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Marche écossaise : Marché écossaise

Marche écossaise : Marché écossaise

The Scottish General Meredith Read called on Debussy in 1890 with a rather unusual request: Read acquainted the composer with a traditional bagpipe melody from his home country and asked him to write a march based on it. Debussy was indeed inspired by the original Scottish tune. He quickly wrote a colourful piece for piano four hands, which he even arranged for orchestra two years later. After the composer’s death further arrangements of the work were made by subsequent editors. Our Urtext edition gives the original musical text from 1891 - a joy for all piano duos looking for new repertoire.?

DKK 196.00
1

Six Duos (op. 48) for two Violins : Six Duos (op. 48) for two Violins

Six Duos (op. 48) for two Violins : Six Duos (op. 48) for two Violins

These easy duets were published around 1796/97 by Pleyel’s own publishing house both as Six Duos faciles et progressives for two violins and as Six nouvelles Sonatines progressives for piano and violin, though we do not know today which version came first. To this day, the violin duets are favorites for use in violin lessons, but also for making music at home. Though lesser known today, around 1800 Ignaz Pleyel numbered among the most popular composers in Western Europe - which may at first come as a surprise, but which to judge from these very appealing pieces, manageable for advanced beginners, is easily understandable. With an unmarked score and two marked solo parts, the Urtextedition provides optimal material for use in teaching.

DKK 184.00
1

Wind Serenade d minor op. 44 : With Additional Horn 3 Part In F

Wind Serenade d minor op. 44 : With Additional Horn 3 Part In F

When Dvo ák wrote his Serenade for 10 winds and 2 lower strings in January 1878, the heyday of the great wind serenades and “Harmoniemusik” wind ensembles was already long gone. He was probably inspired by hearing Mozart’s Gran Partita shortly beforehand in Vienna. The home key of d minor here is striking, as is the often serious, even tragic atmosphere that repeatedly darkens the otherwise cheerful mood that is typical of the serenade genre. Perhaps this was a reaction to the death of two of his children just a few months earlier. Despite the work’s dramatic character or perhaps because of it Dvo ák’s Serenade was taken up in many European cities soon after its first performance in Prague, and fêted as a significant contribution to the chamber music repertoire for wind instruments. The autograph sources in Prague have been consulted for this Urtext edition. The parts are printed with player-friendly page divisions, perfect page-turning opportunities, and practical alternative parts in F for the three horns.

DKK 464.00
1

Wind Serenade d minor op. 44

Wind Serenade d minor op. 44

When Dvo ák wrote his Serenade for 10 winds and 2 lower strings in January 1878, the heyday of the great wind serenades and “Harmoniemusik” wind ensembles was already long gone. He was probably inspired by hearing Mozart’s Gran Partita shortly beforehand in Vienna. The home key of d minor here is striking, as is the often serious, even tragic atmosphere that repeatedly darkens the otherwise cheerful mood that is typical of the serenade genre. Perhaps this was a reaction to the death of two of his children just a few months earlier. Despite the work’s dramatic character or perhaps because of it Dvo ák’s Serenade was taken up in many European cities soon after its first performance in Prague, and fêted as a significant contribution to the chamber music repertoire for wind instruments. The autograph sources in Prague have been consulted for this Urtext edition. The parts are printed with player-friendly page divisions, perfect page-turning opportunities, and practical alternative parts in F for the three horns.

DKK 209.00
1