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Max Reger: Streichtrios Op. 77b Und 141b

Max Reger: Streichtrios Op. 77b Und 141b

Max Reger 's two String Trios stand alongside Mozart's Divertimento in E-flat major (K. 563) and Beethoven's Op. 9 trios at the pinnacle of the genre. In their style and technical demands Reger has clearly taken these admired classical forebears as his guide. Both trios are classicist in nature and delight the listener with their relaxed and occasionally even joyful character. No wonder that they proved highly successful at their premières in 1904 and 1915! For his edition, the Reger specialist Michael Kube has examined the autograph scores and the first editions of both works. This edition in parts also comes in a miniature score with exactly the same text, published in Henle's Study Score Series (HN 9722).

DKK 315.00
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Max Reger: Sonatinas op. 89

Max Reger: Sonatinas op. 89

Max Hehemann stated once, “ Reger just simply happens to be complicated”. This sums up the usual and for the main part accurate assessment that is prevalent in the music world of the works of one of the most important German composers at the turn of the twentieth century. The Piano Sonatinas op. 89 are a marked exception to the Reger rule. Reger , whose writing for the Piano was often virtuosic and dense, greatly retracted this here, favouring instead a wonderful airiness and transparency. Nevertheless, unlike a sonatina by Clementi for instance, these four Reger Sonatinas are not easy to play (according to our levels of difficulty, the easiest, the Sonatina in D major [No. 2], is considered 5/6 – that is medium level of difficulty.)

DKK 315.00
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Max Reger: Leaves and Blossoms

Max Reger: Leaves and Blossoms

From early childhood, Max Reger grew into the tradition of artisanal, practical composition in which Johann Sebastian Bach became his role model. Traditional forms such as canon, fugue, passacaglia and variation gave stable form to his means of expression. But there is also another Reger. In the “Blätter und Blüten” (“Leaves and Blossoms”), whose moods range from the humorous to the melancholic, we find a sentimental, romantic side to Reger that rarely receives attention. The pieces bear titles such as “Spring Song”, “Hunting Piece”, “Moment musical” or “Elegie”. Something of Schumann’s melodic charm, Brahms’s profundity and Grieg’s folk style resonates here. With this Urtextedition, pianists can discover these pieces for themselves. The fingerings are by Helmut Brauss, an expert on Reger’s piano music.

DKK 184.00
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Max Reger: Fantasy and Fugue on B-A-C-H op. 46

Max Reger: Fantasy and Fugue on B-A-C-H op. 46

“For me, Sebastian Bach is the be-all and end-all of music; true progress lies and resides in him alone.” It was with these programmatic words that Max Reger prefaced his answer to a survey “What does Johann Sebastian Bach mean to me, and what is his significance for our time?”, posed by the editors of a magazine in 1905. Reger had already proven his adoration of Bach with his magnificent homage to the composer, written and published in 1900 and probably the best-known of his works for Organ. It is an established work in the concert repertoire of well-known virtuosi, but is also increasingly being performed by ambitious church musicians. Henle has now published this sea of notes and performance directions in an edition with a particularly clear and readable text.

DKK 235.00
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Max Reger: Tarantella And Album Leaf

Max Reger: Tarantella And Album Leaf

It is little known that alongside his three great sonatas for Clarinet and Piano, Reger also wrote two charming miniatures for the same instrumentation. At the same time, it was the composer’s express desire to reach a wider public with smaller works such as these that were to be published in music journals. This Henle single edition (taken from the volume of all of Reger ’s sonatas and pieces HN 909, also edited by Michael Kube ) meets this wish today: its effervescent Tarantella and the Albumblatt that is full of nuances provide clarinettists and pianists with an easy introduction to Max Reger ’s magical world of sound.

DKK 107.00
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Max Reger: Variations and Fugue On A Theme By J.S. Bach Op.81 (Henle Urtext Edition)

Max Reger: Variations and Fugue On A Theme By J.S. Bach Op.81 (Henle Urtext Edition)

The variation cycle and the fugue are genres in which Max Reger developed a special mastery. Thus one can speak of Reger’s unique Bach Variations op. 81 as the culmination of his piano oeuvre, offering everything that is typical and characteristic of Reger’s style. No other piano work by this great Bach admirer can measure up to this monumental composition in terms of sheer size and inner weight. Written in Munich in 1904, the Variations are considered challenging to play and difficult to comprehend, but aspiring pianists should not let themselves be deterred by this legend. Behind the complex notation are a clear structure and a wealth of expression. Technical complexity andaesthetics here correlate in an almost classical manner.

