Franz Joseph Haydn: Violin Concerto In G Major (With Piano Reduction)

Violin Concerto In G major is considered to be the earliest of Joseph Haydn ’s Violin concertos and was apparently written before he was taken into the service of the Esterházy family. It was first published a century after the Austrian composer’s death, in 1909, and was little known before. The concerto is lovely and ingratiating to the ear, consisting of 3 movements ( Allegro moderato , Adagio and Allegro ) with a total performance time of under 20 minutes. The unmatched intimacy and loveliness of the uniquely beautiful Adagio and the high spirited final movement with its charming Bagpipe imitation will put players and audiences alike in the best of moods from the outset. This Urtext edition provides you with a clear and accurate representation of the composer's original intentions. The Orchestra part is reduced to a Piano accompaniment and two copies of the Violin score, which is identical to that of the Haydn-Gesamtausgabe, are enclosed as separate inserts. A preface in German, English and French by editor Günter Thomas is included as well.

Beethoven: Piano Trios - Volume II

In the classical era, and far into the 19th century, piano trios were what we might call “fashion accessories”. It is thus no coincidence that Beethoven, following in the footsteps of Haydn and Mozart, took up this genre and created altogether 13 piano trios of his own. This second volume contains the two Piano Trios op. 70 and the Trio op. 97, as well as the Variations on the song “Ich bin der Schneider Kakadu” op. 121a. The nickname “Geistertrio” (Ghost Trio) of the Trio op. 70 no. 1 stems, as usual, not from Beethoven but was given to the piece no doubt because of the spooky, mysterious sound of the slow movement. The Archduke Trio op. 97 was named after its dedicateeArchduke Rudolph and is undisputedly Beethoven’s most important composition of this kind. With a duration of over 45 minutes, it is also his longest piano trio. Though written in 1810/11, it was not published until 1816.

Franz Anton Hoffmeister: Concerto "No. 1" for Double Bass and Orchestra (with Violin obbligato)

Thanks to its wealth of invention, elegant workmanship, and technical and musical challenges, Franz Anton Hoffmeister's Concerto "no. 1" has emerged as the preferred concerto for double bass auditions. Tobias Glöckler's edition leaves no wishes unfulfilled: the double bass part appears in solo and orchestral tuning with piano reductions in D major and C major. Moreover an additional part, written in fingering notation, has been specially designed for use with the "Viennese tuning" customary in Hoffmeister's days. It allows players to use this resonant historical tuning immediately without tedious retraining. Finally, a separate part is also provided for the solo violin appearingin the second movement.?

Franz Schubert: Songs with Lyrics by Mayrhofer and other Poets

Urtext of the New Schubert Complete Edition in both original key and transposition, edited by Walther Dürr. A coproduction with Bärenreiter-Verlag, Kassel.Contents:Am Grabe Anselmos op. 6,3 D 504Am Strome op. 8,4 D 539An dieNachtigall op. 98,1 D 497Antigone und Oedip op. 6,2 D 542Der Jüngling auf dem Hügel op. 8,1 D 702Der Wanderer op. 65,2 D 649Der zürnenden Diana op. 36,1 D 707Erlafsee op. 8,3 D 586Heliopolis I op. 65,3 D 753Iphigenia op.98,3 D 573Lied eines Schiffers an die Dioskuren op. 65,1 D 360Memmon op. 6,1 D 541Nachtstück op. 36,2 D 672Sehnsucht op. 8,2 D 516Wiegenlied op. 98,2 D 498

Ludwig Van Beethoven: Duet With Two Obligato Eyeglasses For Viola And Violoncello WoO 32 - Urtext Edition

Beethoven probably originally planned a complete string duo with four movements. Aside from the introductory movement, a minuet has also survived that is likewise published here. This single edition, taken from the established volume "String Trios and String Duos" (HN192), will certainly secure many new friends for this original work.

