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Johann Sebastian Bach: Sinfonias (Three Part Inventions)

Johann Sebastian Bach: Sinfonias (Three Part Inventions)

Johann Sebastian Bach ’s three-part Sinfonias acquaint pianists of every age with the art of playing three equal parts with just two hands – a true phenomenon. It is no accident that these pieces, together with the two-part Inventions, are considered indispensable to every pianist. This beautiful music has lost nothing of its relevance to us nearly 300 years after its creation. Henle are now presenting a 2015 edition of this classic collection, which draws upon all known sources and offers the best in instruction, especially with respect to the transmitted embellishment variants. This volume is ideal for pianists of every age.

DKK 133.00
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Johannes Brahms: Piano Pieces Op. 119

Johannes Brahms: Piano Pieces Op. 119

Johannes Brahms ’ summer sojourn in 1893 in Bad Ischl was productive. Alongside the pieces op. 118, he also wrote his last cycle of Piano pieces, opus 119. The composer wrote to Clara Schumann of the opening work, saying that it was teeming with dissonances and that: “ every measure and every note must sound like a ritardando, as if one wanted to suck the melancholy out of each single one, with lust and pleasure out of the aforementioned dissonances! ” Yet opus 119 contains something for every mood: No. 3 surprises with its lively and light C major, and the cycle is completed with the defiant rhapsody in E flat major. This edition, based on the Brahms Complete Edition, is an invitation to pianists to rediscover Brahms ’ complex cosmos.

DKK 133.00
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Sergei Rachmaninoff: Prélude In G Minor Op. 23 No. 5

Sergei Rachmaninoff: Prélude In G Minor Op. 23 No. 5

As indestructible as Rachmaninoff ’s C-sharp-minor Prélude (HN 1211) may be, it is not his only Prélude to have begun a “solo career” of its own: with its rousing rhythms and rhapsodic middle section, the famous piece in G minor certainly takes its place among them. Pianists who aren’t yet ready to tackle the complete cycle of 24 Préludes (available as HN 1200) can still enjoy Rachmaninoff “at his best” with this work. In conjunction with Moscow’s Glinka Archives, we were able to consult the autograph sources for our Urtext edition of the Préludes, which means that this single edition thus also benefits from the Urtext’s excellent editorial and graphic quality. As with all of our Rachmaninoff editions, the fingerings were once again provided by Marc-André Hamelin.

DKK 86.00
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Beethoven Adelaide Op.46 Vce/Pf Urtx

Beethoven Adelaide Op.46 Vce/Pf Urtx

No singer is able to ignore Beethoven’s Adelaide. There are thousands of recordings, and many amateurs also love this lyrical setting of Friedrich von Matthisson’s poem. Matthisson himself said of it: “Several composers have breathed life into this little lyrical fantasy with music; but none of them have, I deeply believe, so put the text into the shade with their melody as the genius Ludwig van Beethoven in Vienna.” We are publishing the Lied in a new practical single edition that follows the musical text of the Beethoven Complete Edition, with a detailed preface by the specialist on Beethoven’s Lieder Helga Lühning.

DKK 111.00
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Robert Schumann: Twelve Poems Op. 35, Set Of Songs On Texts By Kerner (High/Medium Voice)

Robert Schumann: Twelve Poems Op. 35, Set Of Songs On Texts By Kerner (High/Medium Voice)

As with the Dichterliebe (HN 549), Frauenliebe und Leben (HN 547) or the song cycles with texts by Heine and Eichendorff (HN 548 and 550), the Kerner Cycle op. 35 was written in 1840, Schumann ’s “Liederjahr”. Yet it has a special place: it was composed in the time immediately following Schumann ’s marriage to Clara Wieck. Schumann set a series of poems to music in November, during a “quiet week, which went by with composing and much loving and kissing”, and the cycle was complete by the turn of the year. It contains a great deal of intimate musical innuendos. The first edition of 1841 was soon followed by a second issue, many of the songs were published individually and the “Wanderlied” soon became a core piece in the repertoire. With this edition the songs in Schumann ’s cycle are once again being published together in a single volume.