DKK 235.00
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Max Reger: 10 Little Pieces op. 44

Max Reger: 10 Little Pieces op. 44

In his numerous collections of small character pieces, the imaginative Max Reger gradually developed a style of his own, in the shadow of the Romantic epigones. His music is characterised by modulating harmonies with a simultaneous recourse to classical formal tropes. So it is very worthwhile to take a closer look at the “Ten Small Concert Pieces” op. 44 from 1899, which display astonishing harmonic boldness. Ten short concert pieces of moderate difficulty, with titles such as “Album Leaf”, “Burletta”, “Once upon a time”, or simply “Capriccio” form a series and introduce the pianist to Reger’s piano oeuvre. The composer’s original fingerings make this carefully editedUrtext edition especially interesting.

DKK 162.00
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Max Reger: Clarinet Sonata Op.107 - Version For Violin (Urtext)

Max Reger: Clarinet Sonata Op.107 - Version For Violin (Urtext)

When Reger submitted his Clarinet Sonata op. 107 for printing, he remarked: "You immediately notice that the work was originally for clarinet (viola) but that it can also be played by violin and piano." He wrote the violin part himself, adjusting it to suit the needs of the violin. Even before the first performance of the original for clarinet, he had tried out the work with a violinist. "Should the critics claim once again that it is incomprehensible - then these gentlemen are simply first class asses. The work sounds very good, is intimate chamber music and not difficult to play together." There is nothing more to be said.?

DKK 252.00
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Max Reger: Thirty Little Chorale Preludes For Organ Op.135a

Max Reger: Thirty Little Chorale Preludes For Organ Op.135a

Max Reger , the creator of forbiddingly difficult Organ music, could also take a different track. His “ Thirty Little Chorale Preludes “ are intended for semi-professional organists always on the lookout for good Organ chorales for use in Sunday church services. Reger selected the best-known tunes of his day from the Lutheran hymnal. Most of them are still in use today and form excellent additions to modern services. Michael Kube, in a detailed preface, draws a vivid picture of the composer and his superhuman creative powers.

DKK 174.00
1

Max Reger: Clarinet Sonata Op.107 - Version For Viola (Urtext)

Max Reger: Clarinet Sonata Op.107 - Version For Viola (Urtext)

Just as Johannes Brahms had done with his Opus 120, Reger also provided parts for two alternative solo instruments for his Sonata op. 107: "I will also arrange the clarinet part for viola, so that the work can also be played thus" (letter to his publisher). He by no means wanted to leave the arrangement of the viola part to the publisher, as slurs had to be changed here and there as well as octave transpositions had to be made - "only I can do this work!" The viola?s sonorous mid range comes close to that of the clarinet, but lends the work its own timbre. Viola players will also value this Urtext edition on account of the practical fingerings and bowing marks.?

DKK 252.00
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Max Reger: Organ Works Without Opus Number

Max Reger: Organ Works Without Opus Number

This volume brings together central works to Reger ’s output for the Organ, such as the popular “ Introduction and Passacaglia ” in d minor, which Reger wrote as a benefit-work to assist towards the rebuilding of the Organ of the parish church of Kronberg in Taunus and which is also within the reach of ambitious amateur organists. In addition the collection offers a series of separate Organ pieces – preludes, fugues, and so on – along with Chorale preludes. Some rarities are to be discovered among these works, in particular a Fugue in c minor that for a long time remained unknown: this short and easy-to-play work was recently discovered in an old anthology which is out of print. We now present it for the first time in a critical edition, thus once again making it available to Reger enthusiasts.

DKK 303.00
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Max Reger: Suite e minor for Organ op. 16 - composer ́s transcription for Piano four-hands (First Edition)

Max Reger: Suite e minor for Organ op. 16 - composer ́s transcription for Piano four-hands (First Edition)

Max Reger ’s powerful Organ work is published for the first time in the previously unknown authentic version for Piano four hands. The manuscript only came into the possession of the Reger Institute in Karlsruhe a few years ago. The famous Piano Duo Tal & Groethuysen was so impressed with the quality of the arrangement and its effect on the audience that they not only undertook to record it for the first time but also persuaded us of the necessity of publishing it. Music journalists gave it an incredible reception: “of course one would hope that through this arrangement the music of the Organ suite would also be transported into the concert halls from the churches – yet, “one must, of course, already be able to play” [Piano News, 2000].