Franz Schubert: Songs with Lyrics by Goethe, Schiller and other Poets

Urtext of the New Schubert Complete Edition in both original key and transposition, edited by Walther Dürr. A coproduction with Bärenreiter-Verlag, Kassel.Contents:An Emma op. 58 D 113Auf dem See op. 92 D 543Der Alpenjäger op. 37D 588Der Jüngling am Bache op. 87 D 638Der Musensohn op. 92 D 764Der Pilgrim op. 37 D 794Der Unglückliche op. 87 D 713Des Mädchens Klage op. 58 D 191Geistes-Gruß op. 92 D 142Gesänge aus "Wilhelm Meister" op. 62 D877Gruppe aus dem Tartarus op. 24 D 583Hektors Abschied op. 58 D 312Hoffnung op. 87 D 637Lied der Mignon [Heiß mich nicht reden] op. 62 D 877Lied der Mignon [Nur wer die Sehnsucht kennt] op. 62 D 877Lied der Mignon [Solaßtmich scheinen] op. 62 D 877Mignon und der Harfner [Nur wer die Sehnsucht kennt] op. 62 D 877Schlaflied op. 24 D 527Sehnsucht op. 39 D 636Suleika II op. 31 D 717

Franz Joseph Haydn: Different songs with accompaniment of the Piano (with critical report)

Franz Joseph Haydn: Different songs with accompaniment of the Piano (with critical report)

Georg Friedrich Händel: Flute Sonatas, Volume I (with separate Flute/Basso Continuo part (two copies))

The Urtext instrumental part of this edition is laid out as a combined flute and bass part (featuring the original basso continuo figures without realisation). This manner of reproduction is oriented on the historical sources. Thus it is possible for an experienced continuo player to improvise a free accompaniment of his own to the sonata. Two copies of this dual part are included in this Henle edition, so that both players, flautist and accompanist, can perform from this combined musical text. In addition to the basso continuo figures, the score offers a historically appropriate basso continuo realisation that can be played at sight. In order to avoid page turns within themovements, the instrumental part is provided with a fold-out panel and a blank page.

Franz Joseph Haydn: Works with barytone

Franz Joseph Haydn: Concertante (with critical report)

Wolfgang Amadeus Mozart: Chamber Music with Piano

Aside from the Quintet K. 452, all of the titles in this collection are being published for the first time as study editions in Henle Urtext. The volume “Works for Piano and Violin”, which comprises over 400 pages, not only contains the sonatas but also the variations. The piano trios were extensively revised by the editor of the part edition especially for this study edition.?

Franz Joseph Haydn: Concerti with Organ Flute-cimbals

Franz Joseph Haydn: Concerti with Organ Flute-cimbals

Franz Joseph Haydn: Notturni with Organ Flute-cimbals

Franz Joseph Haydn: Notturni with Organ Flute-cimbals

Franz Schubert: Songs with Lyrics by various Poets

Franz Joseph Haydn: Stabat Mater (with critical report)

Johannes Brahms: Four Songs with Lyrics by Klaus Groth ("Regenlied-Zyklus"), early versions from "Lieder und Gesänge" op. 59 (First Edition)

This first edition of the “ Regenlied Cycle ” is only available from G. Henle Publishers. In the preface, Michael Struck, an eminent Brahms scholar, writes about the distinctiveness of the work, until now a completely unknown little song cycle by the composer. In it Brahms sets four texts to music by the poet Klaus Groth, whom he greatly admired. In the well-known song cycle Opus 59, published by Brahms himself, the Groth songs are also to be found together with other songs. The reason why Johannes Brahms ’ Violin Sonata no. 1 in G major op. 78 is also known as the “Regenlied” Sonata becomes clear on acquiring, studying and playing this “ Regenlied Cycle ”.

Franz Joseph Haydn: Sinfonias 1761-1763 (with critical report)

Franz Joseph Haydn: String Trios 2nd sequence (with critical report)

Franz Schubert: Songs with Lyrics by Rellstab, Heine and Seidl

Franz Joseph Haydn: String Trios 1st sequence (with critical report)

Franz Joseph Haydn: London Sinfonias, 2nd sequence (with critical report)

Franz Schubert: Songs with Lyrics by Rellstab, Heine and Seidl