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What Did Dinosaurs Think About? - Jean Le Loeuff - Bog - Johns Hopkins University Press - Plusbog.dk

What Did Dinosaurs Think About? - Jean Le Loeuff - Bog - Johns Hopkins University Press - Plusbog.dk

Reveals the fascinating behaviors and social lives of dinosaurs. What do we truly know about the intelligence of dinosaurs? In What Did Dinosaurs Think About? paleontologist Jean Le Loeuff takes us beyond these captivating animals' cinematic portrayals in Jurassic Park to illustrate how these creatures truly lived, hunted, socialized, and survived. Based on the latest paleontological discoveries, Le Loeuff examines dinosaur intelligence, social behaviors, and sensory experiences, offering a fresh view of their world. Could T. rex truly smell its prey from miles away? How did Triceratops and Velociraptors interact with each other and their environments? And could some dinosaurs communicate with sounds—or even colors? With advancements like CT scans and 3D imaging, scientists are uncovering new insights into dinosaur brains, senses, and vocalizations. Le Loeuff explores topics like the intricate structure of the dinosaur brain, the colors and patterns of their skin, and what their fossilized footprints reveal about their social lives. Readers will also learn how today's birds and reptiles provide clues to the habits and behaviors of their ancient relatives. From the scaly giants that roamed prehistoric landscapes to the swift predators that stalked their prey under moonlight, this fascinating book offers a captivating glimpse into the lives of these extraordinary animals.

DKK 230.00
1

Malory's Originality - R. M. Lumiansky - Bog - Johns Hopkins University Press - Plusbog.dk

Malory's Originality - R. M. Lumiansky - Bog - Johns Hopkins University Press - Plusbog.dk

Originally published in 1964. The book presents a commentary on Le Morte d'Arthur that illuminates Malory's literary aims and techniques. The author brings to bear several hitherto unused source materials on Malory's work and offers new analyses of his authorial purposes. Lumiansky argues that Malory wrote a single unified book rather than eight separate tales. The source of Malory's story is an Old French romance known as the Suite du Merlin. Lumiansky traces Malory's originality through Malory's treatment of the main generic features of the Suite du Merlin.

DKK 380.00
1

Men and Masks - Lionel Gossman - Bog - Johns Hopkins University Press - Plusbog.dk

Men and Masks - Lionel Gossman - Bog - Johns Hopkins University Press - Plusbog.dk

Originally published in 1963. Moliere's plays rank among the great comic achievements in the history of the stage. Yet few attempts have been made to understand them as expressing the historical context of the author's time. Most frequently they have been interpreted from the point of view of purely literary history, while the characters have been seen as universal comic types. Lionel Gossman reappraises Moliere's comedy in the light of historical experience and interprets it in terms of the conditions from which it emerged. He brings it into the mainstream of seventeenth-century French literature and shows that Moliere was concerned with the same things that concerned Descartes, Corneille, Racine, or Pascal. Five comedies (Amphitryon, Dom Juan, Le Misanthrope, Le Tartuffe, and George Dandin) are studied in the first part of the book. A number of basic structures are found to be common to all of them, and these give the author his point of departure for the second part of the book. In the second part, Gossman examines Moliere's position with respect to other major seventeenth-century French writers. The comic vision of Moliere, Gossman argues, no less than the tragic vision of Pascal or of Racine, expresses a particular relation to the social structure of the time. The subject matter of Moliere's comedy is thus, in the author's view, not universal human nature but the men and women of the society in which Moliere lived. Indeed, Gossman goes on to argue that the development of society after Moliere made it difficult, and in the end impossible, for later writers to see the world in the comic light that illuminated Moliere's writing. Even in certain of Moliere's own works, in fact, the comic vision shades into something close to Romantic irony.

