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Jack Teagarden - Jay Smith - Bog - Hachette Books - Plusbog.dk

Jack Teagarden - Jay Smith - Bog - Hachette Books - Plusbog.dk

The emergence of Jack Teagarden as an important jazz stylist was a significant feature of the ''20s jazz scene. He brought a maturity to the sound of the trombone and until late in his life played with a laconic grace that few, if any, on his instrument have equaled. His collaboration with Louis Armstrong-who rated their musical relationship higher than any he had known-was one of the great partnerships in jazz history. The story of this funny, happy Texan is told with affection and detail in this, the only biography of Jack Teagarden. "Obviously a man like Teagarden, with his mastery of his instrument, might have stepped into almost any kind of music and made a career for himself. But one thing this book makes clear is that Jack could not have been any kind of musician except a jazz musician. A jazz musician simply has to make his music and dedicate his life to it, even though he may not tell you (or himself) why he has to. He may not, indeed, even be able to say why, or need to say why. The need is to make music and, necessarily, lead the life that makes that possible. All of which has little or nothing to do with ego or acclaim or money. He needs to give his music to the world and he hopes the world will understand.You will find out about that need in these pages. You will also find plenty of the pranks and boys-will-be-boys anecdotes that seem so prevalent, diverting, and (under the surface) necessary a part of the musical life."-Martin Williams, from his preface

DKK 168.00
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Vegan for Life (Revised) - Jack Norris - Bog - Hachette Books - Plusbog.dk

The Sea Is My Brother (Expanded Critical Edition) - Jack Kerouac - Bog - Hachette Books - Plusbog.dk

The Rascal King - Jack Beatty - Bog - Hachette Books - Plusbog.dk

Rommel's North Africa Campaign - Jack Greene - Bog - Hachette Books - Plusbog.dk

Faces In The Crowd - Gary Giddins - Bog - Hachette Books - Plusbog.dk

Breaking Up with Dairy - Bailey Ruskus - Bog - Hachette Books - Plusbog.dk

Talking Jazz - Ben Sidran - Bog - Hachette Books - Plusbog.dk

Sarah Orne Jewett - Paula Blanchard - Bog - Hachette Books - Plusbog.dk

The Magnificent Masters - Gil Capps - Bog - Hachette Books - Plusbog.dk

Desolate Angel - Dennis Mcnally - Bog - Hachette Books - Plusbog.dk

DKK 190.00
1

The Book of Martyrdom and Artifice - Bill Morgan - Bog - Hachette Books - Plusbog.dk

DKK 268.00
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Bob Hope - William Faith - Bog - Hachette Books - Plusbog.dk

Innocent When You Dream - Perseus - Bog - Hachette Books - Plusbog.dk

Detroit Rock City - Steve Miller - Bog - Hachette Books - Plusbog.dk

An Open Book - John Huston - Bog - Hachette Books - Plusbog.dk

52nd Street - Arnold Shaw - Bog - Hachette Books - Plusbog.dk

52nd Street - Arnold Shaw - Bog - Hachette Books - Plusbog.dk

Back in the thirties and forties, when New York City was the capital of the jazz world-you could hail a cab, ask the driver to take you to "The Street," and find yourself on 52nd Street between Fifth and Sixth Avenues. Musicians, jazz lovers, college students, big businessmen-everybody knew that this was "The Street that Never Slept," the Street where every night was New Year''s Eve, the Street that Variety editor Abel Green so aptly dubbed "America''s Montmartre." Here, for the price of a drink or two, you could walk through the whole history of jazz. Hot jazz was born and raised on The Street, as were the big swing bands of the thirties and the modern "cool" jazz combos of the forties. Comics like Alan King and Joey Adams got their start on the Street, as did musicians like Erroll Garner, Jack Teagarden, and Coleman Hawkins. Bessie Smith performed on the Street, and so did Count Basie, Charlie "Bird" Parker, Dizzy Gillespie, Billie Holiday, Art Tatum, Sarah Vaughn, the Dorsey Brothers, Artie Shaw, and other jazz greats.Arnold Shaw was there-as musician, composer, PR man, and just plain listener-and he recreates for us the three swinging decades that were the history if the Street: its birth in Prohibition-era speakeasies, where musicians jammed for gin or just for the fun of it; its post-Repeal blossoming as the center of the jazz universe, lined up and down on both sides with tiny, smoke-filled rooms where black and white musicians played to capacity crowds; its postwar decline as the Street became a tawdy tenderloin of strip and clip joints.