DKK 230.00
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Bernhard Henrik Crusell: Clarinet Concerto F Minor Op. 5

Bernhard Henrik Crusell: Clarinet Concerto F Minor Op. 5

The Swedish composer Bernhard Henrik Crusell was long viewed as an insider tip among clarinettists; in the meantime, his concertos have found their way to the concert stage. This is hardly surprising considering the enchanting music with which Crusell – himself a Clarinet virtuoso of international rank – has enriched the early romantic repertoire. Crusell ’s works needn’t shy from a comparison with Weber’s and Spohr’s Clarinet output. This Henle Urtext edition of the F-Minor Concerto marks the beginning of a new publication series of all three Clarinet concertos by Crusell which has been entrusted to the editor and clarinettist Nicolai Pfeffer. Since he combines editorial experience with many years of performance practice, the works are in the best possible hands.

DKK 230.00
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Ludwig Van Beethoven: Symphony No. 6 F Major (Pastoral Symphony) Op. 68

Ludwig Van Beethoven: Symphony No. 6 F Major (Pastoral Symphony) Op. 68

Beethoven most likely completed his 6th Symphony in early summer 1808. The work, called “Pastoral Symphony” by the composer himself, was given its first performance along with the 5th Symphony in Vienna in 1808. Both are frequently referred to as sibling works that complement one another. Based on the musical text of the Beethoven Complete Edition and provided with a new preface, this recently made edition represents the latest stage of Beethoven scholarship on this work. Thanks to this study score, the work is now available in a handy format and at an affordable price.

DKK 158.00
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At The Piano - Debussy: 9 Well-Known Original Pieces

At The Piano - Debussy: 9 Well-Known Original Pieces

You do not need to be a piano virtuoso to enter into the dream world of French Impressionism. With Debussy this is especially straightforward because he knows how to create masterly miniatures possessing poetic depth, even with simple technical means. Clair de lune is probably the best known of these, though by no means the only example, as our selection here proves. And whoever works through this volume successfully can then play a real concert piece in the shape of La cathédrale engloutie, the final work in our selection.

DKK 188.00
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At The Piano -Beethoven: 9 Well-Known Original Pieces

At The Piano -Beethoven: 9 Well-Known Original Pieces

Beethoven’s 32 piano sonatas are the “New Testament” of music, according to Hans von Bülow. Our selection here does not take things quite so solemnly, because we have also taken the opportunity to show the more “worldly” side of the composer, with dances, bagatelles, the unusual character piece “Lustig und traurig” (“Happy and sad”), and of course the indestructible “Für Elise”. As usual in our series “At the piano”, all the pieces are arranged progressively from easy to medium level of difficulty. And you do not have to be in awe of Beethoven’s piano sonatas either: the highly Classical sonata in G major (essentially a sonatina) offers an ideal introduction to the many-facetted world of Beethoven’s sonatas. In contrast to this, we also show Beethoven the “poet at the piano”, with the first movement of his “Moonlight” Sonata in c-sharp minor, along with the funeral march from the Sonata in A-flat major – visionary creations that already point far ahead into the world of Romanticism.

DKK 188.00
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Beethoven: String Quartet A Minor Op.132

Beethoven: String Quartet A Minor Op.132

The heart of Beethoven’s Quartet op.132 is the “Holy song of thanksgiving”, in which Beethoven takes up old counterpoint techniques and Gregorian simplicity. In this unusually beautiful and well preserved manuscript, Beethoven generously makes the most of the space on its pages. The lavish four colour printing allows the composer’s occasionally unconventional manner of notation to come to life. It permits a unique insight into the creative process, which continued after it had been written down in the form of multiple additions and changes. The edition is rounded off with a preface by the pianist András Schiff, with whose generous support this valuable facsimile was made possible.

