Pricemate

Scales & Scale Studies (Tutor)

At last a book that provides not only a complete set of scales and arpeggios across two, three and four octaves in many variations, including on a single string – but also the necessary tools to master them. A novel andinstructive publication that is destined to set the standard for years to come.

DKK 370.00

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Miroirs

New Urtext Edition of the music of Maurice Ravel by Roger Nichols. In preparing this Urtext edition of Ravel’s piano music, Roger Nichols consulted no fewer than 14 sources - including sound recordings by Ravelhimself and other pianists with whom the composer worked. As a result he is uniquely qualified to evaluate the complexity of the sources and, with this edition, has provided today’s pianists with the tools to maketheir own well-informed performance choices about this infinitely-rewarding repertoire. “… a definitive edition that will be invaluable for all serious pianists and Ravel enthusiasts” -TheMusical Times

DKK 217.00

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Gloria In D RV 589 - Vocal Score

Vivaldi's international renown came about largely as a result of his concertos, which were collated, and, of course performed, throughout the courts of Europe. Quite unlike the concertos, Vivaldi's voluminous output of sacredworks was hardly known beyond the purlieus of their original performance. Following the composer's death they became increasingly unknown and even today it is difficult to say how many pieces of church music Vivaldi composed.As few of Vivaldi’s church compositions can be dated on the basis of written or stylistic evidence, the origins of the Gloria In D remain shrouded with conjecture.Rather than being conceivedaspart of a larger Mass setting, the Gloria is an independent work, a cyclical composition of broad design consisting of twelve self-contained movements. Stylistically, it closely resembles a concertante Mass.This Urtext edition of Vivaldi’s ever-popular work provides you with an accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions, as edited by KlausBurmeister.

DKK 107.00

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The Complete Verlaine Settings : Tony Boutté (tenor), Emily Kilpatrick, Roy Howat (piano)

Inspired by Verlaine’s expressive poetry, Gabriel Fauré’s compositions mark one of the summits of all art song. From the first setting of Clair de Lune to the legendary Venetian and La Bonne Chanson song cycles, the collection presents music ofextraordinary emotional depth. Tenor Tony Boutté has established himself as a first-rate singer of many styles, including opera, art song, oratorio, and chamber music from the Baroque period to today. Described by Opera News as “possessed of a radiant, communicative tenor”, theLouisiana native has performed across the United States and Europe. Tony is on the faculty of Sam Houston State University (Texas, USA) and is artistic director of New American Voices. Scots-born Roy Howat is internationally known as performer and scholar. As pianist Roy has appeared worldwide with an array of distinguished chamber music partners and singers, also giving masterclasses, broadcasts, and lectures. His acclaimedcritical editions include numerous volumes of Fauré’s piano and chamber music for Peters Edition, as well as the complete songs, co-edited with Emily Kilpatrick.

DKK 158.00

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Ukrainian Love Songs Op. 5

Iwan Knorr’s Ukrainian Love Songs Op. 5 for four voices and piano have the same flexible choral or one-per-part scoring as the Liebeslieder Waltzes Op. 65 by Johannes Brahms, to which they compare also in terms of compositional quality. Inspired by the Ukrainian Cossack tradition, Knorr’s cycle of nine settings combines lyrically romantic vocal writing with spirited virtuoso piano accompaniments. The poems tell stories of impassioned love, heroic warriors and the anxious wait for their safe return. Iwan Knorr (1853–1916) was a composer and music teacher. Born in West Prussia, he grew up in Russia, Riga and Leipzig and studied at the Leipzig Conservatoire. While workingas a teacher in the Ukrainian city of Kharkiv, he established contact with Johannes Brahms, who became his mentor and advocate. Later, Knorr was a colleague of Clara Schumann on the staff of the Hoch Conservatoire in Frankfurt. Throughout his life, he sought to strengthen musical ties between the cultures of Central and Eastern Europe. •Suitable for choirs of any size or solo vocal quartet •First modern edition, based on the first print of 1890 •Preface by Jochen Stankewitz, a leading German choral director, teacher and workshop leader • Performance lyrics in German and English Iwan Knorr’s Ukrainian Love Songs Op. 5 for four voices and piano have the same flexible choral or one-per-part scoring as the Liebeslieder Waltzes Op. 65 by Johannes Brahms, to which they compare also in terms of compositional quality. Inspired by the Ukrainian Cossack tradition, Knorr’s cycle of nine settings combines lyrically romantic vocal writing with spirited virtuoso piano accompaniments. The poems tell stories of impassioned love, heroic warriors and the anxious wait for their safe return. Iwan Knorr (1853–1916) was a composer and music teacher. Born in West Prussia, he grew up in Russia, Riga and Leipzig and studied at the Leipzig Conservatoire. While workingas a teacher in the Ukrainian city of Kharkiv, he established contact with Johannes Brahms, who became his mentor and advocate. Later, Knorr was a colleague of Clara Schumann on the staff of the Hoch Conservatoire in Frankfurt. Throughout his life, he sought to strengthen musical ties between the cultures of Central and Eastern Europe. •Suitable for choirs of any size or solo vocal quartet •First modern edition, based on the first print of 1890 •Preface by Jochen Stankewitz, a leading German choral director, teacher and workshop leader • Performance lyrics in German and English