DKK 345.00
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Max Reger: Drei Suiten Viola Solo Op. 131d

Max Reger: Drei Suiten Viola Solo Op. 131d

Max Reger’s reception of Bach was not limited to the organ and orchestra. Like Bach, Reger wanted to compose sonatas and suites for a solo string instrument that were not merely études, but rather presented a compositional compendium. Among them are his three Suites for viola solo op. 131d. Reger published these in the last year of his life, 1914/15, together with Six Preludes and Fugues for violin solo, Three Duos in Ancient Style for two violins and Three Suites for violoncello solo, grouping all these works under the opus number 131. The present Urtext edition of the Suites for viola solo op. 131d is based on the first edition of 1916, which was prepared using the nowlost manuscript. The editor discusses all the divergences between this edition and the first edition in his preface and Critical Report.

DKK 162.00
1

Max Bruch: Violin Concerto In G Minor Op.26

Max Bruch: Violin Concerto In G Minor Op.26

It made its creator world-famous and added a towering masterpiece to the standard repertoire: Max Bruch ’s First Violin Concerto In G Minor . Now it’s appearing at last in an urtext edition from Henle. Bruch himself was not always overjoyed at his work’s popularity: "I can’t listen to this concerto anymore," he once complained to his publisher Simrock, "do you suppose I’ve only written one concerto?" By now the Bruch Concerto has found a permanent place in the world’s concert halls. Henle’s edition provides not only a razor-sharp urtext for the solo part, but a preface that alone is worth the price of the volume: who could have guessed that the concerto went through a convoluted genesis with multi-layered revisions, and that some of the changes go back to the famous violinist Joseph Joachim?

DKK 252.00
1

Max Reger: Sonatas And Pieces For Clarinet And Piano (Urtext)

Max Reger: Sonatas And Pieces For Clarinet And Piano (Urtext)

Eight years after he had composed his first two Clarinet Sonatas op. 49, Reger confessed in a letter to a friend that he was once again committing "a new crime against harmony and counterpoint". He was referring to the Sonata for Clarinet and Pianoforte op. 107. Reger made a point of not destroying the chamber music character of the work by having too much virtuosic padding. "Brahms developed classic examples of what the style was meant to be like". Alongside the sonatas, Henle's Urtext edition also contains two charming "encores": a Tarantella in g minor and an Album Leaf in E flat major. The Sonata op. 49,2 is for clarinet in A. The other pieces are for clarinet in B flat.

DKK 494.00
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Max Reger: Five Humoresques for Piano op. 20

Max Reger: Five Humoresques for Piano op. 20

Reger ’s “ Five Humoresques “ follow in the footsteps of the nineteenth-century genre inaugurated by Robert Schumann’s “Humoresque“, op. 20. Occasionally Reger gives vent to high-spirited good humour, as when he quotes a hit tune from his own day, “ Du bist verrückt mein Kind “ (“You’re crazy, my child”). The Piano writing is imaginative, brilliantly pianistic, and harmonically rich. Our volume forms yet another addition to our series of Reger ’s piano music.

DKK 167.00
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Ludwig Van Beethoven: Piano Sonata No.4 in Eb Major Op.7 (Henle Urtext)

Ludwig Van Beethoven: Piano Sonata No.4 in Eb Major Op.7 (Henle Urtext)

Carl Czerny wrote the following about Ludwig van Beethoven ’s “Grande Sonate” Op. 7 , published in 1797: “The epithet appassionata would fit much better to the Sonata in E flat Op. 7 , which he wrote in a very impassioned mood”. As to whether the reason behind his passionate music was the composer’s attraction for his then 16-year-old pupil Anna Luise Barbara Countess von Keglevich remains open. It might be that the dedicatee’s father commissioned Beethoven to write the work for his daughter. We are publishing the sonata in a revised single edition by Norbert Gertsch and Murray Perahia – the introduction and fingerings were provided by the latter, one of the foremost interpreters of Beethoven ’s Piano music.

DKK 111.00
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