DKK 1349.00
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Ludwig Van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet

Ludwig Van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet

“ His present pieces must convince both connoisseurs and others alike of the unbiased opinion that Beethoven will in time become one of the greatest composers in Europe ”, thus wrote Joseph Haydn, when informing the Elector in Bonn on the progress of his pupil in 1793. However, the elector replied that he was already familiar with parts of the Parthia Op. 103 that had been sent as evidence of the composer’s progress. Beethoven had apparently only reworked an earlier composition. Nevertheless we must agree with Haydn: the Parthia and the Rondo WoO 25 that was originally intended as the final movement provide wonderful evidence of Beethoven ’s great skill. This Urtext edition also contains additional parts for Horns in F.

DKK 162.00
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Johannes Brahms: Sonata In E Minor Op. 38

Johannes Brahms: Sonata In E Minor Op. 38

The E minor Cello Sonata is the first work for one solo instrument and Piano which the meticulous composer also had printed. In summer 1865 Brahms offered it to the publisher Simrock as a sonata “whose two instruments are both absolutely easy to play” – and rightly so: contrary to the later F-major Sonata op. 99 (HN 1135), this early sonata is technically less demanding, yet musically more striking at the same time, so that it is a hit with amateurs and professionals alike. This Henle edition is based on the new Brahms Complete Edition and thus boasts, besides in-depth comments, a musical text revised according to the latest scholarly findings; as always, the Cello part is enhanced with additional markings.

DKK 144.00
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Johannes Brahms: Klavierkonzert Number 2 B Dur Op.83 - Klavierauszug

Johannes Brahms: Klavierkonzert Number 2 B Dur Op.83 - Klavierauszug

Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: “... a second one will sound different”. Nevertheless, a good 20 years elapsed before that second concerto finally took form, and only in 1881 was he able to announce: “I wanted to tell you that I have written a very small Piano concerto with a tiny little delicate Scherzo”. This Piano reduction of this anything-but-little symphonic concerto presents the solo part as it appears in the respective, recently published volume of the Brahms Complete Edition (HN 6020). Lars Vogt has succeeded in taming the opulent Piano writing with his fingerings. The refined arrangement of the complex orchestral part for the accompanying second piano stems from Johannes Umbreit.

DKK 294.00
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W. A. Mozart: Violin Sonatas - Fragments

W. A. Mozart: Violin Sonatas - Fragments

**Not available outside of the UK and Commonwealth** This Urtext edition contains rewarding discoveries for all lovers of Mozart . Mozart left behind a total of eight unfinished works for Piano and Violin, predominantly discontinued sonata movements. The music is so wonderful that Henle have published a separate volume with this group of works – all of which (aside from a fragment in the appendix of this edition) have been completed so that they can be performed. They not only include the familiar completed versions by Maximilian Stadler but also new ones by Robert D. Levin. He has contributed five, each of which is full of Mozartian spirit. A preface with a critical report presents the facts in detail and incorporates the most recent scholarly findings. Benjamin Schmid and Ariane Haering have provided fingerings for this edition that is in every sense unique.

DKK 354.00
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Antonín Dvorák: Piano Trio No. 3 In F Minor Op.65

Antonín Dvorák: Piano Trio No. 3 In F Minor Op.65

**Not for sale outside of the UK and Commonwealth.** Dvořák worked longer and more intensively on this Trio than on just about any other chamber music work. After his first successes with pieces inspired by Czech folk music, namely the popular Slavonic Dances (HN 757 and 918), he now wanted to prove himself as a composer of the highest order. This is why in the following summer, he thoroughly reworked the Trio that he had written within eight weeks in spring 1883 before giving it to his publisher. Although Brahms’ music was the undeniable model for the new work, it did not hinder the unfolding of a very personal tone that blends expressiveness and passion. As with the “Dumky” Trio op. 90 (HN 799), Andreas Groethuysen is once again responsible for the fingerings of the Piano part.