DKK 380.00
1

Ephemeral Bibelots - Brad (rutgers The State University Of New Jersey) Evans - Bog - Johns Hopkins University Press - Plusbog.dk

Ephemeral Bibelots - Brad (rutgers The State University Of New Jersey) Evans - Bog - Johns Hopkins University Press - Plusbog.dk

Restoring proto-modernist little magazines—known as ephemeral bibelots—to the scholarly canon. Emanating from the cabarets of modernist Paris, a short-lived vogue spread around the world for avant-garde journals known in English as "ephemeral bibelots." For a time, it seemed that all the young bohemians passing through Paris started their own bibelots modeled on Le Chat Noir , the esoteric magazine of the famed Montmartre cabaret. These journals were recognizable for their decadence, campy queerness, astounding art nouveau illustrations, fin-de-siècle color schemes, innovative typefaces, and practiced bohemianism. In Ephemeral Bibelots , Brad Evans relays the untold story of this late-nineteenth-century craze for bibelots, dusting off a trove of periodicals largely untouched by digitization. In excavating this forgotten archive, Evans calls into question the prehistory of modernist little magazines as well as the history of American art and literature at the turn of the twentieth century. Considering how artistic movements take shape, move, and disappear, the book is organized around three major themes—"vogue," "ephemera," and "obscurity"—with authors and artists to match. A full-color insert reveals a glorious array of bibelot covers. This revisionary history of print culture incorporates discussions of pragmatist philosophy and relational aesthetics; women writers like Juliet Wilbor Tompkins and Carolyn Wells; the graphic artists Will Bradley, Louis Rhead, and John Sloan; the dancer Loie Fuller; and twentieth-century figures like H. L. Mencken, Amy Lowell, and Anita Loos. Bringing nineteenth-century American literature and culture into conversation with modern art movements from around the world, Ephemeral Bibelots provides new ways of thinking about the centrality of various media cultures to the attribution of aesthetic innovation and its staying power.

DKK 322.00
1

Systems Failure - Andrew (associate Professor Of English Franta - Bog - Johns Hopkins University Press - Plusbog.dk

Systems Failure - Andrew (associate Professor Of English Franta - Bog - Johns Hopkins University Press - Plusbog.dk

How eighteenth-century writers stretched systems designed to explain social relations to their breaking point, showing the flaws in their design. The Enlightenment has long been understood—and often understood itself—as an age of systems. In 1759, Jean Le Rond d''Alembert, one of the architects of the Encyclopédie , claimed that "the true system of the world has been recognized, developed, and perfected." In Systems Failure , Andrew Franta challenges this view by exploring the fascination with failure and obsession with unpredictable social forces in a range of English authors from Samuel Johnson to Jane Austen. Franta argues that attempts to extend the Enlightenment''s systematic spirit to the social world prompted many prominent authors to reject the idea that knowledge is synonymous with system. In readings of texts ranging from novels by Sterne, Smollett, Godwin, and Austen to Johnson''s literary biographies and De Quincey''s periodical essays, Franta shows how writers repeatedly take up civil and cultural institutions designed to rationalize society only to reveal the weaknesses that inevitably undermine their organizational and explanatory power. Diverging from influential accounts of the rise of the novel, Systems Failure audaciously reveals that, in addition to representing individual experience and social reality, the novel was also a vehicle for thinking about how the social world resists attempts to explain or comprehend it. Franta contends that to appreciate the power of systems in the literature of the long eighteenth century, we must pay attention to how often they fail—and how many of them are created for the express purpose of failing. In this unraveling, literature arrives at its most penetrating insights about the structure of social life.