DKK 205.00
1

We Called It Music - Eddie Condon - Bog - Hachette Books - Plusbog.dk

We Called It Music - Eddie Condon - Bog - Hachette Books - Plusbog.dk

Eddie Condon (1905-1973) pioneered a kind of jazz popularly known as Chicago-Dixieland, though musicians refer to it simply as Condon style. Played by small ensembles with driving beat, it was and is an informal, exciting music, slightly disjointed and often mischievous. The same could be said of Condon''s autobiography, We Called It Music, a book widely celebrated for capturing the camaraderie of early jazz. Condon''s wit was as legendary as the music he boosted. Here is Condon on modern jazz: "The boopers flat their fifths. We consume ours." On Bix Beiderbecke: "The sound came out like a girl saying yes." On the New York subway: "It was my first ride in a sewer." When his memoir was first published-to great acclaim-in 1947, he was well known as a newspaper columnist, radio personality, saloon keeper, guitarist, and bandleader. He was the ideal man to come up with an insightful portrait of the early days of white jazz, and his book offers nonpareil accounts of many of the jazz greats of that era, including Beiderbacke, Fats Waller, Jack Teagarden, Jimmy McPartland, Gene Krupa, Bessie Smith, Louis Armstrong, and Bing Crosby. These were the days when jazz was popularly associated with Paul Whiteman and Irving Berlin. Condon considered true jazz an outlaw music and himself an outlaw. He and his cohorts tried to get as close as possible to the black roots of jazz, a scandalous thing in the ''20s. Along the way he facilitated one of the first integrated recording sessions. We Called It Music, now published with an introduction by Gary Giddins that places the book in historical context, remains essential reading for anyone interested in the wild and restless beginnings of America''s great musical art, or in the wit and vinegar of Eddie Condon.

DKK 190.00
1

More Fun in the New World - John Doe - Bog - Hachette Books - Plusbog.dk

More Fun in the New World - John Doe - Bog - Hachette Books - Plusbog.dk

This sequel to Grammy-nominated bestseller Under the Big Black Sun continues the up-close and personal account of the L.A. punk scene—and includes fifty rare photos. Picking up where Under the Big Black Sun left off, More Fun in the New World explores the years 1982 to 1987, covering the dizzying pinnacle of L.A.'s punk rock movement as its stars took to the national—and often international—stage. Detailing the eventual splintering of punk into various sub-genres, the second volume of John Doe and Tom DeSavia's west coast punk history portrays the rich cultural diversity of the movement and its characters, the legacy of the scene, how it affected other art forms, and ultimately influenced mainstream pop culture. The book also pays tribute to many of the fallen soldiers of punk rock, the pioneers who left the world much too early but whose influence hasn't faded. As with Under the Big Black Sun, the book features stories of triumph, failure, stardom, addiction, recovery, and loss as told by the people who were influential in the scene, with a cohesive narrative from authors Doe and DeSavia. Along with many returning voices, More Fun in the New World weaves in the perspectives of musicians Henry Rollins, Fishbone, Billy Zoom, Mike Ness, Jane Weidlin, Keith Morris, Dave Alvin, Louis Pérez, Charlotte Caffey, Peter Case, Chip Kinman, Maria McKee, and Jack Grisham, among others. And renowned artist/illustrator Shepard Fairey, filmmaker Allison Anders, actor Tim Robbins, and pro-skater Tony Hawk each contribute chapters on punk's indelible influence on the artistic spirit. In addition to stories of success, the book also offers a cautionary tale of an art movement that directly inspired commercially diverse acts such as Green Day, Rancid, Red Hot Chili Peppers, Wilco, and Neko Case. Readers will find themselves rooting for the purists of punk juxtaposed with the MTV-dominating rock superstars of the time who flaunted a "born to do this, it couldn't be easier" attitude that continued to fuel the flames of new music. More Fun in the New World follows the progression of the first decade of L.A. punk, its conclusion, and its cultural rebirth.

DKK 158.00
1