DKK 349.00
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Brahms: Horn Trio E Flat Major Op. 40 (Score/Parts)

Brahms: Horn Trio E Flat Major Op. 40 (Score/Parts)

This Trio’s unusual scoring for horn, violin and piano prompted speculation early on about a possible background to it that had no connection with music. Brahms’s biographer Max Kalbeck saw in it a lament for the composer’s mother, recently deceased, to whom he had supposedly played folk songs on the horn in his childhood. There is no doubt that Brahms loved the sound of the natural horn, and bestowed several of his most inspired melodies on the instrument. Horn players justifiably adore this Trio op. 40, and this Henle Urtext edition now offers an optimal basis for studying and performing this masterpiece. This edition follows the musical text of the New Brahms Complete Edition and thus guarantees the greatest fidelity to the sources and reflects the current state of research. The pianist Klaus Schilde has added helpful fingerings to the piano part. Extra parts are also provided for the alternative scoring authorised by Brahms (with viola or cello instead of horn).

DKK 324.00
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Béla Bartók: Mikrokosmos, Volumes V-VI

Béla Bartók: Mikrokosmos, Volumes V-VI

Bartók’s Mikrokosmos is one of the milestones in the pedagogical piano repertoire – and yet it is also far more than a “classical” piano primer. These 153 piano pieces, organised in ascending order of difficulty, engage not only with technical aspects of piano playing, but also with the fundamentals of composition – from “Ostinato”, “Free variations” and “Imitation and inversion” concerning compositional technique, to programmatic ideas as in “From the diary of a fly” or the famous “Six dances in Bulgarian rhythm” that form the passionate close of this unique work. This Henle Urtext Edition is based on the corresponding volume of the Bartók Complete Edition that is currently in preparation, and also includes specific practical comments and tips concerning Bartók’s own performances. Furthermore, the six volumes of the first edition, which first appeared in 1940, are here gathered together in three practical double volumes that offer both beginners and advanced pianists a perfect introduction to this work.

DKK 303.00
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At The Piano - Mendelssohn: 13 Well-Known Original Pieces

At The Piano - Mendelssohn: 13 Well-Known Original Pieces

At the piano with Mendelssohn – everyone naturally thinks first of his wonderful Songs without Words, from which we have chosen a varied selection here. But there are other pieces in this volume that are no less fascinating, such as several of his enchanting children’s pieces, which belong alongside Robert Schumann’s Kinderszenen. In compositions such as the Prelude in f minor, we can also discern the love that Mendelssohn the German Romantic bore for the polyphony of J. S. Bach.

DKK 188.00
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At The Piano - J.S. Bach: 13 Well-Known Original Pieces

At The Piano - J.S. Bach: 13 Well-Known Original Pieces

Johann Sebastian Bach is more or less the alpha and omega of piano playing: there is hardly a piano pupil who did not start off with his little preludes or his inventions. And almost all pianists regard his Well-tempered Clavier as an unsurpassed highpoint in the history of piano music. Our volume follows these well-trodden paths, but not without the occasional sideways glance at some less prominent pieces by the Master, such as his picturesque “Capriccio on the departure of a beloved brother”.

DKK 188.00
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At The Piano - Mozart: 15 Well-Known Original Pieces

At The Piano - Mozart: 15 Well-Known Original Pieces

This volume opens with especially easy minuets written by Mozart when he was just eight years old. A successful mix of well-known and unusual pieces leads the player all the way to the profound Fantasy in d minor. A special feature here is the C-major study, which has not been available in any Henle edition until now. Selected individual movements from Mozart’s piano sonatas show the stylistic and emotional breadth and subtlety of his music, and offer manifold opportunities to practise and overcome specific technical challenges.

DKK 188.00
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