Silence! Singers at Work : A singer's sketchbook

Silence! Singers at Work is a wry collection of drawings about the everyday experiences of singers. Anyone who sings, or has sung, whether on the world’s greatest opera stages or in the local choir, will instantly relate to the illustrations. Internationally-acclaimed opera singer and recitalist Joyce DiDonato has collaborated with the author on the drawings and has written a preface to the book. Silence! Singers at Work makes a perfect gift for anyone who is, or who knows, a singer.

Requiem Op.144B

Max Reger's 1915 Requiem is a late Romantic setting of Friedrich Hebbel's poem 'Requiem' for alto or baritone solo, chorus andorchestra. It is Reger's last completed work for chorus and orchestra, dedicated in the autograph as Dem Andenken der im Kriege 1914/15 gefallenen deutschen Helden (To thememory of the German heroes who fell in the 1914/15 War).

Kol Nidrei Op.47

Max Bruch's Kol Nidrei Op. 47 for Viola and Piano.

Geistliche Gesange(8) Op.138 Gk

Max Reger's 8 Geistliche Gesänge Op.138 arranged for SATB choir.

Sonatas For Piano Volume 1

The present edition sets out to establish a reliable text that brings out Mozarts performing style by drawing on all the relevant sources, foremost among which are the earleist printed editions and the composers autograph scores. Valuable help inthis direction was provided by earlier Urtext editions, especially the one by Max Pauer and Martin Frey, on whose findings the present editors have based their work. Contents: K279, 280, 281, 282, 283, 284, 309, 310, 311, 330

Psalm 100 Op.106

Max Reger's Der 100. Psalm op. 106 composed for mixed choir, Organ and Orchestra.

Der Einsiedler/Hermit Op.144a

Max Reger's Der Einsiedler/Hermit Op.144a composed for SATB choir and Piano accompaniment.

Concerto No.1 in G minor Op.26

Max Bruch's Concerto No.1 In G Minor Op.26 for Violin with Piano accompaniment.

Concert 01 G Op.26

Max Bruch's Concerto No.1 In G Minor Op.26 composed for Violin solo with Piano accompaniment.

Ragtimes 1

Volume 1 of a collection of Ragtimes for Solo Piano by Scott Joplin, edited by Klemm.20 Ragtimes from 1899–1906 for solo piano (Original Rags, Maple Leaf Rag, Peacherine Rag, The Easy Winners, A Breeze fromAlabama, Elite Syncopations, The Strenuous Life, The Entertainer, Cleopha, Weeping Willow, Palm Leaf Rag, The Favorite, The Chrysanthemum, The Sycamore, The Cascades, Eugenia, Leola, Bethena, Antoinette, The Ragtime Dance.

Fit vom Blatt Band 1

Fit vom Blatt Band 2

Fit vom Blatt Band 3

A Prayer

British composer Ken Burton uses the writing of Paul Laurence Dunbar (1872 1906), the black American son of emancipated slaves, in his 3-minute work A Prayer. The text of the three verses is bitter-sweet, filled with hope andsadness, and the music combines with this to make a rhythmically simple reflective evening hymn. Burton draws on Spiritual, Gospel and Blues to write a piece for SATB with divisi that will be a popular piece both to sing and tohear. New commission from The Jason Max Ferdinand Singers and premiered in their inaugural concert as part of the online LIVE from London Spring Festival 2021. Follows Descend to Earth, VOCES8’s own commission of Ken Burton inthe LIVE from London Christmas Festival 2020. UK-based Ken Burton is known for his work on UK television programmes, particularly in BBC TV’s Songs of Praise. Burton was choirmaster for the multi Oscar winning and Grammywinning Marvel film Black Panther.

Jeux d'Eau

Ravel's Jeux d'Eau is heavily influenced by the brilliant pianistic style of Franz Liszt, who was one of Ravel's heroes. Some critics believe that Ravel's work is an homage to Liszt's work Les Jeux d'Eau la Villad'Este from 1870. For Solo Piano.

Goldberg Variations BWV 988

Goldberg Variations is a work originally written for Harpsichord by Johann Sebastian Bach. First published in 1741, the work is considered to be one of the most important examplesof variation form. The Variations are named after Johann Gottlieb Goldberg, who may have been the first performer.

Lieder

This work is an album of 29 Songs by Mozart composed for High voice and Piano accompaniment.

Messe Solennelle - St Cecilia Mass

The solennelle en l'honneur de Saint-Cécile is one of the few orchestral works of Gounod. The work was premiered on 22 November 1855 at Saint-Eustache in Paris. The closeness to opera andsymphonic music makes itself felt throughout the piece. During Gounod's lifetime numerous adaptations and new editions appeared, which prove the popularity of the work.

Czardas

Vittorio Monti was born in Naples, on January 6th, 1868; he died on June 20th, 1922. This Czardas (Csárdás) is his most famous work, composed around 1904.

Spanische Tanze Op.12

Spanish Dances Op.12 is a lively and exciting work, composed for Piano Solo by Moritz Moszkowski. This piece will provide an enjoyable challenge to the advancing pianist.

Earthrise : Version for accompanied SATB Choir

A choral work inspired by the photograph of the same name taken from lunar orbit in 1968, considering the positive and negative sides of the human race's mastery and control of the world. The work was commissioned by the UK choir Ex Cathedra for its 40th anniversary, which fell in the same year (1969) as the 40th anniversary of the Moon landing. It was written for 40-part choir, on the model of Thomas Tallis's famous Spem in alium.

Good Wish

This 2-minute work for choir SATB was first performed by the Cumnock Tryst Festival Chorus, conducted by Eamonn Dougan, on 6 October 2019 at the Cumnock Tryst Festival.

60 Etudes

Johann Baptist Cramer's 60 Selected Studies, for Solo Piano.These studies are an excellent preparation for passage-work, as well as being interesting pieces in their own right.Edited by Bulow.

Piano Concerto No.1 In B Flat Minor Op.23

An immensely popular work that perfectly illustrates the warmth and vitality of Tchaikovsky's inspiration and craft. This version has been abridged and arranged for Piano solo by Noel Fisher.

Concerto For Piano And Orchestra No.1 In C Op.15

The Concerto For Piano And Orchestra No.1 In C Op.15 is the first of Beethoven’s famous piano concertos and, being one of his earlier works, reflects a youthful and passionate composer, demonstrating his own virtuosicpianistic skills and understanding of the instrument.This version of the score has been edited, with an orchestral reduction for accompanying piano, by Max Pauer and includes Beethoven’s original cadenzas. The orchestralsetting of the second piano will enable the pupil studying the solo part, to follow the orchestra and complete their part.