DKK 115.00

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Requiem in C minor : Messa d'morti

The Requiem in C minor by Francesco Durante (1684–1755) is one of the most important works of this genre written in the first half of the 18th century. In his Messa de’ morti, Durante shows great creativity in combining traditional elements of church music with new ideas originating from instrumental writing and opera. The quality and originality of his Requiem make it an exciting rediscovery with the potential to establish itself as a core repertoire work of sacred choral music. Mainly known today as the teacher of Pergolesi and Paisiello, Durante spent much of his life working as music director at various conservatories in Naples and enjoyed great renown as achurch composer well into the 19th century. Despite its widespread popularity, indicated by the number of manuscript copies to be found across Europe, his Requiem never appeared in print. For this first publication, editor and leading British choral director Stephen Darlington has consulted many of the approximately 50 surviving sources of the work, presenting a critical edition which for the first time makes Durante’s Requiem available to a wider musical audience. •First publication •Urtext edition •Particularly suitable for smaller choirs and ensembles: soprano and alto solo, double choir (SSATB ATB) and strings (plus 2 horns in the Tuba mirum) •Full score and orchestral material also available (EP73044) The Requiem in C minor by Francesco Durante (1684–1755) is one of the most important works of this genre written in the first half of the 18th century. In his Messa de’ morti, Durante shows great creativity in combining traditional elements of church music with new ideas originating from instrumental writing and opera. The quality and originality of his Requiem make it an exciting rediscovery with the potential to establish itself as a core repertoire work of sacred choral music. Mainly known today as the teacher of Pergolesi and Paisiello, Durante spent much of his life working as music director at various conservatories in Naples and enjoyed great renown as achurch composer well into the 19th century. Despite its widespread popularity, indicated by the number of manuscript copies to be found across Europe, his Requiem never appeared in print. For this first publication, editor and leading British choral director Stephen Darlington has consulted many of the approximately 50 surviving sources of the work, presenting a critical edition which for the first time makes Durante’s Requiem available to a wider musical audience. •First publication •Urtext edition •Particularly suitable for smaller choirs and ensembles: soprano and alto solo, double choir (SSATB ATB) and strings (plus 2 horns in the Tuba mirum) •Full score and orchestral material also available (EP73044).

DKK 158.00

1

Anniversary Songbook (High Voice)

Clara Schumann (née Wieck) was undoubtedly the most important female pianist of the 19th century. As a young child she toured Europe as a prodigy: her entire career as a celebrated piano virtuoso spanned more than 60 years. Equally important, but less well known, is the composer Clara Schumann, who published her Opus 1 at the age of eleven. Despite the domestic duties expected of a woman at that time, she created numerous outstanding piano works and songs that are at least the equal of those of her male contemporaries. However, society at that time did not allow women to be regarded as fully-fledged composers or for their works to be appreciated adequately. To help give thisimportant composer the recognition she deserves, Edition Peters, in collaboration with the Schumann-Haus Leipzig, is now, on the occasion of her 200th birthday, publishing this Anniversary Songbook. The 14 songs, representing the pinnacle of Clara’s art, were composed mainly in the period after her marriage in Leipzig to Robert Schumann – who was her greatest champion. This volume includes: - new practical editions of 14 of Clara Schumann’s greatest songs - introductions to each song, written by Frances Falling, Schumann-Haus Leipzig - new English translations of the song lyrics - a CD containing recordings of the piano accompaniments

DKK 226.00

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Anniversary Songbook (Medium-Low Voice)

Clara Schumann (née Wieck) was undoubtedly the most important female pianist of the 19th century. As a young child she toured Europe as a prodigy: her entire career as a celebrated piano virtuoso spanned more than 60 years. Equally important, but less well known, is the composer Clara Schumann, who published her Opus 1 at the age of eleven. Despite the domestic duties expected of a woman at that time, she created numerous outstanding piano works and songs that are at least the equal of those of her male contemporaries. However, society at that time did not allow women to be regarded as fully-fledged composers or for their works to be appreciated adequately. To help give thisimportant composer the recognition she deserves, Edition Peters, in collaboration with the Schumann-Haus Leipzig, is now, on the occasion of her 200th birthday, publishing this Anniversary Songbook. The 14 songs, representing the pinnacle of Clara’s art, were composed mainly in the period after her marriage in Leipzig to Robert Schumann – who was her greatest champion. This volume includes: - new practical editions of 14 of Clara Schumann’s greatest songs - introductions to each song, written by Frances Falling, Schumann-Haus Leipzig - new English translations of the song lyrics - a CD containing recordings of the piano accompaniments

DKK 226.00

1

Mærke

Butik

Pris (EUR)