DKK 472.00
1

Ephemeral Bibelots - Brad (rutgers The State University Of New Jersey) Evans - Bog - Johns Hopkins University Press - Plusbog.dk

Ephemeral Bibelots - Brad (rutgers The State University Of New Jersey) Evans - Bog - Johns Hopkins University Press - Plusbog.dk

Restoring proto-modernist little magazines—known as ephemeral bibelots—to the scholarly canon. Emanating from the cabarets of modernist Paris, a short-lived vogue spread around the world for avant-garde journals known in English as "ephemeral bibelots." For a time, it seemed that all the young bohemians passing through Paris started their own bibelots modeled on Le Chat Noir , the esoteric magazine of the famed Montmartre cabaret. These journals were recognizable for their decadence, campy queerness, astounding art nouveau illustrations, fin-de-siècle color schemes, innovative typefaces, and practiced bohemianism. In Ephemeral Bibelots , Brad Evans relays the untold story of this late-nineteenth-century craze for bibelots, dusting off a trove of periodicals largely untouched by digitization. In excavating this forgotten archive, Evans calls into question the prehistory of modernist little magazines as well as the history of American art and literature at the turn of the twentieth century. Considering how artistic movements take shape, move, and disappear, the book is organized around three major themes—"vogue," "ephemera," and "obscurity"—with authors and artists to match. A full-color insert reveals a glorious array of bibelot covers. This revisionary history of print culture incorporates discussions of pragmatist philosophy and relational aesthetics; women writers like Juliet Wilbor Tompkins and Carolyn Wells; the graphic artists Will Bradley, Louis Rhead, and John Sloan; the dancer Loie Fuller; and twentieth-century figures like H. L. Mencken, Amy Lowell, and Anita Loos. Bringing nineteenth-century American literature and culture into conversation with modern art movements from around the world, Ephemeral Bibelots provides new ways of thinking about the centrality of various media cultures to the attribution of aesthetic innovation and its staying power.

DKK 816.00
1

Eating Disorders - - Bog - Johns Hopkins University Press - Plusbog.dk

Eating Disorders - - Bog - Johns Hopkins University Press - Plusbog.dk

A comprehensive guide on how to diagnose, treat, and care for those with eating disorders. Eating disorders, which include such conditions as anorexia, bulimia, binge eating, and pica, represent a challenge to both patients and health care providers alike. For more than 20 years, health care providers have turned to the expert advice found in Eating Disorders to keep up to date with the latest research in the field and to help them provide the best care available for their patients. In this new, thoroughly revised and expanded edition of their best-selling work, Drs. Philip S. Mehler and Arnold E. Andersen provide a user-friendly and comprehensive guide to treating and managing eating disorders for primary care physicians, mental health professionals, worried family members and friends, and nonmedical professionals (such as teachers and coaches). Mehler and Andersen • identify common medical complications faced by people who have eating disorders• answer questions about how to treat both physical and behavioral aspects of eating disorders• discuss serious complications, including cardiac arrhythmia, electrolyte abnormalities, and gastrointestinal problems• incorporate all-new information on avoidant restrictive food intake disorder (ARFID), binge eating disorder, and the role of social media in promoting disordered eating• offer targeted advice for working with specialists• include four new chapters on eating disorders in children and adolescents; atypical anorexia; eating disorders in transgender individuals; and family therapy• feature engaging clinical vignettes • answer a list of common questions practitioners may have in each chapterThe most comprehensive work on the market and the only book that covers eating disorders in transgender individuals, Eating Disorders is a compassionate, evidence-based, and essential guide. Contributors: Arnold E. Andersen, Ovidio Bermudez, Jeana Cost, Meghan Foley, Dennis Gibson, Neville Golden, Sacha Gorell, Jeffrey Hollis, Mori J. Krantz, Daniel Le Grange, Russell Marx, Jennifer McBride, Philip S. Mehler, Leah Puckett, Katherine Sachs, Michael Spaulding-Barclay, Anna Tanner, Nathalia Trees, Jessica Tse, Kenneth Weiner, Patricia Westmoreland

DKK 412.00
1

Experimental - Natalia (univeristy Of Sussex And Lecturer Cecire - Bog - Johns Hopkins University Press - Plusbog.dk

Experimental - Natalia (univeristy Of Sussex And Lecturer Cecire - Bog - Johns Hopkins University Press - Plusbog.dk

