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Collected Auden - W. H. Auden - Bog - Faber & Faber - Plusbog.dk

Book of Matches - Simon Armitage - Bog - Faber & Faber - Plusbog.dk

Field Work - Seamus Heaney - Bog - Faber & Faber - Plusbog.dk

Worlds Apart - Gavin Young - Bog - Faber & Faber - Plusbog.dk

To Ireland, I - Paul Muldoon - Bog - Faber & Faber - Plusbog.dk

The Place of the Lion - Charles Williams - Bog - Faber & Faber - Plusbog.dk

Inadmissible Evidence - John Osborne - Bog - Faber & Faber - Plusbog.dk

Collected Essays - Hanif Kureishi - Bog - Faber & Faber - Plusbog.dk

Killing and Dying - Adrian Tomine - Bog - Faber & Faber - Plusbog.dk

Human Chain - Seamus Heaney - Bog - Faber & Faber - Plusbog.dk

Blossomise - Simon Armitage - Bog - Faber & Faber - Plusbog.dk

Stealing the Mona Lisa - Darian Leader - Bog - Faber & Faber - Plusbog.dk

Femina Real - A. L. Barker - Bog - Faber & Faber - Plusbog.dk

Soft Sift - Mark Ford - Bog - Faber & Faber - Plusbog.dk

Bunny's New Brakes - Caroline Crowe - Bog - Faber & Faber - Plusbog.dk

Bunny's New Brakes - Caroline Crowe - Bog - Faber & Faber - Plusbog.dk

Woodcutters - Thomas Bernhard - Bog - Faber & Faber - Plusbog.dk

A Year in the New Life - Jack Underwood - Bog - Faber & Faber - Plusbog.dk

40 Sonnets - Don Paterson - Bog - Faber & Faber - Plusbog.dk

A Gambling Man - Jenny Uglow - Bog - Faber & Faber - Plusbog.dk

A Gambling Man - Jenny Uglow - Bog - Faber & Faber - Plusbog.dk

Charles II was thirty when he crossed the Channel in fine May weather in 1660. His Restoration was greeted with maypoles and bonfires, like spring after long years of Cromwell''s rule. But there was no going back, no way he could ''restore'' the old. Certainty had vanished. The divinity of kingship fled with his father''s beheading. ''Honour'' was now a word tossed around in duels. ''Providence'' could no longer be trusted. As the country was rocked by plague, fire and war, people searched for new ideas by which to live. Exactly ten years later Charles II would stand again on the shore at Dover, laying the greatest bet of his life in a secret deal with his cousin, Louis XIV.The Restoration decade was one of experiment: from the science of the Royal Society to the startling role of credit and risk, from the shocking licence of the court to the failed attempts at toleration of different beliefs. Negotiating all these, Charles II, the ''slippery sovereign'', played odds and took chances, dissembling and manipulating his followers. The theatres were restored, but the king was the supreme actor. Yet while his grandeur, his court and his colourful sex life were on display, his true intentions lay hidden. A Gambling Man is a portrait of Charles II, exploring his elusive nature through the lens of these ten vital years - and a portrait of a vibrant, violent, pulsing world, racked with plague, fire and war, in which the risks the king took forged the fate of the nation, on the brink of the modern world.

DKK 155.00
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Having and Being Had - Eula Biss - Bog - Faber & Faber - Plusbog.dk

Having and Being Had - Eula Biss - Bog - Faber & Faber - Plusbog.dk

''A major achievement.'' CLAUDIA RANKINE ''Endlessly absorbing.'' SINÉAD GLEESON ''A probing tour of capitalism and class.'' MAGGIE NELSON ''Exhilarating.'' JENNY OFFILL A personal reckoning with the intricacies of money, class and capitalism from the N ew York Times bestselling author. Having just purchased her first home, Eula Biss embarks on a roguish and risky self-audit of the value system she has bought into. The result is Having and Being Had: a radical interrogation of work, leisure and capitalism. Playfully ranging from IKEA to Beyoncé to Pokémon, across bars and laundromats and universities, she asks, of both herself and her class, ‘In what have we invested? ''As a writer Eula Biss has two great gifts. The first is her ability to reveal to the reader what has, all along, been hidden in plain sight . . . Her other talent is for laying bare our submerged fears . . . In Having and Being Had , both gifts are on display . . . if you are not deeply discomfited by the time you finish reading On Having and Being Had , you have no conscience.'' AMINATTA FORNA, GUARDIAN ''Calls on the controlled rush of poetry and turns experience into art.'' TIMES LITERARY SUPPLEMENT ''Nuanced . . . Biss'' sentences have retained a poet''s precision.'' IRISH TIMES ''Eula Biss’s prescient new book gave me new language for things I didn’t know I felt . . . A brilliant, lacerating re-examination of our relationship to what we own and why, and who in turn might own us.'' ALEXANDER CHEE ''No contemporary writer I know explores and confronts her own societal responsibilities better than Eula Biss.'' ALEKSANDER HEMON ''A meditation on race, consumerism and the American caste system. And a wry, vivd assessment of our spiritual moment. It is no accident that Having and Being Had reads like the poems money would write if money wrote poems.'' JEET THAYIL

DKK 139.00
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Collected Poems 1950-1993 - Vernon Scannell - Bog - Faber & Faber - Plusbog.dk

Collected Poems 1950-1993 - Vernon Scannell - Bog - Faber & Faber - Plusbog.dk

In 2002 Vernon Scannell wrote the following: ''It has been my firm belief since I first began to attempt the art of poetry that the making of a poem should be, as Yeats asserted, a difficult business. However, I have always felt reservations about what seems to me the only partially true belief , stated by both Eliot and Hopkins in their different ways, that the meaning of a poem is of less significance than its structure and texture, Eliot''s ''nice bit of meat for the house-dog.'' Ideally the poem should be the perfection of expression of meaning inseparable from the methods by which that expression is achieved. As Paul Valéry has said, ''A man is a poet if the difficulties inherent in his art provide him with ideas; he is not a poet if they deprive him if ideas.''That was an important statement, his credo. It can accurately be said that almost every poem in this collected volume bears testimony to it. Although not covering the full span of his career - Scannell didn''t die until 2007 and was writing almost literally until the very end - the body of his work is here and how impressive it is. On immaculate display is a conspectus of poems embracing the narrative, lyrical, satirical and contemplative. There are poems of pathos and comedy, intelligence and passion: whatever their form, free verse or rhyming, tenor or subject, they are executed with unfailing craftsmanship.In his obituary of Vernon Scannell, Alan Brownjohn wrote, ''What might have been considered unusual given a colourful, even swashbuckling, personality that spawned innumerable anecdotes, was his fastidious procedure as a poet, his unflinching focus on the age-old themes of love, war and death, his concern for ''''a real involvement with living experience''''. Craft and care, and for that matter clarity and accessibility, were unquestionable necessities if you were serious about the art; students on Scannell''s creative writing courses were liable to be sat down, hangover or not, to write a sonnet after breakfast.''''''Scannell is one of what appears to be a vanishing breed, a poet of technical accomplishment who understands that poetry, like the other arts, is a craft as well.'' Charles Osborne, Sunday Telegraph ''You actually want to go back and revisit the poems many times. Their shrewd structures hold their elements firmly in place and they resonate also with the kind of humanity time is generous to . . . Scannell has earned a place in the tradition of English poetry.'' Paul Fussell, Poetry Review ''. . . accurate, humane, humorous, often eloquent and always well-made poems.'' Anthony Thwaite, Sunday Telegraph

DKK 183.00
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