Books - Plusbog.dk

The Philosophical Contexts of Sartre’s The Wall and Other Stories: Stories of Bad Faith presents a philosophical analysis of all five stories in Sartre’s short-story collection. Kevin W. Sweeney argues that each of the five stories has its own philosophical idea or problem that serves as the context for the narrative. Sartre constructs each story as a reply to the philosophical issue in the context and as support for his position on that issue. In the opening story, “The Wall,” Sartre uses the Constant-Kant debate to support his view that the story’s protagonist is responsible for his ally’s death. “The Room” presents in narrative form Sartre’s criticism that the Freudian Censor is acting in bad faith. In “Erostratus,” Sartre opposes Descartes’s claim in his “hats and coats” example that we recognize the humanity of others by using our reason. In “Intimacy,” Sartre again opposes a Cartesian position, this time the view that our feelings reveal our emotions. Sartre counters that Cartesian view by showing that the two women in the story act in bad faith because they do not distinguish their feelings from their emotions. The last story, “The Childhood of a Leader,” shows how the protagonist acts in bad faith in trying to resolve the question of who he is by appealing to the view that one’s roots in nature can provide one with a substantial identity. The stories are unified by showing the characters in all five narratives engaged in different acts of bad faith. The Philosophical Contexts of Sartre’s The Wall and Other Stories is written for scholars interested in Jean-Paul Sartre’s early literary and philosophical work, as well as for students interested in Sartre and twentieth-century French literature.

DKK 742.00
1

Understanding Occupy from Wall Street to Portland - - Bog - Lexington Books - Plusbog.dk

DKK 476.00
1

Balance - David Wall Rice - Bog - Lexington Books - Plusbog.dk

Balance - David Wall Rice - Bog - Lexington Books - Plusbog.dk

Fighting the Last War - Tamir Bar On - Bog - Lexington Books - Plusbog.dk

Freedom and Respect in Jewish Ethics - Kim Treiger Bar Am - Bog - Lexington Books - Plusbog.dk

Israeli Feminism Liberating Judaism - Bonna Devora Haberman - Bog - Lexington Books - Plusbog.dk

Women’s Artistic Dissent - Brenda A. Flanagan - Bog - Lexington Books - Plusbog.dk

Northern Ghanaian Women’s Artistry - Brittany Sheldon - Bog - Lexington Books - Plusbog.dk

People, Place, and Attachment in Local Bars - John W. Mcewen - Bog - Lexington Books - Plusbog.dk

The Philippines and the International Monetary Fund Negotiations on Petroleum and Imports - Kenneth Faulve Montojo - Bog - Lexington Books -

Building Walls - Ernesto Castaneda - Bog - Lexington Books - Plusbog.dk

Building Walls - Ernesto Castaneda - Bog - Lexington Books - Plusbog.dk

The election of Donald Trump has called attention to the border wall and anti-Mexican discourses and policies, yet these issues are not new. Building Walls puts the recent calls to build a border wall along the US-Mexico border into a larger social and historical context. This book describes the building of walls, symbolic and physical, between Americans and Mexicans, as well as the consequences that these walls have in the lives of immigrants and Latin communities in the United States. The book is divided into three parts: categorical thinking, anti-immigrant speech, and immigration as an experience. The sections discuss how the idea of nation state constructs border, how political strategy and racist ideologies construct the idea of irreconcilable differences between whites and Latinos, and how immigrants and their families overcome their struggles to continue living in America. They analyze historical precedents, normative frameworks, divisive discourses, and contemporary daily interactions between whites and Latin individuals. It discusses the debates on how to name people of Latin American origin and the framing of immigrants as a threat and contrasts them to the experiences of migrants and border residents. Building Walls makes a theoretical contribution by showing how different dimensions work together to create durable inequalities between U.S. native whites, Latinos, and newcomers. It provides a sophisticated analysis and empirical description of racializing and exclusionary processes.

DKK 848.00
1

History as Prelude - - Bog - Lexington Books - Plusbog.dk

History as Prelude - - Bog - Lexington Books - Plusbog.dk

The Abe Legacy - - Bog - Lexington Books - Plusbog.dk

Trump and Iran - Kaveh L. Afrasiabi - Bog - Lexington Books - Plusbog.dk

Trump and Iran - Kaveh L. Afrasiabi - Bog - Lexington Books - Plusbog.dk

The 1945–1952 British Government's Opposition to Zionism and the Emergent State of Israel - Nick Reynold - Bog - Lexington Books - Plusbog.dk

An American Political Scientist in Israel - Paul Eidelberg - Bog - Lexington Books - Plusbog.dk

Handbook of Canadian Foreign Policy - - Bog - Lexington Books - Plusbog.dk

Playing Offstage - - Bog - Lexington Books - Plusbog.dk

Playing Offstage - - Bog - Lexington Books - Plusbog.dk

Fourteen scholars who work on campus or in the theater address this issue of what it means to play offstage. With their individual definition of what “offstage” could mean, the results were, predictably, varied. They employed a variety of critical approaches to the question of what happens when the play moves into the audience or beyond the physical playhouse itself? What are the social, cultural, and political ramifications? Questions of “how” and “why” actors play offstage admit the larger “role” their production has for the world outside the theater, and hence this collection’s sub-title: “The Theater As a Presence or Factor in the Real World.” Among the various topics, the essays include: breaking the “fourth wall” and thereby making the audience part of the performance; the theater of political protest (one contributor staged Waiting for Godot in Zuccotti Park as part of the Occupy Wall Street protests); “landscape” or “town” theater using citizens as actors or trekking theater where the production moves among various locations in the community; the way principles of the theater can inform corporate management; the genre of semi-scripted comedy and quasi-impromptu spectacle (such as reality TV or flash mobs); digitalized performances of Shakespeare; the role of Greek Theater in the midst of the country’s current economic and political crisis; how the area outside the theater became part of the performance inside Shakespeare’s Globe; Timothy Leary’s Psychedelic Celebrations designed to reproduce the offstage experience of LSD; WilliamVollmann’s use of Noh theater to fashion a personal model and process of life-transformation; liminal theater which erases the line between onstage and off. The collection thus complements through actual performance criticism those studies that see the theater as a commentary on issues—social, political, economic; and it reverses the Editor’s own earlier collection The Audience As Player, which examined interactive theater where the spectator comes onstage.

DKK 397.00
1

Blood in the Water - Walter Champion - Bog - Lexington Books - Plusbog.dk