A compelling revision of the history of experimental writing from Pound and Stein to Language poetry, disclosing its uses and its limits. In this bold new study of twentieth-century American writing and poetics, Natalia Cecire argues that experimental writing should be understood as a historical phenomenon before it is understood as a set of formal phenomena. This seems counterintuitive because, at its most basic level, experimental writing can be thought of as writing which breaks from established forms. Touching on figures who are not typically considered experimental, such as Stephen Crane, Jacob Riis, Busby Berkeley, Ursula K. Le Guin, and Gottlob Frege, Experimental offers a fresh look at authors who are often treated as constituting a center or an origin point of an experimental literary tradition in the United States, including Gertrude Stein, Ezra Pound, William Carlos Williams, and Marianne Moore. In responding to a crisis of legitimization in the production of knowledge, this tradition borrows and transforms the language of the sciences. Drawing upon terminology from the history of science, Cecire invokes the epistemic virtue, which tethers ethical values to the production of knowledge in order to organize diverse turn-of-the-century knowledge practices feeding into "experimental writing." Using these epistemic virtues as a structuring concept for the book's argument, Cecire demonstrates that experimental writing as we now understand it does not do experiments (as in follow a method) but rather performs epistemic virtues. Experimental texts embody the epistemic virtues of flash, objectivity, precision, and contact, associated respectively with population sciences, neuroanatomy, natural history and toolmaking, and anthropology. Yet which virtues take precedence may vary widely, as may the literary forms through which they manifest. Bringing it up to the 1980s, Cecire reveals the American experimental literary tradition as a concerted and largely successful rewriting of twentieth-century literary history. She shows how the Language poets, a group of primarily white experimental writers, restored to the canon what they saw as modernism's true legacy, whose stakes were simultaneously political and epistemological: it produced a poet who was an intellectual and a text that was experimental.

DKK 322.00
1

Experimental - Natalia (univeristy Of Sussex And Lecturer Cecire - Bog - Johns Hopkins University Press - Plusbog.dk

Experimental - Natalia (univeristy Of Sussex And Lecturer Cecire - Bog - Johns Hopkins University Press - Plusbog.dk

A compelling revision of the history of experimental writing from Pound and Stein to Language poetry, disclosing its uses and its limits. In this bold new study of twentieth-century American writing and poetics, Natalia Cecire argues that experimental writing should be understood as a historical phenomenon before it is understood as a set of formal phenomena. This seems counterintuitive because, at its most basic level, experimental writing can be thought of as writing which breaks from established forms. Touching on figures who are not typically considered experimental, such as Stephen Crane, Jacob Riis, Busby Berkeley, Ursula K. Le Guin, and Gottlob Frege, Experimental offers a fresh look at authors who are often treated as constituting a center or an origin point of an experimental literary tradition in the United States, including Gertrude Stein, Ezra Pound, William Carlos Williams, and Marianne Moore. In responding to a crisis of legitimization in the production of knowledge, this tradition borrows and transforms the language of the sciences. Drawing upon terminology from the history of science, Cecire invokes the epistemic virtue, which tethers ethical values to the production of knowledge in order to organize diverse turn-of-the-century knowledge practices feeding into "experimental writing." Using these epistemic virtues as a structuring concept for the book's argument, Cecire demonstrates that experimental writing as we now understand it does not do experiments (as in follow a method) but rather performs epistemic virtues. Experimental texts embody the epistemic virtues of flash, objectivity, precision, and contact, associated respectively with population sciences, neuroanatomy, natural history and toolmaking, and anthropology. Yet which virtues take precedence may vary widely, as may the literary forms through which they manifest. Bringing it up to the 1980s, Cecire reveals the American experimental literary tradition as a concerted and largely successful rewriting of twentieth-century literary history. She shows how the Language poets, a group of primarily white experimental writers, restored to the canon what they saw as modernism's true legacy, whose stakes were simultaneously political and epistemological: it produced a poet who was an intellectual and a text that was experimental.

DKK 861.00
1